Mid-Century Modern Dining Room Sets

Nice outdoor cast aluminum oval dining table + 6 chairs set with newly upholstered seats.

This listing is for a Mid-Century Modern Coronet Folding Dining Set. Featuring a rectangular folding table, black top, long modern legs, and walnut...

The dining table, designed by Karsten Lauritsen, features solid oak legs and a laminate surface in the color salsa linoleum. The table is in very nice condition and includes four add...

Nice lime green five pieces ripple glass top dining dinette outdoor set star shape table base atr. to Russel Woodard or Salterini. Chairs measure: 20 x 21 x 32 seat 16" H.

Set of table and benches designed by Charlotte Perriand for Les Arcs ski Resort, circa 1960, manufactured in France. Pinewood. In good original condition, with minor wear consisten...

Stunning Mid Century Oak Leaf Table Dining Set by Jack Van Der Molen. Includes beautiful oak dining table w/ 2 leaves and six chairs with a Satiny Gold Pattern Upholstery. Please con...

Bring a touch of rustic elegance to your dining room with this captivating 1990s dining set crafted in Sweden. This charming ensemble, comprised of one table and two benches, showcases the timeless beauty of solid pine construction. The undeniable highlight of this set is the exquisite Swiss mountain (or Tyrolean) style carving that graces the sides of the benches. These intricate circular cutouts add a touch of whimsy and intrigue, transforming this dining set into a conversation piece that will leave a lasting impression. Imagine sharing warm meals and laughter with loved ones on this sturdy and stylish set. Whether your design taste leans towards farmhouse chic...

Rectangular Dining Table "Andrè" with Chairs - Design classic from the 1960s Discover the charm of the 60s with this beautiful dining table and chair set, designed by Tobia Scarpa for Gavina Knoll. An example of timeless design, this set adds a touch of vintage elegance to any interior. The sturdy chrome-plated metal frame, combined with a thick glass top, provides a durable and stylish dining experience. Despite some signs of use over the years, the set is in good overall condition, ready to take center stage in your dining room. Advantages: Authentic design by Tobia Scarpa from the 1960s. Sturdy and durable with a metal frame and thick glass top. Includes 4 matching chairs with comfortable fabric seats. Adds a vintage charm to any dining space. Good to know The table measures 200cm in width, 74cm in height and 100cm in depth. The chairs have a width of 45cm, a height of 80cm, a depth of 50cm and a seat height of 45cm. Some signs of use are visible, which contributes to the authentic character of this set. Resume Vintage design by Tobia Scarpa for Gavina, 1960s. Stylish and durable with chrome-plated metal frame and thick glass top. Includes 4 matching chairs, perfect for any dining room. This vintage dining table and chair set...

Dining room set consisting of Angelo Mangiarotti for Bernini table model 302 with set of six dining chairs model 634 by Carlo De Carli for Cassina Angelo Mangiarotti for Bernini, d...

Dining room set containing Børge Mogensen for Fredericia Stolefabrik set of six dining chairs with Angelo Mangiarotti for Skipper 'Eros' dining table Børge Mogensen for Fredericia ...

Set of six dining chairs, designed by Edward Wormley for Dunbar, American, circa 1950s. Elegant modern form with a subtle Asian influence to the design. The set consists of two armch...

A stunning vintage modern Danish teak pedestal base dining table with two leaves by Skovby Mobelfabrik. This attractive set caters to many with the ...

Russel Woodard spun fiberglass oval racetrack glass top dining table 4 chairs outdoor set Stunning grayish blue and white colors spun fiberglass design frames. Table measures: 43 x 62...

A bentwood table and four chairs designed by Czech architect Jan Bočan for the Czechoslovak Embassy in Stockholm. Designed in 1970 by Jan Bočan, Jan Šrámek, Zdenka Rothbauer and Jiř...

Wonderful vintage maple drop-leaf table featuring unique carved gate legs. Use with one leaf or two to adjust the table top from a compact 44"x34" tabl...

Origin: Denmark Designer: Arne Hovmand Olsen Manufacturer: Unknown Era: 1960s Materials: Teak Measurements: 20.5" wide x 20" deep x 31" tall

Green Contemporary Metal Garden Dining Set with 4 Dining Chairs. The powder coated slated metal structure makes this suitable for the outdoors. The minimalist profile of this set wi...

An incredible rare dining set designed by Nanna Ditzel for Domus Danica, circa 1969 A set of 4 untouched dining chairs with a rare vinyl upholstery and a large dining table. M...

Danish made dining table with four chairs. Table has two leaves that expand from 13" (closed), to 62" (open), with the option to open one or both leaves. All four chairs stow away in...

Art Deco, Hollywood Regency and Mid-Century Modern design elements have combined to create what is arguably the most sublime patio dinette set ever. Gilt gold and black glam of this ...

Martin Eisler created this original table in the 1950s to take advantage of space, assuming two positions: in the normal position, it serves as a dining table for up to six people; i...

Beautiful Scandinavian dining room set by Finnish designer Ilmani Tapiovaara from the 1950s for Laukaan Puu. It is composed of a dining table and four chairs model "Pikka". The struc...

Origin: Denmark Designer: Erik Buch Manufacturer: O.D. Møbler Era: 1960s Materials: Teak Measurements: 30″ wide x 21.75″ deep x 20.5″ tall

Vintage Art Deco Transitional Henredon Pickled Oak Omni Collection Dining Set - Set of 7 This set includes a large oval table with a pedestal base and...

Founded in 1957 by Chaim Schrieber, Schreiber furniture is an interesting British success story. The Company was one of the biggest names in furniture in the 70s, rivalling G Plan a...

1950s Dunbar, designer Edward Wormley extention dining table with 2 leaves model 5462 with 6 chairs model 5480. Rare Mid-Century Modern 1950s Edward Wormley extension dining table...

Midcentury wicker and rattan stands with round glass tops and a classic hour glass form on bun feet. Can also be used as a dining table base.

Rare and very nice example of the "Bossche school" furniture by architect Jacques Uppelschoten, made for his own house at the Raffendonkstraat 20 in Oirschot. Dom Hans van der Laan s...

Set of six mid century chrome dining chairs in the style of Milo Baughman, American, circa 1960s. These chairs are currently being reupholstered and can be completed in your fabric. ...

A drop-leaf console table opens to seat, six (6) for dining. Set complete with two banquette chairs and four side chairs.

The iconic Guarujá is a table designed by Jorge Zalszupin (1922-2020) in 1959 and produced by his company, L'atelier. A rosewood patchwork top rests over one concrete base finished with leather. This patchwork solution is present in other pieces designed by Zalszupin. Modern design taught us about using the material rationally, having the design as a tool to avoid waste. Aesthetically, the patchwork explores the different tones of the Brazilian rosewood beautifully, achieving a unique result. At the time, the Guanabara table was presented as a dynamic piece that could be used in the corporate spaces (as a meeting...

Glamorous X back dining chairs, designed by Tomlinson, American, circa 1950s. These chairs are currently being refinished and reupholstered and ca...

Mid Century Modern T.H. Robsjohn-Gibbings For John Widdicomb French Walnut Klismos Style Dining Table with Two Extension Boards and 6 Chairs This exquisite Mid Century Modern dinin...

Sehr besonderes und seltenes Esszimmer Set vom niederländischen Designer Derk Jan De Vries für Maisa Di Seveso Mailand aus der „Samara“ Serie, bestehend aus einem quadratischen Essti...

On trend vintage Italian Mid Century Modern dining set Eight Effezeta chairs surround the sleek dining table Very comfortable to sit at, chairs are on m...

Spun Fiberglass 5 Pieces Round Dining Table 4 Chair Russel Woodard Outdoor Set MINT! Table measures: 48 diameter by 29H

An Elegant And Timeless French Late Art Deco / Modern Neoclassical dining room table in cherry by Andre Arbus. The table without leaves is 72" long....

Dining table mod. ‘Samo’ by Studio Simon. Series ‘Ultrarazionale’. Italy, 1970. Made of granite. Literature: Giuliana Gramigna, Repertorio 1950-2000, Allemandi, Torino, 2003, p.180. Excellent vintage condition. The Samo table was designed in 1970 by the project office of Studio Simon. Carlo Scarpa was the brand's artistic director, and the Venetian architect's style inspired the shapes of this table. Born in Venice on June 2nd, 1906, Carlo Scarpa began working at a very early age. Only a year after he had first qualified as an architect in 1926, he began working for the Murano glassmakers Cappellin & Co. in a consultative capacity; from 1927, he began to experiment with the Murano glass, and this research not only gave him excellent results here but would also inform his progress for many years to come. Between 1935 and 1937, as he entered his thirties, Carlo Scarpa accepted his first important commission, the renovation of Venice’s Cà Foscari. He adapted the spaces of this stately University building which stands on the banks of the Grand Canal, creating rooms for the Dean’s offices and a new hall for academic ceremonies; Mario Sironi and Mario De Luigi were charged with doing the restoration work on the frescos. After 1945, Carlo Scarpa found himself constantly busy with new commissions, including various furnishings and designs for the renovation of Venice’s Hotel Bauer and designing a tall building in Padua and a residential area in Feltre, which are all worth mention. One of his key works, despite its relatively modest diminished proportions, was the first of many works which were to follow in the nineteen fifties: the [bookshop known as the] Padiglione del Libro, which stands in Venice’s Giardini di Castello and shows clearly Scarpa’s passion for the works of Frank Lloyd Wright. In the years which were to follow, after he had met the American architect, Scarpa repeated similar experiments on other occasions, as can be seen, in particular, in the sketches he drew up in 1953 for villa Zoppas in Conegliano, which show some of his most promising work. However, this work unfortunately never came to fruition. Carlo Scarpa later created three museum layouts to prove pivotal in terms of how 20th century museums were to be set up from then on. Between 1955 and 1957, he completed extension work on Treviso’s Gipsoteca Canoviana [the museum that houses Canova’s sculptures] in Possagno, taking a similar experimental approach to the one he used for the Venezuelan Pavilion at [Venice’s] Giardini di Castello which he was building at the same time (1954-56). In Possagno Carlo Scarpa was to create one of his greatest ever works, which inevitably bears comparison with two other museum layouts that he was working on over the same period, those of the Galleria Nazionale di Sicilia, housed in the Palazzo Abatellis in Palermo (1953-55) and at the Castelvecchio in Verona (1957- 1974), all of which were highly acclaimed, adding to his growing fame. Two other buildings, which are beautifully arranged in spatial terms, can be added to this long list of key works that were started and, in some cases, even completed during the nineteen fifties. After winning the Olivetti award for architecture in 1956, Scarpa began work in Venice’s Piazza San Marco on an area destined to house products made by the Industrial manufacturers Ivrea. Over the same period (1959-1963), he also worked on renovation and restoration of the gardens and ground floor of the Fondazione Querini Stampalia in Venice, which many consider being one of his greatest works. While he busied himself working on-site at the Fondazione Querini Stampalia, Carlo Scarpa also began work building a villa in Udine for the Veritti family. To shed some light on the extent to which his work evolved over the years, it may perhaps be useful to compare this work with that of his very last building, villa Ottolenghi Bardolino, which was near to completion at the time of his sudden death in 1978. Upon completion of villa Veritti over the next ten years, without ever letting up on his work on renovation and layouts, Scarpa accepted some highly challenging commissions which were to make the most of his formal skills, working on the Carlo Felice Theatre in Genoa as well as another theatre in Vicenza. Towards the end of this decade, in 1969, Rina Brion commissioned Carlo Scarpa to build the Brion Mausoleum in San Vito d’Altivole (Treviso), a piece he continued to work on right up until the moment of his death. Nevertheless, even though he was totally absorbed by work on this mausoleum, there are plenty of other episodes which can offer some insight into the final years of his career. As work on the San Vito d’Altivole Mausoleum began to lessen from 1973, Carlo Scarpa began work building the new headquarters for the Banca Popolare di Verona. He drew up plans that were surprisingly different from the work he was carrying out at the same time on the villa Ottolenghi. However, the plans Carlo Scarpa drew up, at different times, for a monument in Brescia’s Piazza della Loggia commemorating victims of the terrorist attack on May 28th, 1974, make a sharp contrast to the work he carried out in Verona, almost as if there is a certain hesitation after so many mannered excesses. The same Pietas that informs his designs for the Piazza Della Loggia can also be seen in the presence of the water that flows through the Brion Mausoleum, almost as if to give a concrete manifestation of pity in this 20th century work of art. Carlo Scarpa has put together a highly sophisticated collection of structures, occupying the mausoleum’s L-shaped space stretching across both sides of the old San Vito d’Altivole cemetery. A myriad of different forms and an equally large number of different pieces, all of which are separate and yet inextricably linked to form a chain that seems to offer no promise of continuity, rising up out of these are those whose only justification for being there is to bear the warning “si vis vitam, para mortem”, [if you wish to experience life prepare for death] as if to tell a tale that suggests the circle of time, joining together the commemoration of the dead with a celebration of life. At the entrance of the Brion Mausoleum stand the “propylaea” followed by a cloister which ends by a small chapel, with an arcosolium bearing the family sarcophagi, the main pavilion, held in place on broken cast iron supports, stands over a mirror-shaped stretch of water and occupies one end of the family’s burial space. The musical sound of the walkways teamed with the luminosity of these harmoniously blended spaces shows how, in keeping with his strong sense of vision, Carlo Scarpa could make the most of all of his many skills to come up with this truly magnificent space. As well as a great commitment to architectural work, with the many projects which we have already seen punctuating his career, Carlo Scarpa also made many equally important forays into the world of applied arts. Between 1926 and 1931, he worked for the Murano glassmakers Cappellin, later taking what he had learned with him when he went to work for the glassmakers Venini from 1933 until the 1950s. The story of how he came to work on furniture design is different, however, and began with the furniture he designed to replace lost furnishings during his renovation of Cà Foscari. The later mass-produced furniture started differently, given that many pieces were originally one-off designs “made to measure”. Industrial manufacturing using these designs as prototypes came into being thanks to the continuity afforded him by Dino Gavina, who, as well as this, also invited Carlo Scarpa to become president of the company Gavina SpA, later to become SIMON, a company Gavina founded 8 years on, in partnership with Maria Simoncini (whose own name accounts for the choice of company name). Carlo Scarpa and Gavina forged a strong bond in 1968 as they began to put various models of his into production for Simon, such as the “Doge” table, which also formed the basis for the “Sarpi” and “Florian” tables. In the early seventies, other tables that followed included “Valmarana”, “Quatour” and “Orseolo”. While in 1974, they added couch and armchair “Cornaro” to the collection and the “Toledo” bed...

Round dining table - Entrance table hallway - 120 diameter Offered for sale is a modern eclectic dining set, made with a set of four Monk chairs by Afra & Tobia Scarpa for Molteni ...

The table and chairs can be sold separately A Paolo Buffa style 1940s Italian midcentury table by Palazzi dell'Arte Cantù., in mahogany with six chairs; emerald glass top. Chairs in...

Carlo Hauner and Martin Eisler are most known for well-shaped armchairs made in iron, but the production is away more complex, handcrafted, and extensive. The wood pieces produced by...

Lovely Italian dining set consisting of a Angelo Mangiarotti table and Giuseppe Rivadossi dining chairs Angelo Mangiarotti for Bernini, dining table, model '302', cast bronze, marbl...

Extendable dinning table by Maurice Pré, designed in France in the 1950s.

A rare and exclusive modernist dining set from the renowned Italian label Giorgetti from their “New Gallery” collection. A large table and six cha...

Set of six Mid-Century Modern Dining Chairs, Milo Baughman style, Chrome, Fabric Set of six Mid-Century Modern dining room chairs comprised of four side chairs and a pair of arm chairs...

Vladimir Kagan (American, 1927-2016) Eva Dining Room Set, Vladimir Kagan Designs, Inc., USA, circa 1983 Pieces can be purchased separately. Please inquire for separate pricing. Provenance: Property from the Personal Collection of Vladimir Kagan Birdseye maple veneer, painted and lacquered wood, Fully Refinished Table...

Set composed of four Medea dining chairs, designed by Vittorio Nobili for Fratelli Tagliabue in 1954. Made of teak plywood, excellent vintage condition. Reported at “Compasso d...

Original signed Herman Miller Eames dining set. Features multicolored shell chairs on black H bases. All nylon self leveling chair glides intact, for use on multiple types of surface...

Origin: Denmark Designer: Ejner Larsen & Aksel Bender Madsen Manufacturer: Korup Stølefabrik Era: 1960s Materials: Teak, Wool Measurements: 20.5″ wide x 19.5″ deep x 28.75″ tall

Extraordinary dining set created by Rudi Verelst for Novalux in 1970s Belgium. The set features swivel dining chairs crafted from gleaming chromed steel wire, elegantly complemented ...

Royal House Antiques Royal House Antiques is delighted to offer for sale this exquisitely designed, hand made in England occasional dining table with Celtic design top and three Geo...

Tommi Parzinger Race Track dark walnut finish Hollywood inlaid dining table Parzinger originals, with two leaves 20” each.  

This beautiful Danish dining set from the 1950s exemplifies mid-century modern design, featuring a teak and oak dining table accompanied by four elegant chairs. The combination of te...

We are delighted to offer for sale this very fine suite of ten original RRP £15,500 Burr Satinwood Giorgio Collection dining chairs This set is part of a monumental £50,000+ dining room suite which includes the extra large extending table...

A vintage Michael Taylor for Baker furniture dining set. This gorgeous mid century modern dining set comes from the "New World" collection, a set designed by Michael Taylor for Baker furniture. The set includes a set of 6 cane back dining chairs...

Faux Bamboo Compact Dining 34x34 Game Table 1 Leaf 4 Chairs Set MINT! The table measures: 34x34x29 + 18" extension leaf.

Rare dining set with table, bench and 2 chairs. Dinning room set By Ilmari Tapio vaara, designed in the 1950ties. This set is in good vintage condition. Dimensions: Table : 12...

Original Russell Woodard Black Round Cafe Table with 2 "Sculptura" Dining Side Chairs. Featuring three pieces, including: a round (29.25D X 29.H) Black enameled Wrought Iron table, w...