Walnut Dining Room Sets

Giovanni Michelucci for Poltronova, ´Torbecchia', table and bench, walnut, Italy, design 1964 This dining room set consisting of a beautiful table and bench in walnut wood is desig...

A British Art Deco Dining Suite by Hille produced in London in the 1930’s The Table has a large one piece top with highly figured burr walnut book matched veneers, the curved ends ar...

A dining set composed of four “Africa” dining chairs and an “Artona” table, designed by Afra and Tobia Scarpa for Maxalto in 1975. Made of walnut, burl...

Complete set of table and chairs from Naver Collection The iconic Tiger chair from Henrik Lehm is designed with an eye for aesthetics and excellent comfor...

Iconic dining table and six dining chairs by Osvaldo Borsani and Eugenio Gerli for TECNO, Italy, circa 1960. Four chairs have galvanized metal details and two chairs have brass detai...

Hans Sandgren Jakobsen is the designer behind the Thor table. Our new table is designed with a floating tabletop showcasing the qualities of solid wood and with black sand-cast aluminum legs keeping the table simple in its expression and providing the design with a distinctive character. The GM 3030 Thor table series is designed by Hans Sandgren Jakobsen. Table top thickness 12/24 mm GM 3030-18 Table w. extension ploes: 180 x 100 x 74 cm GM 3030-21 Table w. extension poles: 210 x 100 x 74 cm GM 3030-24 Table w. extension poles: 240 x 100 x 74 cm GM 3030-27 Table w. extension poles: 270 x 100 x 74 cm GM 3030-30 Table w. extension poles: 300 x 100 x 74 cm GM 3038 Extension leaf, solid: 50 x 100 x cm GM 3039 Extension leaf, MDF, black stained: 50 x 100 cm Distance between legs 180 cm...

This beautiful dining table and chairs are made in Italy by Cub House Italia, They collaborated with Bentley Car company to design and manufacture this stu...

When I made this table, the main challenge was to find really old walnut slabs. So that they would be dark, with a rich dark vein, a little rotten and with lots of holes and cracks. ...

An absolutely stunning original Art Deco period cloud back dining suite in burr walnut. This was made in England, it dates from the 1920-30s. The quality is outstanding, this is so well made and beautifully designed. The chairs have wonderful scooped backs with gorgeous burr walnut on the inside and outside. The twin pedestal table...

Set of 5 mod. 783 “Kentucky” dining chairs, designed by Carlo Scarpa for the Italian manufacturer Bernini in 1977. Structure made from oak and walnut timber. Seats and backrest made from cognac leather. Excellent vintage condition. Carlo Scarpa designed this chair for the “Scuderia” series., the last project he made for Bernini. The architect took inspiration from the “shaker” movement. He designed the chair slightly inclined at the front. This feature allows you to swing backward (until you lean on a wall) and remain in balance. Born in Venice on June 2nd, 1906, Carlo Scarpa began working at a very early age. A year after he had first qualified as an architect in 1926, he began working for the Murano glassmakers Cappellin & Co. in a consultative capacity. From 1927, Carlo Scarpa began to experiment with the Murano glass, and this research not only gave him excellent results here but would also inform his progress for many years to come. Between 1935 and 1937, as he entered his thirties, Carlo Scarpa accepted his first important commission, the renovation of Venice’s Cà Foscari. He adapted the spaces of this stately University building that stands on the Grand Canal banks, creating rooms for the Dean’s offices and a new hall for academic ceremonies; Mario Sironi and Mario De Luigi were charged with doing the restoration work on the frescos. After 1945, Carlo Scarpa found himself constantly busy with new commissions, including various furnishings and designs for the renovation of Venice’s Hotel Bauer and designing a tall building in Padua and a residential area in Feltre, all worth mentioning. One of his key works, despite its relatively modest diminished proportions, was the [bookshop known as the] Padiglione del Libro, which stands in Venice’s Giardini di Castello and clearly shows Scarpa’s passion for the works of Frank Lloyd Wright. In the years which were to follow, after he had met the American architect, Scarpa repeated similar experiments on other occasions, as can be seen, in particular, in the sketches he drew up in 1953 for villa Zoppas in Conegliano, which show some of his most promising work. However, this work unfortunately never came to fruition. Carlo Scarpa later created three museum layouts to prove pivotal in terms of how twentieth-century museums were set up from then on. Between 1955 and 1957, he completed extension work on Treviso’s Gipsoteca Canoviana [the museum that houses Canova’s sculptures] in Possagno, taking a similar experimental approach to the one he used for the Venezuelan Pavilion at [Venice’s] Giardini di Castello which he was building at the same time (1954-56). In Possagno Carlo Scarpa was to create one of his most significant ever works, which inevitably bears comparison with two other museum layouts that he was working on over the same period, those of: – Galleria Nazionale di Sicilia, housed in the Palazzo Abatellis in Palermo (1953-55) – Castelvecchio in Verona (1957- 1974), all of which were highly acclaimed, adding to his growing fame. Two other buildings, which are beautifully arranged in spatial terms, can be added to this long list of key works that were started and, in some cases, even completed during the nineteen fifties. After winning the Olivetti award for architecture in 1956, Scarpa began work in Venice’s Piazza San Marco on an area destined to house products made by the Industrial manufacturers Ivrea. Over the same period (1959-1963), he also worked on the renovation and restoration of the gardens and ground floor of the Fondazione Querini Stampalia in Venice, which many consider one of his greatest works. While he busied himself working on-site at the Fondazione Querini Stampalia, Carlo Scarpa also began work building a villa in Udine for the Veritti family. To shed some light on the extent to which his work evolved over the years, it may perhaps be useful to compare this work with that of his very last building, villa Ottolenghi Bardolino, which was near to completion at the time of his sudden death in 1978. Upon completion of villa Veritti over the next ten years, without ever letting up on his work on renovation and layouts, Scarpa accepted some highly challenging commissions, working on the Carlo Felice Theatre in Genoa and another theatre in Vicenza. Towards the end of this decade, in 1969, Rina Brion commissioned Carlo Scarpa to build the Brion Mausoleum in San Vito d’Altivole (Treviso), a piece he continued to work on right up until the moment of his death. Nevertheless, even though he was totally absorbed by work on this mausoleum, there are plenty of other episodes which can offer some insight into the final years of his career. As work on the San Vito d’Altivole Mausoleum began to lessen from 1973, Carlo Scarpa started building the new headquarters for the Banca Popolare di Verona. He drew up plans that were surprisingly different from the work he was carrying out at the same time on the villa Ottolenghi. However, the plans Carlo Scarpa drew up, at different times, for a monument in Brescia’s Piazza della Loggia commemorating victims of the terrorist attack on May 28th, 1974, make a sharp contrast to the work he carried out in Verona, almost as if there is a certain hesitation after so many mannered excesses. The same Pietas that informs his designs for the Piazza Della Loggia can also be seen in the presence of the water that flows through the Brion Mausoleum, almost as if to give a concrete manifestation of pity in this twentieth-century work of art. Carlo Scarpa has put together a highly sophisticated collection of structures, occupying the mausoleum’s L-shaped space stretching across both sides of the old San Vito d’Altivole cemetery. A myriad of different forms and an equally large number of different pieces, all of which are separate and yet inextricably linked to form a chain that seems to offer no promise of continuity, rising up out of these are those whose only justification for being there is to bear the warning “si vis vitam, para mortem,” [if you wish to experience life prepare for death] as if to tell a tale that suggests the circle of time, joining together the commemoration of the dead with a celebration of life. At the entrance of the Brion Mausoleum stand the “propylaea” followed by a cloister which ends by a small chapel, with an arcosolium bearing the family sarcophagi, the main pavilion, held in place on broken cast iron supports, stands over a mirror-shaped stretch of water and occupies one end of the family’s burial space. The musical sound of the walkways teamed with the luminosity of these harmoniously blended spaces shows how, in keeping with his strong sense of vision, Carlo Scarpa could make the most of all of his many skills to come up with this truly magnificent space. As well as a great commitment to architectural work, with the many projects which we have already seen punctuating his career, Carlo Scarpa also made many equally important forays into the world of applied arts. Between 1926 and 1931, he worked for the Murano glassmakers Cappellin, later taking what he had learned with him when he went to work for the glassmakers Venini from 1933 until the 1950s. The story of how he came to work on furniture design is different, however, and began with the furniture he designed to replace lost furnishings during his renovation of Cà Foscari. The later mass-produced furniture started differently, given that many pieces were originally one-off designs “made to measure.” Industrial manufacturing using these designs as prototypes came into being thanks to the continuity afforded him by Dino Gavina, who, as well as this, also invited Carlo Scarpa to become president of the company Gavina SpA, later to become SIMON, a company Gavina founded eight years on, in partnership with Maria Simoncini (whose own name accounts for the choice of company name). Carlo Scarpa and Gavina forged a strong bond in 1968 as they began to put various models of his into production for Simon, such as the “Doge” table, which also formed the basis for the “Sarpi” and “Florian” tables. In the early seventies, other tables that followed included “Valmarana,” “Quatour,” and “Orseolo.” While in 1974, they added couch and armchair “Cornaro” to the collection and the “Toledo” bed...

19th century Carved Burled Walnut Dinning Table with Red Velvet Arm Chairs.

Set of 2 Evermore extensions walnut 160 by Warm Nordic Dimensions: D46 x W5 x H85 cm Material: Oiled solid walnut and veneer Weight: 11.5 kg Also available in different colors an...

Set of 2 Evermore extensions walnut 190 by Warm Nordic Dimensions: D46 x W5 x H95 cm Material: Oiled solid walnut and veneer Weight: 11.5 kg Also available in different colours a...

Battlefield. The battle has been going on for more than the first hour. This is an important battle. A battle between you and your enemy. You have expended much energy. The enemy was...

Howlite Dining Table 8-Seats, Modern Collection, Handcrafted in Portugal - Europe by GF Modern. Howlite black dining table represents the dawn of a new modern era. The black oxidi...

An extremely rare set of twelve dining chairs designed by Edward Wormley for Dunbar. Known as the Greene & Greene chair for it's crafted look with exposed tenon crest rail, rosewood ...

An Art Deco eight seat dining suite by Maurice Adams. Burr walnut veneered table with figured walnut banding and macassar ebony to base. Six fi...

We are delighted to offer for sale this exquisite heavily carved Art Deco Burr Walnut dining table with six sculptural dining chairs A beautiful example of this kind of work, the ...

Luxury and rarity meet to create this beautiful burl wood dining set in walnut by Schnadig Furniture Company, a maker of large scale distinctive tra...

Elegant mid century dining table, designed by T. H. Robsjohn-Gibbings for Widdicomb, American, circa 1950s. Clean lined design with elegant splayed legs. It expands from 58-78" width...

This dining room consists of a dresser, three sideboards including a pair of small open sideboards and a large sideboard with doors, a table, six chairs and two armchairs. In walnut ...

Add timeless Mid-Century Modern style to your dining room with this vintage set by Paul McCobb. It includes an expanding dining table, six chairs (2 with arms, 4 without), and a large server...

C&C dining table, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. Designed by Rute Martins for the Contemporary Collection and inspired by nature’s organi...

Beautiful Danish Fritz Hansen dining set in walnut: a ‘Super-Elliptical’ dining table designed by Piet Hein & Bruno Mathsson and in 2005 (labeled). This example features a beautiful top made of walnut with a magnificent wood grain, combined with the signature chromed steel spanlegs. Together with a matching set of 4 walnut ‘Series 7...

“Scuderia” dining table, designed by Carlo Scarpa and produced by the Italian manufacturer Bernini in 1977. Originally, Carlo Scarpa designed the table to restore the stable of Villa Valmarana in Vicenza in 1972. The table features a solid walnut structure. Available also five “Kentucky” dining...

Beautiful table designed by the famous Italian Mid-Century Modern designer Vittorio Dassi, 1950. The exceptional woodwork is highlighted by the curved green glass top and the rounde...

Italian modern dining table, designed by Bertha Schaefer for Singer and Sons, Italy, circa 1950s. This table is currently being refinished ...

A beautifully grained walnut dining table with leather wrapped feet. Designed by Edward Wormley for Dunbar. Table measures 60" diameter and has a 20" leaf.

A rare set of ten armchairs designed by Edward Wormley for Dunbar. Fully restored with refinished walnut bases and upholstered in Designtex / Lambert fabric.

Antuérpia Extendable Dining Table 4/6-Seats, Modern Collection, Handcrafted in Portugal - Europe by GF Modern. Antuérpia dining table represents the dawn of a new modern era. The ...

Rectangular Art Deco dining table with two hidden butterfly extension leaves underneath. The table is made with nut veneer and show some beautiful lines and structure. Made in 1930s,...

We present Art Deco dining furniture that includes a table and four chairs. A set from 1940, designed by a famous Czech designer Jindrich Ha...

Attributed to GAUTHIER-POINSIGNON & Cie, Dining room furniture in walnut and elm burl veneer decorated with fruits and plane tree leaves (Platanus orientalis) and bronze ornamentatio...

Oak & Walnut Dining Room Set From the Interwar Period in Blue Upholstery The oval table with a top in walnut burl can be extended and is intended for 8 people. The chairs with openw...

Elegant dining table, Paolo Buffa, 1950s. The piece is really rare and important. The marble top is supported by a center column on four bronze finished feet. Available as well the ...

Italian Mid-Century Modern dining table 8 chairs set new linen upholstery seats Mint!. Measures- Chair: 18'' x 20'' x 33'' & seat height: 19...

Giovanni Michelucci for Poltronova, 'Torbecchia' Table and Bench in walnut, circa 1964. Walnut table and a bench; this set is designed by Italian designer Giovanni Michelucci (1891-...

The Get Back, Inc. outdoor industrial dining table. Taking our swing-out seats a step beyond their usual bar and kitchen counter duties, Tim Byrne, founder of get back, Inc. combined them with powder-coated steel pedestal bases and Ipé seats and slats to create a weather resistant revival of America’s Classic picnic table. Each swing out seat provides a warm interactive experience as it moves with the body, positioning you to the perfect spot. With the strength to withstand in excess of a thousand pounds per seat, and the ability to be bolted to the ground, the stability and quality can be felt and seen throughout. An exquisite alternative to standard outdoor kitchen, breakfast, dining and cafe seating...

We are delighted to this stunning suite of eight Denby & Spinks Art Deco carved Walnut dining chairs with pale green leather upholstery These are part of a suite, in total I have ...

A superb decorative set of four carved walnut Anglo Indian armchairs and matching extending dining table. Circa 1920. Handmade in solid walnut, with hand shaped table...

Armona dining table, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. Designed by Rute Martins for the Contemporary Collec...

Rectangular table in Brazilian rosewood satin finish with Italian walnut inlay top with 2 extension of cm. 48 (19”) each. Brushed steel accents on the base. Art Deco Size 78’’ ½ W ...

Solid curly or birds eye maple table 6 chairs bench hand made jointly studio dining set mint! Very comfortables seats! Artist signed and dated...

We are delighted to offer this very rare circa 1852-1857 Gillow & Co Lancaster attributed burr walnut and ebonished wood occasional or dining table A very rare and well made piece...

- made of solid EWalnut and leather - made by William Pagden furniture maker in Netherland - quality craftsmanship - Dining table signed by author - Chairs: H:102 W:47 D:60 /...

Pierre Cardin dining room set, 6 keyhole back armchairs #26406 and pedestal table, 1989 Complete with six iconic Pierre Cardin keyhole back arm chairs #26406, each one signed in gold script on the back of the chair. Each chair measures: 17” W x 22” D x 43.75 H The leather seat measures 15”x 17" The arm height is 27.5" , the seat height is 19” The six chairs are available without the table for $7,500.00, LU1943319416722 The set is completed with a Pierre Cardin black lacquer and brass pedestal dining room table 72" x 42" Beveled glass top, Signed in script on base. Measures: 30” x 72” x 42” beveled edge/ The base alone measures lower column is 19”x 30” base, the measures top 16” D x 26.5" W x 29.5 H The Table is available without the 6 chairs for $7,500.00, LU1943319416742 Or the entire set can be purchased on this listing for $12,500.00 Provenance: Some chairs have the original Inventory labels, all chairs are signed in Gold Script 'Pierre Cardin' 'Frame #26406, walnut, black and brass...

The table and chairs can be sold separately A Paolo Buffa style 1940s Italian midcentury table by Palazzi dell'Arte Cantù., in mahogany with six chairs; emerald glass top. Chairs in...

Beautiful Italian dining room set from the 1940s composed by dining table -H83X100x163, sideboard with mirror - h100x170x55 + mirror h60x146, in rosewood and briar. 4 Chairs H88x45xp...

Vintage Mid-Century Modern ten-piece walnut wood dining room set by Broyhill Premier Invitation Grouping. Set consists of six dining chairs (Four...

Custom table with beautiful barley twist legs and stretcher. Bread boards on each end. Can be made in a custom sizes and in a variety of woods, colors, finishes and range of distress...

Iconic pair of T.H. Robsjohn Gibbings for Widdicomb end tables or nightstands. Single drawer with rattan-wrapped pulls, raised on long tapering brass legs. Widdicomb labels to inner ...

There are many details that make this Venetian style dining table very luxurious. From solid wood, soft ivory color, to cabriole legs with intricately handcrafted wood carvings on th...

An antique table with 4 bottle green chairs from around 1910. After renovation Dimensions: Table: height 70 cm / width 121 cm / depth. 90 cm Chairs: height 97 cm / height...

We present Art Deco dining furniture that includes a table and four chairs. A set from 1940, designed by a famous Czech designer Jindrich Ha...

A large square Italian dining table designed by Paolo Barracchia. Featuring exquisite detailing including a thick brass band, double open legs and map...

Monumental and important Renaissance Palladio dining room set all in solid hand-carved walnut from a Palladian Palace in Vicenza of a Venetian patrician family. The back of the showcase was rebuilt again at the end of the 800 first 900 with the application of damask fabric The table can be extended up to 4-6 meters The large sideboard and the display cabinet are in the process of conservative restoration and have therefore been disassembled, as seen from the last photos. Measures in cm: Sideboard H 240 x L 315 x D 70 Display cabinet H 240 x L 230 x D 60 Table H 78 L x 230 x D 140 Extendable to 4-6 meters Notes: The architectural design of Andrea Palladio...

Located in Georgia, Atlanta is the home of more than thirty-nine skyscrapers. Constructed in the '90s, the Bank of America Plaza is the tallest building in the city. Designed by the architectural firm Kevin Roche John Dinkeloo and Associates LLC, it is postmodern-inspired reminiscent of Art Deco. Transpiring emotion through a design recreation, Porus Studio...

Arthur Simpson attributed, in the style of CFA Voysey. An exceptional quality English Arts & Crafts walnut extending dining table with wonderful figuring t...