Walnut Dining Room Sets

Wonderful dining set by Broyhill Brasilia. This set includes the classic Brasilia base table with three 12" leaves, and 6 recently reupholstered chairs, 2 armchairs, 2 side chairs. T...

Monumental and important Renaissance Palladio dining room set all in solid hand-carved walnut from a Palladian Palace in Vicenza of a Venetian patrician family. The back of the showcase was rebuilt again at the end of the 800 first 900 with the application of damask fabric The table can be extended up to 4-6 meters The large sideboard and the display cabinet are in the process of conservative restoration and have therefore been disassembled, as seen from the last photos. Measures in cm: Sideboard H 240 x L 315 x D 70 Display cabinet H 240 x L 230 x D 60 Table H 78 L x 230 x D 140 Extendable to 4-6 meters Notes: The architectural design of Andrea Palladio...

Refined dining set consisting of a shaped table and four matching chairs, executed in the Boulle style and dating from the second half of the 19th century. Made of ebonized wood, the...

A Michele Bonciani 20th century Tuscany dining room set, Renaissance style, all solid walnut and carved walnut, wax-polished An important classic dining room set with a beautiful patina, very elegant in spite of the massive structure of the table and chairs Extendable table and chairs...

Baroque Ferrarese burl walnut with neoclassical references , Art Decò age, table with six chairs of the early twentieth century, in solid blond walnut. Shaped oval shaped table, wit...

Code: FQ58 Period: 19th century Style: Renaissance Dining room of the School of Arts in Monza, 19th century, walnut hand-carved consists of: sideboard showcase with leaded cathedral glass; sideboard with central mirror; console with large mirror; table with 12 chairs lined leather. Measures cm (height, length, depth): sideboard with showcase...

They can be sold separately A magnificent Mid Century baroque Ferrarese table "biscotto" with six chairs, all hand-carved blond walnut and the top finished with Ferrarese burl walnu...

1930s French Art Deco table and two chairs table suppose to have extension in the middle but we do not have it. Walnut veneer and walnut base.

Charles P. Limbert Co Jacobean Style Bookmatched Walnut Dining Room Suite, Circa 1916 - 1918. Suite Amazingly kept together for over a century, this set is comprised of: -One extended dining room table with amazing bookmatched Walnut top and 3 leaves in they their original case. Table without leaves is 96" wide x 42" in depth and 29.5" in height. Three 12" leaves. Table without leaves is 60" in width. C. P. Limbert, 1916-18 English Revival...

CC dining table, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. Designed by Rute Martins for the Contemporary Collection and inspired by nature’s organic rhythmic curves, CC dining table results in an elegant and harmonious piece that looks like the two legs as C letters are associated with each other. Handcrafted with meticulous precision, the Calacatta Viola marble beauty and vein patterning stands out on its own, giving this dining table a bold and powerful personality. CC 12-seat Dining Table...

CC Dining Table, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. Designed by Rute Martins for the Contemporary Collection and inspired by nature’s organic r...

Introducing the Armonia Chair. This set of 8 Italian walnut chairs is an unique and timeless dining chair set. The chairs are made from...

The Jetsons Dining Set faces the future with style and fun.  Walnut and ash wood provide the two-tone look.  The Jetsons Dining Set comprises the Jetsons Dining Table and six (6) Jet...

This elegant 20th Century French extension dining table brings both practicality and timeless French sophistication to any dining space. Crafted from high-quality wood, likely walnut...

There is no mistaking the style and sophisticated design of this dining set comprising an exquisite rare English antique Elizabethan Revival pollard oak extending dining table, circa...

Charis is the Greek word for grace. A dinner table is a place of grace, where we gift each other with food, conversation, and family. And this table features a solid walnut top grace...

This is a handsome Drexel dining set that displays brass accents on the curves. It's also expandable and has leaves, so you can alter it's size for e...

A beautiful and quite rare very early production Knoll Eero Saarinen Tulip table and chairs. The Walnut top table and chairs all bear the Knoll 575 Madison Avenue label which means t...

Exquisite & most rare! This French Art Nouveau dining set consisting of 8 chairs and matching table by Eugène Vallin in solid walnut. The chairs where de...

Rarely seen “Avila” dining set in Italian Walnut by Barsacchi & Vegni. Includes 4 Avila dining chairs in cognac leather. An exceptional example of Italian modernism, the Avila i...

Contemporary Venise Dining Table, Hand-Crafted in Portugal - Europe by Greenapple The Venise dining table enhances any interior by taking exceptional craftsmanship to a new level. ...

A dining set composed of four “Africa” dining chairs and an “Artona” table, designed by Afra and Tobia Scarpa for Maxalto in 1975. Made of walnut, burl...

Organic Modern Armona Dining Table, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. The Armona dining table draws inspiration from the serene landscape of A...

Fabulous round dining table with an organic design and with a gold colored glass top. Produced in Italy in the 1950s in the manner of Augusto Romano. The legs have supreme craftsmans...

Custom table with beautiful barley twist legs and stretcher. Bread boards on each end. Can be made in a custom sizes and in a variety of woods, colors, finishes and range of distress...

Streamline Deco Table and Chairs. Walnut with Walnut Burl top. Pink Mohair seats.

Elegant dining table, Paolo Buffa, 1950s. The piece is really rare and important. The marble top is supported by a center column on four bronze finished feet. Available as well the ...

Contemporary Cerdeira Marble Dining Table, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. The Cerdeira marble dining table captures the raw beauty and orga...

The TED Masterpiece Dining Table by GREYGE is a refined solid Italian walnut dining table entirely handcrafted in Italy from carefully selected national walnut. This table is made f...

Early 20th century, complete venetian baroque dining room by Testolini & Salviati , in burl walnut and hand-carved walnut , polished to wax Excellent conditions set with all origi...

Impressive antique 19th century Italian Renaissance sideboard set of two. Made entirely of carved walnut wood. The carving work is specta...

They can be sold separately 1930s amazing dining room in burl walnut flame applied with particular edge to 45 degrees, the furniture industry "Guido Pennati", design attributed to Os...

Torbecchia dining room set is composed of four chairs, one table, and one bench. The table and the bench were made in walnut wood, the chairs have a structure in walnut wood and wove...

Available in single slab diameters of over six feet, the Harvest dining table by Taylor Donsker creates a visual anchor for any dining room or dining nook....

set of 6 chairs in teak, white leather, metal and a table in aluminum steel and walnut the legs of the table are in gold metal the table has a slightly darker mark in the center of t...

We present Art Deco dining furniture that includes a table and four chairs. A set from 1940, designed by a famous Czech designer Jindrich Ha...

We present dining set including a table and four chairs made in 1960 by a Czech designer Szuman Highly recommended item will be perfect complementation of the rooms in not only ...

An exceptional André Sornay dining ensemble from the 1930s: an extendable walnut table paired with eight matching chairs, meticulously restored and reupholstered in soft camel leathe...

Contemporary Armona Dining Table, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. The Armona dining table draws inspirati...

Exceptional Original Biedermeier Dining Set from Vienna, circa 1825 A Rare Masterpiece: Large Round Table and Six Elegant Chairs We are delighted to offer this rare and museum-quali...

This is a handsome oiled-walnut dining set designed by Bertha Schaefer for M. Singer & Sons in 1952 and produced in Italy for the Singer Modern collection. The set includes a large o...

Royal House Antiques Royal House Antiques is delighted to offer for sale this absolutely exquisite Regency style Burr Walnut two pedestal dining table with ten matching inlaid dining chairs that have ornately carved frames Please note the delivery fee listed is just a guide, it covers within the M25 only for the UK and local Europe only for international, if you would like an accurate quote please send me your postcode and I’ll provide you with the exact price A very good-looking hand made to order suite, these absolutely never come up for sale on the preowned market, the suite is based on a Regency design with Dutch inlay...

This Louis Majorelle extendable dining table, accompanied by a set of six matching chairs, is a solid display of French Art Nouveau style in furniture. The "Chicorée," or "Chicory," ...

Afra & Tobia Scarpa were central figures in shaping the language of modern Italian furniture in the late 20th century, known for their thoughtful integration of craftsmanship and ind...

A rare and sculptural dining ensemble attributed to the Italian architect Filippo Monti, this set captures the spirit of forward-thinking design in post-war Italy. Executed in richly...

Organic Modern Cerdeira Marble Dining Table, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. The Cerdeira marble dining table captures the raw beauty and or...

Arthur Simpson attributed, in the style of CFA Voysey. An exceptional quality English Arts & Crafts walnut extending dining table with wonderful figuring t...

Attributed to GAUTHIER-POINSIGNON & Cie, Dining room furniture in walnut and elm burl veneer decorated with fruits and plane tree leaves (Platanus orientalis) and bronze ornamentatio...

They can be sold separately 1930s Art Deco majestic room furniture sets in burl walnut attributed Atelier Gaetano Borsani, Varedo, polished to wax. Two tulip-shaped sideboards with b...

Pierre Cardin dining room set, 6 keyhole back armchairs #26406 and pedestal table, 1989 Complete with six iconic Pierre Cardin keyhole back arm chairs #26406, each one signed in gold script on the back of the chair. Each chair measures: 17” W x 22” D x 43.75 H The leather seat measures 15”x 17" The arm height is 27.5" , the seat height is 19” The six chairs are available without the table for $7,500.00, LU1943319416722 The set is completed with a Pierre Cardin black lacquer and brass pedestal dining room table 72" x 42" Beveled glass top, Signed in script on base. Measures: 30” x 72” x 42” beveled edge/ The base alone measures lower column is 19”x 30” base, the measures top 16” D x 26.5" W x 29.5 H The Table is available without the 6 chairs for $7,500.00, LU1943319416742 Or the entire set can be purchased on this listing for $12,500.00 Provenance: Some chairs have the original Inventory labels, all chairs are signed in Gold Script 'Pierre Cardin' 'Frame #26406, walnut, black and brass...

Mid-Century Modern Venise Dining Table, Hand-Crafted in Portugal - Europe by Greenapple The Venise dining table enhances any interior by taking exceptional craftsmanship to a new le...

Set of 5 mod. 783 “Kentucky” dining chairs, designed by Carlo Scarpa for the Italian manufacturer Bernini in 1977. Structure made from oak and walnut timber. Seats and backrest made from cognac leather. Excellent vintage condition. Carlo Scarpa designed this chair for the “Scuderia” series., the last project he made for Bernini. The architect took inspiration from the “shaker” movement. He designed the chair slightly inclined at the front. This feature allows you to swing backward (until you lean on a wall) and remain in balance. Born in Venice on June 2nd, 1906, Carlo Scarpa began working at a very early age. A year after he had first qualified as an architect in 1926, he began working for the Murano glassmakers Cappellin & Co. in a consultative capacity. From 1927, Carlo Scarpa began to experiment with the Murano glass, and this research not only gave him excellent results here but would also inform his progress for many years to come. Between 1935 and 1937, as he entered his thirties, Carlo Scarpa accepted his first important commission, the renovation of Venice’s Cà Foscari. He adapted the spaces of this stately University building that stands on the Grand Canal banks, creating rooms for the Dean’s offices and a new hall for academic ceremonies; Mario Sironi and Mario De Luigi were charged with doing the restoration work on the frescos. After 1945, Carlo Scarpa found himself constantly busy with new commissions, including various furnishings and designs for the renovation of Venice’s Hotel Bauer and designing a tall building in Padua and a residential area in Feltre, all worth mentioning. One of his key works, despite its relatively modest diminished proportions, was the [bookshop known as the] Padiglione del Libro, which stands in Venice’s Giardini di Castello and clearly shows Scarpa’s passion for the works of Frank Lloyd Wright. In the years which were to follow, after he had met the American architect, Scarpa repeated similar experiments on other occasions, as can be seen, in particular, in the sketches he drew up in 1953 for villa Zoppas in Conegliano, which show some of his most promising work. However, this work unfortunately never came to fruition. Carlo Scarpa later created three museum layouts to prove pivotal in terms of how twentieth-century museums were set up from then on. Between 1955 and 1957, he completed extension work on Treviso’s Gipsoteca Canoviana [the museum that houses Canova’s sculptures] in Possagno, taking a similar experimental approach to the one he used for the Venezuelan Pavilion at [Venice’s] Giardini di Castello which he was building at the same time (1954-56). In Possagno Carlo Scarpa was to create one of his most significant ever works, which inevitably bears comparison with two other museum layouts that he was working on over the same period, those of: – Galleria Nazionale di Sicilia, housed in the Palazzo Abatellis in Palermo (1953-55) – Castelvecchio in Verona (1957- 1974), all of which were highly acclaimed, adding to his growing fame. Two other buildings, which are beautifully arranged in spatial terms, can be added to this long list of key works that were started and, in some cases, even completed during the nineteen fifties. After winning the Olivetti award for architecture in 1956, Scarpa began work in Venice’s Piazza San Marco on an area destined to house products made by the Industrial manufacturers Ivrea. Over the same period (1959-1963), he also worked on the renovation and restoration of the gardens and ground floor of the Fondazione Querini Stampalia in Venice, which many consider one of his greatest works. While he busied himself working on-site at the Fondazione Querini Stampalia, Carlo Scarpa also began work building a villa in Udine for the Veritti family. To shed some light on the extent to which his work evolved over the years, it may perhaps be useful to compare this work with that of his very last building, villa Ottolenghi Bardolino, which was near to completion at the time of his sudden death in 1978. Upon completion of villa Veritti over the next ten years, without ever letting up on his work on renovation and layouts, Scarpa accepted some highly challenging commissions, working on the Carlo Felice Theatre in Genoa and another theatre in Vicenza. Towards the end of this decade, in 1969, Rina Brion commissioned Carlo Scarpa to build the Brion Mausoleum in San Vito d’Altivole (Treviso), a piece he continued to work on right up until the moment of his death. Nevertheless, even though he was totally absorbed by work on this mausoleum, there are plenty of other episodes which can offer some insight into the final years of his career. As work on the San Vito d’Altivole Mausoleum began to lessen from 1973, Carlo Scarpa started building the new headquarters for the Banca Popolare di Verona. He drew up plans that were surprisingly different from the work he was carrying out at the same time on the villa Ottolenghi. However, the plans Carlo Scarpa drew up, at different times, for a monument in Brescia’s Piazza della Loggia commemorating victims of the terrorist attack on May 28th, 1974, make a sharp contrast to the work he carried out in Verona, almost as if there is a certain hesitation after so many mannered excesses. The same Pietas that informs his designs for the Piazza Della Loggia can also be seen in the presence of the water that flows through the Brion Mausoleum, almost as if to give a concrete manifestation of pity in this twentieth-century work of art. Carlo Scarpa has put together a highly sophisticated collection of structures, occupying the mausoleum’s L-shaped space stretching across both sides of the old San Vito d’Altivole cemetery. A myriad of different forms and an equally large number of different pieces, all of which are separate and yet inextricably linked to form a chain that seems to offer no promise of continuity, rising up out of these are those whose only justification for being there is to bear the warning “si vis vitam, para mortem,” [if you wish to experience life prepare for death] as if to tell a tale that suggests the circle of time, joining together the commemoration of the dead with a celebration of life. At the entrance of the Brion Mausoleum stand the “propylaea” followed by a cloister which ends by a small chapel, with an arcosolium bearing the family sarcophagi, the main pavilion, held in place on broken cast iron supports, stands over a mirror-shaped stretch of water and occupies one end of the family’s burial space. The musical sound of the walkways teamed with the luminosity of these harmoniously blended spaces shows how, in keeping with his strong sense of vision, Carlo Scarpa could make the most of all of his many skills to come up with this truly magnificent space. As well as a great commitment to architectural work, with the many projects which we have already seen punctuating his career, Carlo Scarpa also made many equally important forays into the world of applied arts. Between 1926 and 1931, he worked for the Murano glassmakers Cappellin, later taking what he had learned with him when he went to work for the glassmakers Venini from 1933 until the 1950s. The story of how he came to work on furniture design is different, however, and began with the furniture he designed to replace lost furnishings during his renovation of Cà Foscari. The later mass-produced furniture started differently, given that many pieces were originally one-off designs “made to measure.” Industrial manufacturing using these designs as prototypes came into being thanks to the continuity afforded him by Dino Gavina, who, as well as this, also invited Carlo Scarpa to become president of the company Gavina SpA, later to become SIMON, a company Gavina founded eight years on, in partnership with Maria Simoncini (whose own name accounts for the choice of company name). Carlo Scarpa and Gavina forged a strong bond in 1968 as they began to put various models of his into production for Simon, such as the “Doge” table, which also formed the basis for the “Sarpi” and “Florian” tables. In the early seventies, other tables that followed included “Valmarana,” “Quatour,” and “Orseolo.” While in 1974, they added couch and armchair “Cornaro” to the collection and the “Toledo” bed...

Stunning walnut dining table and six matching dining chairs by Pier Luigi Colli, handmade by the famed 'Fratelli Marelli' atelier in Cantu, Italy circa 1950. The dining table is ...

An incredible original set from the 1960s designed by Adrian Pearsall and produced by Craft Associates. The set features all solid walnut construction. Very clean and well cared for ...

Modern Howlite Travertine Dining Table 4-Seats, Modern Collection, Handcrafted in Portugal - Europe by GF Modern. The Howlite travertine dining table anchors the room with quiet con...

Organic Modern Cerdeira Stone Dining Table, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. The Cerdeira stone dining table captures the raw beauty and orga...

An impressive Vintage French Empire Revival burr walnut dining table and a set of ten swag back dining chairs dating from the mid 20th Century. The circular burr-walnut top features...

Introducing a truly unique and magnificent British Art Deco dining set from the 1920s, an embodiment of luxury and timeless elegance. This set, meticulously restored to a shellac pol...

This dining table made from vintage black walnut is seen here in 42" x 110", however it can be built in any size. Because each table is bench-made in our own Los Angeles workshop yo...

An amazing “Furniture as Art” piece. This expandable custom order dining table was made by the amazing team at “Chapter and Verse NYC”. The table is made with an art sculpture wood b...