Masonite Dining Room Tables

Sculptural Art Deco style dining table attributed to Romeo Rega. Curved arch tubular base features brass and chrome striped design with .5 inch thick glass top. A stunning oversized desk...

Stunning mid-century desk or dining table in curved beech wood with black laminated top. This incredibly elegant table was designed by Alvar Aalto for Artek and produced during the 1...

Simple is so often better! This elegant rectangular dining table shows us that. Filled and polished travertine-marble, with just the right amount of attractive natural grain. And a b...

Italian drop leaf dining table or desk, Italy, circa 1970s. Interesting drop leaf joinery on either side. This would be the perfect size for an NYC apartment...

Mid-century modern writing desk featuring a staved rosewood top over an X-form chrome base, designed by Dave Parmelee for Founders Furniture, circa 1970s.

Available today, this midcentury dining table with chrome tubular base and wood is a showstopper! The wood has been refinished, the metal cleaned up and the overall piece is in excellent condition. The table fits 4-6 people comfortably as shown in the pictures. This piece has all the fun aspects of a true bold Mid-Century Modern piece -- clean, angular swooping lines that give the piece an almost googie look that is unmistakably Mid-Century Modern. This table effortlessly flexes into any Mid-Century Modern, modern, Danish modern or contemporary environment. This piece would also look wonderful in a boho chic, chinoiserie, or Hollywood Regency styled home or office as well. This table was found in a private office in Curitiba (the capital of Parana, a southern state in Brazil) where all the furniture was from Geraldo de Barros for Hobjeto. About the author: Geraldo de Barros (1923-1998) was one of the key players of the Modernist movement in Brazil in the 1950s. Originally a painter close to the European avant-garde and the Pioneer of abstract photography in Brazil in the 1940s (his works are part of the MoMa collection), Geraldo de Barros went to furniture-making in the early 1950s, seeking a more popular artform that would make his work available to a larger audience - which was more or less the IDEA behind the Bauhaus movement. In 1954, he founded the company Unilabor with a Dominican priest and skilled tradesmen. Unilabor was run by its employees and all benefits shared between them, thus becoming the first communitarian business in Modern Brazil history. Unilabor grew quickly to become one of the most important furniture companies in the country, but internal disputes led to the end of the company in 1967. In 1964, De Barros went on to found in association with Aloísio Bione another furniture design company called Hobjeto. After Unilabor, Hobjeto was a more capitalistic project but without losing his constructive characteristics. Until his retirement in 1989, de Barros designed and projected in-numerous furniture lines in this Industrial manner. He even built a personal workshop in the factory to project and create his last painting series in Formica. The furniture and the paintings are finally created using the same techniques. Literature: • Vintage ads...

Elegant brass, chrome and smoked glass square coffee table. Romeo Rega designed this elegant coffee table during the 1970s in Italy. The unique combination of straight and pure lines with superb materials, makes this item a go-to for Italian midcentury lovers. This piece smoked glass top will add seductive elegance to a midcentury living room or a studio. Measures (cms): width - 70 depth - 70 height - 40 Romeo Rega is born in Rome on 10 October 1925, third of six children, born and raised in the Trastevere district, in the heart of Rome. In 1943 , at the age of 18, he joins the army as a driver, a position that he holds for the next two years. In 1945, the year of Liberation, he comes into contact with whom he himself calles “the Master”, an excellent blacksmith and forger, from whom he learnes the art of iron. This way he starts his path after his father Piero, also a craftsman. Nine years later he gets married and opens a small shop in Via della Pelliccia, in the Trastevere district. Here he starts to work wrought iron, discovering himself capable of inventing, designing and realizing gates, railings and iron furniture. He is 27 years old when, in 1957, he enrolls in the Albo provinciale delle imprese artigiane (Provincial Register of Craft Enterprises) and opens his first workshop in Vicolo della Frusta 6, where he collaborates with talented masters of wrought iron and forging. At this point arrives the first important order: the design and manufacturing for Cinecittà of the chariots for the American colossal film Ben-Hur, which will be published in 1959. He stays in Vicolo della Frusta until the end of the 1960s, a period in which he dedicated himself to his favorite activity: the design of his own pieces and the relations with people. Among his clients there are personalities from the world of cinema and entertainment, such as Marcello Mastroianni, Renato Rascel and his wife Giuditta Saltarini, Massimo Ranieri. In 1970 he met the filmmaker Massimo Saraceni who encouraged him to broaden his entrepreneurial horizons. The 1970s represent a real revolution for the Italian culture, here start the “golden years” of design. In this roaring context, Romeo manages to apply with creativity the traditional methods usually used to process forging and wrought iron to new industrial materials such as brass, steel and perspex. This is how the famous “Romeo Rega” brand is born, and the serial production of his furniture starts in Vicolo Pian due Torri, in the Magliana district of Rome. The “four-rod” tables, the “Z-shaped” consoles...

This thick 2” slab of 40 year old French Burled Elm was found in the backyard of a famous French furniture maker, who unfortunately closed his doors after 60 years in business. The beauty of the slab speaks for itself, for I cannot think of any words that could accurately describe what Mother Nature created. Whether you use it for a desk, like I have for many years, or a dining table, or ever a kitchen island work table...

For collectors and aficionados of high art furniture that inspires, this 1970s Brutalist Dining Table by Adrian Pearsall hits all the marks. Resin over wood is etched and finished in...

Presenting an exquisite Italian dining table from the 1970s, unbranded yet radiating timeless elegance. Its distinctive curvy edges rest upon a rectangular travertine column base, sh...

Little chestnut dining table. The two end are foldable and the little width of this table is 32.28 in. (82 cm) The table top was made circa 1970. It was laid on a beech base dating...

A rare piece from Maison Jansen, this large dining table was a commission by a private client. With its impeccable design, perfect proportions, and high-end materials like mother of ...