Belle Époque Game Tables

19th Century. French. Bronze-mounted. Signed Linke. Original marble top.

Sale one week only. Custom walnut backgammon table that converts to chess with a slide out board. Can be made in your preferred size and color...

SHIPPING POLICY: No additional costs will be added to this order. Shipping costs will be totally covered by the seller (customs duties included). A 19th century Russian rectangular Niello box, Moscow, 1865 with rounded corners and gilt interior, decoration at the centre of belt shape with a monogram inside a cartouche: HS Maker's mark and standard Russian silver mark...

Custom walnut and mahogany backgammon table that converts to chess with a slide out board. New production. Made to order in walnut and mahogany. Designed and made in NYC, each tab...

Mid-Century Modern rosewood game table ' Mesa Norma ' with four inset drink holders and reversible top to felt, by Sergio Rodrigues. This Item may only be shipped within the USA .

Sold. New listing is being posted. Custom walnut Backgammon table that converts to chess with a slide out board. New production. Made to order in...

Custom walnut and mahogany backgammon table that converts to chess with a slide out board. New production. Made to order in walnut and mahogany. Designed and made in NYC, each tab...

Red marble casket with pyramidal lid and fitted brass vessels. Light bumps.

This is a game table made in England, circa 1870. The table is made of walnut and burr walnut. The top has a fabulous quality cut of the finest burr walnut. The 4 sides of the top ar...

Presenting a superb 19C Anglo Indian Sadeli Mosaic greeting card case. Made in or around Bombay, India circa 1880. This is a greeting card case used for holding your greeting cards or business cards of the day ! The body of the case is made from sandalwood and it is fully overlaid with bone and highly intricate Sadeli Mosaic made up of thousands of micro mosaic pieces of bone, ebony, silver/pewter and semi precious stone. The workmanship is stupenduous !!!! This case is almost museum quality. One or two very, very minor losses of mosaic mainly where the top meets the body but otherwise near mint ! SADELI MOSAIC: “Anglo Indian boxes were made in India for the English residents from the early part of the 18th century. They were brought back or sent back to England usually by the people who had commissioned them. From the beginning of the nineteenth century they were imported more commercially, although not in any significant numbers until the middle decades. They were very highly valued, especially the early ones, to the extent that the designs were copied on late 19th and early 20th century tins. The ancient art of Sadeli Mosaic is said to have been introduced from Shiraz in Persia via Sind to Bombay, a long time before the Anglo Indian boxes were made. It was a technique, which required a high degree of skill and patience. It was executed very lavishly, in that the frequent cuts wasted a great amount of the precious materials used. The workmanship was however more than commensurable to the value of the materials. Ivory, silver, pewter (or other metals), wood and horn were cut into faceted rods which were bound together to form geometric patterns. When the glue has set, the rods were sliced in transverse sections. This gave the maker a number of angled circular pieces in the original pattern. Several variations of patterns could be achieved by combining the materials in different ways. The ivory was sometimes dyed green to give an extra color. The mosaic pieces in a combination of patterns, often separated by ivory, ebony, horn or silver stringing were used to veneer sandalwood boxes. In the early boxes, which date from the turn of the 18th to the 19th century, there are large panels of mosaic covering tops and sides of boxes. It took incredible skill to cover such large areas without any shakes or wavering of the pattern. The corners and joins on these boxes are impeccably matched. The makers (reputed to be Persian) of Sadeli mosaic made in the first two decades of the 19th century displayed a total understanding of the qualities of the different materials they used. They combined substances, which can expand and contract according to atmospheric conditions with others, which are hard and unyielding. The result was a sharp definition of the lines and patterns, which made up the whole design. On the early boxes the designs look deceptively simple. The fact is, they emerged from a culture, which had mastered geometry and understood how to generate a pattern from a set number of points. The patterns are so harmoniously combined that their incredible complexity is not immediately apparent. The earliest Sadeli boxes...

Amazing Marquetry and inlay on this Sorrento Napoli Box C1880. There is craftsmanship of the highest caliber all over this box. Box front drops down to reveal inside completely cover...

19th century Brass inlaid walnut box. This stunning decorative box or jewelry box has beautiful brass inlay and trim with the original tufted satin interior.