Inlay End Tables

English Regency mahogany bow front two drawer work table with original circular foliate brasses, diamond bone escutcheons, ebony string inlays, k...

The Paris based label has distinguished themselves since their launch, with their iconic use of shagreen mixed with brass and other exotic materials. All furniture is handcrafted by skilled artisans, ultimately making each piece unique, designed in Paris and produced in the Philippines. The metropolis rectangle side table by R&Y Augousti is both dramatic and organic it’s unique design. The cream shagreen inlaid top sits on a pair of ethereal and sculptural bronze-patina brass legs. This piece makes for the perfect end table and is originally inspired by the metropolis console...

The combination of mother of pearl inlay and illusion effects creates a mesmerizing and luxurious aesthetic. Mother of pearl's iridescent quality adds a touch of opulence and eleganc...

A Very fine Franco-Italian 19th century neoclassical Revival style gilt-bronze and Pietra Dura (or Pietra-Dure) occasional side-table Gueridon. The circular gilt-bronze frame raised ...

A very fine pair of French 19th/20th century Louis XV/XVI style Transitional Style Satinwood Parquetry and Gilt-Bronze Mounted Commodes with Brêche d'Alep marble-tops, in the manner of François Linke (1855-1946), inspired by models by Léonard Boudin (French, 1735-1804), Gilles Joubert...

Early 20th Century pair of Italian nightstands in walnut with marquetry work on the doors and the drawers. This pair of Gustavian or Louis XVI style night tables each has a drawer an...

Very elegant, handcrafted table with lid and beveled mirror. If you have an eye for elegant designs then this French, antique nutwood table is a visual treat every time you will loo...

A scarce elegant French Louis XV style nightstand with beautifully aged warm mellow patina. Born in France in the 19th century, having a partial undulating gallery framing the vis...

A very fine French 19th-early 20th century Louis XV style mahogany, tulipwood, parquetry and ormolu mounted oval gueridon side table with a Brêche Violette marble top, attributed to François Linke (1855-1946). The inset oval Brêche Violette marble top with a gilt-bronze surround, above a lozenge parquetry frieze with foliate ormolu mounts, with a drawer to one side, on cabriole legs headed by clasps and joined by an 'X'-shaped stretcher centered by a foliate finial, on scroll sabots. Unsigned. Circa: Paris, 1900. Another almost identical table by François Linke (1855-1946) was sold at Christie's London 19th Century Furniture, Sculpture, Works of Art and Ceramics, Sale 7569 on 18 March 2008, Lot 66. François Linke (1855-1946) was one of the most celebrated ébénistes of his time. Born in Pankraz, Bohemia, Linke moved to Paris in 1875 and six years later established independent ateliers at 170, rue de Faubourg St. Antoine. As was the practice among contemporaries and noteworthy predecessors, such as Alfred Beurdeley and Henry Dasson, Linke initially produced furniture derived from styles popular during the 18th century ancien régime. By 1900, his worldwide reputation as an individualistic master of high quality furniture was already established. However, with a huge display, placing his extravagant pieces in room settings and winning the Médaille d'Or for his Grand Bureau, Linke's participation in the Paris 1900 exhibition...

A pair of French Paul Sormani walnut bedside tables from the late 19th century, with banding. Created in France at the end of the 19th century, each of this pair of nightstands features a rectangular top with inlay, sitting above a single drawer (one of them presenting a Paul Sormani label). A door below opens to reveal either a simple storage compartment or a swiveling shelf...

The Paris based label has distinguished themselves since their launch, with their iconic use of shagreen mixed with brass and other exotic materials. All furniture is handcrafted by skilled artisans, ultimately making each piece unique, designed in Paris and produced in the Philippines. The Cosmo moon side table by Kifu Paris...

The Paris based label has distinguished themselves since their launch, with their iconic use of shagreen mixed with brass and other exotic materials. All furniture is handcrafted by skilled artisans, ultimately making each piece unique, designed in Paris and produced in the Philippines. The Cosmo sky side table by Kifu Paris...

A Fine Pair of French 19th-20th Century Louis XV Style Ormolu Mounted Mahogany and Stained Fruitwood Marquetry Circular End or Side Tables en Chiffoniere, Joseph Emmanuel Zwiener - J...

Standout pair of vintage Moroccan stands elaborately decorated in mother of pearl, ebony, and bone marquetry, having classic moorish octagon forms with architecturally interesting ar...

This eye-catching piece combines an industrial structure with sophisticated modern accents. The intersecting metal legs almost seem to play tricks on the eyes and change shape as you...

End table, having an oval top of breche marble, single frieze drawer framed in stringing, flanked by ormolu, over cupboard door decorated in geometric cube motif, shaped apron center...

The teardrop I side table is an elegant design with exquisite detailing. The sculptural rings are inlaid in bronze-patina brass and the top is in cream shagreen. This piece is design...

Refined pair of antique French Louis XV style stands with rouge marble tops having a brass gallery over a three drawer case with brass hardware, c...

Handsome vintage modern square solid walnut Parsons’ side table with walnut inlay created by Lane Alta Vista in 1970. It is in wonderful ready to use condition. The top has been refi...

An Austrian Biedermeier period end table from the mid 19th century, with octagonal top, darker accentuation, partitioned drawer, saber legs and lower shelf. Created in Austria during...

Custom walnut or mahogany table with removable top that exposes the backgammon board. The top can be flipped over to expose the chess board. Perfect size to play cards, poker, board games etc. The marquetry is integrated into the top. Can be made in your preferred size and color. New production. Designed and made in NYC by Janine Carendi...

A most charming antique French mirrored commode stand. Born in France in the late 19th / early 20th century, most likely Parisian work, except...

A rare French Art Deco sycamore inlaid nightstand or end table attributed to Jules Leleu (1883-1961). Handcrafted in France in the mid 20th century, having a shaped front rectangular...

Mid-Century Modern Marquetry Infinity Side Table, Handcrafted in Portugal - Europe by Greenapple. Handcrafted with precision and care, the Infinity side table presents the art of ma...

Elegant pair of Italian tables in the manner of G. Maggiolini. Side tables veneered in marquetry fruitwood, walnut and other wood inlay.

Splendid wooden coffee table entirely decorated with fine inlays of precious woods such as walnut, olive and rose. The inlays concern floral details present on the top and sides, whi...

Custom walnut or mahogany desk with 6 pullout drawers. One side includes a drawer that is a pull out backgammon board and another a pull out chess board. Legs have brass sabots. ...

The Paris based label has distinguished themselves since their launch, with their iconic use of shagreen mixed with brass and other exotic materials. All furniture is handcrafted by skilled artisans, ultimately making each piece unique, designed in Paris and produced in the Philippines. The metropolis rectangle side table by R&Y Augousti is both dramatic and organic it’s unique design. The cream shagreen inlaid top sits on a pair of ethereal and sculptural bronze-patina brass legs. This piece makes for the perfect end table and is originally inspired by the metropolis console...

Pair of Mid-Century American Modern (1950s) walnut 2-tier nightstands / end tables composed of a table frame with boxed cabinet and woven inlay pullout drawer, with 4 brass ball supp...

Pair of black lacquer ebonized and inlaid wood organic end tables. Also great as nightstands.

Custom walnut or mahogany desk with 6 pullout drawers. One side includes a drawer that is a pull out backgammon board and another a pull out chess board. Legs have brass sabots. ...

A stunning antique Louis XVI style bedside cabinet with outstanding patina. Hand crafted in France during the late 19th / early 20th century, having a marble-top on a parquetry and s...

Early 20th Century Italian side table of exceptional craftsmanship having a walnut bow-front case trimmed with banded inlay and holding two drawers. The drawer fronts are beautifully decorated with inset burl walnut panels outlined by cross banded inlay and are punctuated with Neoclassical style brass ring pulls. Vintage Italian printed...

Beautiful pair of antique pedestal base French end tables. Item features beautiful floral inlays, satinwood sunburst tops, carved solidwood bases...

Absolutely fantastic pair of unique formica & walnut end tables. A funky two-tiered design is as practical as it is appealing. A perfect addition for any retro room in the home or of...

American Hepplewhite mahogany one drawer drop leaf pembroke with inlaid birds eye maple oval corners, satinwood string inlays, graduated bell flowers, and terminating on tapered legs...

Elegant pair of antique French Louis XV style three drawer stands crafted in tulipwood cut in geometric lines and inlaid with floral motifs, having brass hardware, a lower tier and o...

Pair of side tables, Mihrab bed side tables with Mother of Pearl Inlay in Wood is inspired by the Mihrab element of Indian architecture, this simp...

A scarce period Charles X (1818-1834) French Restoration mahogany travailleuse sewing (thread stand - side table - jewelry dressing table) with light, warm, beautifully aged patina. Born in France in the early 19th century, almost certainly Parisian work, exquisitely hand-crafted, this exceptionally executed example features ornate gilt bronze ormolu mounts, escutcheons, and elaborate gilt metal trim. Having a highly figured light mahogany hinged lid top, lifting open to reveal a striking finished interior with divided compartments and original inset mirror plate. The conforming rectangular case fitted with a faux drawer front over a dovetailed drawer with sectioned interior. Elegantly rising on oval-shaped medial shelf stretcher-joined curvacious legs. Dimensions (approx): 27" High, 20" Wide, 13.5" Deep Stunning light almost blonde antique mahogany coloring and mellow warm tone, superb wood grain detail, and charming, beautifully aged patina over the whole. Great shape overall. Retaining original antique character marks, wear consistent with age and indicative of minimal use, nothing that detracts from the aesthetics or functionality, but only adds to the overall authenticity, refined elegant warmth, luxurious sophistication, and cozy unpretentious rustic elegance. Delivered cleaned, hand waxed, polished French patina finish, ready for immediate use and generational enjoyment! What is Charles X style: The comte d’Artois – or Charles X - was the son of the dauphin Louis-Ferdinand de Franc and Marie-Josèphe de Saxe. He succeeded his two brothers Louis XVI and Louis XVIII and became the King of France in 1824. Thirty years after the French Revolution, he wanted to embody the return of monarchy and became the leader of the catholic party . As the previous kings, he was crowned in 1825 but he was soon overthrown by the revolution in July, 1830, called "Trois Glorieuses". He left then for England, Scotland, Prague and Istria where he died in 1836. Charles X style lasted from 1818 to 1834 and happened during the Bourbon Restoration (French Restoration). This style did not replace totally the style of furniture from the French Empire but it was different from the formalism in the Napoleonic era, during which strictness and simplicity were inspired by Greco-Roman art. Indeed, artistic fields flourished. In terms of furniture, this renewal was suggested by the softening of shapes. Even though the simple aspect from the French Empire was still visible, shapes became curvier with volutes and arabesques. Another distinction is the loss of the massive aspect of furniture and the decrease of dimensions in order to decorate smaller appartments. Handling ability and comfort were key-words in the making of furniture. Apartments had essential elements such as chests of drawers, big rounded tables in the dining room, desks or secretaries, armoires and even dressing tables, comfortable fainting couches in the living room, small tables, pedestal tables, as well as gondola chairs. The wavy aspect of the latters certainly represent Charles X style the best.  One of the most emblematic features of this style is the use of bois clairs – light woods in warm blond tones - and indigenous woods that are varnished in order to highlight the grains. Bird's-eye maple, ash trees, plane trees, yew trees, beech trees, olive trees and cedar trees were most likely to be used. Indeed, at the beginning of the 19th century dark woods were hard to find. In 1806, the Napoleon’s Continental System was established in order to ruin the United Kingdom by preventing the country from any business with the rest of Europe. Therefore craftsmen had to find alternatives from mahogany which was the most commonly used material at this time. After 1815, the import of wood was even more difficult because of peace treaties and the European political situation, which contributed to the popularity of the bois clairs and indigenous woods. The furniture was often decorated with fine inlays made out of dark wood representing foliage, which contrasted with the veneer. Even though these patterns can look like bronze decorations from the Empire era,  they were far more simple and did not represent any military or mythological attributes. On the tables, trays were sometimes made out of marble as in the French Empire, but it was often put aside and inlaid veneer, Verre Eglomisé – a type of glass with a mirror finish –, mirror or porcelain from Sèvres or Paris were more likely to be used. Decorative elements from the Monarchy were highly appreciated again as they suggested luxury. Indeed, marquetry work was particularly fashionable - Boulle marquetry thrived around 1820 as the works of the Levasseur family can show. In the same way, draperies and trimmings referred to the monarchist splendour. Fabrics were often white – the traditional colour of the Bourbons – or light coloured as oppposed to the typical green from the Napoleonic era.  One of the most symbolic figures from this period of time might be Jean-Jacques Werner (1791-1849), a cabinetmaker who worked for prestigious clients such as the Duchesse de Berry who was Charles’s step-daughter. His works can be seen at the Musée des Arts Décoratifs and at the Grand Trianon in the Palace of Versailles. The duchess’s appartments situated at the pavillon de Marsan and at the Palais de Saint Cloud illustrate Charles X style the best with furniture made out of bois clairs and ornamented with dark wood patterns or fine gold decorations. Chales X style allows a transition between the sobriety of the Empire style and the abundant aspect of Louis-Philippe style. The gothic style started at this time through the "style à la cathédrale", inspired by religious architecture, which thrived from 1827 to 1830. Indeed, at the beginning of the 19th century, Romanticism put the spotlight on the Middle Ages. Cabinetmakers were not inspired by the medieval furniture but rather by architectural elements of churches and cathedrals. For instance the backs of chairs were decorated with arches shaped like rib and serration. In the same way, before Charles X abdicated, pieces of furniture were made out of dark woods – such as mahogany, which was used again in France – and were inlaid with light wood. Romanticism also influenced the layout of furniture in appartments to suggest movement through a mix of various styles, various shapes and various sizes, as opposed to the static aspect of Neoclassicism. The start of industrialisation and mechanisation also influenced this style as early technical developments led to the production of pieces of furniture in series. Credit: Marc Maison Bibliography: FANIEL Stéphane (Dir.), Le Dix-neuvième Siècle Français, Collection Connaissance des Arts, 1957, Hachette SASSONE, Adriana Boidi, Furniture from Rococo to Art Deco, 2000, Evergreen -- Extremely versatile: As warm and attractive as it is useful, this remarkable antique table having the ideal size and small proportions for a variety of different uses, including as a side table, accent or occasional table, tall sofa...

Modern walnut and rosewood end "Tuxedo" line by Lane. Classic design and form, nice quality, construction featuring stunning rosewood butterfly inlay detailing. Also avail matching l...

Charming pair of Edwardian, Adams style English stands crafted in mahogany, rosewood and satinwood with oval tops having inlaid chinoiserie flowers, pots and vases in exotic woods, o...

Pair of black lacquer ebonized and inlaid wood organic end tables. Also great as nightstands.

Straight-lined and sturdy with eye-catching wood grains, this robust table exudes the qualities that made mid-century modern design the envy of the furniture world. Walnut and oak ve...

Charleston mahogany one-drawer drop leaf pembroke table with satinwood and ebonized string inlay, scalloped carved corners, original lion oval brass pulls and terminating on inlaid t...

A fine 19th c. Louis XV style marquetry side table made of veneers of rosewood and walnut with a tambour door and a drawer with bronze hardware. French polish finish. Original marble...

A graceful French Art Deco centre table with exquisite parquetry zebrawood detail attributed to Maurice Dufrène. The top square shelf floats above a clover shaped lower shelf, both r...

French 18th century Louis XV small Marquetry side table, a so-called "Table Chiffonière" with removable Silk Screen A rectangular body with canted corners on cabriole legs holding t...

Elegant coffee table in solid walnut, embellished with parts finely inlaid with various fruit woods. The octagonal top is decorated with geometric and heart-shaped inlay designs, typ...

Handsome modern square Parsons style end table or side table by Lane with a carved circular leg design and chevron veneer top. It is in wonderful vintage condition. There are age app...

An Italian mahogany and walnut bedside table from the 19th century, with inlaid décor, single drawer over single door, pull out bottom and cabriole legs. Created in Italy during the ...

The circular hinged top with scrolling Florentine-style inlaid acanthus leaf and floral band; surrounding an ebonized roundel centering an Italianate figure of a Roman god and putto; with Antonio's antiques retail...

These STACKED Table base’s are hand-built custom per your specifications. Short and wide like the salvaged Mahogany Base shown here, possibly taller...

A very fine French Belle Époque 19th-20th century Louis XVI style tulipwood parquetry and ormolu-mounted guéridon (round table) with a single drawer, circa: Paris, 1900. Height: 2...

Elegant small side table made of carved cherry and walnut, enriched with ebonized pastiglia inlays. The inlays, which adorn both the top and the band of the undertop, feature geometr...

Step into the majestic world of ancient Indian palaces with our exquisite Jharokha Green Bone Inlay End Table. Inspired by the intricate and ornat...

A Set of two rare coffee or End Tables , Model :Kalkutta(Calcutta) by German Sculptor Heinz Lilienthal, 1927-2006. The design of 64 square mosaic marble pattern combined to one table...

Marvelous French Art Deco octagonal table with superb Inlay 1930. This rare Art Deco piece is a stunning display of craftsmanship with numerou...

Late 19th / early 20th pair of Levantine mother of pearl,shell and horn inlaid round tables. The round top over pedestal ending in four legs. • Dimensions: height 32" diameter 28"

This is a unique table with an asymmetrical walnut base design of four straight tapered legs, crowned by a dynamic mixed stone terrazzo top. The base for this design was inspired by ...

Pair of Mid-Century Modern square end side tables stands.