Walnut Dining Room Sets

Contemporary Armona Dining Table, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. The Armona dining table draws inspirati...

Olasz Vittorio Dassi díszlet 1960-ból Buffet Width: 224 cm Depth: 45 cm Height: 80 cm Display Cabinet Width: 140 cm Depth: 40 cm Height: 140 cm    

Rarely seen “Avila” dining set in Italian Walnut by Barsacchi & Vegni. Includes 4 Avila dining chairs in cognac leather. An exceptional example of Italian modernism, the Avila i...

They can be sold separately 19th century Baroque round table, extendable, restored with six Luigi Filippo new-upholtered chairs. Table measure cm:...

“Scuderia” dining table, designed by Carlo Scarpa and produced by the Italian manufacturer Bernini in 1977. Originally, Carlo Scarpa designed the table to restore the stable of Villa Valmarana in Vicenza in 1972. The table features a solid walnut structure. Available also five “Kentucky” dining...

Chair dimensions: Height: 78 cm / 30.71″ Width: 40 cm / 15.75″ Depth: 47 cm / 18.5″ Seat height: 44 cm / 17.32″ Table dimensions: Height: 80 cm / 31.5″ Width: 83.5 cm / 32.87″ Depth...

Seven piece Mid-Century Modern dining set features a sculptural walnut dining table with a custom dark green glass top and six matching ladder back dining chairs. The table features ...

Organic Modern Cerdeira Marble Dining Table, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. The Cerdeira marble dining table captures the raw beauty and or...

Introducing a truly unique and magnificent British Art Deco dining set from the 1920s, an embodiment of luxury and timeless elegance. This set, meticulously restored to a shellac pol...

An extremely rare set of twelve dining chairs designed by Edward Wormley for Dunbar. Known as the Greene & Greene chair for it's crafted look with exposed tenon crest rail, rosewood ...

Contemporary Venise Dining Table, Hand-Crafted in Portugal - Europe by Greenapple The Venise dining table enhances any interior by taking exceptional craftsmanship to a new level. ...

An Art Nouveau set consisting of a wooden table with a Violet d'Afyon marble top, two open-sided armchairs, and four chairs, model "AUX CLEMATITES," all with carved and openwork deco...

This is a handsome oiled-walnut dining set designed by Bertha Schaefer for M. Singer & Sons in 1952 and produced in Italy for the Singer Modern collection. The set includes a large o...

Centred on classical Neoclassical motifs, the suite of six chairs comprises two sweeping open armchairs and four side chairs constructed from warm flame timbers with delicate boxwood...

Mid-Century Modern Venise Dining Table, Hand-Crafted in Portugal - Europe by Greenapple The Venise dining table enhances any interior by taking exceptional craftsmanship to a new le...

Modern Howlite Travertine Dining Table 4-Seats, Modern Collection, Handcrafted in Portugal - Europe by GF Modern. The Howlite travertine dining table anchors the room with quiet con...

Italian Mid-Century Modern dining table 8 chairs set new linen upholstery seats Mint!. Measures- Chair: 18'' x 20'' x 33'' & seat height: 19...

Italian modern dining table, designed by Bertha Schaefer for Singer and Sons, Italy, circa 1950s. This table is currently being refinished ...

Clean lines and high quality materials are the basis of Stephen Kenn's Inheritance Collection. This simple yet elegant dining set features a solid ebonized oak tabletop with an antiq...

Dining goods are one of the newest additions to Stephen Kenn's The Inheritance collection. A solid walnut and steel dining table with simple and modern lines, with a set of four matc...

We present Art Deco dining furniture that includes a table and four chairs. A set from 1940, designed by a famous Czech designer Jindrich Ha...

Charles P. Limbert Co Jacobean Style Bookmatched Walnut Dining Room Suite, Circa 1916 - 1918. Suite Amazingly kept together for over a century, this set is comprised of: -One extended dining room table with amazing bookmatched Walnut top and 3 leaves in they their original case. Table without leaves is 96" wide x 42" in depth and 29.5" in height. Three 12" leaves. Table without leaves is 60" in width. C. P. Limbert, 1916-18 English Revival...

Oriental Style Carved Dining Table and 6 Chairs This table has an exquisitely carved 5” broad border with a snake skin edging around the table top, this carved theme continues on th...

Oak & Walnut Dining Room Set From the Interwar Period in Blue Upholstery The oval table with a top in walnut burl can be extended and is intended for 8 people. The chairs with openw...

This vintage dining set features the unique Mid-Century design of Paul McCobb produced for the Calvin group. Stylish aluminum trim contrasts with the rich walnut finish of this expan...

An amazing “Furniture as Art” piece. This expandable custom order dining table was made by the amazing team at “Chapter and Verse NYC”. The table is made with an art sculpture wood b...

We present Art Deco dining furniture that includes a table and four chairs. A set from 1940, designed by a famous Czech designer Jindrich Ha...

We present Art Deco dining furniture that includes a table and four chairs. A set from 1940, designed by a famous Czech designer Jindrich Halabala, (a Czech designer ranked among the...

Antique table and chairs from the late 19th century, Northern Europe. Furniture in very good condition, professionally renovated. Chair seat...

An impressive Vintage French Empire Revival burr walnut dining table and a set of ten swag back dining chairs dating from the mid 20th Century. The circular burr-walnut top features...

Wonderful set of dining chairs by Broyhill Brasilia. This set includes 6 recently reupholstered chairs, 2 armchairs, 4 side chairs. Chairs are in very nice shape. They've been reupho...

We present Art Deco dining furniture that includes a table and six chairs. A set from 1940, designed by a famous Czech designer Jindrich Halabala - (a Czech designer ranked among th...

Very rare danish dining room set incl. 6 cowhorn chairs, round / oval table and the matching cabinet by Svend Aage Madsen. The whole ensemble made in finest walnut. Table with retrac...

Architect: Paul Follot Table dimensions: Height: 76 cm (29.9 in) Width: 220 cm (86.6 in) Depth: 117 cm (46.1 in) Adjustable width: 140, 180 and 220 cm (55, 110 and 165 in) Chair di...

We present Art Deco dining furniture that includes a table and four chairs. A set from 1940, designed by a famous Czech designer Jindrich Halabala, (a Czech designer ranked among the...

Full mid-century modern dining set by Young Manufacturing. Six chairs and round table with leaf. Arm chairs:40.25h, 23.25w, 23.25d Side chairs: ...

Set of 5 mod. 783 “Kentucky” dining chairs, designed by Carlo Scarpa for the Italian manufacturer Bernini in 1977. Structure made from oak and walnut timber. Seats and backrest made from cognac leather. Excellent vintage condition. Carlo Scarpa designed this chair for the “Scuderia” series., the last project he made for Bernini. The architect took inspiration from the “shaker” movement. He designed the chair slightly inclined at the front. This feature allows you to swing backward (until you lean on a wall) and remain in balance. Born in Venice on June 2nd, 1906, Carlo Scarpa began working at a very early age. A year after he had first qualified as an architect in 1926, he began working for the Murano glassmakers Cappellin & Co. in a consultative capacity. From 1927, Carlo Scarpa began to experiment with the Murano glass, and this research not only gave him excellent results here but would also inform his progress for many years to come. Between 1935 and 1937, as he entered his thirties, Carlo Scarpa accepted his first important commission, the renovation of Venice’s Cà Foscari. He adapted the spaces of this stately University building that stands on the Grand Canal banks, creating rooms for the Dean’s offices and a new hall for academic ceremonies; Mario Sironi and Mario De Luigi were charged with doing the restoration work on the frescos. After 1945, Carlo Scarpa found himself constantly busy with new commissions, including various furnishings and designs for the renovation of Venice’s Hotel Bauer and designing a tall building in Padua and a residential area in Feltre, all worth mentioning. One of his key works, despite its relatively modest diminished proportions, was the [bookshop known as the] Padiglione del Libro, which stands in Venice’s Giardini di Castello and clearly shows Scarpa’s passion for the works of Frank Lloyd Wright. In the years which were to follow, after he had met the American architect, Scarpa repeated similar experiments on other occasions, as can be seen, in particular, in the sketches he drew up in 1953 for villa Zoppas in Conegliano, which show some of his most promising work. However, this work unfortunately never came to fruition. Carlo Scarpa later created three museum layouts to prove pivotal in terms of how twentieth-century museums were set up from then on. Between 1955 and 1957, he completed extension work on Treviso’s Gipsoteca Canoviana [the museum that houses Canova’s sculptures] in Possagno, taking a similar experimental approach to the one he used for the Venezuelan Pavilion at [Venice’s] Giardini di Castello which he was building at the same time (1954-56). In Possagno Carlo Scarpa was to create one of his most significant ever works, which inevitably bears comparison with two other museum layouts that he was working on over the same period, those of: – Galleria Nazionale di Sicilia, housed in the Palazzo Abatellis in Palermo (1953-55) – Castelvecchio in Verona (1957- 1974), all of which were highly acclaimed, adding to his growing fame. Two other buildings, which are beautifully arranged in spatial terms, can be added to this long list of key works that were started and, in some cases, even completed during the nineteen fifties. After winning the Olivetti award for architecture in 1956, Scarpa began work in Venice’s Piazza San Marco on an area destined to house products made by the Industrial manufacturers Ivrea. Over the same period (1959-1963), he also worked on the renovation and restoration of the gardens and ground floor of the Fondazione Querini Stampalia in Venice, which many consider one of his greatest works. While he busied himself working on-site at the Fondazione Querini Stampalia, Carlo Scarpa also began work building a villa in Udine for the Veritti family. To shed some light on the extent to which his work evolved over the years, it may perhaps be useful to compare this work with that of his very last building, villa Ottolenghi Bardolino, which was near to completion at the time of his sudden death in 1978. Upon completion of villa Veritti over the next ten years, without ever letting up on his work on renovation and layouts, Scarpa accepted some highly challenging commissions, working on the Carlo Felice Theatre in Genoa and another theatre in Vicenza. Towards the end of this decade, in 1969, Rina Brion commissioned Carlo Scarpa to build the Brion Mausoleum in San Vito d’Altivole (Treviso), a piece he continued to work on right up until the moment of his death. Nevertheless, even though he was totally absorbed by work on this mausoleum, there are plenty of other episodes which can offer some insight into the final years of his career. As work on the San Vito d’Altivole Mausoleum began to lessen from 1973, Carlo Scarpa started building the new headquarters for the Banca Popolare di Verona. He drew up plans that were surprisingly different from the work he was carrying out at the same time on the villa Ottolenghi. However, the plans Carlo Scarpa drew up, at different times, for a monument in Brescia’s Piazza della Loggia commemorating victims of the terrorist attack on May 28th, 1974, make a sharp contrast to the work he carried out in Verona, almost as if there is a certain hesitation after so many mannered excesses. The same Pietas that informs his designs for the Piazza Della Loggia can also be seen in the presence of the water that flows through the Brion Mausoleum, almost as if to give a concrete manifestation of pity in this twentieth-century work of art. Carlo Scarpa has put together a highly sophisticated collection of structures, occupying the mausoleum’s L-shaped space stretching across both sides of the old San Vito d’Altivole cemetery. A myriad of different forms and an equally large number of different pieces, all of which are separate and yet inextricably linked to form a chain that seems to offer no promise of continuity, rising up out of these are those whose only justification for being there is to bear the warning “si vis vitam, para mortem,” [if you wish to experience life prepare for death] as if to tell a tale that suggests the circle of time, joining together the commemoration of the dead with a celebration of life. At the entrance of the Brion Mausoleum stand the “propylaea” followed by a cloister which ends by a small chapel, with an arcosolium bearing the family sarcophagi, the main pavilion, held in place on broken cast iron supports, stands over a mirror-shaped stretch of water and occupies one end of the family’s burial space. The musical sound of the walkways teamed with the luminosity of these harmoniously blended spaces shows how, in keeping with his strong sense of vision, Carlo Scarpa could make the most of all of his many skills to come up with this truly magnificent space. As well as a great commitment to architectural work, with the many projects which we have already seen punctuating his career, Carlo Scarpa also made many equally important forays into the world of applied arts. Between 1926 and 1931, he worked for the Murano glassmakers Cappellin, later taking what he had learned with him when he went to work for the glassmakers Venini from 1933 until the 1950s. The story of how he came to work on furniture design is different, however, and began with the furniture he designed to replace lost furnishings during his renovation of Cà Foscari. The later mass-produced furniture started differently, given that many pieces were originally one-off designs “made to measure.” Industrial manufacturing using these designs as prototypes came into being thanks to the continuity afforded him by Dino Gavina, who, as well as this, also invited Carlo Scarpa to become president of the company Gavina SpA, later to become SIMON, a company Gavina founded eight years on, in partnership with Maria Simoncini (whose own name accounts for the choice of company name). Carlo Scarpa and Gavina forged a strong bond in 1968 as they began to put various models of his into production for Simon, such as the “Doge” table, which also formed the basis for the “Sarpi” and “Florian” tables. In the early seventies, other tables that followed included “Valmarana,” “Quatour,” and “Orseolo.” While in 1974, they added couch and armchair “Cornaro” to the collection and the “Toledo” bed...

This dining table made from vintage black walnut is seen here in 42" x 110", however it can be built in any size. Because each table is bench-made in our own Los Angeles workshop yo...

We are truly honored to offer you this rare and distinguished set of six walnut Biedermeier chairs, paired with a magnificent tilt-top table, al...

We are delighted to offer for sale this stunning Denby & Spinks Leeds circa 1920 Art Deco Burr Walnut inverted breakfront sideboard which is part of a large dining suite This piec...

Exquisite & most rare! This French Art Nouveau dining set consisting of 8 chairs and matching table by Eugène Vallin in solid walnut. The chairs where de...

Elevate your interior with this exceptional, complete dining room set, restored by a professional antique furniture restorer. Crafted from a luxurious fusion of ebonized wood, rosewo...

An elegant eight-piece European Art Deco dining room ensemble, comprising an extendable walnut dining table in the style of Gaston Poisson, a beautifully crafted Belgian Streamline Art Deco walnut sideboard, and a set of six Art Deco dining chairs inspired by Jules Leleu. Dating from the 20th century, this distinctive furniture ensemble celebrates the sophistication of European Art Deco design, combining richly figured walnut veneers, sculptural geometric forms, refined metal detailing, lacquered finishes, and striking yellow upholstery. The combination of French Art Deco influences and Belgian Streamline Moderne craftsmanship creates a harmonious and architecturally refined dining room composition. Ideal for collectors, interior designers, and admirers of 20th-century European furniture, this ensemble combines decorative elegance, timeless character, and everyday functionality. Art Deco Extendable Walnut Dining Table – In the Style of Gaston Poisson The elegant Art Deco dining table features a striking architectural silhouette, distinguished by its rectangular walnut tabletop and two substantial rounded pedestal supports. The beautifully figured walnut veneer displays warm, rich natural tones beneath a clear finish, emphasizing the distinctive grain patterns and refined craftsmanship of the piece. The sculptural pedestal bases incorporate chrome-finished metal accents, creating a sophisticated contrast with the walnut and highlighting the streamlined aesthetic characteristic of Art Deco and Streamline Moderne furniture...

Inspired by Danish simplicity and organic design, the laurel dining set features sculpted legs, modest angles, and sturdy joinery. The bench and table are constructed from sustainabl...

Custom table with beautiful barley twist legs and stretcher. Bread boards on each end. Can be made in a custom sizes and in a variety of woods, colors, finishes and range of distress...

Available in single slab diameters of over six feet, the Harvest dining table by Taylor Donsker creates a visual anchor for any dining room or dining nook....

Beautiful hand -carved captain's table adorned with bare-breasted winged caryatids, lion cartouche.

A drop-leaf console table opens to seat, six (6) for dining. Set complete with two banquette chairs and four side chairs.

Royal House Antiques Royal House Antiques is delighted to offer for sale this exquisitely designed, hand made in England occasional dining table with Celtic design top and three Geo...

Mid-Century Modern Modern Olisippo Dining Table, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. The Olisippo quartz dining table pays homage to Lisbon’s an...

We are delighted to offer this very rare circa 1852-1857 Gillow & Co Lancaster attributed burr walnut and ebonished wood occasional or dining table A very rare and well made piece...

An elegant Art Deco walnut dining table and matching cabinet set, distinguished by refined geometric lines, warm honey-toned wood, and sophisticated decorative details. Inspired by t...

CC dining table, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. Designed by Rute Martins for the Contemporary Collection and inspired by nature’s organic r...

A beautiful Italian early 18th century Tuscan st. Walnut gateleg dining table. The table is raised by elegant mottled feet below striking r...

High Quality Vintage French Country Louis XV Style Carved Walnut Dining Room Set - 7 Pc Set. Listing includes (2) Armchairs, (4) Side chairs, and (1) Oval dining table with (2) 18" e...

The Get Back, Inc. outdoor industrial dining table. Taking our swing-out seats a step beyond their usual bar and kitchen counter duties, Tim Byrne, founder of get back, Inc. combined them with powder-coated steel pedestal bases and Ipé seats and slats to create a weather resistant revival of America’s Classic picnic table. Each swing out seat provides a warm interactive experience as it moves with the body, positioning you to the perfect spot. With the strength to withstand in excess of a thousand pounds per seat, and the ability to be bolted to the ground, the stability and quality can be felt and seen throughout. An exquisite alternative to standard outdoor kitchen, breakfast, dining and cafe seating...

Clean lined dining table, designed by T.H. Robsjohn-Gibbings for Widdicomb, American, circa 1950s. It goes from a compact rectangle that measu...

A George I style walnut veneer extending dining table and set of twelve dining chairs by Whytock & Reid, circa 1920s. The dining table with a cross-banded top, moulded edge and shape...

CC dining table, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. Designed by Rute Martins for the Contemporary Collection and inspired by nature’s organic r...

Organic Modern Armona Dining Table, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. The Armona dining table draws inspiration from the serene landscape of A...