Stone Dining Room Sets

Modern Latite Marble Dining Table , Modern Collection, Handcrafted in Portugal - Europe by Greenapple The Latite Dining Table draws inspiration from volcanic rock and the idea of tr...

This original Tulip dining set was designed by Eero Saarinen for Knoll International. It comprises a Tulip pedestal table with a 137 cm (54 in.) Calacatta marble top and four matchin...

Woodard vintage midcentury black wrought iron and marble dining set with upholstered chairs. A shapely cone form pedestal with a lattice pattern on a circular base supports a new sc...

Unique one of a kind Herman Miller Eames dining set. Classic DCM chairs, each with own unique characteristics, paired with Herman Miller Eames table base...

Beautiful table designed by the famous Italian Mid-Century Modern designer Vittorio Dassi, 1950. The exceptional woodwork is highlighted by the curved green glass top and the rounded...

CC dining table, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. Designed by Rute Martins for the Contemporary Collection and inspired by nature’s organic rhythmic curves, CC dining table results in an elegant and harmonious piece that looks like the two legs as C letters are associated with each other. Handcrafted with meticulous precision, the Calacatta Viola marble beauty and vein patterning stands out on its own, giving this dining table a bold and powerful personality. CC 12-seat Dining Table...

Contemporary Cerdeira Marble Dining Table, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. The Cerdeira marble dining table captures the raw beauty and orga...

A very well made custom New Haven Woodworks arts & crafts style oval cherry wood table with square tapering legs and covered with a granite top. The table is accompanied by 2 arm cha...

Magnificent and fully original Tulip dining set designed by Eero Saarinen. It is produced by Knoll International in the 1960s. The set consists of 5 original tulip chairs and the o...

Two grand and very impressive cast concrete neoclassical style pedestal dining table bases with finely detailed winged griffins. Will support a large stone, marble or glass table top...

Portuguese dining room set in wood, marble and straw - sideboard with display cabinet, table and 8 chairs - 1890–1920. An imposing dining room set of Portuguese production, dating f...

Exceptional and richly decorated Italian dining room suite in the French Napoleon III style and inspired by the celebrated Boulle tradition. The set is composed of a large dining tab...

Indulge in the artistic charm of our double quartz spoon, adorned with a sculptural stone handle. Meticulously handcrafted by italian artisans, the distinctive stone adds a touch of ...

Art Deco Style Fontaine Quartz Dining Table, Modern Collection, Handcrafted in Portugal - Europe by Greenapple. The Fontaine marble dining tab...

In this listing you will find an iconic design piece, a Space Age "Tulip" dining table designed by Eero Saarinen for Knoll International. It features a cast aluminum base with the m...

Tulip round dining table designed by Eero Saarinen in 1957 and manufactured by Knoll in 1967. Composed of a white lacquered pedestal and a tabletop made of Carrara Arabescato marble...

“Delfi” dining table, designed by Carlo Scarpa and Marcel Breuer and produced by the Italian manufacturer Studio Simon in 1969. Made of white Nax...

Unusual chinoiserie marble topped dining table and four velvet upholstered chairs. The table has a marble inlay and two leaves. The chairs have been upholstered in a lovely sea foam ...

Dining table mod. ‘Samo’ by Studio Simon. Series ‘Ultrarazionale’. Italy, 1970. Made of granite. Literature: Giuliana Gramigna, Repertorio 1950-2000, Allemandi, Torino, 2003, p.180. Excellent vintage condition. The Samo table was designed in 1970 by the project office of Studio Simon. Carlo Scarpa was the brand's artistic director, and the Venetian architect's style inspired the shapes of this table. Born in Venice on June 2nd, 1906, Carlo Scarpa began working at a very early age. Only a year after he had first qualified as an architect in 1926, he began working for the Murano glassmakers Cappellin & Co. in a consultative capacity; from 1927, he began to experiment with the Murano glass, and this research not only gave him excellent results here but would also inform his progress for many years to come. Between 1935 and 1937, as he entered his thirties, Carlo Scarpa accepted his first important commission, the renovation of Venice’s Cà Foscari. He adapted the spaces of this stately University building which stands on the banks of the Grand Canal, creating rooms for the Dean’s offices and a new hall for academic ceremonies; Mario Sironi and Mario De Luigi were charged with doing the restoration work on the frescos. After 1945, Carlo Scarpa found himself constantly busy with new commissions, including various furnishings and designs for the renovation of Venice’s Hotel Bauer and designing a tall building in Padua and a residential area in Feltre, which are all worth mention. One of his key works, despite its relatively modest diminished proportions, was the first of many works which were to follow in the nineteen fifties: the [bookshop known as the] Padiglione del Libro, which stands in Venice’s Giardini di Castello and shows clearly Scarpa’s passion for the works of Frank Lloyd Wright. In the years which were to follow, after he had met the American architect, Scarpa repeated similar experiments on other occasions, as can be seen, in particular, in the sketches he drew up in 1953 for villa Zoppas in Conegliano, which show some of his most promising work. However, this work unfortunately never came to fruition. Carlo Scarpa later created three museum layouts to prove pivotal in terms of how 20th century museums were to be set up from then on. Between 1955 and 1957, he completed extension work on Treviso’s Gipsoteca Canoviana [the museum that houses Canova’s sculptures] in Possagno, taking a similar experimental approach to the one he used for the Venezuelan Pavilion at [Venice’s] Giardini di Castello which he was building at the same time (1954-56). In Possagno Carlo Scarpa was to create one of his greatest ever works, which inevitably bears comparison with two other museum layouts that he was working on over the same period, those of the Galleria Nazionale di Sicilia, housed in the Palazzo Abatellis in Palermo (1953-55) and at the Castelvecchio in Verona (1957- 1974), all of which were highly acclaimed, adding to his growing fame. Two other buildings, which are beautifully arranged in spatial terms, can be added to this long list of key works that were started and, in some cases, even completed during the nineteen fifties. After winning the Olivetti award for architecture in 1956, Scarpa began work in Venice’s Piazza San Marco on an area destined to house products made by the Industrial manufacturers Ivrea. Over the same period (1959-1963), he also worked on renovation and restoration of the gardens and ground floor of the Fondazione Querini Stampalia in Venice, which many consider being one of his greatest works. While he busied himself working on-site at the Fondazione Querini Stampalia, Carlo Scarpa also began work building a villa in Udine for the Veritti family. To shed some light on the extent to which his work evolved over the years, it may perhaps be useful to compare this work with that of his very last building, villa Ottolenghi Bardolino, which was near to completion at the time of his sudden death in 1978. Upon completion of villa Veritti over the next ten years, without ever letting up on his work on renovation and layouts, Scarpa accepted some highly challenging commissions which were to make the most of his formal skills, working on the Carlo Felice Theatre in Genoa as well as another theatre in Vicenza. Towards the end of this decade, in 1969, Rina Brion commissioned Carlo Scarpa to build the Brion Mausoleum in San Vito d’Altivole (Treviso), a piece he continued to work on right up until the moment of his death. Nevertheless, even though he was totally absorbed by work on this mausoleum, there are plenty of other episodes which can offer some insight into the final years of his career. As work on the San Vito d’Altivole Mausoleum began to lessen from 1973, Carlo Scarpa began work building the new headquarters for the Banca Popolare di Verona. He drew up plans that were surprisingly different from the work he was carrying out at the same time on the villa Ottolenghi. However, the plans Carlo Scarpa drew up, at different times, for a monument in Brescia’s Piazza della Loggia commemorating victims of the terrorist attack on May 28th, 1974, make a sharp contrast to the work he carried out in Verona, almost as if there is a certain hesitation after so many mannered excesses. The same Pietas that informs his designs for the Piazza Della Loggia can also be seen in the presence of the water that flows through the Brion Mausoleum, almost as if to give a concrete manifestation of pity in this 20th century work of art. Carlo Scarpa has put together a highly sophisticated collection of structures, occupying the mausoleum’s L-shaped space stretching across both sides of the old San Vito d’Altivole cemetery. A myriad of different forms and an equally large number of different pieces, all of which are separate and yet inextricably linked to form a chain that seems to offer no promise of continuity, rising up out of these are those whose only justification for being there is to bear the warning “si vis vitam, para mortem”, [if you wish to experience life prepare for death] as if to tell a tale that suggests the circle of time, joining together the commemoration of the dead with a celebration of life. At the entrance of the Brion Mausoleum stand the “propylaea” followed by a cloister which ends by a small chapel, with an arcosolium bearing the family sarcophagi, the main pavilion, held in place on broken cast iron supports, stands over a mirror-shaped stretch of water and occupies one end of the family’s burial space. The musical sound of the walkways teamed with the luminosity of these harmoniously blended spaces shows how, in keeping with his strong sense of vision, Carlo Scarpa could make the most of all of his many skills to come up with this truly magnificent space. As well as a great commitment to architectural work, with the many projects which we have already seen punctuating his career, Carlo Scarpa also made many equally important forays into the world of applied arts. Between 1926 and 1931, he worked for the Murano glassmakers Cappellin, later taking what he had learned with him when he went to work for the glassmakers Venini from 1933 until the 1950s. The story of how he came to work on furniture design is different, however, and began with the furniture he designed to replace lost furnishings during his renovation of Cà Foscari. The later mass-produced furniture started differently, given that many pieces were originally one-off designs “made to measure”. Industrial manufacturing using these designs as prototypes came into being thanks to the continuity afforded him by Dino Gavina, who, as well as this, also invited Carlo Scarpa to become president of the company Gavina SpA, later to become SIMON, a company Gavina founded 8 years on, in partnership with Maria Simoncini (whose own name accounts for the choice of company name). Carlo Scarpa and Gavina forged a strong bond in 1968 as they began to put various models of his into production for Simon, such as the “Doge” table, which also formed the basis for the “Sarpi” and “Florian” tables. In the early seventies, other tables that followed included “Valmarana”, “Quatour” and “Orseolo”. While in 1974, they added couch and armchair “Cornaro” to the collection and the “Toledo” bed...

Karen Chekerdjian expands her iconic Inside Out collection with the new Large Dining Table—a bold yet essential centerpiece for contemporary interiors. This new iteration introduces ...

TITLE Table and 6 chairs Hank Lowenstein Padua vintage, from the 1970s DESCRIPTION Table with oak frame and marble top, "Padova" chairs by Hank Lowenstein. Made in Italy around 1980....

Two grand and very impressive cast concrete neoclassical style pedestal dining table bases with finely detailed winged griffins. Will support a large stone, marble or glass table top. Can be used indoors or outdoors - sun porch...

Modern Biloba Marble Dining Table, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. The Biloba marble dining table celebrates Portuguese architectural herita...

Art Deco Style Fontaine Quartz Dining Table, Modern Collection, Handcrafted in Portugal - Europe by Greenapple. The Fontaine quartz dining tab...

Tulip oval dining table designed by Eero Saarinen in 1957 and manufactured by Knoll in 1967. Composed of a white lacquered pedestal and a tabletop made of ...

A Dining table inspired by the sweeping curves of a ship's propeller blades and the art-deco golden age of the ocean liner. Pairing blackened steel and etched brass with bullnosed ...

This dining set showcases a strong Mid-Century Modern European design language. The overall composition combines warm-toned wood with a high-gloss lacquer finish, creating a refined ...

Set of garden furniture with four armchairs and glass top in forged iron Beautiful handmade set of patio or garden furniture. It´s made of forged iron with a special antioxidant pai...

A fine and rare Italian 19th century Baroque style oak-carved figural credenza cabinet. The upper part with a pair of colorful Vitreaux (Stained glass) panelled doors, surmounted on ...

This vintage square dining table is a masterwork of architectural permanence, skillfully cast in heavy-duty cement to emulate the grandeur of Neoclassical stone monuments. The table ...

A prestigious member of one of the most exclusive Gentlemen's clubs in London, Henry Portman, whose legacy is intertwined with the architectural heritage of London's Portman Estate. ...

The midcentury Italian set of four chairs and marble table from the 1980s offers a blend of sophistication and luxury. The chairs have been thoughtfully reupholstered in green suede,...

CC Dining Table, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. Designed by Rute Martins for the Contemporary Collection and inspired by nature’s organic r...

Designed by Daniel Barbera, the 'Molecule' table is pedestal table base, that has a range of sizes for different types of usage. The single solid bronze base is sandcast and worked t...

Organic Modern Cerdeira Stone Dining Table, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. The Cerdeira stone dining table captures the raw beauty and orga...

Contemporary Armona Dining Table, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. The Armona dining table draws inspirati...

Magnificent fully original tulip dining set designed by Eero Saarinen and produced by Knoll International in the 1960s. The set consists of 6 original marked tulip armchairs and the ...

Organic Modern Cerdeira Marble Dining Table, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. The Cerdeira marble dining table captures the raw beauty and or...

An Art Nouveau set consisting of a wooden table with a Violet d'Afyon marble top, two open-sided armchairs, and four chairs, model "AUX CLEMATITES," all with carved and openwork deco...

Contemporary Venise Dining Table, Hand-Crafted in Portugal - Europe by Greenapple The Venise dining table enhances any interior by taking exceptional craftsmanship to a new level. ...

Mid-Century Modern Venise Dining Table, Hand-Crafted in Portugal - Europe by Greenapple The Venise dining table enhances any interior by taking exceptional craftsmanship to a new le...

Modern Howlite Travertine Dining Table 4-Seats, Modern Collection, Handcrafted in Portugal - Europe by GF Modern. The Howlite travertine dining table anchors the room with quiet con...

Dining table designed by Warren Platner edited by Knoll, composed of a steel structure with welded rods creating curved and circular shapes. Tabletop made of Carrara marble, USA, 197...

The iconic Guarujá is a table designed by Jorge Zalszupin (1922-2020) in 1959 and produced by his company, L'atelier. A rosewood patchwork top rests over one concrete base finished with leather. This patchwork solution is present in other pieces designed by Zalszupin. Modern design taught us about using the material rationally, having the design as a tool to avoid waste. Aesthetically, the patchwork explores the different tones of the Brazilian rosewood beautifully, achieving a unique result. At the time, the Guanabara table was presented as a dynamic piece that could be used in the corporate spaces (as a meeting...

Designed by Daniel Barbera, the 'Molecule' table is pedestal table base, that has a range of sizes for different types of usage. The single solid bronze base is sand-cast and worked ...

This round dining table was designed by the renowned designer Paul Mathieu for Stephanie Odegard. When he first saw the extraordinary swirling colors and patterning of the Indian sandstone...

Monumental solid soapstone tea table with five matching stools, imported from China in the 1980s. Each piece is hand-carved from massive blocks of deep green stone, giving it a prese...

Vintage Mid-Century Modern 5 Piece Open Metal Wire Cone dining set In The Style Or Likeness of Verner Panton. This 5 Piece White And Black Open Metal Wire Cone Dining Set Is In Excellent Vintage Condition. Four White Open Metal Wire Cone Swivel Dining Chairs, White Open Metal Wire Cone Design With Black Leatherette Seat Cushions. The Dining Table Is A White Open Metal Wire Cone Base With Original Black Stone Like Table...

Beautiful tripod dining table model "Eros" from the Italian designer Angelo Mangiarotti from the 70s. The legs (independent) and the top are in Car...

On offer on this occasion is a sublime, immaculately-presented suite consisting of a "Florence Knoll" Round Dining Table in "Carrara" Marble and 4 "Brno" Flat-Bar Armchairs in Ivory ...

Mid-Century Modern Modern Olisippo Dining Table, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. The Olisippo quartz dining table pays homage to Lisbon’s an...

Large and round marble table with feet in the shape of lions, Italy.

Antique Italian-style dining table with a pale oval marble top and an architectural dark wood trestle base. Turned supports, carved details, and a full-length stretcher give the tabl...

A rectangular stainless steel framed dining table/ desk with a white marble top. Two tables could be placed end to end to make one continuous ...

Indulge in the artistic charm of our double quartz spoon, adorned with a sculptural stone handle. Meticulously handcrafted by italian artisans, the distinctive stone adds a touch of ...

Edgar Brandt Style French Art Deco Wrought Iron & Marble Dining Set, circa 1930 This important and stunning seven-piece French Art Deco dining ensemble, comprising a sculptural ...

CC dining table, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. Designed by Rute Martins for the Contemporary Collection and inspired by nature’s organic r...

A Dining table inspired by the sweeping curves of a ship's propeller blades and the art-deco golden age of the ocean liner. Pairing blackened steel and etched brass with bullnosed ...

A rare and great iconic Danish mid century dining set consisting of four light brown / tanned leather "PK9" chairs and a round "PK54" dining table with a light grey cipollini marble ...

Modern Gimonde Quartz Dining Table, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. The Gimonde quartz dining table is a bold expression of exclusive design...