Walnut Dining Room Sets

This is a beautiful dining set comprising an antique French Louis Revival dining table, Circa 1920 in date, and a beautiful set of six Gondola Dining Chairs C1950.   This antique Fre...

Wonderful dining set by Broyhill Brasilia. This set includes the classic Brasilia base table with three 12" leaves, and 6 recently reupholstered chairs, 2 armchairs, 2 side chairs. T...

An exquisite set of eight dining chairs and extendable table from the 1930s by notable french designer André Sornay, meticulously restored to their original splendor. Made out of r...

***Reduced In-House Delivery Rates - Click on “Ask Seller” to Request a Quote*** Seven Piece Karges Walnut And Burl Dining Room Set Signed 20thC..... (Armchair 23 5/8" x 42 3/4" x 2...

Contemporary Venise Dining Table, Hand-Crafted in Portugal - Europe by Greenapple The Venise dining table enhances any interior by taking exceptional craftsmanship to a new level. ...

Exceptional Original Biedermeier Dining Set from Vienna, circa 1825 A Rare Masterpiece: Large Round Table and Six Elegant Chairs We are delighted to offer this rare and museum-quali...

Code: FQ58 Period: 19th century Style: Renaissance Dining room of the School of Arts in Monza, 19th century, walnut hand-carved consists of: sideboard showcase with leaded cathedral glass; sideboard with central mirror; console with large mirror; table with 12 chairs lined leather. Measures cm (height, length, depth): sideboard with showcase...

Monumental and important Renaissance Palladio dining room set all in solid hand-carved walnut from a Palladian Palace in Vicenza of a Venetian patrician family. The back of the showcase was rebuilt again at the end of the 800 first 900 with the application of damask fabric The table can be extended up to 4-6 meters The large sideboard and the display cabinet are in the process of conservative restoration and have therefore been disassembled, as seen from the last photos. Measures in cm: Sideboard H 240 x L 315 x D 70 Display cabinet H 240 x L 230 x D 60 Table H 78 L x 230 x D 140 Extendable to 4-6 meters Notes: The architectural design of Andrea Palladio...

Organic Modern Cerdeira Dining Table, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. The Cerdeira marble dining table captures the raw beauty and organic e...

They can be sold separately A magnificent Mid Century baroque Ferrarese table "biscotto" with six chairs, all hand-carved blond walnut and the top finished with Ferrarese burl walnu...

A Michele Bonciani 20th century Tuscany dining room set, Renaissance style, all solid walnut and carved walnut, wax-polished An important classic dining room set with a beautiful patina, very elegant in spite of the massive structure of the table and chairs Extendable table and chairs...

Modern Howlite Round Dining Table 4-Seats, Modern Collection, Handcrafted in Portugal - Europe by GF Modern. Howlite dining table represents the dawn of a new modern era. The Golden...

Hello, We would like to offer you this fine walnut Biedermeier set of five chairs and the large round table. The set was made in Vienna circa 1825. Viennese Biedermeier is distingui...

Modern Howlite Round Dining Table 4-Seats, Modern Collection, Handcrafted in Portugal - Europe by GF Modern. Howlite dining table represents the dawn of a new modern era. The Golden...

Beautifully restored Broyhill Brasilia dining set. This sought after Mid-Century Modern walnut dining set includes an expanding dining table and 6 dining chairs. The table is 66" lon...

High Quality Vintage French Country Louis XV Style Carved Walnut Dining Room Set - 7 Pc Set. Listing includes (2) Armchairs, (4) Side chairs, and (1) Oval dining table with (2) 18" e...

There is no mistaking the style and sophisticated design of this dining set comprising an exquisite rare English antique Elizabethan Revival pollard oak extending dining table, circa...

This Louis Majorelle extendable dining table, accompanied by a set of six matching chairs, is a solid display of French Art Nouveau style in furniture. The "Chicorée," or "Chicory," ...

CC dining table, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. Designed by Rute Martins for the Contemporary Collection and inspired by nature’s organic rhythmic curves, CC dining table results in an elegant and harmonious piece that looks like the two legs as C letters are associated with each other. Handcrafted with meticulous precision, the Calacatta Viola marble beauty and vein patterning stands out on its own, giving this dining table a bold and powerful personality. CC 12-seat Dining Table...

This is a handsome Drexel dining set that displays brass accents on the curves. It's also expandable and has leaves, so you can alter it's size for e...

Organic Modern Cerdeira Dining Table, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. The Cerdeira marble dining table captures the raw beauty and organic e...

This is a beautiful dining set comprising an antique French Louis Revival dining table, Circa 1920 in date, and a beautiful set of six Gondola Dining Chairs C1950.   This antique Fre...

Streamline Deco Table and Chairs. Walnut with Walnut Burl top. Pink Mohair seats.

CC Dining Table, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. Designed by Rute Martins for the Contemporary Collection and inspired by nature’s organic r...

A dining set composed of four “Africa” dining chairs and an “Artona” table, designed by Afra and Tobia Scarpa for Maxalto in 1975. Made of walnut, burl...

An incredible original set from the 1960s designed by Adrian Pearsall and produced by Craft Associates. The set features all solid walnut construction. Very clean and well cared for ...

Early 20th century, complete venetian baroque dining room by Testolini & Salviati , in burl walnut and hand-carved walnut , polished to wax Excellent conditions set with all origi...

Charles P. Limbert Co Jacobean Style Bookmatched Walnut Dining Room Suite, Circa 1916 - 1918. Suite Amazingly kept together for over a century, this set is comprised of: -One extended dining room table with amazing bookmatched Walnut top and 3 leaves in they their original case. Table without leaves is 96" wide x 42" in depth and 29.5" in height. Three 12" leaves. Table without leaves is 60" in width. C. P. Limbert, 1916-18 English Revival...

This elegant 20th Century French extension dining table brings both practicality and timeless French sophistication to any dining space. Crafted from high-quality wood, likely walnut...

A dining set composed of four “model 121” dining chairs and a “model 778” dining table designed by Afra & Tobia Scarpa in 1965 and produced in I...

set of 6 chairs in teak, white leather, metal and a table in aluminum steel and walnut the legs of the table are in gold metal the table has a slightly darker mark in the center of t...

An Art Nouveau set consisting of a wooden table with a Violet d'Afyon marble top, two open-sided armchairs, and four chairs, model "AUX CLEMATITES," all with carved and openwork deco...

An assembled Mid-Century dining set including a Danish dining table designed by Poul Kjærholm and a set of American dining chairs made by Mira Nakashima. The iconic round PK54 table ...

A George I style walnut veneer extending dining table and set of twelve dining chairs by Whytock & Reid, circa 1920s. The dining table with a cross-banded top, moulded edge and shape...

Italian modern dining table, designed by Bertha Schaefer for Singer and Sons, Italy, circa 1950s. This table is currently being refinished ...

Inspired by Danish simplicity and organic design, the laurel dining set features sculpted legs, modest angles, and sturdy joinery. The bench and table are constructed from sustainabl...

Fabulous round dining table with an organic design and with a gold colored glass top. Produced in Italy in the 1950s in the manner of Augusto Romano. The legs have supreme craftsmans...

We are delighted to offer for sale this exquisite heavily carved Art Deco Burr Walnut dining table with six sculptural dining chairs A beautiful example of this kind of work, the ...

Organic Modern Gimonde Dining Table, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. The Gimonde marble dining table is a bold expression of exclusive desig...

Torbecchia dining room set is composed of four chairs, one table, and one bench. The table and the bench were made in walnut wood, the chairs have a structure in walnut wood and wove...

Elegant dining table, Paolo Buffa, 1950s. The piece is really rare and important. The marble top is supported by a center column on four bronze finished feet. Available as well the ...

Introducing the Armonia Chair. This set of 8 Italian walnut chairs is an unique and timeless dining chair set. The chairs are made from...

Baroque Ferrarese burl walnut with neoclassical references , Art Decò age, table with six chairs of the early twentieth century, in solid blond walnut. Shaped oval shaped table, wit...

A beautiful Italian early 18th century Tuscan st. Walnut gateleg dining table. The table is raised by elegant mottled feet below striking r...

The Jetsons Dining Set faces the future with style and fun.  Walnut and ash wood provide the two-tone look.  The Jetsons Dining Set comprises the Jetsons Dining Table and six (6) Jet...

Beautiful table designed by the famous Italian Mid-Century Modern designer Vittorio Dassi, 1950. The exceptional woodwork is highlighted by the curved green glass top and the rounded...

Early Charles Eames Dining Set, This set consists of Four DCW Dining Chairs in Birchwood and Rare DCW-1 Walnut Dining Table. Tables measures; 29¼ h × ...

Arthur Simpson attributed, in the style of CFA Voysey. An exceptional quality English Arts & Crafts walnut extending dining table with wonderful figuring t...

Elegant mid century dining table, designed by T. H. Robsjohn-Gibbings for Widdicomb, American, circa 1950s. Clean lined design with elegant splayed legs. It expands from 58-78" width...

Custom table with beautiful barley twist legs and stretcher. Bread boards on each end. Can be made in a custom sizes and in a variety of woods, colors, finishes and range of distress...

Custom table with beautiful barley twist legs and stretcher. Bread boards on each end. Can be made in a custom sizes and in a variety of woods, colors, finishes and range of distress...

Mid-Century Modern Venise Dining Table, Hand-Crafted in Portugal - Europe by Greenapple The Venise dining table enhances any interior by taking exceptional craftsmanship to a new le...

A large square Italian dining table designed by Paolo Barracchia. Featuring exquisite detailing including a thick brass band, double open legs and map...

The Get Back, Inc. outdoor industrial dining table. Taking our swing-out seats a step beyond their usual bar and kitchen counter duties, Tim Byrne, founder of get back, Inc. combined them with powder-coated steel pedestal bases and Ipé seats and slats to create a weather resistant revival of America’s Classic picnic table. Each swing out seat provides a warm interactive experience as it moves with the body, positioning you to the perfect spot. With the strength to withstand in excess of a thousand pounds per seat, and the ability to be bolted to the ground, the stability and quality can be felt and seen throughout. An exquisite alternative to standard outdoor kitchen, breakfast, dining and cafe seating...

They can be sold separately 1930s Art Deco majestic room furniture sets in burl walnut attributed Atelier Gaetano Borsani, Varedo, polished to wax. Two tulip-shaped sideboards with b...

We are truly honored to offer you this rare and distinguished set of six walnut Biedermeier chairs, paired with a magnificent tilt-top table, al...

Introducing a truly unique and magnificent British Art Deco dining set from the 1920s, an embodiment of luxury and timeless elegance. This set, meticulously restored to a shellac pol...

Art Deco Fontaine Dining Table, Modern Collection, Handcrafted in Portugal - Europe by Greenapple. The Fontaine dining table is named after Jean de La Fontaine, the renowned French ...

Set of 5 mod. 783 “Kentucky” dining chairs, designed by Carlo Scarpa for the Italian manufacturer Bernini in 1977. Structure made from oak and walnut timber. Seats and backrest made from cognac leather. Excellent vintage condition. Carlo Scarpa designed this chair for the “Scuderia” series., the last project he made for Bernini. The architect took inspiration from the “shaker” movement. He designed the chair slightly inclined at the front. This feature allows you to swing backward (until you lean on a wall) and remain in balance. Born in Venice on June 2nd, 1906, Carlo Scarpa began working at a very early age. A year after he had first qualified as an architect in 1926, he began working for the Murano glassmakers Cappellin & Co. in a consultative capacity. From 1927, Carlo Scarpa began to experiment with the Murano glass, and this research not only gave him excellent results here but would also inform his progress for many years to come. Between 1935 and 1937, as he entered his thirties, Carlo Scarpa accepted his first important commission, the renovation of Venice’s Cà Foscari. He adapted the spaces of this stately University building that stands on the Grand Canal banks, creating rooms for the Dean’s offices and a new hall for academic ceremonies; Mario Sironi and Mario De Luigi were charged with doing the restoration work on the frescos. After 1945, Carlo Scarpa found himself constantly busy with new commissions, including various furnishings and designs for the renovation of Venice’s Hotel Bauer and designing a tall building in Padua and a residential area in Feltre, all worth mentioning. One of his key works, despite its relatively modest diminished proportions, was the [bookshop known as the] Padiglione del Libro, which stands in Venice’s Giardini di Castello and clearly shows Scarpa’s passion for the works of Frank Lloyd Wright. In the years which were to follow, after he had met the American architect, Scarpa repeated similar experiments on other occasions, as can be seen, in particular, in the sketches he drew up in 1953 for villa Zoppas in Conegliano, which show some of his most promising work. However, this work unfortunately never came to fruition. Carlo Scarpa later created three museum layouts to prove pivotal in terms of how twentieth-century museums were set up from then on. Between 1955 and 1957, he completed extension work on Treviso’s Gipsoteca Canoviana [the museum that houses Canova’s sculptures] in Possagno, taking a similar experimental approach to the one he used for the Venezuelan Pavilion at [Venice’s] Giardini di Castello which he was building at the same time (1954-56). In Possagno Carlo Scarpa was to create one of his most significant ever works, which inevitably bears comparison with two other museum layouts that he was working on over the same period, those of: – Galleria Nazionale di Sicilia, housed in the Palazzo Abatellis in Palermo (1953-55) – Castelvecchio in Verona (1957- 1974), all of which were highly acclaimed, adding to his growing fame. Two other buildings, which are beautifully arranged in spatial terms, can be added to this long list of key works that were started and, in some cases, even completed during the nineteen fifties. After winning the Olivetti award for architecture in 1956, Scarpa began work in Venice’s Piazza San Marco on an area destined to house products made by the Industrial manufacturers Ivrea. Over the same period (1959-1963), he also worked on the renovation and restoration of the gardens and ground floor of the Fondazione Querini Stampalia in Venice, which many consider one of his greatest works. While he busied himself working on-site at the Fondazione Querini Stampalia, Carlo Scarpa also began work building a villa in Udine for the Veritti family. To shed some light on the extent to which his work evolved over the years, it may perhaps be useful to compare this work with that of his very last building, villa Ottolenghi Bardolino, which was near to completion at the time of his sudden death in 1978. Upon completion of villa Veritti over the next ten years, without ever letting up on his work on renovation and layouts, Scarpa accepted some highly challenging commissions, working on the Carlo Felice Theatre in Genoa and another theatre in Vicenza. Towards the end of this decade, in 1969, Rina Brion commissioned Carlo Scarpa to build the Brion Mausoleum in San Vito d’Altivole (Treviso), a piece he continued to work on right up until the moment of his death. Nevertheless, even though he was totally absorbed by work on this mausoleum, there are plenty of other episodes which can offer some insight into the final years of his career. As work on the San Vito d’Altivole Mausoleum began to lessen from 1973, Carlo Scarpa started building the new headquarters for the Banca Popolare di Verona. He drew up plans that were surprisingly different from the work he was carrying out at the same time on the villa Ottolenghi. However, the plans Carlo Scarpa drew up, at different times, for a monument in Brescia’s Piazza della Loggia commemorating victims of the terrorist attack on May 28th, 1974, make a sharp contrast to the work he carried out in Verona, almost as if there is a certain hesitation after so many mannered excesses. The same Pietas that informs his designs for the Piazza Della Loggia can also be seen in the presence of the water that flows through the Brion Mausoleum, almost as if to give a concrete manifestation of pity in this twentieth-century work of art. Carlo Scarpa has put together a highly sophisticated collection of structures, occupying the mausoleum’s L-shaped space stretching across both sides of the old San Vito d’Altivole cemetery. A myriad of different forms and an equally large number of different pieces, all of which are separate and yet inextricably linked to form a chain that seems to offer no promise of continuity, rising up out of these are those whose only justification for being there is to bear the warning “si vis vitam, para mortem,” [if you wish to experience life prepare for death] as if to tell a tale that suggests the circle of time, joining together the commemoration of the dead with a celebration of life. At the entrance of the Brion Mausoleum stand the “propylaea” followed by a cloister which ends by a small chapel, with an arcosolium bearing the family sarcophagi, the main pavilion, held in place on broken cast iron supports, stands over a mirror-shaped stretch of water and occupies one end of the family’s burial space. The musical sound of the walkways teamed with the luminosity of these harmoniously blended spaces shows how, in keeping with his strong sense of vision, Carlo Scarpa could make the most of all of his many skills to come up with this truly magnificent space. As well as a great commitment to architectural work, with the many projects which we have already seen punctuating his career, Carlo Scarpa also made many equally important forays into the world of applied arts. Between 1926 and 1931, he worked for the Murano glassmakers Cappellin, later taking what he had learned with him when he went to work for the glassmakers Venini from 1933 until the 1950s. The story of how he came to work on furniture design is different, however, and began with the furniture he designed to replace lost furnishings during his renovation of Cà Foscari. The later mass-produced furniture started differently, given that many pieces were originally one-off designs “made to measure.” Industrial manufacturing using these designs as prototypes came into being thanks to the continuity afforded him by Dino Gavina, who, as well as this, also invited Carlo Scarpa to become president of the company Gavina SpA, later to become SIMON, a company Gavina founded eight years on, in partnership with Maria Simoncini (whose own name accounts for the choice of company name). Carlo Scarpa and Gavina forged a strong bond in 1968 as they began to put various models of his into production for Simon, such as the “Doge” table, which also formed the basis for the “Sarpi” and “Florian” tables. In the early seventies, other tables that followed included “Valmarana,” “Quatour,” and “Orseolo.” While in 1974, they added couch and armchair “Cornaro” to the collection and the “Toledo” bed...

Impressive antique 19th century Italian Renaissance sideboard set of two. Made entirely of carved walnut wood. The carving work is specta...