Plastic Dining Room Tables

The Gran Sasso Dining Table by Midj was designed by the Italian designer Andrea Lucatello. In this fixed table design, Lucatello uses an organic-shaped Baydur polymer for the base m...

The Container Table Classic, designed by Marcel Wanders studio, is the foundation you build your home around. This lightweight design is easy to move a...

The Container Table Classic, designed by Marcel Wanders studio, is the foundation you build your home around. This lightweight design is easy to move around, but once it’s found its ...

Moon Phase is a sophisticated massive monolithic sculptural dining table, with constant elegance in the proportions and materials. Designed in two shapes, rectangular and round, it i...

This glamorous Hollywood regency Charles Hollis Jones style dining table features a thick glass top and four Lucite and gold bases. It is in wonderful vintage condition. The photos s...

This elliptical outdoor dining table is characterized by its bold, sculptural presence, featuring a brushed travertine-effect resin finish that beautifully mimics the organic texture...

The Gran Sasso Dining Table by Midj was designed by the Italian designer Andrea Lucatello. In this fixed table design, Lucatello uses an organic-shaped Baydur polymer for the base m...

Handcrafted of fiber reinforced resin, a forceful material for extreme weather conditions. Lacquered in matte beige with protective UV coat. Dimensions (cm): 300 x 130 x 75 Dimensio...

Handcrafted of fiber reinforced resin, a forceful material for extreme weather conditions. Lacquered in matte beige with protective UV coat. Dimensions (cm): 300 x 130 x 75 Dimensio...

The table is manufactured of continuous and aligned glass fiber-reinforced resin composite, a highly resistant and durable material. Meticulously handmade by skilled artisans one pi...

Charles Hollis Jones "Metric" Lucite & Brass Dining Table

Signed and dated Eero Saarinen for Knoll oval Tulip dining table in blond wood with oval plastic-coated cast-aluminum base. This table ha...

This rare table was designed by Charles and Ray Eames in the early 1960s for Herman Miller, the producer of all Eames designs at the time. It was not widely produced at the time, and...

Eero Saarinen, born in Finland in 1910, moved to the US in 1923, where he grew and graduated from Yale in 1934. He met Charles Eames, with whom he collaborated and won the 1st prize ...

Fabulous vintage MCM (Mid-Century Modern) Eames for Herman Miller racetrack oval conference or dining table with a black universal segmented base and cherry wood veneer top with blac...

The Container Table Classic, designed by Marcel Wanders studio, is the foundation you build your home around. This lightweight design is easy to move around, but once it’s found its ...

Scuderia dining room set, designed by Carlo Scarpa for the Italian manufacturer Bernini in 1977. Composed of 5 mod. 783 “Kentucky” dining chairs...

Set of 5 mod. 783 “Kentucky” dining chairs, designed by Carlo Scarpa for the Italian manufacturer Bernini in 1977. Structure made from oak and walnut timber. Seats and backrest made from cognac leather. Excellent vintage condition. Carlo Scarpa designed this chair for the “Scuderia” series., the last project he made for Bernini. The architect took inspiration from the “shaker” movement. He designed the chair slightly inclined at the front. This feature allows you to swing backward (until you lean on a wall) and remain in balance. Born in Venice on June 2nd, 1906, Carlo Scarpa began working at a very early age. A year after he had first qualified as an architect in 1926, he began working for the Murano glassmakers Cappellin & Co. in a consultative capacity. From 1927, Carlo Scarpa began to experiment with the Murano glass, and this research not only gave him excellent results here but would also inform his progress for many years to come. Between 1935 and 1937, as he entered his thirties, Carlo Scarpa accepted his first important commission, the renovation of Venice’s Cà Foscari. He adapted the spaces of this stately University building that stands on the Grand Canal banks, creating rooms for the Dean’s offices and a new hall for academic ceremonies; Mario Sironi and Mario De Luigi were charged with doing the restoration work on the frescos. After 1945, Carlo Scarpa found himself constantly busy with new commissions, including various furnishings and designs for the renovation of Venice’s Hotel Bauer and designing a tall building in Padua and a residential area in Feltre, all worth mentioning. One of his key works, despite its relatively modest diminished proportions, was the [bookshop known as the] Padiglione del Libro, which stands in Venice’s Giardini di Castello and clearly shows Scarpa’s passion for the works of Frank Lloyd Wright. In the years which were to follow, after he had met the American architect, Scarpa repeated similar experiments on other occasions, as can be seen, in particular, in the sketches he drew up in 1953 for villa Zoppas in Conegliano, which show some of his most promising work. However, this work unfortunately never came to fruition. Carlo Scarpa later created three museum layouts to prove pivotal in terms of how twentieth-century museums were set up from then on. Between 1955 and 1957, he completed extension work on Treviso’s Gipsoteca Canoviana [the museum that houses Canova’s sculptures] in Possagno, taking a similar experimental approach to the one he used for the Venezuelan Pavilion at [Venice’s] Giardini di Castello which he was building at the same time (1954-56). In Possagno Carlo Scarpa was to create one of his most significant ever works, which inevitably bears comparison with two other museum layouts that he was working on over the same period, those of: – Galleria Nazionale di Sicilia, housed in the Palazzo Abatellis in Palermo (1953-55) – Castelvecchio in Verona (1957- 1974), all of which were highly acclaimed, adding to his growing fame. Two other buildings, which are beautifully arranged in spatial terms, can be added to this long list of key works that were started and, in some cases, even completed during the nineteen fifties. After winning the Olivetti award for architecture in 1956, Scarpa began work in Venice’s Piazza San Marco on an area destined to house products made by the Industrial manufacturers Ivrea. Over the same period (1959-1963), he also worked on the renovation and restoration of the gardens and ground floor of the Fondazione Querini Stampalia in Venice, which many consider one of his greatest works. While he busied himself working on-site at the Fondazione Querini Stampalia, Carlo Scarpa also began work building a villa in Udine for the Veritti family. To shed some light on the extent to which his work evolved over the years, it may perhaps be useful to compare this work with that of his very last building, villa Ottolenghi Bardolino, which was near to completion at the time of his sudden death in 1978. Upon completion of villa Veritti over the next ten years, without ever letting up on his work on renovation and layouts, Scarpa accepted some highly challenging commissions, working on the Carlo Felice Theatre in Genoa and another theatre in Vicenza. Towards the end of this decade, in 1969, Rina Brion commissioned Carlo Scarpa to build the Brion Mausoleum in San Vito d’Altivole (Treviso), a piece he continued to work on right up until the moment of his death. Nevertheless, even though he was totally absorbed by work on this mausoleum, there are plenty of other episodes which can offer some insight into the final years of his career. As work on the San Vito d’Altivole Mausoleum began to lessen from 1973, Carlo Scarpa started building the new headquarters for the Banca Popolare di Verona. He drew up plans that were surprisingly different from the work he was carrying out at the same time on the villa Ottolenghi. However, the plans Carlo Scarpa drew up, at different times, for a monument in Brescia’s Piazza della Loggia commemorating victims of the terrorist attack on May 28th, 1974, make a sharp contrast to the work he carried out in Verona, almost as if there is a certain hesitation after so many mannered excesses. The same Pietas that informs his designs for the Piazza Della Loggia can also be seen in the presence of the water that flows through the Brion Mausoleum, almost as if to give a concrete manifestation of pity in this twentieth-century work of art. Carlo Scarpa has put together a highly sophisticated collection of structures, occupying the mausoleum’s L-shaped space stretching across both sides of the old San Vito d’Altivole cemetery. A myriad of different forms and an equally large number of different pieces, all of which are separate and yet inextricably linked to form a chain that seems to offer no promise of continuity, rising up out of these are those whose only justification for being there is to bear the warning “si vis vitam, para mortem,” [if you wish to experience life prepare for death] as if to tell a tale that suggests the circle of time, joining together the commemoration of the dead with a celebration of life. At the entrance of the Brion Mausoleum stand the “propylaea” followed by a cloister which ends by a small chapel, with an arcosolium bearing the family sarcophagi, the main pavilion, held in place on broken cast iron supports, stands over a mirror-shaped stretch of water and occupies one end of the family’s burial space. The musical sound of the walkways teamed with the luminosity of these harmoniously blended spaces shows how, in keeping with his strong sense of vision, Carlo Scarpa could make the most of all of his many skills to come up with this truly magnificent space. As well as a great commitment to architectural work, with the many projects which we have already seen punctuating his career, Carlo Scarpa also made many equally important forays into the world of applied arts. Between 1926 and 1931, he worked for the Murano glassmakers Cappellin, later taking what he had learned with him when he went to work for the glassmakers Venini from 1933 until the 1950s. The story of how he came to work on furniture design is different, however, and began with the furniture he designed to replace lost furnishings during his renovation of Cà Foscari. The later mass-produced furniture started differently, given that many pieces were originally one-off designs “made to measure.” Industrial manufacturing using these designs as prototypes came into being thanks to the continuity afforded him by Dino Gavina, who, as well as this, also invited Carlo Scarpa to become president of the company Gavina SpA, later to become SIMON, a company Gavina founded eight years on, in partnership with Maria Simoncini (whose own name accounts for the choice of company name). Carlo Scarpa and Gavina forged a strong bond in 1968 as they began to put various models of his into production for Simon, such as the “Doge” table, which also formed the basis for the “Sarpi” and “Florian” tables. In the early seventies, other tables that followed included “Valmarana,” “Quatour,” and “Orseolo.” While in 1974, they added couch and armchair “Cornaro” to the collection and the “Toledo” bed...

Handcrafted of fiber reinforced resin, a forceful material for extreme weather conditions. Lacquered in matte white with protective UV coat. Dimensions (cm): 300 x 130 x 75 Dimensio...

Introducing our 5-piece indoor/outdoor dining table and chairs crafted from fiber-reinforced resin, providing unparalleled durability ...

An Italian modernist dining table in Macassar ebony; the large square surface is supported on four bases. A grand and glamorous statement piece. Seats 8 and up to 12 comfortably. ...

Post modern Gem 10’ long curved oval dining table with (2) leaves. High gloss acrylic top with a beautiful taupe tan color with 2 dark red maroon stripes. Very nice arched base with ...

An eye-catching dining table designed by Björn Wiinblad, Susanne Fjeldsøe Mygge and Poul Cadovious, manufactured by France & Son in Denmark around 1960. This highly elegant table is...

This stunning Mid-Century Modernist Lucite and Chrome Dining Table is by Charles Hollis Jones and originates from the United States, Circa 1970. Features an elongated rectangular pro...

- good/very good condition with minor signs of use.

Handsome vintage Mid-Century Modern Eames for Herman Miller table with aluminum universal 4 prong base with black casters, black shaft, aluminum spider attachment, and a 36” round bl...

Large Oval Blue Azul Purple Beveled 3/4" Glass Top Dining Table on Lucite Base MINT!

Handcrafted of resin reinforced with fiberglass and lacquered in white with matte finish. The artist is inspired by branches that seem to protrude from the floor. The organic struct...

The Palm Springs dining table, in briar and plastic laminate was originally designed in 1984, by Ettore Sottsass for Memphis Milano. Ettore Sottsass was born in Innsbruck in 1917. ...

DIMENSIONS: L 280 cm / W 125 cm / H 65 cm (may be customized) *note: each piece is 100% unique & handmade by the artist, dimensions may vary 1-2 cm. MATERIALS: Jesmonite, acryli...

Introducing "Le Dome" Lucite & Stainless Steel Dining Table, a stunning vintage masterpiece designed by Charles Hollis Jones in the 1970s. This exquisite piece of furniture captures ...

A gathering place of reunion. Passing plates around. Constant laughter and comfort. The bedrock of family. Dimensions: Diameter 52 in. (132 cm), height 29 in. (73.6 cm). Weight 120 lbs. (54 kg). Finish color options: white stone (shown) natural stone aged stone key stone...

Transform your dining space with this stunning Mid-century Mod Lucite & Glass Round Dining Table by Charles Hollis Jones. Combining sleek modernist lucite legs with a pristine glass ...

Dining table in resin reinforced with fiberglass in aged gold color finish.

Vintage Space Age Tulip Table featuring a sleek fiberglass pedestal base and round top, perfect for mid-century modern interiors. Some scratches on the surface as shown in the pho...

Amazing vintage Hollywood Palm Beach Regency, 1970s Lucite and brass Charles Holis Jones CHJ "Metric" dining table, dinette, kitchen, game table base or desk. Glass top not included....

Incredible vintage MCM (Mid-Century Modern) Eames for Herman Miller racetrack oval conference or dining table with a black universal segmented base and a light blonde laminate top wi...

Scroll down and click "view all from Seller" to see more than 400 other unique products. (2.2) Set of 1 white rabbit tree dining table, 1 rabbit chair & 1 white baby rabbit chair...

Nero Round Dining Table The Nero Round Dining table features a round shape with a sleek and modern design, making it a versatile addition to any dining set. The table is made from ...

Mantle - 21st century contemporary rounded sculptural large dining table Inherited the meandering shape of the mantle ray, the Mantle table base is like a swimming ray in the ocean depth. Its organic form contrasts with its structure that resembles to a natural rock, as it is hand-molded and finished with natural stone powder, fiberglass, and resin. On the contrast to the rough surface of its base, the tabletop mystically glows...

Iconic functionality of American Mid-Century Modern design with this classic pedestal table designed by the legendary Ray and Charles Eames for Herman Miller. Developed for their ti...

Original Charles Hollis Jones dining table with Lucite legs. A refined modern dining table designed by Charles Hollis Jones in 1970s. The table consists of thick Lucite legs, a polis...

A Cypress like no other. Deriving its form from curving roots while a hint of fluting on this unique exterior grade table recalls Greek columns. Bring a sense of history and nature t...

Vortex is a very special piece by Marc Fish. Hand crafted using thousands of pieces of veneer and poured resin in many stages which is then carved into to create movement and fluidit...

Mid-Century Modern scallop shape back set of four chairs and matching dining table set. Chair dimensions: 19 x 18 x 39 x 17.5.

This is a Segmented Conference Dining Table, Model ET151, initially designed by Ray and Charles Eames for Herman Miller in 1964. These pieces date to the 1980s. The listed price incl...

Outdoor oval dining table hand sculpted of reinforced resin and lacquered in matte finish. This inspiring masterpiece with its artistic sculp...

As part of the Court series, the track table debuted at the International Contemporary Furniture Fair in 2018. Printed 1/2” interlayer glass surface ...

This is a Platner dining table, model 3716T, initially designed by Warren Platner for Knoll in 1966. This example dates to the late 1960s. Its design features a base constructed with...

For sale on 1stDibs is a captivating black Kazuhide Takahama Olinto table, designed for B&B Italia, reflecting the designer’s masterful fusion of Japanese minimalism and Western mode...

Textural, organic, and terribly chic. This 70's dining table or desk is sheathed in tobacco leaves and given a acrylic finish to complement its sleek simplicity.

The Container Table Classic, designed by Marcel Wanders studio, is the foundation you build your home around. This lightweight design is easy to move around, but once it’s found its ...

Italian architect and designer Claudio Salocchi (1934–2012) studied architecture at the influential Milan Politecnico University before embarking on a design career that lasted some ...

Glamorous dining table designed by Jeffrey Bigelow for Spectrum LTD, circa 1976. Scrolled cast-bronze base anchors four gently arched, faceted cast-acryli...

Handsome Italian modern dining table produced in Italy mid-1950's. by Umberto Mascagni of Bologna and imported to the UK by I. Barget Ltd. then retailed through Harrods among other s...

"Metric" dining table designed and manufactured by Charles Hollis Jones. The table is also available in chrome, brass or nickel and we have one in stock. Measurements: Table...

Drawing inspiration from the grandeur of Ancient Roman architecture, this remarkable piece exudes elegance. Its base, evoking the iconic pillars of Rome, infuses a sense of historica...

Oval dinning table by kar Dimensions: W 216 x D 96 x H 74 cm Materials: Wood, Black Ash Veneer Kar, is the root of Sanskrit Karma, meaning karmic repetition. We seek the cause and e...

Introducing our 12-seater outdoor dining table crafted from fiber-reinforced resin, providing unparalleled durability and longevity. Available in a sleek lacquered matte beige finish...

Transform your space with the Branch Wave Table, a luxurious piece that merges elegance and craftsmanship. Its captivating wave design, inspired by the fluidity of ocean waves, adds ...

A gathering place of reunion. Passing plates around. Constant laughter and comfort. The bedrock of family. Dimensions: Diameter 48 in. (122 cm). Height 29 in. (73.6 cm). Weight 100 ...

Beautiful dining table designed by Charles Hollis Jones and, manufactured by Swedlow in the 1970s. This piece was in production for only three years and only a handful of them were ...

Type of Wood: Black Walnut Wood Dimensions: 79" x 39" Leg Model: Wood Customizable: Available! Production Time: 3 Weeks Shipping Cost: Free! Package Method: Wooden Pallet River dini...

A remarkable Italian Mid Century Modern Table by Alessandro Albrizzi, finished in chrome plated steel with sculptural curved shapes supporting interlocking acrylic glass sheets. Highly decorative heavy and sturdy base ready. The sculptural table is designed for modern...