Engraved Furniture

Terra Sancta sive Promissionis, olim Palestina – hand-coloured copper-engraved map of the Holy Land by Frederic de Wit, Amsterdam, circa 1670 This impressive folio sheet, bearing th...

Roman Statues and Coins, Composite Antiquities Plate with Center Fold, 1721 Description: This large and visually rich engraving is a composite antiquarian study plate from the first...

1720 Albin Butterfly & Host Plant Plate – Dedicated to William Byrd of Virginia This finely hand-colored copper engraving was published in London in 1720 as part of A Natural Histor...

Rare Ottoman hand engraved copper and bronze bowl in original condition. Fine engraving and well proportioned conversation piece. Original patina still...

Antique Engravings of Reptiles, Fish, and Insects, Tab. V & VI, circa 1800 This fine double natural history engraving, titled “Tab. V” and “Tab. VI,” presents an engaging selection ...

Antique Grasses & Sedges – Hand-Colored Botanical Engravings, c.1830 (Set of 8) This beautifully preserved set of eight antique hand-colored botanical engravings features a vari...

Large French brasserie-style mirror, with engraved mirrors, custom-made in France in the 1950s. Composed of ten engraved mirrors with beveled edges in varying sizes, assembled with b...

Antique Map of Northern Ohio – The Buckeye State with Railroads & Counties, 1888 This antique engraved map of Northern Ohio, published in 1888 by Rand, McNally & Co. in Chicago for ...

Egyptian Dallah Coffee Pot: A Symbol of Hospitality and Cultural Richness. - Object: A dallah (Arabic: دلة) is a traditional Arab coffee pot used to prepare and serve coffee in the...

These are 19th-century equine prints depicting notable racehorses titled "Pandora," "Canteen," "Mulatto," and "Chateau Margaux." They are in the style of British equine portraiture, ...

Title: Exquisite 1806 Rama Chandra Vishnu Avatar Antique Print - Hindu Engraving Description: This elegant antique print, titled "VIIme Incarnation de Vichenou, sous le nom de Rama ...

Mounted Crusader in Full Charge with Sword and Shield, circa 1400 Description This powerful hand-colored engraving, Plate No. 86 from the prestigious 1845 publication Costumes Histo...

Arkansas Map 1888 – Rand McNally Antique Lithograph This antique 1888 map of Arkansas, published by Rand, McNally & Co., provides a detailed portrayal of the state during the late 1...

By employing ever-more complex techniques, wedding rare species of wood and precious metals in novel arrangements, and endowing each piece with incredible components, Jean-Luc Le Mounier creates work, astonishing and seductive in equal measure, that pushes the frontier of his craft into the realm of art. This exciting exploration is perhaps best-evidenced by Papillon pieces, Le Mounier’s series of inimitable cabinets, all rendered by his expert hand, and featuring doors carved into the shape of a butterfly’s wings. This particular iteration features wings covered in black straw marquetry, a delicate inner gate wrought of antiqued bronze, and a sumptuous interior of lemon ceylon wood.

Antique English Choir Trophy Award Plaque Copper Repousse c1938 Lyre Harp. Direct from England, just arrived in our most recent container, we have several of these one-of-a-kind Eng...

Antique Camphor Botanical Print, Laurus Camphora, Hand Colored, c.1831 This botanical engraving depicts Laurus Camphora, the camphor tree, valued for its aromatic resin and medicina...

English Arts & Crafts Bronze Seal, Cat & Mouse Motif, circa 1900–1930 A finely cast English Arts & Crafts bronze desk seal, surmounted by a sculptural mouse crouched at the top of t...

This hand-colored engraving, titled *Insecta XXXIV*, is a late 18th-century natural history illustration showcasing butterflies and their life stages. It features two species depic...

Ancient Asia Minor Map — Classical Anatolia & Pontus, Wilkinson London 1815 This finely engraved and original hand-colored antique map titled Asia Minor Antiqua depicts the ancient geography of Anatolia — modern-day Turkey — as understood through classical Greek and Roman sources. Published in London in 1815 by Robert Wilkinson, the map forms part of his celebrated historical atlas reconstructing the ancient world for early nineteenth-century scholars and collectors. The composition stretches from the Aegean Sea to Mesopotamia and from the Black Sea (Pontus Euxinus) southward to the Mediterranean, presenting a richly detailed vision of classical Asia Minor. Ancient regions including Bithynia, Galatia, Cappadocia, Lycia, Caria, Lydia, Phrygia, Pontus, and Cilicia are clearly delineated in delicate pastel hand coloring, allowing the viewer to visualize political and cultural divisions described by ancient historians. Cities central to antiquity — such as Ephesus, Smyrna, Troy, Sardis, and Antioch — appear alongside rivers, mountain chains, and coastal settlements engraved with remarkable precision. Cyprus is prominently included at the lower center, reinforcing the map’s importance as a representation of eastern Mediterranean geography during the classical era. Wilkinson’s historical maps were produced during a period of intense European fascination with classical civilization, archaeology, and ancient literature. Rather than depicting contemporary political borders, these maps sought to recreate the world of antiquity itself, blending Enlightenment scholarship with elegant decorative cartography. The refined engraving, balanced layout, and restrained coloring give the map both intellectual depth and strong aesthetic presence. Today, examples from the Wilkinson atlas are especially valued for their harmonious combination of academic clarity and decorative sophistication, making them ideal for collectors of classical history as well as interior designers seeking timeless historical imagery. Condition: Good antique condition overall. Light age-related toning with scattered spotting and minor handling wear confined mainly to the margins. Plate mark visible. Framing tips: Beautifully suited to a dark walnut or ebonized frame with an ivory mount. A wide mat enhances the subtle pastel coloring and creates a museum-style presentation ideal for study or library interiors. Technique: Copperplate engraving with original hand color Maker: Robert Wilkinson, London, 1818 Keywords: Asia Minor Antiqua, Anatolia antique map, Pontus Euxinus, Cappadocia, Galatia, Bithynia, Phrygia, Lydia, Caria, Lycia, Cilicia, Troas, Troy, Ephesus, Smyrna, Sardis, Antioch, Cyprus antique map...

Black Rock New York Harbor Lighthouse – Antique Steel Engraving c.1850 This dramatic mid-19th century steel engraving depicts the harbor entrance a...

Antique Eastern European Silver Torah Pointer (Yad) with Hebrew Inscription, c. 1880–1920 An elegant and finely engraved silver Torah pointer (Yad), most likely crafted in Eastern E...

Antique Map Russia in Europe, Bartholomew for Black’s General Atlas 1884 Description: This detailed map titled “Russia in Europe” was published in the New and Revised Edition of Bla...

Satirical German Military Engraving of Napoleon as the Little Corporal, c1835 This 19th-century German engraving presents a humorous encounter between a marching soldier and Napoleon Bonaparte, referred to here by his well-known nickname “the Little Corporal.” The guard refuses to let Napoleon pass, replying firmly: “Man passirt nicht — Und wär’ Ihr der kleine Corporal selbst; ich sage Euch man passirt nicht” (“One does not pass — and even if you were the Little Corporal himself, I tell you one does not pass”). The composition gently satirizes Napoleon’s legendary status, contrasting the anonymous authority of a common soldier with the figure who once ruled Europe. Produced around 1830–1850, likely in a German or Austrian print workshop, the engraving reflects the wave of post-Napoleonic satire that circulated widely in Central Europe. The artist captures the exchange with strong facial expressions, detailed uniforms and a richly rendered woodland setting. Prints of this type remain popular among collectors of Napoleonic history, military art and European caricature, while the crisp impression and large sheet size make it appealing as decorative wall art as well. A charming and historically engaging image from the early 19th century, combining humour, military history and well-executed engraving work. Condition: Strong impression; light age toning; minor handling marks; margins clean with no major tears or repairs. Suitable for immediate framing. Framing: Looks best floated on off-white or pale cream museum board in a thin black, dark walnut or antiqued gold frame. Museum glass recommended to preserve contrast and period detail. Keywords: Napoleon engraving...

“Liggend (Reclining)” by Kyle Smith, Bronze Nude with Ponytail, Edition 2 of 9, 1999 Signed, Dated, and Numbered Dimensions: 7” W × 3.5” D × 3.5” H Patina: Dark Engraved Verdigris ...

Rare wall mirror by the italian design manufacture artist Giovanni Battista Gariboldi. Brass and pink copper colored glass, engraved glass frame. Famous manufacture like Fontana Ar...

A fine pair of antique 19th century Bohemian hand-etched amber colored glass wine or liquor decanters and stoppers, Austria, circa 1880. This elegant pair of late 19th century decanters...

Antique Buffalo Engraving, Buffon Hand-Coloured Print Amsterdam 1769 This handsome hand-coloured 18th-century engraving of the buffalo, titled Le Buffle, comes from the rare Dutch edition of Buffon’s celebrated Histoire Naturelle, published in Amsterdam by J.H. Schneider in 1769. Appearing as Plate XXV in Tome XI, the image was drawn by Jacques de Sève, Buffon’s principal illustrator, and engraved by C.J. Fritsch. The plate is one of the most appealing large mammal portraits in the Buffon series, notable for its expressive character, fine engraving, and warm, atmospheric colouring. The buffalo stands in full profile on a grassy bank beneath a soft blue sky. Its muscular body, thick neck, and distinctive curved horns are rendered with precise cross-hatching, highlighting both strength and powerful form. The shaggy hair around the head and chest is drawn with exceptional sensitivity, giving the animal a lively, alert presence. Behind the buffalo, a distant landscape shows classical buildings, rolling hills, and soft vegetation—an elegant composition typical of de Sève, who often placed his subjects in idealised settings to evoke the exotic nature of these animals for 18th-century European audiences. Hand colouring in the Schneider edition is among the finest of all Buffon printings. The warm browns of the buffalo’s coat...

Roman Sculptures and Portrait Heads, Composite Antiquities Plate, Montfaucon 1721 Description: This finely engraved composite plate originates from the first English edition of Bern...

A rare, Dutch Colonial, Batavian (now Jakarta) Dutch East Indies silver and tortoise shell Sirih casket, circa 1750. The casket was used for storing highly prized betel nut, which was chewed ritually by high ranking Indonesian officials and adopted by settlers from the Dutch East Indies Company...

Holy Land, Twelve Tribes of Israel – After Nicolas Sanson, De Vaugondy / Delamarche, c.1798 Description: Holy Land. De Vaugondy (G. R.), Carte de la Terre des Hébreux ou Israélites,...

6238-7239- Pocket cigarette case with spring button in 925/1000 fire-enamelled sterling silver with beautiful vessel miniature hand-painted by th...

Antique Swedish Sterling Silver Hors d’Oeuvre & Dessert Serving Set, 1949 An exceptionally charming and highly decorative mid-century Scandinavian sterling silver serving set, crafted in Sweden and fully hallmarked for sterling silver circa 1949. This elegant collection features beautifully hand-finished serving pieces with distinctive figural and floral terminals, including delicate tulip motifs, a windmill-form handle, ornate pierced rose decoration, and finely engraved scrollwork. The set embodies the refined craftsmanship and artistic elegance associated with Swedish silver design of the post-war period, blending functionality with sculptural beauty. Each piece displays intricate detailing and graceful proportions, making the ensemble equally suitable for entertaining, collecting, or display. This rare sterling silver serving set includes a variety of hors d’oeuvre and dessert utensils, ideal for serving pastries, cakes, petits fours, olives, sugar cubes, fruit, or tea accompaniments. The romantic floral motifs and whimsical decorative elements give the set a distinctly European character with strong Scandinavian Modern and Art Nouveau influences. An exceptional gift for silver collectors, interior designers, wedding presents, anniversary gifts, house-warming gifts, or luxury tableware enthusiasts. Details Origin: Sweden Date: Circa 1949 Material: Sterling Silver Weight: Approx. 250 grams Hallmarked: Yes Condition: Very good antique condition with minor age-related wear and patina consistent with age and use. Professionally hand-polished before dispatch. Antique Swedish sterling silver serving set, Scandinavian silver flatware, sterling silver hors d'oeuvre set, vintage Swedish silver utensils, collectible sterling silver serving pieces, Scandinavian modern silverware, floral sterling silver utensils, luxury silver gift set, antique European sterling silver, sterling silver dessert server, Swedish silver collectibles, ornate silver serving utensils, mid-century Scandinavian silver, heirloom sterling...

Giorgio Salimbeni Gold-Plated Sterling Silver and Enamel Photo Frame, Florence, 1970 Elegant rectangular photo frame in 925/1000 sterling silver, gold plated, and richly decorated wi...

California Quail Pair – Male and Female Partridge of California, Antique Bird Print This fine early ornithological engraving depicts a male and female California quail, here titled ...

Antique Plan of Egyptian Catacombs Alexandria Necropolis Latomia 1776 This original 18th-century engraving presents a detailed architectural plan of several catacombs and ruins in a...

Holy Land Map of the Twelve Tribes of Israel – Sanson, Hand Colored, 1696 Description: This impressive and richly hand-colored map of the Holy Land depicts the biblical territories ...

These Beautiful Italian 18th Century Black & White Engravings on Laid Paper Feature the Portrait of Female Statues, these pieces have been professionally Framed using all new Mat...

Pairpoint Cobalt Blue Wheel-Engraved Floral Art Glass Center Bowl with Controlled Bubble Pedestal, New Bedford, circa 1915–1930 A striking example of early 20th-century American art...

Knight of the Illustrious Order of Saint Januarius in Ceremonial Robes Description: This hand-colored engraving depicts a distinguished Knight of the Illustrious Order of Saint Janu...

Title: Renaissance Anatolia Map, Natolia Nuova Tavola, Italian Atlas c.1598 A refined and highly decorative Renaissance map of Asia Minor, titled *Natolia Nuova Tavola*, presenting ...

Pair of Botanical Engravings from The Botanic Garden by B. Maund, London c.1836 A refined pair of original hand-colored botanical engravings from *The Botanic Garden* by Benjamin Ma...

French Art Deco Ormolu Serpent Handle, Stamped LT / 2, circa 1925–1935 A rare and striking French ormolu serpent handle, dating to the Art Deco period, circa 1925–1935. Cast in two ...

Louis-Albert CARVIN (1875-1951, France) : "Walking panthera" Brown-black patinated bronze sculpture of a walking panthera Finely chiselled Note : one small miss on the left back a...

This is a hand-colored copper engraving by Johann Michael Seligmann, based on the work of George Edwards. The print is from Seligmann's *Sammlung verschiedener ausländischer und selt...

Engravings that were part of the extensive collection by Jean-François de Neufforge, from his publication "Recueil élémentaire d'architecture." This collection was a significant work...

French Cubistic Art Déco Cupboard Oak Cérusé, Amber Colored Mirror Glass, 1940s Extraordinary, cubistic shaped French Art Déco cabinet in solid chene ceruse with six different sujets in amber mirror glass door panels. Very deep engraving of the glass panels executed in a high-level individual workmanship. Size of one glass panel: 34 cm x 26 cm + wooden frame 2 cm The 2 doors are set as if in a frame, the body stands on a pedestal. Therefore, the object appears light-footed despite the solid construction. The front side of the strong wooden feet is decorated by ropes. The surface was waxed again and has a pleasant soft touch. The color of the object corresponds to a natural sand tone and combines perfectly with the amber mirror glass. The large brass key...

Unusual hand made folk art tray from the 1950's in aluminum with etched and incised tropical theme of flamingos in palm trees. Great serving and conversation piece signed by woman ar...

A fine antique Irish sterling silver footed bowl by William Egan, County Cork, 1911. The bowl having an everted rim above a stepped globular body which i...

Pair of Classical Mythological Engravings – Montfaucon Antiquity Explained 1721 A refined pair of classical engravings depicting mythological figures after ancient Roman sculpture, ...

Indigenous Peoples Near Quebec – 19th Century Ethnographic Print of Canada This antique print offers a striking ethnographic view of Indigenous peoples from the region surrounding Q...

Early 19th Century German 13 Loth Silver Repoussé Landscape Box, Hanau, Circa 1820 Measures: 2.25" W x 1.5" D x 0.75" H / 62 Grams A finely worked small silver box crafted in 13 l...

Comparative Head Studies and Cobra, Egypt, Antique Engraving, c.1802 This refined engraved plate presents a series of comparative figural studies associated with early nineteenth-ce...

Floor Plan of the Temple of Amun at Luxor – Ancient Thebes, c.1710 Description: This antique architectural engraving presents a detailed floor plan of the famous Temple of Amun in L...

Title: "Testament of Eudamidas of the City of Corinth" Description: This print depicts a scene from Lucian's 'Toxaris, or Friendship,' where Corinthian Eudamidas is seen lying in a ...

Wonderful for garden parties, this set of twelve Bohemian Rhine wine glasses features an engraved grapevine motif on the body of the glass and green...

Napoleonic Gilt-Bronze Portrait Medallion of Napoleon, Signed Carlier Fecit, France, circa 1804–1806 An Empire-period gilt-bronze portrait medallion of Napoleon Bonaparte (1769–1821...

Habit of a Moorish Slave, North African Costume Engraving, 1749 Description: A compelling and historically evocative hand-colored engraving titled “Habit of a Moorish Slave, in 1568...

This original print is titled "THE PYRAMIDS OF EGYPT." It depicts the famous Giza pyramid complex, with the three pyramids standing prominently in the background. In the foreground...

American Art Nouveau sterling silver hand mirror, ca 1890. Beveled glass in round frame with baluster handle. In dense low-relief are swans with whiplash necks, a nymph with tentacul...

Ottomanorum Principum Effigies – Complete Ottoman Rulers Table, Rome c.1700 This impressive and complete multi-sheet engraving set titled “Ottomanorum Principum Effigies” presents a learned dynastic overview of the Ottoman rulers, conceived as a single monumental composition rather than as independent portraits. Engraved in Rome around 1700, the series was designed for assembly into a large rectangular genealogical table, following the architectural framework and paired medallion structure visible across the sheets. The set traces the Ottoman dynasty from its founder, Osman I, through successive sultans to the reigning rulers of the early eighteenth century. Each medallion contains a finely engraved portrait accompanied by a Latin historical summary, reflecting the European scholarly tradition of universal history and comparative imperial studies. Several medallions intentionally remain blank, an original and significant feature indicating that the table was conceived as an open-ended genealogy, allowing for future rulers to be added. Their presence confirms completeness rather than loss. The engravings are executed with refined burin work, dense concentric backgrounds, and architectural framing characteristic of Roman engraving at the turn of the eighteenth century. The composition closely relates to contemporary genealogical tables of emperors, popes, and royal houses produced for an international learned audience. The sheets are printed on high-quality Italian laid paper bearing the watermark of Pietro Meliani of Fabriano, one of the most important papermakers of the late seventeenth and early eighteenth centuries. Fabriano paper was widely favored by Roman engravers for its durability, clarity of impression, and prestige, and the presence of this watermark further supports the Roman origin and period of the set. When assembled as intended, the sheets form a visually powerful rectangular wall table, equally suited to a library, study, or institutional collection. Surviving complete sets of this series are scarce; most examples encountered on the market are fragmentary or broken up into individual sheets. Offered here is a full, intact set as issued, making it a strong object for collectors of Ottoman history, early modern genealogy, or large-scale historical prints with both intellectual and decorative authority. Condition report: Complete six-sheet set. Overall good, honest condition. Light age toning, scattered staining and watermarks, mainly in margins. Plates clean and well printed. No losses to engraved image areas. Blank medallions original to the design. Keywords: Ottoman Empire, Ottoman Sultans, Ottoman genealogy, Islamic rulers, Turkish history, Roman engraving, early modern history, dynastic table, genealogical chart, wall table, library wall art, scholarly print, Fabriano paper, Pietro Meliani watermark, Nicolas Dorigny, Rome engraving...