Stone Dining Room Sets

White marble dining table designed by Karen Chekerdjian, part of the Inside Out Collection - accessories (fruit bowl, candles, flower vases) tables in red and black marble. It can be...

This Stone International travertine pedestal table and Tonon dining chairs - both crafted in Italy - are the perfect, elegant pairing. ...

C&C dining table, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. Designed by Rute Martins for the Contemporary Collection and inspired by nature’s organi...

Fontaine Dining Table, Modern Collection, Handcrafted in Portugal - Europe by GF Modern. The Fontaine dining table is named after Jean de La Fontaine, a French poet and fabulist, re...

Please feel free to reach out for accurate shipping quote to your location. Dining Set: four chairs and table. Chairs are Iron Wire and plywood seats. Table is Iron Wire with 36" di...

Magnificent and fully original Tulip dining set designed by Eero Saarinen. It is produced by Knoll International in the 1960s. The set consists of 5 original tulip chairs and the o...

An iconic vintage Eero Saarinen, Knoll white tulip dining set with a Calacatta marble top and 4 matching Saarinen, Knoll vintage tulip chairs with...

Magnificent fully original tulip dining set designed by Eero Saarinen and produced by Knoll International in the 1960s. The set consists of 6 original marked tulip armchairs and the ...

Modern Howlite Round Dining Table 4-Seats, Modern Collection, Handcrafted in Portugal - Europe by GF Modern. Howlite dining table represents the dawn of a new modern era. The lacque...

Woodard vintage midcentury black wrought iron and marble dining set with upholstered chairs. A shapely cone form pedestal with a lattice pattern on a circular base supports a new sc...

C&C Dining Table, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. Designed by Rute Martins for the Contemporary Collection...

Biloba Dining Table, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. Designed by Rute Martins for the Contemporary Collection, the Biloba marble dining table started with the challenge of reinterpreting fundamental structures and shapes of monumental Portuguese architecture. The chosen monument was the Alcobaça Monastery, aiming to reflect all its influences in a statement piece. In addition to the architectural inspiration from the 18th century, organic design also played a crucial role in creating the Biloba marble dining table. Honoring its name, three types of marble are combined in a pattern of intermingling arches that magically create the graceful design of two Ginkgo Biloba leaves. Biloba 12-Seat Dining Table Material Codes FI136 dark green lacquer; satin finish ME006 brushed brass; high-gloss finish ST005 green Guatemala marble; polished ST010 Calacatta Cremo marble; polished ST033 Verde Antigua...

Dining room set consisting of Italian round dining table in Carrara marble with set of six French dining chairs with red wooden frames and straw seats Round dining table, white Car...

Tulip oval dining table designed by Eero Saarinen in 1957 and manufactured by Knoll in 1967. Composed of a white lacquered pedestal and a tabletop made of ...

Set of garden furniture with four armchairs and glass top in forged iron Beautiful handmade set of patio or garden furniture. It´s made of forged iron with a special antioxidant pai...

Pink marble dining table designed by Karen Chekerdjian, part of the Inside Out Collection - accessories (fruit bowl, candles, flower vases) ta...

“Delfi” dining table, designed by Carlo Scarpa and Marcel Breuer and produced by the Italian manufacturer Studio Simon in 1969. Made of white Nax...

Absolut traumhafte und sehr seltene Esszimmergruppe vom Afra & Tobia Scarpa für B&B Italia, Italien 1974. Das Set besteht aus einem großen Esstisch aus wunderschönem, persischem Tra...

Imported Italian marble dining table and three marble stools for indoor or outdoor use. Stools can be used a seating, beverage/side tables, or plant stands- versatile use. The table ...

Set of garden furniture with two armchairs and one sofa in forged iron Beautiful handmade set of patio or garden furniture. It´s made of forged iron with a special antioxidant paint...

Indulge in the artistic charm of our double quartz spoon, adorned with a sculptural stone handle. Meticulously handcrafted by italian artisans, the distinctive stone adds a touch of ...

C&C Dining Table, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. Designed by Rute Martins for the Contemporary Collection and inspired by nature’s organi...

Thomasville Dining Room Set featuring 8 high back chairs with matching marble table. Each chair features a tall 50" back with tarped wood ...

Vintage Contemporary Round Tessellated Stone Dining Table and Chairs Vintage Contemporary 54" Round Beveled Glass-Top Wood with Teselated Stone top Pedestal Base w/4 Wood Sheild Ba...

Indulge in the artistic charm of our double quartz spoon, adorned with a sculptural stone handle. Meticulously handcrafted by italian artisans, the distinctive stone adds a touch of ...

Two grand and very impressive cast concrete neoclassical style pedestal dining table bases with finely detailed winged griffins. Will support a large stone, marble or glass table top. Can be used indoors or outdoors - sun porch...

Organic Modern Gimonde Dining Table, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. The Gimonde marble dining table is a bold expression of exclusive desig...

Beautiful table designed by the famous Italian Mid-Century Modern designer Vittorio Dassi, 1950. The exceptional woodwork is highlighted by the curved green glass top and the rounde...

Organic Modern Armona Dining Table, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. The Armona dining table draws inspira...

Unusual chinoiserie marble topped dining table and four velvet upholstered chairs. The table has a marble inlay and two leaves. The chairs have been upholstered in a lovely sea foam ...

Oak Dining Room Set With Marble and Rattan Elements, 1950s, Set of 9 This early 20th-century dining set exudes a timeless elegance, combining practical functionality with refined ar...

Unique "Paracarro" model dining table with a set of four chairs. It was designed by Giovanni Offredi and produced by Saporiti in Italy during 1973. Based on a prototype project, i...

Fontaine Dining Table, Modern Collection, Handcrafted in Portugal - Europe by GF Modern. The Fontaine dining table is named after Jean de La Fontaine, a French poet and fabulist, re...

First developed in 1976, the Cirkante extendable dining table became an instant classic. Thanks to the combination of design and functionality, the table can accommodate to 8 people, even in the small houses of the past. This feature is very useful, given the current trend towards smaller homes. In the center of the table there is a removable red Belgian Rouge Royal marble square centerpiece. In addition, this table comes with a set of 4 beautiful organically shaped oak Orchidee chairs...

TITLE Table and 6 chairs Hank Lowenstein Padua vintage, from the 1970s DESCRIPTION Table with oak frame and marble top, "Padova" chairs by Hank Lowenstein. Made in Italy around 1980....

A fine and rare Italian 19th century Baroque style oak-carved figural credenza cabinet. The upper part with a pair of colorful Vitreaux (Stained glass) panelled doors, surmounted on ...

The iconic Guarujá is a table designed by Jorge Zalszupin (1922-2020) in 1959 and produced by his company, L'atelier. A rosewood patchwork top rests over one concrete base finished with leather. This patchwork solution is present in other pieces designed by Zalszupin. Modern design taught us about using the material rationally, having the design as a tool to avoid waste. Aesthetically, the patchwork explores the different tones of the Brazilian rosewood beautifully, achieving a unique result. At the time, the Guanabara table was presented as a dynamic piece that could be used in the corporate spaces (as a meeting...

OOMA is not just a dining table. It’s an invitation, a multifaceted experience. First, it captivates the eye with its color. Matte or glossy, lacquer is omnipresent. Its line is rema...

They can be sold separately Midcentury dining room set Melchiorre Bega attributable, from Cantù, in mahogany and burl mahogany Precious and ...

Organic Modern Gimonde Dining Table, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. The Gimonde marble dining table is a bold expression of exclusive desig...

Dining room set containing Børge Mogensen for Fredericia Stolefabrik set of six dining chairs with Angelo Mangiarotti for Skipper 'Eros' dining table Børge Mogensen for Fredericia ...

Organic Modern Armona Dining Table, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. The Armona dining table draws inspira...

Designed by Daniel Barbera, the 'Bronze' square table is a Minimalist table consisting of Classic geometry on the exterior merged with organic flowing underside. The four legged cast...

The OOMA table reflects Reda Amalou’s search for a perfect balance between a pure line and the attention to detail. The proportions of the very thin elegant marble top, with its subt...

Indulge in the artistic charm of our double quartz spoon, adorned with a sculptural stone handle. Meticulously handcrafted by italian artisans, the distinctive stone adds a touch of ...

Vallin dining table, Modern Collection, Handcrafted in Portugal - Europe by GF Modern. The branched legs in solid beech, lacquered with gold-coloured bronze powder, are a reminder...

Elegant Art Deco Dining Room Set – Fine Craftsmanship and Premium Materials. This exquisite Art Deco dining room set showcases outstanding woodworking and high-quality materials. The...

There are many details that make this Venetian style dining table very luxurious. From solid wood, soft ivory color, to cabriole legs with intricately handcrafted wood carvings on th...

Dining table mod. ‘Samo’ by Studio Simon. Series ‘Ultrarazionale’. Italy, 1970. Made of granite. Literature: Giuliana Gramigna, Repertorio 1950-2000, Allemandi, Torino, 2003, p.180. Excellent vintage condition. The Samo table was designed in 1970 by the project office of Studio Simon. Carlo Scarpa was the brand's artistic director, and the Venetian architect's style inspired the shapes of this table. Born in Venice on June 2nd, 1906, Carlo Scarpa began working at a very early age. Only a year after he had first qualified as an architect in 1926, he began working for the Murano glassmakers Cappellin & Co. in a consultative capacity; from 1927, he began to experiment with the Murano glass, and this research not only gave him excellent results here but would also inform his progress for many years to come. Between 1935 and 1937, as he entered his thirties, Carlo Scarpa accepted his first important commission, the renovation of Venice’s Cà Foscari. He adapted the spaces of this stately University building which stands on the banks of the Grand Canal, creating rooms for the Dean’s offices and a new hall for academic ceremonies; Mario Sironi and Mario De Luigi were charged with doing the restoration work on the frescos. After 1945, Carlo Scarpa found himself constantly busy with new commissions, including various furnishings and designs for the renovation of Venice’s Hotel Bauer and designing a tall building in Padua and a residential area in Feltre, which are all worth mention. One of his key works, despite its relatively modest diminished proportions, was the first of many works which were to follow in the nineteen fifties: the [bookshop known as the] Padiglione del Libro, which stands in Venice’s Giardini di Castello and shows clearly Scarpa’s passion for the works of Frank Lloyd Wright. In the years which were to follow, after he had met the American architect, Scarpa repeated similar experiments on other occasions, as can be seen, in particular, in the sketches he drew up in 1953 for villa Zoppas in Conegliano, which show some of his most promising work. However, this work unfortunately never came to fruition. Carlo Scarpa later created three museum layouts to prove pivotal in terms of how 20th century museums were to be set up from then on. Between 1955 and 1957, he completed extension work on Treviso’s Gipsoteca Canoviana [the museum that houses Canova’s sculptures] in Possagno, taking a similar experimental approach to the one he used for the Venezuelan Pavilion at [Venice’s] Giardini di Castello which he was building at the same time (1954-56). In Possagno Carlo Scarpa was to create one of his greatest ever works, which inevitably bears comparison with two other museum layouts that he was working on over the same period, those of the Galleria Nazionale di Sicilia, housed in the Palazzo Abatellis in Palermo (1953-55) and at the Castelvecchio in Verona (1957- 1974), all of which were highly acclaimed, adding to his growing fame. Two other buildings, which are beautifully arranged in spatial terms, can be added to this long list of key works that were started and, in some cases, even completed during the nineteen fifties. After winning the Olivetti award for architecture in 1956, Scarpa began work in Venice’s Piazza San Marco on an area destined to house products made by the Industrial manufacturers Ivrea. Over the same period (1959-1963), he also worked on renovation and restoration of the gardens and ground floor of the Fondazione Querini Stampalia in Venice, which many consider being one of his greatest works. While he busied himself working on-site at the Fondazione Querini Stampalia, Carlo Scarpa also began work building a villa in Udine for the Veritti family. To shed some light on the extent to which his work evolved over the years, it may perhaps be useful to compare this work with that of his very last building, villa Ottolenghi Bardolino, which was near to completion at the time of his sudden death in 1978. Upon completion of villa Veritti over the next ten years, without ever letting up on his work on renovation and layouts, Scarpa accepted some highly challenging commissions which were to make the most of his formal skills, working on the Carlo Felice Theatre in Genoa as well as another theatre in Vicenza. Towards the end of this decade, in 1969, Rina Brion commissioned Carlo Scarpa to build the Brion Mausoleum in San Vito d’Altivole (Treviso), a piece he continued to work on right up until the moment of his death. Nevertheless, even though he was totally absorbed by work on this mausoleum, there are plenty of other episodes which can offer some insight into the final years of his career. As work on the San Vito d’Altivole Mausoleum began to lessen from 1973, Carlo Scarpa began work building the new headquarters for the Banca Popolare di Verona. He drew up plans that were surprisingly different from the work he was carrying out at the same time on the villa Ottolenghi. However, the plans Carlo Scarpa drew up, at different times, for a monument in Brescia’s Piazza della Loggia commemorating victims of the terrorist attack on May 28th, 1974, make a sharp contrast to the work he carried out in Verona, almost as if there is a certain hesitation after so many mannered excesses. The same Pietas that informs his designs for the Piazza Della Loggia can also be seen in the presence of the water that flows through the Brion Mausoleum, almost as if to give a concrete manifestation of pity in this 20th century work of art. Carlo Scarpa has put together a highly sophisticated collection of structures, occupying the mausoleum’s L-shaped space stretching across both sides of the old San Vito d’Altivole cemetery. A myriad of different forms and an equally large number of different pieces, all of which are separate and yet inextricably linked to form a chain that seems to offer no promise of continuity, rising up out of these are those whose only justification for being there is to bear the warning “si vis vitam, para mortem”, [if you wish to experience life prepare for death] as if to tell a tale that suggests the circle of time, joining together the commemoration of the dead with a celebration of life. At the entrance of the Brion Mausoleum stand the “propylaea” followed by a cloister which ends by a small chapel, with an arcosolium bearing the family sarcophagi, the main pavilion, held in place on broken cast iron supports, stands over a mirror-shaped stretch of water and occupies one end of the family’s burial space. The musical sound of the walkways teamed with the luminosity of these harmoniously blended spaces shows how, in keeping with his strong sense of vision, Carlo Scarpa could make the most of all of his many skills to come up with this truly magnificent space. As well as a great commitment to architectural work, with the many projects which we have already seen punctuating his career, Carlo Scarpa also made many equally important forays into the world of applied arts. Between 1926 and 1931, he worked for the Murano glassmakers Cappellin, later taking what he had learned with him when he went to work for the glassmakers Venini from 1933 until the 1950s. The story of how he came to work on furniture design is different, however, and began with the furniture he designed to replace lost furnishings during his renovation of Cà Foscari. The later mass-produced furniture started differently, given that many pieces were originally one-off designs “made to measure”. Industrial manufacturing using these designs as prototypes came into being thanks to the continuity afforded him by Dino Gavina, who, as well as this, also invited Carlo Scarpa to become president of the company Gavina SpA, later to become SIMON, a company Gavina founded 8 years on, in partnership with Maria Simoncini (whose own name accounts for the choice of company name). Carlo Scarpa and Gavina forged a strong bond in 1968 as they began to put various models of his into production for Simon, such as the “Doge” table, which also formed the basis for the “Sarpi” and “Florian” tables. In the early seventies, other tables that followed included “Valmarana”, “Quatour” and “Orseolo”. While in 1974, they added couch and armchair “Cornaro” to the collection and the “Toledo” bed...

Karen Chekerdjian expands her iconic Inside Out collection with the new Large Dining Table—a bold yet essential centerpiece for contemporary interiors. This new iteration introduces ...

Designed by Daniel Barbera, the 'Molecule' table is pedestal table base, that has a range of sizes for different types of usage. The single solid bronze base is sandcast and worked t...

High cabinetry dining room set, consisting of: 2 sideboards, a mirror, table and 6 chairs. The sideboards are moved, with finely carved feet in an elong...

This round dining table was designed by the renowned designer Paul Mathieu for Stephanie Odegard. When he first saw the extraordinary swirling colors and patterning of the Indian sandstone...

When the renowned designer Paul Mathieu first saw the extraordinary swirling colors and patterning of the Indian sandstone “Rainbow Teakwood” he reali...

The OOMA table reflects Reda Amalou’s search for a perfect balance between a pure line and the attention to detail. The proportions of the very thin elegant marble top, with its subt...

Carrara marble oval table set with six armless tulip chairs reupholstered in genuine black leather.

The OOMA table reflects Reda Amalou’s search for a perfect balance between a pure line and the attention to detail. The proportions of the very thin elegant marble top, with its subt...

Designed by Daniel Barbera, the 'Molecule' table is pedestal table base, that has a range of sizes for different types of usage. The single solid bronze base is sand-cast and worked ...