Mid-Century Modern Dining Room Sets

Vintage 1970s garden or patio set with table and four comfortable bamboo chairs. Note the quality of the items; the glass is 1cm thick. Ideal as a vintage garden dining set or also...

This striking Mid Century Modern dining set includes an expandable ebonized dining table and a matching set of four dining chairs. The table features a dramatic spider leg base and a...

Welded polychromed and patinated steel "skyline dining" table by Paul Evans. Welded signature and date to base ‘Paul Evans 73’. Dimensions of the base: H:29 W:40 D:18 in. USA c.1973 ...

Elegant italian mid century dining set consisting of an extendable wooden dining table and 6 black ebonized wooden dining chairs with vinyl up...

This vintage dining set features the unique Mid-Century design of Paul McCobb produced for the Calvin group. Stylish aluminum trim contrasts with the rich walnut finish of this expan...

Chic California modern woven cane top dining table designed by Danny Ho Fong for Tropi-cal. Rare white finish with an iron frame that holds the w...

On offer on this occasion is one of the most stunning and rare, hand painted wood inlay dining table you could hope to find. Outstanding design...

Sleek modern wrought iron and faux marble formica dining table and 4 chairs. Table has 1 leaf. Great period look with a mix of McCobb and Ponti vibes. 36x30 47.5x30 with leaf. Curbs...

Set of six Mid-Century Modern Dining Chairs, Milo Baughman style, Chrome, Fabric Set of six Mid-Century Modern dining room chairs comprised of four side chairs and a pair of arm chairs...

White Porcelain Dining Table Set with Matching Benches – Custom Handmade Furniture for Modern Interiors A contemporary statement in form and function, this white porcelain dining table set with benches is a minimalist composition designed for modern living. Featuring a stone-look porcelain tabletop and a sculptural solid wood base, it’s the ideal union of elegance, durability, and craftsmanship. The table’s top is crafted from high-performance white porcelain with soft veining, evoking the luxury of natural marble while offering exceptional resistance to heat, scratches, and stains. Its surface is both tactile and refined—perfect for daily meals or formal gatherings. The sleek edges and soft matte finish reflect a modern aesthetic rooted in timeless materials. Paired with matching handcrafted benches, this dining set offers a cohesive and architectural look. The bench seats are made from the same solid American walnut as the table’s base, ensuring a harmonious material palette. Their understated design allows the porcelain surface to take center stage, while still providing generous and comfortable seating. Ideal for design-forward homes, open-plan layouts, or dining rooms where every detail matters, this porcelain and wood dining set adds warmth, sophistication, and functionality in equal measure. Key features: – White porcelain top dining table...

Mid-Century Modern dining table by Móveis Flama Manufacturer, Brazil, 1950s This straightforward rectangular table features the nice contrast of a white formica top nicely nestled i...

Spun fiberglass Russell Woodard indoor/outdoor dining set. Gorgeous table stands on 4 feet under the pedestal base. Additional information: Materials: Fiberglass Color: Cream S...

On offer on this occasion is one of the most stunning, dining set you could hope to find. This is an ultra-rare opportunity to acquire what is, unequivocally, the best of the best, i...

Vintage Rustic Reclaimed Barnwood Extending Rectangular Dining Set Gorgeous rustic reclaimed barnwood extending 2 end leaf French oak rectangular dining table and 6 matching high b...

Mid-Century Modern quality cast aluminum dining set consisting of 4 chairs and rectangular glass top table. Good quality set. Green vinyl upho...

Solid curly or birds eye maple table 6 chairs bench hand made jointly studio dining set mint! Very comfortables seats! Artist signed and dated...

Rare set designed by Christian Durupt, a renowned French cabinetmaker who collaborated with Charlotte Perriand. The dining table and its two grooved benches are entirely made of so...

Made in Italy, 1950s. It features a maple and beech frame and brass feet caps. This table has a glass top that underneath has its original marble patterned film. It is a vintage pie...

Stylish and elegant mid century modern Jatoba Arne Vodder dining room set. Elegant early 1960s dining room table and chairs, model 422, designed by Arne Vodder for Sibast Denmark. T...

This is an incredible COMPLETE dining set by Adrian Pearsall for Craft Associates. Not often will you find the larger table and 6 chairs as a set. It includes Pearsall's rectangula...

A Classic design, beautifully executed, in walnut. The finish is original. The chairs are upholstered in the original fabric.

Vladimir Kagan (American, 1927-2016) Eva Dining Room Set, Vladimir Kagan Designs, Inc., USA, circa 1983 Pieces can be purchased separately. Please inquire for separate pricing. Provenance: Property from the Personal Collection of Vladimir Kagan Birdseye maple veneer, painted and lacquered wood, Fully Refinished Table...

Midcentury wicker and rattan stands with round glass tops and a classic hour glass form on bun feet. Can also be used as a dining table base.

Tito Agnoli for Matteo Grassi leather dining table and six chairs. The table has the same beautiful brown color and is covered with leather. The glas...

Vintage Art Deco Transitional Henredon Pickled Oak Omni Collection Dining Set - Set of 7 This set includes a large oval table with a pedestal base and...

Vintage Mid Century Wrought Iron Industrial Folding Card Game Table Set 5 Pc Set. Item features 4 folding chairs with pivoting backs and one fo...

Beautiful Scandinavian dining room set by Finnish designer Ilmani Tapiovaara from the 1950s for Laukaan Puu. It is composed of a dining table and four chairs model "Pikka". The struc...

Elegant 1940s Lucite dining table with four matching chairs by Grosfeld House. This 1940s dining set features a table framed in tubular Lucite with an inset glass top and embellishe...

We are delighted to offer for sale this very fine suite of ten original RRP £15,500 Burr Satinwood Giorgio Collection dining chairs This set is part of a monumental £50,000+ dining room suite which includes the extra large extending table...

Typical French kitchen set from the 60s. 1 table with integrated extensions and 4 seats. good general condition, worn seat upholstery Dimensions tabl...

Vintage Mid-Century Modern 5 Piece Open Metal Wire Cone dining set In The Style Or Likeness of Verner Panton. This 5 Piece White And Black Open Metal Wire Cone Dining Set Is In Excellent Vintage Condition. Four White Open Metal Wire Cone Swivel Dining Chairs, White Open Metal Wire Cone Design With Black Leatherette Seat Cushions. The Dining Table Is A White Open Metal Wire Cone Base With Original Black Stone Like Table...

The midcentury Italian set of four chairs and table from the 1970s, crafted in giunco wood, exudes a rustic charm and timeless elegance. The chairs feature a stylish and ergonomic de...

Mid-Century Modern; Italy; 1970s; Hugonet; Dining Set; Modernist; Paris; France; Plexiglass; Bamboo; Hugonet "Sea Side" dining set - a beautiful embodiment of midcentury modern eleg...

Dining table mod. ‘Samo’ by Studio Simon. Series ‘Ultrarazionale’. Italy, 1970. Made of granite. Literature: Giuliana Gramigna, Repertorio 1950-2000, Allemandi, Torino, 2003, p.180. Excellent vintage condition. The Samo table was designed in 1970 by the project office of Studio Simon. Carlo Scarpa was the brand's artistic director, and the Venetian architect's style inspired the shapes of this table. Born in Venice on June 2nd, 1906, Carlo Scarpa began working at a very early age. Only a year after he had first qualified as an architect in 1926, he began working for the Murano glassmakers Cappellin & Co. in a consultative capacity; from 1927, he began to experiment with the Murano glass, and this research not only gave him excellent results here but would also inform his progress for many years to come. Between 1935 and 1937, as he entered his thirties, Carlo Scarpa accepted his first important commission, the renovation of Venice’s Cà Foscari. He adapted the spaces of this stately University building which stands on the banks of the Grand Canal, creating rooms for the Dean’s offices and a new hall for academic ceremonies; Mario Sironi and Mario De Luigi were charged with doing the restoration work on the frescos. After 1945, Carlo Scarpa found himself constantly busy with new commissions, including various furnishings and designs for the renovation of Venice’s Hotel Bauer and designing a tall building in Padua and a residential area in Feltre, which are all worth mention. One of his key works, despite its relatively modest diminished proportions, was the first of many works which were to follow in the nineteen fifties: the [bookshop known as the] Padiglione del Libro, which stands in Venice’s Giardini di Castello and shows clearly Scarpa’s passion for the works of Frank Lloyd Wright. In the years which were to follow, after he had met the American architect, Scarpa repeated similar experiments on other occasions, as can be seen, in particular, in the sketches he drew up in 1953 for villa Zoppas in Conegliano, which show some of his most promising work. However, this work unfortunately never came to fruition. Carlo Scarpa later created three museum layouts to prove pivotal in terms of how 20th century museums were to be set up from then on. Between 1955 and 1957, he completed extension work on Treviso’s Gipsoteca Canoviana [the museum that houses Canova’s sculptures] in Possagno, taking a similar experimental approach to the one he used for the Venezuelan Pavilion at [Venice’s] Giardini di Castello which he was building at the same time (1954-56). In Possagno Carlo Scarpa was to create one of his greatest ever works, which inevitably bears comparison with two other museum layouts that he was working on over the same period, those of the Galleria Nazionale di Sicilia, housed in the Palazzo Abatellis in Palermo (1953-55) and at the Castelvecchio in Verona (1957- 1974), all of which were highly acclaimed, adding to his growing fame. Two other buildings, which are beautifully arranged in spatial terms, can be added to this long list of key works that were started and, in some cases, even completed during the nineteen fifties. After winning the Olivetti award for architecture in 1956, Scarpa began work in Venice’s Piazza San Marco on an area destined to house products made by the Industrial manufacturers Ivrea. Over the same period (1959-1963), he also worked on renovation and restoration of the gardens and ground floor of the Fondazione Querini Stampalia in Venice, which many consider being one of his greatest works. While he busied himself working on-site at the Fondazione Querini Stampalia, Carlo Scarpa also began work building a villa in Udine for the Veritti family. To shed some light on the extent to which his work evolved over the years, it may perhaps be useful to compare this work with that of his very last building, villa Ottolenghi Bardolino, which was near to completion at the time of his sudden death in 1978. Upon completion of villa Veritti over the next ten years, without ever letting up on his work on renovation and layouts, Scarpa accepted some highly challenging commissions which were to make the most of his formal skills, working on the Carlo Felice Theatre in Genoa as well as another theatre in Vicenza. Towards the end of this decade, in 1969, Rina Brion commissioned Carlo Scarpa to build the Brion Mausoleum in San Vito d’Altivole (Treviso), a piece he continued to work on right up until the moment of his death. Nevertheless, even though he was totally absorbed by work on this mausoleum, there are plenty of other episodes which can offer some insight into the final years of his career. As work on the San Vito d’Altivole Mausoleum began to lessen from 1973, Carlo Scarpa began work building the new headquarters for the Banca Popolare di Verona. He drew up plans that were surprisingly different from the work he was carrying out at the same time on the villa Ottolenghi. However, the plans Carlo Scarpa drew up, at different times, for a monument in Brescia’s Piazza della Loggia commemorating victims of the terrorist attack on May 28th, 1974, make a sharp contrast to the work he carried out in Verona, almost as if there is a certain hesitation after so many mannered excesses. The same Pietas that informs his designs for the Piazza Della Loggia can also be seen in the presence of the water that flows through the Brion Mausoleum, almost as if to give a concrete manifestation of pity in this 20th century work of art. Carlo Scarpa has put together a highly sophisticated collection of structures, occupying the mausoleum’s L-shaped space stretching across both sides of the old San Vito d’Altivole cemetery. A myriad of different forms and an equally large number of different pieces, all of which are separate and yet inextricably linked to form a chain that seems to offer no promise of continuity, rising up out of these are those whose only justification for being there is to bear the warning “si vis vitam, para mortem”, [if you wish to experience life prepare for death] as if to tell a tale that suggests the circle of time, joining together the commemoration of the dead with a celebration of life. At the entrance of the Brion Mausoleum stand the “propylaea” followed by a cloister which ends by a small chapel, with an arcosolium bearing the family sarcophagi, the main pavilion, held in place on broken cast iron supports, stands over a mirror-shaped stretch of water and occupies one end of the family’s burial space. The musical sound of the walkways teamed with the luminosity of these harmoniously blended spaces shows how, in keeping with his strong sense of vision, Carlo Scarpa could make the most of all of his many skills to come up with this truly magnificent space. As well as a great commitment to architectural work, with the many projects which we have already seen punctuating his career, Carlo Scarpa also made many equally important forays into the world of applied arts. Between 1926 and 1931, he worked for the Murano glassmakers Cappellin, later taking what he had learned with him when he went to work for the glassmakers Venini from 1933 until the 1950s. The story of how he came to work on furniture design is different, however, and began with the furniture he designed to replace lost furnishings during his renovation of Cà Foscari. The later mass-produced furniture started differently, given that many pieces were originally one-off designs “made to measure”. Industrial manufacturing using these designs as prototypes came into being thanks to the continuity afforded him by Dino Gavina, who, as well as this, also invited Carlo Scarpa to become president of the company Gavina SpA, later to become SIMON, a company Gavina founded 8 years on, in partnership with Maria Simoncini (whose own name accounts for the choice of company name). Carlo Scarpa and Gavina forged a strong bond in 1968 as they began to put various models of his into production for Simon, such as the “Doge” table, which also formed the basis for the “Sarpi” and “Florian” tables. In the early seventies, other tables that followed included “Valmarana”, “Quatour” and “Orseolo”. While in 1974, they added couch and armchair “Cornaro” to the collection and the “Toledo” bed...

Carlo Hauner and Martin Eisler are most known for well-shaped armchairs made in iron, but the production is away more complex, handcrafted, and extensive. The wood pieces produced by...

Welcome to the timeless legacy of John and Elinor, the beloved founders of the iconic McGuire Furniture, a San Francisco-based institution that has been synonymous with craftsmanship and creativity since its inception in 1948. As a dynamic couple, their lifelong partnership laid the foundation for the distinctive McGuire style, a harmonious fusion of natural materials such as rattan and hide with the sleek lines inspired by Asian aesthetics. Discover the essence of their visionary work embodied in this exquisite dining table and matching chairs—a testament to their enduring impact on design. Crafted in the latter part of the 20th century, this McGuire dining set showcases the hallmark bamboo frame that is quintessentially McGuire. The table, adorned with a rectangular beveled glass top in pristine condition, stands as a testament to the timeless elegance of McGuire's craftsmanship. The bamboo base boasts a delightful warm hue, effortlessly infusing any modern interior with the inviting, relaxed ambiance reminiscent of California design. Immerse yourself in the classic beauty of McGuire Furniture, where each piece tells a story of innovation, craftsmanship, and the enduring allure of mid-century California style. Some history about the manufacturers: Like so many artists and designers, husband and wife John McGuire (1920–2013) and Elinor Stevenson (1914–2005) became masters in their trade by accident. The couple met just before the start of World War II (during which John was in the U.S. Navy and Elinor was a navigation instructor) and got married after it ended. They settled down in San Francisco where John held a couple of jobs — among them selling newspaper ads for the San Francisco Examiner while Elinor worked for Boeing Aircraft. Soon, an old Navy buddy of John’s asked him to help sell a bunch of rattan furniture and, needing the money, John agreed. His side business became so successful that John decided to quit his ad-sales job and work full-time in design. In 1948, McGuire Furniture Company was born. Alongside themed-century modern furniture designs then gaining popularity in the United States, John introduced an unconventional idea: traditional armchairs, stools and tables made of natural materials such as bamboo, which was strong yet could be rendered pliable when steamed, that were intended for the indoors rather than the front porch. The brand’s first success was the now famous Director’s X-Chair byLeonard Linden. The military-campaign-style solid oak folding chair launched in 1956 and saw rattan binded with rawhide strips and a high-grade leather slug seat and back that eliminated the need for a plush cushion. Elinor, too, designed some of the brand’s popular pieces, such as 1968’s Cracked Ice chair. With its rattan oval back a dazzling celebration of geometric forms that give it its charming moniker, the Cracked Ice chair was an instant classic and is one of the brand’s most recognisable designs. Today, McGuire and another American furniture manufacturer, Baker Furniture Company, comprise Baker Interiors Group. McGuire remains true to the founders’ ideals and commitment to crafting the kind of organic modern furnishings that are synonymous with the warm and relaxed feel of California design. The company has collaborated with interior designersSteven Volpe, Orlando Diaz-Azcuy and Nicole Hollis...

Set composed of four Medea dining chairs, designed by Vittorio Nobili for Fratelli Tagliabue in 1954. Made of ash plywood, excellent vintage condition. Reported at “Compasso d’Oro ...

Mid Century Modern Walnut Drop Leaf Dining Table and 6 Chairs Newly Upholstered Styled After Broyhill Brasilia - 10 Piece Set This Mid Century Modern dining set features six dining ...

Carlo Hauner and Martin Eisler are most known for well-shaped armchairs made in iron, but the production is far more complex, handcrafted, and extensive. The wood pieces produced by ...

White lacquer round opens to oval dining table with glass insets, and pierced legs and alligator finish, closed 44'' round with two leaves 18'' each opens to 80'' x 44 x 29.50'' high.

This mid-century modern burl dining set was designed and manufactured in the United States in the 1970s. This striking rectangular dining table is supp...

A rectangular stainless steel framed dining table/ desk with a white marble top. Two tables could be placed end to end to make one continuous ...

This compact chrome and vinyl dinette set features quality midcentury construction and simple yet sleek modern design. Director style strap seating makes t...

Royal House Antiques Royal House Antiques is delighted to offer for sale this nice modern X Framed dining room table and matching pairs of benches which is part of a dining room sui...

This rare table, accompanied by six matching stools, hails from the 1970s and stands as a notable creation by the Dutch Benedictine monk and architect Dom Hans van der Laan, alongsid...

We are delighted to offer this very fine original RRP £12,000 extra large Burr Satinwood Giorgio Collection extending dining table This piece is part of a monumental £50,000+ dining room suite which includes the extra large extending table...

The midcentury Italian set of four chairs and marble table from the 1980s offers a blend of sophistication and luxury. The chairs have been thoughtfully reupholstered in green suede,...

Restored

1970s dining set by Rainer Daumiller, crafted entirely from solid pine. This timeless ensemble comprises a robust round dining table and four accompanying stools, each bearing the un...

Table with eight chairs, Italy 70s Measurement: table cm 216 x 88 x height cm 74 chairs cm 48 x 50 x height cm 95; seat height cm 47

We are delighted to offer for sale this stunning vintage Mahogany Marble topped side table with Butlers serving tray and x20 bottle holders A very good looking and well-made piece...

Set of 4 Mid Century Totem dining chairs by Torstein Nilsen for Westnofa with Italian design dining table .Norway 1980s Beautiful vintage Set of 4 dining chairs, with table ,model Totem, by Torstein Nilsen for Westnofa, Norway. They are in black wooden fram with feathering slats back, between the slats red wooden balls. 2 chairs seats are black leather other 2 is in dark grey Leather furnishing. Dining Table is a very special and luxurious vintage Italian design piece. It’s from 1980s It’s the combination of Black metal hexagon-shaped legs. Spacers in copper and beveled glass panel complete its design. It will be the accent of any dining room. Dimensions Chairs width 55 cm Seat height 51 cm. Total depth 56 cm Total height 87 cm Height arm rests 65.2 cm. Table -120 cm x 120 cm Height 72.5 cm Year -1980's. In very good condition with minimal wear You can order 4 set chairs...

We are delighted to offer for sale this exceptionally rare original vintage Giancarlo Vegni designed for Fasem Italy dining table and Net chair suite A very good looking and well ...

Warren Platner Verde Issorie Marble Dining Set with Catalog & Provenance, 1967 Additional information: Material: Marble Originally purchased in October 1967, we acquired the set...

Tommi Parzinger card table or small dining table and four double X back chairs, rare dark mahogany Hollywood inlaid top. Table size: 36 x 36 29" high. ...