Mid-Century Modern Dining Room Sets

Handmade Walnut Dining Table Set with Matching Benches – Custom Solid Wood Furniture for Modern Dining Rooms A refined centerpiece for the contemporary dining room, this handmade wa...

A Rare Marzio Cecchi Circular Glass, Metal & Wicker Pedestal Dining Table With A Set Of Four Woven S Chairs 1970's Made In Italy 1972 Table diameter 111 cm CHAIRS Height 120cm Wid...

Patio dining table by Richard Shultz, redwood petals and enameled metal base. New photos coming soon. Base has been repainted, redwood pedals refinished.

On offer on this occasion is one of the most stunning, dining set you could hope to find. This is an ultra-rare opportunity to acquire what is, unequivocally, the best of the best, i...

Ensemble vintage des années 60, en sapin, dans le goût de Charlotte Perriand, composé d’une table rectangulaire et de 2 bancs assortis, Très bon ét...

Maurizio Tempestini for Satlerini Patio Set, White Reed Enameled steel 1960s. Rare set includes 4 lounge chairs and coffee table. Original finish. Lovely and relaxing alternative to ...

Very rare and complete 1st edition dinner set by Pierre Paulin for Artifort, Netherlands – 1965. This is a rare and complete 1st edition set. The chairs swivel. The table top has been professionally refinished in the same colour. The fabric is still original but shows a lot of staining. The legs have some normal signs of age and us. This set is extremely rare and could feature in a Paulin / Artifort museum or dedicated art show. Reupholstery on request. Designer: Pierre Paulin (France) Manufacturer: ARTIFORT (Netherlands) Country: Netherlands Model: Tulip table and chairs...

Fabulous 5 piece set which includes 4 iron hoop chairs and a iron table. Table is 36.25 in diameter x 29h. In excellent vintage condition with minimal ...

Here we offer a set of three Dan Wenger designs dining chairs and glass top table. The leather can be chosen in black, cognac, red and dark brown. Frame is lacquered in black. Chairs...

Beautifully Cared For 1960s Rattan Dining Set With Formica Top, 1 Round 1960s Rattan Dining Table With Formica Top. 1 Wide Formica Leaf To Vintage Rattan ...

A rosewood and mahogany 5-piece dinette dining set, Edward Wormley for Dunbar. The elegant vintage set with four mahogany armchairs and a square rosewood top set in a mahogany framew...

Lovely dining set designed by Guillerme & Chambron for Votre Maison Guillerme et Chambron for Votre Maison, extendable round dining table, stained oak, France, 1960s This dining ta...

Gijs Bakker is actually best known for his jewelry. This ‘Strip’ table and 6 Chairs is one of the few known pieces of furniture that he designed. Perhaps that is also the reason wh...

Circa 1950, we offer this amazing original Mexican vintage rattan and iron dinning set with 4 chairs. Table measurements: Diameter 102 cm. Height: 75 cm.

Carlo Hauner and Martin Eisler's pieces of furniture are highly designed and well-executed, with ingenious constructive details – very distinctive of any production of the time in Br...

An outstanding vintage Italian lacquered dining table and chairs by Pierre Cardin for Roche Bobois. This was made in Italy, it dates from around the 1970’s. The quality is fantastic...

Custom built to order in our Old Plank wood working department, is an elegant dining table constructed from mahogany, with a hand-applied ebonized finish which allows the elegant grain of the wood to show through. The ebonized dining table was designed with a very thin apron for extra leg room and has a heavy-duty hidden steel sub-frame to prevent sagging. As shown, the ebonized mahogany dining table...

On offer on this occasion is one of the most stunning and rare, dining set you could hope to find. Outstanding design is exhibited throughout. The beautiful set is statement piece an...

Danish drop leaf table with storage for four chairs. Teak grain leaves open up to over 5 feet wide. Tambour door cabinet holds four folded...

Osvaldo Borsani set of eight unique high back swivel dining chairs for Tecno 1971, Original cotton velvet upholstery, aluminum with bronzed finish. A copy of the blueprint included ...

Midcentury Modern Omann Jun Møbelfabrik dining table in rosewood 1960, Denmark, designed by Gunni Omann Jr, with two extension leaves. This beautiful Model 54 table has a veneered re...

1950s Maurice Bailey Monteverdi Young Card Table And 4 Maurice Bailey Chairs Set. Maurice Bailey For Monteverdi Young Leather Top Card Table and 4 Upholstered Chairs. Leather Top Has Some Wear And Use Throughout The Years Of Gin Rummy. Original Upholstery Is In Excellent Vintage Condition. Construction And Sturdiness Of The Chairs and Card Table Are In Excellent Vintage Condition. FYI: This Maurice Bailey For Monteverdi Young Card Table Set (And Many Other Maurice Bailey Items At The Time) Was Once Owned by Famous Architect Maurice Fleishman Purchase At His Beautiful Home / Estate . As a practicing architect with an office in Beverly Hills, California until his "unofficial" retirement in 2002, Maury was best known for his "mid century" modern style of civic buildings most notable being the Santa Monica Municipal Courts (1968), Beverly Hills Municipal Courts (1970), Malibu Administrative Center (1970) and the Los Angeles Criminal Courts building (1973) And He designed the Marina Del Rey...

Mid-Century Modern Dining Set by Marco Zanuzo for Poggi, Italy, 1970s Chairs : 39x43x90 cm Sh 44cm

Paul McCobb X-base modern dining table, American, circa 1950s. This table has been refinished in an ultra-deep brown lacquer. This table does not have any leaves.

Stunning walnut dining table and six matching dining chairs by Pier Luigi Colli, handmade by the famed 'Fratelli Marelli' atelier in Cantu, Italy circa 1950. The dining table is ...

Exceptional and rare entire dining set by david Rosen 'Futura-series' for Nordiska Kompaniet, 1950's. a Dining table expandable, with 8 dining chair, certains with armrest. Futura-...

A rarely found games table executed in mahogany, designed by Edward Wormley for Dunbar, circa 1950-1950. Features an expandable mechanism that brings the table from 32" square to 62"...

Elevate your dining experience with this Vintage MCM Wrought Iron Outdoor Dining Set of 5. Featuring sleek lines and mid-century modern style, this set...

Enjoy this vintage dining room set designed by famed Danish cabinetmaker Kurt Ostervig. The set includes (5) dining arm chairs and a round, expanding dining table, all expertly craft...

Lent of the table close is 53 and open is 70.5 with Butterfly mechanism extension the chairs are regular dimension. Butterfly mechanism extension is functi...

Rare Aldo Tura goatskin parchment dining set with six chairs and table with inserted wine cooler, Italy, 1950s. Every piece is in goatskin parchment. The upholstery is from the fine...

Extremely rare and unique tripod pine needle table with 5 matching tripod stools. Beautiful set that is made in a style that requires painstaking attention to detail and time to make...

This listing is for a Mid-Century Modern Coronet Folding Dining Set. Featuring a rectangular folding table, black top, long modern legs, and walnut...

Iconic mid-century Moorish style café table with two small chairs, upholstered in aqua Sunbrella. Perfect set for a balcony or other tight space. The two petite chairs...

This listing is for a Dining Suite in desirable chrome cityscape and white leather. Includes a dining table (not pictured at this moment) with two armchairs and six side chairs. Dini...

Vintage Paul Frankl dining room set by Brown - Saltman. 9 piece dining table one leaf six chairs with matching buffet all with honey combed design ico...

Dunbar Green & Green Expandable Dining Table & Consoles by Edward Wormley, 1959. The table folds open on each end and the center leaf then moves up and down to level itself. Table me...

Danish modern extending teak dining table manufactured by BRDR Furbo in Denmark, circa 1950s. This vintage dining table is built with the highest quality teak wood, where the aesthet...

A rare and beautiful set of 8 sculptural rosewood dining chairs retaining their original black leather; there are six side and two armchairs in the set. Designed by Helge Vestergaard...

An Elegant And Timeless French Late Art Deco / Modern Neoclassical dining room table in cherry by Andre Arbus. The table without leaves is 72" long....

On offer on this occasion is one of the most stunning, dining set you could hope to find. This is an ultra-rare opportunity to acquire what is, unequivocally, the best of the best, i...

Dining table designed by Alvar Aalto, circa 1960 Special commission, unique piece of measure: 246 x 140 x73 cm Wood legs and structure. In original condition, with minor wear consi...

Medea dining circular table, designed by Vittorio Nobili for Fratelli Tagliabue in 1954. Made of teak iron and brass, excellent vintage condition. Reported at “Compasso d’Oro Prize...

Russel Woodard spun fiberglass oval racetrack glass top dining table 4 chairs outdoor set Stunning grayish blue and white colors spun fiberglass design frames. Table measures: 43 x 62...

Restored.

Set of Four Clean Lined Mid Century Dining Chairs, designed by T.H. Robsjohn Gibbings for Widdicomb, American, circa 1950s. These dining chairs are currently being refinished and reu...

Danish Modern Mahogany dining table, designed by Frits Henningsen, Denmark, circa 1930s. This dining table is currently being refinished and the leaves will be re-veneered, as their veneer was missing when we purchased the set. It expands from a compact 43" circle to an impressive 108.5" oval with all three of it's leaves installed. We also have the matching dining chairs from the same estate currently listed on 1stdibs. Please see last photos. This listing and pricing is for the dining table only.

Clean lined midcentury dining chairs, designed by Paul McCobb, American, circa 1950s. We have 12 of these chairs available. You can buy just one or all twelve, as they are priced ind...

Set of 5 mod. 783 “Kentucky” dining chairs, designed by Carlo Scarpa for the Italian manufacturer Bernini in 1977. Structure made from oak and walnut timber. Seats and backrest made from cognac leather. Excellent vintage condition. Carlo Scarpa designed this chair for the “Scuderia” series., the last project he made for Bernini. The architect took inspiration from the “shaker” movement. He designed the chair slightly inclined at the front. This feature allows you to swing backward (until you lean on a wall) and remain in balance. Born in Venice on June 2nd, 1906, Carlo Scarpa began working at a very early age. A year after he had first qualified as an architect in 1926, he began working for the Murano glassmakers Cappellin & Co. in a consultative capacity. From 1927, Carlo Scarpa began to experiment with the Murano glass, and this research not only gave him excellent results here but would also inform his progress for many years to come. Between 1935 and 1937, as he entered his thirties, Carlo Scarpa accepted his first important commission, the renovation of Venice’s Cà Foscari. He adapted the spaces of this stately University building that stands on the Grand Canal banks, creating rooms for the Dean’s offices and a new hall for academic ceremonies; Mario Sironi and Mario De Luigi were charged with doing the restoration work on the frescos. After 1945, Carlo Scarpa found himself constantly busy with new commissions, including various furnishings and designs for the renovation of Venice’s Hotel Bauer and designing a tall building in Padua and a residential area in Feltre, all worth mentioning. One of his key works, despite its relatively modest diminished proportions, was the [bookshop known as the] Padiglione del Libro, which stands in Venice’s Giardini di Castello and clearly shows Scarpa’s passion for the works of Frank Lloyd Wright. In the years which were to follow, after he had met the American architect, Scarpa repeated similar experiments on other occasions, as can be seen, in particular, in the sketches he drew up in 1953 for villa Zoppas in Conegliano, which show some of his most promising work. However, this work unfortunately never came to fruition. Carlo Scarpa later created three museum layouts to prove pivotal in terms of how twentieth-century museums were set up from then on. Between 1955 and 1957, he completed extension work on Treviso’s Gipsoteca Canoviana [the museum that houses Canova’s sculptures] in Possagno, taking a similar experimental approach to the one he used for the Venezuelan Pavilion at [Venice’s] Giardini di Castello which he was building at the same time (1954-56). In Possagno Carlo Scarpa was to create one of his most significant ever works, which inevitably bears comparison with two other museum layouts that he was working on over the same period, those of: – Galleria Nazionale di Sicilia, housed in the Palazzo Abatellis in Palermo (1953-55) – Castelvecchio in Verona (1957- 1974), all of which were highly acclaimed, adding to his growing fame. Two other buildings, which are beautifully arranged in spatial terms, can be added to this long list of key works that were started and, in some cases, even completed during the nineteen fifties. After winning the Olivetti award for architecture in 1956, Scarpa began work in Venice’s Piazza San Marco on an area destined to house products made by the Industrial manufacturers Ivrea. Over the same period (1959-1963), he also worked on the renovation and restoration of the gardens and ground floor of the Fondazione Querini Stampalia in Venice, which many consider one of his greatest works. While he busied himself working on-site at the Fondazione Querini Stampalia, Carlo Scarpa also began work building a villa in Udine for the Veritti family. To shed some light on the extent to which his work evolved over the years, it may perhaps be useful to compare this work with that of his very last building, villa Ottolenghi Bardolino, which was near to completion at the time of his sudden death in 1978. Upon completion of villa Veritti over the next ten years, without ever letting up on his work on renovation and layouts, Scarpa accepted some highly challenging commissions, working on the Carlo Felice Theatre in Genoa and another theatre in Vicenza. Towards the end of this decade, in 1969, Rina Brion commissioned Carlo Scarpa to build the Brion Mausoleum in San Vito d’Altivole (Treviso), a piece he continued to work on right up until the moment of his death. Nevertheless, even though he was totally absorbed by work on this mausoleum, there are plenty of other episodes which can offer some insight into the final years of his career. As work on the San Vito d’Altivole Mausoleum began to lessen from 1973, Carlo Scarpa started building the new headquarters for the Banca Popolare di Verona. He drew up plans that were surprisingly different from the work he was carrying out at the same time on the villa Ottolenghi. However, the plans Carlo Scarpa drew up, at different times, for a monument in Brescia’s Piazza della Loggia commemorating victims of the terrorist attack on May 28th, 1974, make a sharp contrast to the work he carried out in Verona, almost as if there is a certain hesitation after so many mannered excesses. The same Pietas that informs his designs for the Piazza Della Loggia can also be seen in the presence of the water that flows through the Brion Mausoleum, almost as if to give a concrete manifestation of pity in this twentieth-century work of art. Carlo Scarpa has put together a highly sophisticated collection of structures, occupying the mausoleum’s L-shaped space stretching across both sides of the old San Vito d’Altivole cemetery. A myriad of different forms and an equally large number of different pieces, all of which are separate and yet inextricably linked to form a chain that seems to offer no promise of continuity, rising up out of these are those whose only justification for being there is to bear the warning “si vis vitam, para mortem,” [if you wish to experience life prepare for death] as if to tell a tale that suggests the circle of time, joining together the commemoration of the dead with a celebration of life. At the entrance of the Brion Mausoleum stand the “propylaea” followed by a cloister which ends by a small chapel, with an arcosolium bearing the family sarcophagi, the main pavilion, held in place on broken cast iron supports, stands over a mirror-shaped stretch of water and occupies one end of the family’s burial space. The musical sound of the walkways teamed with the luminosity of these harmoniously blended spaces shows how, in keeping with his strong sense of vision, Carlo Scarpa could make the most of all of his many skills to come up with this truly magnificent space. As well as a great commitment to architectural work, with the many projects which we have already seen punctuating his career, Carlo Scarpa also made many equally important forays into the world of applied arts. Between 1926 and 1931, he worked for the Murano glassmakers Cappellin, later taking what he had learned with him when he went to work for the glassmakers Venini from 1933 until the 1950s. The story of how he came to work on furniture design is different, however, and began with the furniture he designed to replace lost furnishings during his renovation of Cà Foscari. The later mass-produced furniture started differently, given that many pieces were originally one-off designs “made to measure.” Industrial manufacturing using these designs as prototypes came into being thanks to the continuity afforded him by Dino Gavina, who, as well as this, also invited Carlo Scarpa to become president of the company Gavina SpA, later to become SIMON, a company Gavina founded eight years on, in partnership with Maria Simoncini (whose own name accounts for the choice of company name). Carlo Scarpa and Gavina forged a strong bond in 1968 as they began to put various models of his into production for Simon, such as the “Doge” table, which also formed the basis for the “Sarpi” and “Florian” tables. In the early seventies, other tables that followed included “Valmarana,” “Quatour,” and “Orseolo.” While in 1974, they added couch and armchair “Cornaro” to the collection and the “Toledo” bed...

- Good original condition with some signs of use - Leather upholstery in good condition with some signs of use - The table dimensions : H: 74 W: 121 D: 77 cm

We are delighted to offer for sale this very well made, solid English Oak Habitat refectory dining table and eight Potocco leather and oak dining chairs This is a lovely, lightly used suite...

Stylish and elegant mid century modern Jatoba Arne Vodder dining room set. Elegant early 1960s dining room table and chairs, model 422, designed by Arne Vodder for Sibast Denmark. T...

“Scuderia” dining table, designed by Carlo Scarpa and produced by the Italian manufacturer Bernini in 1977. Originally, Carlo Scarpa designed the table to restore the stable of Villa Valmarana in Vicenza in 1972. The table features a solid walnut structure. Available also five “Kentucky” dining...

Set of table and benches designed by Charlotte Perriand for Les Arcs ski Resort, circa 1960, manufactured in France. Pinewood. In good original condition, with minor wear consisten...

Nice lime green five pieces ripple glass top dining dinette outdoor set star shape table base atr. to Russel Woodard or Salterini. Chairs measure: 20 x 21 x 32 seat 16" H.

Mid-Century Modern quality cast aluminum dining set consisting of 4 chairs and rectangular glass top table. Good quality set. Green vinyl upho...

Pedini Fano 60's table and chairs set, curved and shaped beech plywood, light oak laminate, chairs edges profiled in brown rubber and connected to the bas...

Vintage Sculptural Dining Set by Blowing Rock . This set features a beautiful sculpted leg table and (5) chairs. Perfect for entertaining in style. Table W60"xD40"xH30" Chairs W21...