Stone Dining Room Sets

Designed by Daniel Barbera, the 'Molecule' table is pedestal table base, that has a range of sizes for different types of usage. The single solid bronze base is sandcast and worked t...

Designed by Daniel Barbera, the 'Bronze' square table is a Minimalist table consisting of Classic geometry on the exterior merged with organic flowing underside. The four legged cast...

The OOMA table reflects Reda Amalou’s search for a perfect balance between a pure line and the attention to detail. The proportions of the very thin elegant marble top, with its subt...

In this listing you will find an iconic design piece, a Space Age "Tulip" dining table designed by Eero Saarinen for Knoll International. It features a cast aluminum base with the m...

Mid-Century Modern Venise Dining Table, Hand-Crafted in Portugal - Europe by Greenapple The Venise dining table enhances any interior by taking exceptional craftsmanship to a new le...

When the renowned designer Paul Mathieu first saw the extraordinary swirling colors and patterning of the Indian sandstone “Rainbow Teakwood” he reali...

Karen Chekerdjian expands her iconic Inside Out collection with the new Large Dining Table—a bold yet essential centerpiece for contemporary interiors. This new iteration introduces ...

Please message us with your zip code to request a more reasonable domestic U.S. shipping quote. Vintage Enrique Garcel Tessellated Stone Inlay Regency Style Dining Chairs - Set of 6...

Modern Howlite Round Dining Table 4-Seats, Modern Collection, Handcrafted in Portugal - Europe by GF Modern. Howlite dining table represents the dawn of a new modern era. The Traver...

Thomasville Dining Room Set featuring 8 high back chairs with matching marble table. Each chair features a tall 50" back with tarped wood ...

A very well made custom New Haven Woodworks arts & crafts style oval cherry wood table with square tapering legs and covered with a granite top. The table is accompanied by 2 arm cha...

Dining table designed by Warren Platner edited by Knoll, composed of a steel structure with welded rods creating curved and circular shapes. Tabletop made of Carrara marble, USA, 197...

Tidelli Spool Dining Table & Rio Chairs — Outdoor Dining Set for 6 Table: Ø55″ × 28.25″ H Six Rio Dining Chairs: 22″ W × 23.5″ D × 31.5″ H, seat heig...

Designed by Daniel Barbera, the 'OSSO' oval table is a minimal yet organism life inspired form. The four-legged cast solid bronze base is rough cast and lightly worked to show the honesty of the process, but this can also be hand finished to a smooth mirror polish with the option of a satin or blackened bronze. This table base is mated to a Baltic brown granite stone top with a texture finish. Other varieties of stone and timber are also available. The size of this bronze square table...

Organic Modern Cerdeira Dining Table, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. The Cerdeira marble dining table captures the raw beauty and organic e...

Beautiful tripod dining table model "Eros" from the Italian designer Angelo Mangiarotti from the 70s. The legs (independent) and the top are in Car...

Unusual chinoiserie marble topped dining table and four velvet upholstered chairs. The table has a marble inlay and two leaves. The chairs have been upholstered in a lovely sea foam ...

Set of garden furniture with two chairs, two armchairs and one top Mosaic Beautiful handmade set of patio or garden furniture. It´s made of forged iron ...

OOMA is not just a dining table. It’s an invitation, a multifaceted experience. First, it captivates the eye with its color. Matte or glossy, lacquer is omnipresent. Its line is rema...

The OOMA table reflects Reda Amalou’s search for a perfect balance between a pure line and the attention to detail. The proportions of the very thin elegant marble top, with its subt...

Italian Volcanic Fire Glazed Stone Floral Hand Painted Outdoor Dining Table Set - 7 Pcs. Item features Artist signed hand painted stone top di...

The OOMA table reflects Reda Amalou’s search for a perfect balance between a pure line and the attention to detail. The proportions of the very thin elegant marble top, with its subt...

Stucoed and gilded carved wood. Fronts and sides decorated with scrolls and garlands of flowers, finished in laureate females heads. Legs decorated with acanthus leaves and top and...

Vintage Mid-Century Modern 5 Piece Open Metal Wire Cone dining set In The Style Or Likeness of Verner Panton. This 5 Piece White And Black Open Metal Wire Cone Dining Set Is In Excellent Vintage Condition. Four White Open Metal Wire Cone Swivel Dining Chairs, White Open Metal Wire Cone Design With Black Leatherette Seat Cushions. The Dining Table Is A White Open Metal Wire Cone Base With Original Black Stone Like Table...

Located in Georgia, Atlanta is the home of more than thirty-nine skyscrapers. Constructed in the '90s, the Bank of America Plaza is the tallest building in the city. Designed by the architectural firm Kevin Roche John Dinkeloo and Associates LLC, it is postmodern-inspired reminiscent of Art Deco. Transpiring emotion through a design recreation, Porus Studio...

Howlite Dining Table 8-Seats, Modern Collection, Handcrafted in Portugal - Europe by GF Modern. Howlite black dining table represents the dawn of a new modern era. Crafted from Amer...

On offer on this occasion is a sublime, immaculately-presented suite consisting of a "Florence Knoll" Round Dining Table in "Carrara" Marble and 4 "Brno" Flat-Bar Armchairs in Ivory ...

This vintage iron and marble dining set consists of a table and four chairs. The 1' thick marble surface rests on an iron base. Each of the four chairs are constructed of iron and ha...

Dining table mod. ‘Samo’ by Studio Simon. Series ‘Ultrarazionale’. Italy, 1970. Made of granite. Literature: Giuliana Gramigna, Repertorio 1950-2000, Allemandi, Torino, 2003, p.180. Excellent vintage condition. The Samo table was designed in 1970 by the project office of Studio Simon. Carlo Scarpa was the brand's artistic director, and the Venetian architect's style inspired the shapes of this table. Born in Venice on June 2nd, 1906, Carlo Scarpa began working at a very early age. Only a year after he had first qualified as an architect in 1926, he began working for the Murano glassmakers Cappellin & Co. in a consultative capacity; from 1927, he began to experiment with the Murano glass, and this research not only gave him excellent results here but would also inform his progress for many years to come. Between 1935 and 1937, as he entered his thirties, Carlo Scarpa accepted his first important commission, the renovation of Venice’s Cà Foscari. He adapted the spaces of this stately University building which stands on the banks of the Grand Canal, creating rooms for the Dean’s offices and a new hall for academic ceremonies; Mario Sironi and Mario De Luigi were charged with doing the restoration work on the frescos. After 1945, Carlo Scarpa found himself constantly busy with new commissions, including various furnishings and designs for the renovation of Venice’s Hotel Bauer and designing a tall building in Padua and a residential area in Feltre, which are all worth mention. One of his key works, despite its relatively modest diminished proportions, was the first of many works which were to follow in the nineteen fifties: the [bookshop known as the] Padiglione del Libro, which stands in Venice’s Giardini di Castello and shows clearly Scarpa’s passion for the works of Frank Lloyd Wright. In the years which were to follow, after he had met the American architect, Scarpa repeated similar experiments on other occasions, as can be seen, in particular, in the sketches he drew up in 1953 for villa Zoppas in Conegliano, which show some of his most promising work. However, this work unfortunately never came to fruition. Carlo Scarpa later created three museum layouts to prove pivotal in terms of how 20th century museums were to be set up from then on. Between 1955 and 1957, he completed extension work on Treviso’s Gipsoteca Canoviana [the museum that houses Canova’s sculptures] in Possagno, taking a similar experimental approach to the one he used for the Venezuelan Pavilion at [Venice’s] Giardini di Castello which he was building at the same time (1954-56). In Possagno Carlo Scarpa was to create one of his greatest ever works, which inevitably bears comparison with two other museum layouts that he was working on over the same period, those of the Galleria Nazionale di Sicilia, housed in the Palazzo Abatellis in Palermo (1953-55) and at the Castelvecchio in Verona (1957- 1974), all of which were highly acclaimed, adding to his growing fame. Two other buildings, which are beautifully arranged in spatial terms, can be added to this long list of key works that were started and, in some cases, even completed during the nineteen fifties. After winning the Olivetti award for architecture in 1956, Scarpa began work in Venice’s Piazza San Marco on an area destined to house products made by the Industrial manufacturers Ivrea. Over the same period (1959-1963), he also worked on renovation and restoration of the gardens and ground floor of the Fondazione Querini Stampalia in Venice, which many consider being one of his greatest works. While he busied himself working on-site at the Fondazione Querini Stampalia, Carlo Scarpa also began work building a villa in Udine for the Veritti family. To shed some light on the extent to which his work evolved over the years, it may perhaps be useful to compare this work with that of his very last building, villa Ottolenghi Bardolino, which was near to completion at the time of his sudden death in 1978. Upon completion of villa Veritti over the next ten years, without ever letting up on his work on renovation and layouts, Scarpa accepted some highly challenging commissions which were to make the most of his formal skills, working on the Carlo Felice Theatre in Genoa as well as another theatre in Vicenza. Towards the end of this decade, in 1969, Rina Brion commissioned Carlo Scarpa to build the Brion Mausoleum in San Vito d’Altivole (Treviso), a piece he continued to work on right up until the moment of his death. Nevertheless, even though he was totally absorbed by work on this mausoleum, there are plenty of other episodes which can offer some insight into the final years of his career. As work on the San Vito d’Altivole Mausoleum began to lessen from 1973, Carlo Scarpa began work building the new headquarters for the Banca Popolare di Verona. He drew up plans that were surprisingly different from the work he was carrying out at the same time on the villa Ottolenghi. However, the plans Carlo Scarpa drew up, at different times, for a monument in Brescia’s Piazza della Loggia commemorating victims of the terrorist attack on May 28th, 1974, make a sharp contrast to the work he carried out in Verona, almost as if there is a certain hesitation after so many mannered excesses. The same Pietas that informs his designs for the Piazza Della Loggia can also be seen in the presence of the water that flows through the Brion Mausoleum, almost as if to give a concrete manifestation of pity in this 20th century work of art. Carlo Scarpa has put together a highly sophisticated collection of structures, occupying the mausoleum’s L-shaped space stretching across both sides of the old San Vito d’Altivole cemetery. A myriad of different forms and an equally large number of different pieces, all of which are separate and yet inextricably linked to form a chain that seems to offer no promise of continuity, rising up out of these are those whose only justification for being there is to bear the warning “si vis vitam, para mortem”, [if you wish to experience life prepare for death] as if to tell a tale that suggests the circle of time, joining together the commemoration of the dead with a celebration of life. At the entrance of the Brion Mausoleum stand the “propylaea” followed by a cloister which ends by a small chapel, with an arcosolium bearing the family sarcophagi, the main pavilion, held in place on broken cast iron supports, stands over a mirror-shaped stretch of water and occupies one end of the family’s burial space. The musical sound of the walkways teamed with the luminosity of these harmoniously blended spaces shows how, in keeping with his strong sense of vision, Carlo Scarpa could make the most of all of his many skills to come up with this truly magnificent space. As well as a great commitment to architectural work, with the many projects which we have already seen punctuating his career, Carlo Scarpa also made many equally important forays into the world of applied arts. Between 1926 and 1931, he worked for the Murano glassmakers Cappellin, later taking what he had learned with him when he went to work for the glassmakers Venini from 1933 until the 1950s. The story of how he came to work on furniture design is different, however, and began with the furniture he designed to replace lost furnishings during his renovation of Cà Foscari. The later mass-produced furniture started differently, given that many pieces were originally one-off designs “made to measure”. Industrial manufacturing using these designs as prototypes came into being thanks to the continuity afforded him by Dino Gavina, who, as well as this, also invited Carlo Scarpa to become president of the company Gavina SpA, later to become SIMON, a company Gavina founded 8 years on, in partnership with Maria Simoncini (whose own name accounts for the choice of company name). Carlo Scarpa and Gavina forged a strong bond in 1968 as they began to put various models of his into production for Simon, such as the “Doge” table, which also formed the basis for the “Sarpi” and “Florian” tables. In the early seventies, other tables that followed included “Valmarana”, “Quatour” and “Orseolo”. While in 1974, they added couch and armchair “Cornaro” to the collection and the “Toledo” bed...

A rectangular stainless steel framed dining table/ desk with a white marble top. Two tables could be placed end to end to make one continuous ...

Walnut Natur Nero Marquina Bloom Dining Table by Milla & Milli Signed by Maša Vukmanović, Jelena Lukač Kirš, Jakov Šrajer Dimensions: W 180 x D 180 x H 75 cm Materials: Walnut Natur...

The John Hancock Center is an immense skyscraper in Chicago constructed under the supervision of Bruce Grahamand. The big tower is one of the most ...

Cherry Sepia Bianco Namibia Bloom Dining Table by Milla & Milli Signed by Maša Vukmanović, Jelena Lukač Kirš, Jakov Šrajer Dimensions: W 180 x D 180 x H 75 cm Materials: Cherry Sepi...

X dining table This substantial wooden top and monument X-base make for a grand dining experience. Poux’s use of cast concrete commands attention, this time with the addition of his two-piece tabletop and wood trestle beam that connects the sculpted X’s. Cast bronze wedges, an elegant and Industrial detail, pull it all together. X dining table features: Solid wood top, split into two pieces held by bronze pins; solid wood stretcher, cast concrete “x” bases, cast bronze draw wedges/pins; protective leather padding. Dovetail bench...

The midcentury Italian set of four chairs and marble table from the 1980s offers a blend of sophistication and luxury. The chairs have been thoughtfully reupholstered in green suede,...

Walnut Natur Picasso Green Bloom Dining Table by Milla & Milli Signed by Maša Vukmanović, Jelena Lukač Kirš, Jakov Šrajer Dimensions: W 180 x D 180 x H 75 cm Materials: Walnut Natur...

X dining table This substantial wooden top and monument X base make for a grand dining experience. Poux’s use of cast concrete commands attention, this time with the addition of his...

We are delighted to offer for sale this stunning vintage Mahogany Marble topped side table with Butlers serving tray and x20 bottle holders A very good looking and well-made piece...

High cabinetry dining room set, consisting of: 2 sideboards, a mirror, table and 6 chairs. The sideboards are moved, with finely carved feet in an elong...

Walnut Natur Bianco Namibia Bloom Dining Table by Milla & Milli Signed by Maša Vukmanović, Jelena Lukač Kirš, Jakov Šrajer Dimensions: W 180 x D 180 x H 75 cm Materials: Walnut Natu...

We are delighted to offer for sale this stunning perfect condition David Linley Newlyn collection solid sycamore wood with marble insert Hayrake Dining table RRP £14,500 A very good looking and well made table, the marble insert is great for resting very hot and cold plates on, as apposed to the timber it won’t mark. This table is based on the Hayrake tables...

Designed by Daniel Barbera, the 'Molecule' table is pedestal table base, that has a range of sizes for different types of usage. The single solid bronze base is sand-cast and worked ...

Warren Platner Verde Issorie Marble Dining Set with Catalog & Provenance, 1967 Additional information: Material: Marble Originally purchased in October 1967, we acquired the set...