Walnut Dining Room Sets

Set of 5 mod. 783 “Kentucky” dining chairs, designed by Carlo Scarpa for the Italian manufacturer Bernini in 1977. Structure made from oak and walnut timber. Seats and backrest made from cognac leather. Excellent vintage condition. Carlo Scarpa designed this chair for the “Scuderia” series., the last project he made for Bernini. The architect took inspiration from the “shaker” movement. He designed the chair slightly inclined at the front. This feature allows you to swing backward (until you lean on a wall) and remain in balance. Born in Venice on June 2nd, 1906, Carlo Scarpa began working at a very early age. A year after he had first qualified as an architect in 1926, he began working for the Murano glassmakers Cappellin & Co. in a consultative capacity. From 1927, Carlo Scarpa began to experiment with the Murano glass, and this research not only gave him excellent results here but would also inform his progress for many years to come. Between 1935 and 1937, as he entered his thirties, Carlo Scarpa accepted his first important commission, the renovation of Venice’s Cà Foscari. He adapted the spaces of this stately University building that stands on the Grand Canal banks, creating rooms for the Dean’s offices and a new hall for academic ceremonies; Mario Sironi and Mario De Luigi were charged with doing the restoration work on the frescos. After 1945, Carlo Scarpa found himself constantly busy with new commissions, including various furnishings and designs for the renovation of Venice’s Hotel Bauer and designing a tall building in Padua and a residential area in Feltre, all worth mentioning. One of his key works, despite its relatively modest diminished proportions, was the [bookshop known as the] Padiglione del Libro, which stands in Venice’s Giardini di Castello and clearly shows Scarpa’s passion for the works of Frank Lloyd Wright. In the years which were to follow, after he had met the American architect, Scarpa repeated similar experiments on other occasions, as can be seen, in particular, in the sketches he drew up in 1953 for villa Zoppas in Conegliano, which show some of his most promising work. However, this work unfortunately never came to fruition. Carlo Scarpa later created three museum layouts to prove pivotal in terms of how twentieth-century museums were set up from then on. Between 1955 and 1957, he completed extension work on Treviso’s Gipsoteca Canoviana [the museum that houses Canova’s sculptures] in Possagno, taking a similar experimental approach to the one he used for the Venezuelan Pavilion at [Venice’s] Giardini di Castello which he was building at the same time (1954-56). In Possagno Carlo Scarpa was to create one of his most significant ever works, which inevitably bears comparison with two other museum layouts that he was working on over the same period, those of: – Galleria Nazionale di Sicilia, housed in the Palazzo Abatellis in Palermo (1953-55) – Castelvecchio in Verona (1957- 1974), all of which were highly acclaimed, adding to his growing fame. Two other buildings, which are beautifully arranged in spatial terms, can be added to this long list of key works that were started and, in some cases, even completed during the nineteen fifties. After winning the Olivetti award for architecture in 1956, Scarpa began work in Venice’s Piazza San Marco on an area destined to house products made by the Industrial manufacturers Ivrea. Over the same period (1959-1963), he also worked on the renovation and restoration of the gardens and ground floor of the Fondazione Querini Stampalia in Venice, which many consider one of his greatest works. While he busied himself working on-site at the Fondazione Querini Stampalia, Carlo Scarpa also began work building a villa in Udine for the Veritti family. To shed some light on the extent to which his work evolved over the years, it may perhaps be useful to compare this work with that of his very last building, villa Ottolenghi Bardolino, which was near to completion at the time of his sudden death in 1978. Upon completion of villa Veritti over the next ten years, without ever letting up on his work on renovation and layouts, Scarpa accepted some highly challenging commissions, working on the Carlo Felice Theatre in Genoa and another theatre in Vicenza. Towards the end of this decade, in 1969, Rina Brion commissioned Carlo Scarpa to build the Brion Mausoleum in San Vito d’Altivole (Treviso), a piece he continued to work on right up until the moment of his death. Nevertheless, even though he was totally absorbed by work on this mausoleum, there are plenty of other episodes which can offer some insight into the final years of his career. As work on the San Vito d’Altivole Mausoleum began to lessen from 1973, Carlo Scarpa started building the new headquarters for the Banca Popolare di Verona. He drew up plans that were surprisingly different from the work he was carrying out at the same time on the villa Ottolenghi. However, the plans Carlo Scarpa drew up, at different times, for a monument in Brescia’s Piazza della Loggia commemorating victims of the terrorist attack on May 28th, 1974, make a sharp contrast to the work he carried out in Verona, almost as if there is a certain hesitation after so many mannered excesses. The same Pietas that informs his designs for the Piazza Della Loggia can also be seen in the presence of the water that flows through the Brion Mausoleum, almost as if to give a concrete manifestation of pity in this twentieth-century work of art. Carlo Scarpa has put together a highly sophisticated collection of structures, occupying the mausoleum’s L-shaped space stretching across both sides of the old San Vito d’Altivole cemetery. A myriad of different forms and an equally large number of different pieces, all of which are separate and yet inextricably linked to form a chain that seems to offer no promise of continuity, rising up out of these are those whose only justification for being there is to bear the warning “si vis vitam, para mortem,” [if you wish to experience life prepare for death] as if to tell a tale that suggests the circle of time, joining together the commemoration of the dead with a celebration of life. At the entrance of the Brion Mausoleum stand the “propylaea” followed by a cloister which ends by a small chapel, with an arcosolium bearing the family sarcophagi, the main pavilion, held in place on broken cast iron supports, stands over a mirror-shaped stretch of water and occupies one end of the family’s burial space. The musical sound of the walkways teamed with the luminosity of these harmoniously blended spaces shows how, in keeping with his strong sense of vision, Carlo Scarpa could make the most of all of his many skills to come up with this truly magnificent space. As well as a great commitment to architectural work, with the many projects which we have already seen punctuating his career, Carlo Scarpa also made many equally important forays into the world of applied arts. Between 1926 and 1931, he worked for the Murano glassmakers Cappellin, later taking what he had learned with him when he went to work for the glassmakers Venini from 1933 until the 1950s. The story of how he came to work on furniture design is different, however, and began with the furniture he designed to replace lost furnishings during his renovation of Cà Foscari. The later mass-produced furniture started differently, given that many pieces were originally one-off designs “made to measure.” Industrial manufacturing using these designs as prototypes came into being thanks to the continuity afforded him by Dino Gavina, who, as well as this, also invited Carlo Scarpa to become president of the company Gavina SpA, later to become SIMON, a company Gavina founded eight years on, in partnership with Maria Simoncini (whose own name accounts for the choice of company name). Carlo Scarpa and Gavina forged a strong bond in 1968 as they began to put various models of his into production for Simon, such as the “Doge” table, which also formed the basis for the “Sarpi” and “Florian” tables. In the early seventies, other tables that followed included “Valmarana,” “Quatour,” and “Orseolo.” While in 1974, they added couch and armchair “Cornaro” to the collection and the “Toledo” bed...

We are delighted to offer for sale this exquisite heavily carved Art Deco Burr Walnut dining table with six sculptural dining chairs A beautiful example of this kind of work, the ...

A smart and stylish vintage G Plan Redford dining table and chairs. They were made in England, and date from the 1950’s. The table is sometimes known as the helicopter table...

Mid-Century Modern Venise Dining Table, Hand-Crafted in Portugal - Europe by Greenapple The Venise dining table enhances any interior by taking exceptional craftsmanship to a new le...

Modern Howlite Round Dining Table 4-Seats, Modern Collection, Handcrafted in Portugal - Europe by GF Modern. Howlite dining table represents the dawn of a new modern era. The Traver...

set of 6 chairs in teak, white leather, metal and a table in aluminum steel and walnut the legs of the table are in gold metal the table has a slightly darker mark in the center of t...

A drop-leaf console table opens to seat, six (6) for dining. Set complete with two banquette chairs and four side chairs.

We are delighted to offer this very rare circa 1852-1857 Gillow & Co Lancaster attributed burr walnut and ebonished wood occasional or dining table A very rare and well made piece...

They can be sold separately 1930s Art Deco majestic room furniture sets in burl walnut attributed Atelier Gaetano Borsani, Varedo, polished to wax. Two tulip-shaped sideboards with b...

Mid Century Modern T.H. Robsjohn-Gibbings For John Widdicomb French Walnut Klismos Style Dining Table with Two Extension Boards and 6 Chairs This exquisite Mid Century Modern dinin...

A walnut extending dining table, circa 1960s Extended width 182cm

Original walnut extendable table, designed by Louis Majorelle, with 6 Art Deco chairs. The elegant walnut chairs have been renovated and upholstered with new beige fabric. The walnut...

They can be sold separately Italy 18th century majestic dining room set, baroque renaissance, table and six chairs, all in solid walnut restored and polished to wax. On request the c...

Table with chairs in Empire style, France. Very good condition, after professional renovation. Wood: mahogany Dimensions: Table: height 75 cm / length 129 cm / depth 101 - 146 cm...

Introducing a truly unique and magnificent British Art Deco dining set from the 1920s, an embodiment of luxury and timeless elegance. This set, meticulously restored to a shellac pol...

The Chinese dining chair form 2002 honors some of the traditional curves and shapes of early Chinese chairs, but with a modern take. The laminated ...

Antique table and chairs from the late 19th century, Northern Europe. Furniture in very good condition, professionally renovated. Chair seat...

The antique set of chairs and a table in the Renaissance style were made of oak wood in the second half of the 19th century. Seats and backrests of chairs upholstered with fabric, wo...

This vintage dining set features the unique Mid-Century design of Paul McCobb produced for the Calvin group. Stylish aluminum trim contrasts with the rich walnut finish of this expan...

Organic Modern Cerdeira Dining Table, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. The Cerdeira marble dining table captures the raw beauty and organic e...

Set of Eight Curvaceous Dining Chairs, designed by Kipp Stewart for Calvin, American, circa 1960s. These chairs are currently being refinished ...

A set of four chairs with a table from the early 20th century. The furniture is in very good condition, after professional renovation. Dimensions: Table: height 79 cm width 125 cm...

Table with chairs for dining room in Art Deco style, Poland, around 1940. Furniture in very good condition, after professional renovation. Chair seats have been covered with new nat...

Table with chairs for dining room in Art Deco style, Poland, around 1940. Furniture in very good condition, after professional renovation. Chair seats have been covered with new nat...

White Porcelain Dining Table Set with Matching Benches – Custom Handmade Furniture for Modern Interiors A contemporary statement in form and function, this white porcelain dining table set with benches is a minimalist composition designed for modern living. Featuring a stone-look porcelain tabletop and a sculptural solid wood base, it’s the ideal union of elegance, durability, and craftsmanship. The table’s top is crafted from high-performance white porcelain with soft veining, evoking the luxury of natural marble while offering exceptional resistance to heat, scratches, and stains. Its surface is both tactile and refined—perfect for daily meals or formal gatherings. The sleek edges and soft matte finish reflect a modern aesthetic rooted in timeless materials. Paired with matching handcrafted benches, this dining set offers a cohesive and architectural look. The bench seats are made from the same solid American walnut as the table’s base, ensuring a harmonious material palette. Their understated design allows the porcelain surface to take center stage, while still providing generous and comfortable seating. Ideal for design-forward homes, open-plan layouts, or dining rooms where every detail matters, this porcelain and wood dining set adds warmth, sophistication, and functionality in equal measure. Key features: – White porcelain top dining table...

21st century wrought iron dining table with solid walnut wood top The price is for the legs and 43.5in Round Top You can use in outdoor or indoor, you must indicate in the order....

OOMA is not just a dining table. It’s an invitation, a multifaceted experience. First, it captivates the eye with its color. Matte or glossy, lacquer is omnipresent. Its line is rema...

Solid curly or birds eye maple table 6 chairs bench hand made jointly studio dining set mint! Very comfortables seats! Artist signed and dated...

An exceptional set in Arts and Crafts style from the Floating World Collection produced by Kevin Kopil. According to the maker, the inspiration for the Line is the furniture and arch...

We present Art Deco dining furniture that includes a table and six chairs. A set from 1940, designed by a famous Czech designer Jindrich Halabala - (a Czech designer ranked among th...

We present dining set including a table and four chairs made in 1960 by a Czech designer Szuman Highly recommended item will be perfect complementation of the rooms in not only ...

An amazing “Furniture as Art” piece. This expandable custom order dining table was made by the amazing team at “Chapter and Verse NYC”. The table is made with an art sculpture wood b...

When I made this table, the main challenge was to find really old walnut slabs. So that they would be dark, with a rich dark vein, a little rotten and with lots of holes and cracks. ...

The OOMA table reflects Reda Amalou’s search for a perfect balance between a pure line and the attention to detail. The proportions of the very thin elegant marble top, with its subt...

Palace set boulle We present the salon set Boulle, a living room set consisting of a table, 2 armchairs and 2 additional armchairs, The set isinlaid with copper and pearlmass, The se...

Located in Georgia, Atlanta is the home of more than thirty-nine skyscrapers. Constructed in the '90s, the Bank of America Plaza is the tallest building in the city. Designed by the architectural firm Kevin Roche John Dinkeloo and Associates LLC, it is postmodern-inspired reminiscent of Art Deco. Transpiring emotion through a design recreation, Porus Studio...

Howlite Dining Table 8-Seats, Modern Collection, Handcrafted in Portugal - Europe by GF Modern. Howlite black dining table represents the dawn of a new modern era. Crafted from Amer...

- made of solid EWalnut and leather - made by William Pagden furniture maker in Netherland - quality craftsmanship - Dining table signed by author - Chairs: H:102 W:47 D:60 /...

Tommi Parzinger Race Track dark walnut finish Hollywood inlaid dining table Parzinger originals, with two leaves 20” each.  

This dining table made from vintage black walnut is seen here in 42" x 110", however it can be built in any size. Because each table is bench-made in our own Los Angeles workshop yo...

We present Art Deco dining furniture that includes a table and four chairs. A set from 1940, designed by a famous Czech designer Jindrich Ha...

We are delighted to offer for sale this stunning Denby & Spinks Leeds circa 1920 Art Deco Burr Walnut inverted breakfront sideboard which is part of a large dining suite This piec...

We present Art Deco dining furniture that includes a table and four chairs. A set from 1940, designed by a famous Czech designer Jindrich Halabala, (a Czech designer ranked among the...

Mid Century Modern Walnut Drop Leaf Dining Table and 6 Chairs Newly Upholstered Styled After Broyhill Brasilia - 10 Piece Set This Mid Century Modern dining set features six dining ...

A Dinning Room table set with eight ( 8 ) chairs: - An elegant Art Deco dining table crafted from walnut with a clear finishing of clear veneer with two extensions and chrome iron d...

Walnut Natur Nero Marquina Bloom Dining Table by Milla & Milli Signed by Maša Vukmanović, Jelena Lukač Kirš, Jakov Šrajer Dimensions: W 180 x D 180 x H 75 cm Materials: Walnut Natur...

Oriental Style Carved Dining Table and 6 Chairs This table has an exquisitely carved 5” broad border with a snake skin edging around the table top, this carved theme continues on th...

We present Art Deco dining furniture that includes a table and four chairs. A set from 1940, designed by a famous Czech designer Jindrich Ha...

Beautiful hand -carved captain's table adorned with bare-breasted winged caryatids, lion cartouche.

Battlefield. The battle has been going on for more than the first hour. This is an important battle. A battle between you and your enemy. You have expended much energy. The enemy was...

Walnut Natur Picasso Green Bloom Dining Table by Milla & Milli Signed by Maša Vukmanović, Jelena Lukač Kirš, Jakov Šrajer Dimensions: W 180 x D 180 x H 75 cm Materials: Walnut Natur...

When I made this table, the main challenge was to find really old walnut slabs. So that they would be dark, with a rich dark vein, a little rotten and with lots of holes and cracks. ...

Walnut Natur Bianco Namibia Bloom Dining Table by Milla & Milli Signed by Maša Vukmanović, Jelena Lukač Kirš, Jakov Šrajer Dimensions: W 180 x D 180 x H 75 cm Materials: Walnut Natu...

Set of 2 Evermore extensions walnut 160 by Warm Nordic Dimensions: D46 x W5 x H85 cm Material: Oiled solid walnut and veneer Weight: 11.5 kg Also available in different colors an...

We are delighted to offer this stunning Denby & Spinks Leeds circa 1920 Art Deco burr walnut inverted breakfront console table or sideboard which is...

Set of 2 Evermore extensions walnut 190 by Warm Nordic Dimensions: D46 x W5 x H95 cm Material: Oiled solid walnut and veneer Weight: 11.5 kg Also available in different colours a...

A beautiful Italian early 18th century Tuscan st. Walnut gateleg dining table. The table is raised by elegant mottled feet below striking r...

This Louis Majorelle extendable dining table, accompanied by a set of six matching chairs, is a solid display of French Art Nouveau style in furniture. The "Chicorée," or "Chicory," ...

A part of Fort Standard’s “Qualities of Material” collection, the Assemblage table is made from hundreds of thin, hard maple wood slats. The slats are...

A part of Fort Standard’s “Qualities of Material” collection, the Assemblage bench is made from hundreds of thin, hard maple wood slats. The slats are assembled into triangular tubes...