Stone Dining Room Sets

A Dining table inspired by the sweeping curves of a ship's propeller blades and the art-deco golden age of the ocean liner. Pairing blackened steel and etched brass with bullnosed ...

Set of garden furniture with two armchairs and one sofa in forged iron Beautiful handmade set of patio or garden furniture. It´s made of forged iron with a special antioxidant paint...

CC dining table, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. Designed by Rute Martins for the Contemporary Collection and inspired by nature’s organic r...

Large and round marble table with feet in the shape of lions, Italy.

They can be sold separately Midcentury dining room set Melchiorre Bega attributable, from Cantù, in mahogany and burl mahogany Precious and ...

CC dining table, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. Designed by Rute Martins for the Contemporary Collection and inspired by nature’s organic r...

A sculptural column table designed as an artful expression of movement, material, and light The Helix Sculptural Column Table by Dainte Inc. is a refined statement of contemporary d...

Oak Dining Room Set With Marble and Rattan Elements, 1950s, Set of 9 This early 20th-century dining set exudes a timeless elegance, combining practical functionality with refined ar...

White marble dining table designed by Karen Chekerdjian, part of the Inside Out Collection - accessories (fruit bowl, candles, flower vases) tables in red and black marble. It can be...

Indulge in the artistic charm of our double quartz spoon, adorned with a sculptural stone handle. Meticulously handcrafted by italian artisans, the distinctive stone adds a touch of ...

Contemporary Armona Dining Table, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. The Armona dining table draws inspirati...

Organic Modern Armona Dining Table, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. The Armona dining table draws inspiration from the serene landscape of A...

Pink marble dining table designed by Karen Chekerdjian, part of the Inside Out Collection - accessories (fruit bowl, candles, flower vases) ta...

Contemporary Armona Quartz Dining Table, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. The Armona quartz dining table draws inspiration from the serene la...

Designed by Naoto Fukasawa in 2005, the Muku line for Driade was crafted from solid mahogany with a simple modern elegance. This set includes six dining chairs with arms and a dining...

Contemporary Cerdeira Marble Dining Table, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. The Cerdeira marble dining table captures the raw beauty and orga...

Organic Modern Armona Dining Table, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. The Armona dining table draws inspiration from the serene landscape of A...

Modern Howlite Quartz Dining Table 4-Seats, Modern Collection, Handcrafted in Portugal - Europe by GF Modern. The Howlite quartz dining table anchors the room with quiet confidence....

A very well made custom New Haven Woodworks arts & crafts style oval cherry wood table with square tapering legs and covered with a granite top. The table is accompanied by 2 arm cha...

This dining set showcases a strong Mid-Century Modern European design language. The overall composition combines warm-toned wood with a high-gloss lacquer finish, creating a refined ...

Please message us with your zip code to request a more reasonable domestic U.S. shipping quote. Vintage Enrique Garcel Tessellated Stone Inlay Regency Style Dining Chairs - Set of 6...

Indulge in the artistic charm of our double quartz spoon, adorned with a sculptural stone handle. Meticulously handcrafted by italian artisans, the distinctive stone adds a touch of ...

Antique Italian-style dining table with a pale oval marble top and an architectural dark wood trestle base. Turned supports, carved details, and a full-length stretcher give the tabl...

Mid-Century Modern Modern Olisippo Dining Table, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. The Olisippo dining table pays homage to Lisbon’s ancient h...

Experience the perfect fusion of art and functionality with the Aqua Crystal Dining Table — a breathtaking luxury centerpiece designed for modern and contemporary interiors. Inspired...

Set of garden furniture with two chairs, two armchairs and one top Mosaic Beautiful handmade set of patio or garden furniture. It´s made of forged iron ...

Modern Howlite Quartz Dining Table 4-Seats, Modern Collection, Handcrafted in Portugal - Europe by GF Modern. The Howlite quartz dining table anchors the room with quiet confidence....

Fully hand crafted dining set with 4 chairs and a hexagonal dining table. The chairs are crafted with a curled steel sheet backrest, twisted iron bases and a leatehrette seat. The ...

Contemporary Cerdeira Quartz Dining Table, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. The Cerdeira quartz dining table captures the raw beauty and orga...

A very fine and rare 19th century French Empire mahogany and gilt bronze mounted dining room suite or breakfast room suite . The suite consists of a beautiful breakfast table with ...

Art Decor Vallin Dining Table, Modern Collection, Handcrafted in Portugal - Europe by Greenapple. The Vallin dining yable draws inspiration from the elegance of Art Deco, reinterpre...

Designed by Daniel Barbera, the 'OSSO' oval table is a minimal yet organism life inspired form. The four-legged cast solid bronze base is rough cast and lightly worked to show the honesty of the process, but this can also be hand finished to a smooth mirror polish with the option of a satin or blackened bronze. This table base is mated to a Baltic brown granite stone top with a texture finish. Other varieties of stone and timber are also available. The size of this bronze square table...

CC Dining Table, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. Designed by Rute Martins for the Contemporary Collection ...

Thomasville Dining Room Set featuring 8 high back chairs with matching marble table. Each chair features a tall 50" back with tarped wood ...

Elegant Art Deco Dining Room Set – Fine Craftsmanship and Premium Materials. This exquisite Art Deco dining room set showcases outstanding woodworking and high-quality materials. The...

Iwaya Architectural Altar Set in Carved Travertine Stone by Andres Monnier Unique Pieces Dimensions: D 300 x W 300 x H 170 cm. Materials: Travertine. Available in different finishes...

When the renowned designer Paul Mathieu first saw the extraordinary swirling colors and patterning of the Indian sandstone “Rainbow Teakwood” he reali...

Designed by Daniel Barbera, the 'Molecule' table is pedestal table base, that has a range of sizes for different types of usage. The single solid bronze base is sand-cast and worked ...

Dining table mod. ‘Samo’ by Studio Simon. Series ‘Ultrarazionale’. Italy, 1970. Made of granite. Literature: Giuliana Gramigna, Repertorio 1950-2000, Allemandi, Torino, 2003, p.180. Excellent vintage condition. The Samo table was designed in 1970 by the project office of Studio Simon. Carlo Scarpa was the brand's artistic director, and the Venetian architect's style inspired the shapes of this table. Born in Venice on June 2nd, 1906, Carlo Scarpa began working at a very early age. Only a year after he had first qualified as an architect in 1926, he began working for the Murano glassmakers Cappellin & Co. in a consultative capacity; from 1927, he began to experiment with the Murano glass, and this research not only gave him excellent results here but would also inform his progress for many years to come. Between 1935 and 1937, as he entered his thirties, Carlo Scarpa accepted his first important commission, the renovation of Venice’s Cà Foscari. He adapted the spaces of this stately University building which stands on the banks of the Grand Canal, creating rooms for the Dean’s offices and a new hall for academic ceremonies; Mario Sironi and Mario De Luigi were charged with doing the restoration work on the frescos. After 1945, Carlo Scarpa found himself constantly busy with new commissions, including various furnishings and designs for the renovation of Venice’s Hotel Bauer and designing a tall building in Padua and a residential area in Feltre, which are all worth mention. One of his key works, despite its relatively modest diminished proportions, was the first of many works which were to follow in the nineteen fifties: the [bookshop known as the] Padiglione del Libro, which stands in Venice’s Giardini di Castello and shows clearly Scarpa’s passion for the works of Frank Lloyd Wright. In the years which were to follow, after he had met the American architect, Scarpa repeated similar experiments on other occasions, as can be seen, in particular, in the sketches he drew up in 1953 for villa Zoppas in Conegliano, which show some of his most promising work. However, this work unfortunately never came to fruition. Carlo Scarpa later created three museum layouts to prove pivotal in terms of how 20th century museums were to be set up from then on. Between 1955 and 1957, he completed extension work on Treviso’s Gipsoteca Canoviana [the museum that houses Canova’s sculptures] in Possagno, taking a similar experimental approach to the one he used for the Venezuelan Pavilion at [Venice’s] Giardini di Castello which he was building at the same time (1954-56). In Possagno Carlo Scarpa was to create one of his greatest ever works, which inevitably bears comparison with two other museum layouts that he was working on over the same period, those of the Galleria Nazionale di Sicilia, housed in the Palazzo Abatellis in Palermo (1953-55) and at the Castelvecchio in Verona (1957- 1974), all of which were highly acclaimed, adding to his growing fame. Two other buildings, which are beautifully arranged in spatial terms, can be added to this long list of key works that were started and, in some cases, even completed during the nineteen fifties. After winning the Olivetti award for architecture in 1956, Scarpa began work in Venice’s Piazza San Marco on an area destined to house products made by the Industrial manufacturers Ivrea. Over the same period (1959-1963), he also worked on renovation and restoration of the gardens and ground floor of the Fondazione Querini Stampalia in Venice, which many consider being one of his greatest works. While he busied himself working on-site at the Fondazione Querini Stampalia, Carlo Scarpa also began work building a villa in Udine for the Veritti family. To shed some light on the extent to which his work evolved over the years, it may perhaps be useful to compare this work with that of his very last building, villa Ottolenghi Bardolino, which was near to completion at the time of his sudden death in 1978. Upon completion of villa Veritti over the next ten years, without ever letting up on his work on renovation and layouts, Scarpa accepted some highly challenging commissions which were to make the most of his formal skills, working on the Carlo Felice Theatre in Genoa as well as another theatre in Vicenza. Towards the end of this decade, in 1969, Rina Brion commissioned Carlo Scarpa to build the Brion Mausoleum in San Vito d’Altivole (Treviso), a piece he continued to work on right up until the moment of his death. Nevertheless, even though he was totally absorbed by work on this mausoleum, there are plenty of other episodes which can offer some insight into the final years of his career. As work on the San Vito d’Altivole Mausoleum began to lessen from 1973, Carlo Scarpa began work building the new headquarters for the Banca Popolare di Verona. He drew up plans that were surprisingly different from the work he was carrying out at the same time on the villa Ottolenghi. However, the plans Carlo Scarpa drew up, at different times, for a monument in Brescia’s Piazza della Loggia commemorating victims of the terrorist attack on May 28th, 1974, make a sharp contrast to the work he carried out in Verona, almost as if there is a certain hesitation after so many mannered excesses. The same Pietas that informs his designs for the Piazza Della Loggia can also be seen in the presence of the water that flows through the Brion Mausoleum, almost as if to give a concrete manifestation of pity in this 20th century work of art. Carlo Scarpa has put together a highly sophisticated collection of structures, occupying the mausoleum’s L-shaped space stretching across both sides of the old San Vito d’Altivole cemetery. A myriad of different forms and an equally large number of different pieces, all of which are separate and yet inextricably linked to form a chain that seems to offer no promise of continuity, rising up out of these are those whose only justification for being there is to bear the warning “si vis vitam, para mortem”, [if you wish to experience life prepare for death] as if to tell a tale that suggests the circle of time, joining together the commemoration of the dead with a celebration of life. At the entrance of the Brion Mausoleum stand the “propylaea” followed by a cloister which ends by a small chapel, with an arcosolium bearing the family sarcophagi, the main pavilion, held in place on broken cast iron supports, stands over a mirror-shaped stretch of water and occupies one end of the family’s burial space. The musical sound of the walkways teamed with the luminosity of these harmoniously blended spaces shows how, in keeping with his strong sense of vision, Carlo Scarpa could make the most of all of his many skills to come up with this truly magnificent space. As well as a great commitment to architectural work, with the many projects which we have already seen punctuating his career, Carlo Scarpa also made many equally important forays into the world of applied arts. Between 1926 and 1931, he worked for the Murano glassmakers Cappellin, later taking what he had learned with him when he went to work for the glassmakers Venini from 1933 until the 1950s. The story of how he came to work on furniture design is different, however, and began with the furniture he designed to replace lost furnishings during his renovation of Cà Foscari. The later mass-produced furniture started differently, given that many pieces were originally one-off designs “made to measure”. Industrial manufacturing using these designs as prototypes came into being thanks to the continuity afforded him by Dino Gavina, who, as well as this, also invited Carlo Scarpa to become president of the company Gavina SpA, later to become SIMON, a company Gavina founded 8 years on, in partnership with Maria Simoncini (whose own name accounts for the choice of company name). Carlo Scarpa and Gavina forged a strong bond in 1968 as they began to put various models of his into production for Simon, such as the “Doge” table, which also formed the basis for the “Sarpi” and “Florian” tables. In the early seventies, other tables that followed included “Valmarana”, “Quatour” and “Orseolo”. While in 1974, they added couch and armchair “Cornaro” to the collection and the “Toledo” bed...

Cherry Sepia Bianco Namibia Bloom Dining Table by Milla & Milli Signed by Maša Vukmanović, Jelena Lukač Kirš, Jakov Šrajer Dimensions: W 180 x D 180 x H 75 cm Materials: Cherry Sepi...

Elegantly described as the bastion of Portuguese luxury, the sophisticated Cortez Dining Table exhales the splendor of the uniqueness of the kings ...

Located in Georgia, Atlanta is the home of more than thirty-nine skyscrapers. Constructed in the '90s, the Bank of America Plaza is the tallest building in the city. Designed by the architectural firm Kevin Roche John Dinkeloo and Associates LLC, it is postmodern-inspired reminiscent of Art Deco. Transpiring emotion through a design recreation, Porus Studio...

Walnut Natur Nero Marquina Bloom Dining Table by Milla & Milli Signed by Maša Vukmanović, Jelena Lukač Kirš, Jakov Šrajer Dimensions: W 180 x D 180 x H 75 cm Materials: Walnut Natur...

X dining table This substantial wooden top and monument X-base make for a grand dining experience. Poux’s use of cast concrete commands attention, this time with the addition of his two-piece tabletop and wood trestle beam that connects the sculpted X’s. Cast bronze wedges, an elegant and Industrial detail, pull it all together. X dining table features: Solid wood top, split into two pieces held by bronze pins; solid wood stretcher, cast concrete “x” bases, cast bronze draw wedges/pins; protective leather padding. Dovetail bench...

X dining table This substantial wooden top and monument X base make for a grand dining experience. Poux’s use of cast concrete commands attention, this time with the addition of his...

Walnut Natur Bianco Namibia Bloom Dining Table by Milla & Milli Signed by Maša Vukmanović, Jelena Lukač Kirš, Jakov Šrajer Dimensions: W 180 x D 180 x H 75 cm Materials: Walnut Natu...

Walnut Natur Picasso Green Bloom Dining Table by Milla & Milli Signed by Maša Vukmanović, Jelena Lukač Kirš, Jakov Šrajer Dimensions: W 180 x D 180 x H 75 cm Materials: Walnut Natur...

We are delighted to offer for sale this stunning vintage Mahogany Marble topped side table with Butlers serving tray and x20 bottle holders A very good looking and well-made piece...

We are delighted to offer for sale this stunning perfect condition David Linley Newlyn collection solid sycamore wood with marble insert Hayrake Dining table RRP £14,500 A very good looking and well made table, the marble insert is great for resting very hot and cold plates on, as apposed to the timber it won’t mark. This table is based on the Hayrake tables...

On offer on this occasion is a sublime, immaculately-presented suite consisting of a "Florence Knoll" Round Dining Table in "Carrara" Marble and 4 "Brno" Flat-Bar Armchairs in Ivory ...

Warren Platner Verde Issorie Marble Dining Set with Catalog & Provenance, 1967 Additional information: Material: Marble Originally purchased in October 1967, we acquired the set...