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Material: Schist
Iconic Brutalist Paul Kingma Schist Center Table
By Paul Kingma
Located in Santa Gertrudis, Baleares
Rectangular assembled schist table with rounded corners and brass inlay, very rare octagonal legs, signed on the top H: 47 cm Top: 80 x 120 cm.
Paul KINGMA (1931 - 2013)
Dutch s...
Category
1980s Dutch Mid-Century Modern Vintage Schist Tables
Materials
Slate, Schist, Metal, Brass
Pair Large French Modern Neoclassical / Art Deco Iron Side Tables w. Schist Tops
Located in New York, NY
An Elegant and Timeless Pair of French 1930 Late Art Deco / Modern Neoclassical side or end tables. The tables offer a pure, minimal presentation with a classic context. They are top...
Category
Mid-20th Century French Art Deco Schist Tables
Materials
Schist, Wrought Iron
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Previously Available Items
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Typical Matthias Biberon work, well seasoned woods, a wood that has been dried for over 40 years, giving it a special patina. All joints are visible, the artist's signature in the pure Japanese influence of Mingei thought and Wabi Sabi. This is the beauty of the everyday object, one whose details we never tire of rediscovering.
Matthias Biberon (Paris, 1977) lives and works in Perche (Normandy / France).
He began working with wood in 2019, leaving behind photography and ceramics, which he had practiced successfully for many years. In wood, he finds the pleasure of imagining shapes and building them, with a combination of both naivety and attention to detail, and a freedom that neither conceptualism nor ceramics had given him. His furniture is organic, respecting the original shape of the wood and following its knots and veins. The search for balance and precision is one of the cornerstones of Matthias's work.
Carefully sourced, the wood types used - Oak, Elm, Cedar, Walnut - have been dried for decades, giving them an unrivalled patina. His trademark? Visible construction and the blending of materials, with stone a natural addition to his creations; for each of them, he seeks a form of balance, purity and softness, a functionality that is both poetic and sculptural, the simplicity and force of a haiku.
Passionate about art, it was while progressing towards Arts & Crafts that he embraced the aesthetics of functionalism, Mingeï and the thinking of William Morris. He is sensitive to the Arte Povera of Jannis Kounellis and Giovanni Anselmo, the Zen influence of John Cage, the freedom of Don Cherry...
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