Engraved Furniture

A wonderful French faceted cut crystal casket with engraved scroll bronze ormolu mountings with wreath draped keyhole. Measures: 5.25&quo...

19th Century French Silver Commemorative 3-Dimensional Napoleon Portrait Spoon  Unmarked, France, 19th Century  A remarkable 19th-century French si...

19th-Century Ormolu & Paste Gem ‘Corona’ – Ecclesiastical Statue Crown with Acanthus Finial An exquisite late 19th-century Continental ormolu corona (ecclesiastical statue crown), r...

"Minerva" Specchio in Vetro di Murano in Stile Veneziano, prodotto esclusivamente a mano nel laboratorio dei Fratelli Tosi nell'isola di Murano, la cornice che abbraccia lo specchio...

The Red-Breasted Merganser: Hand-Colored Engraving from the Seligmann Edition after George Edwards’ Natural History This engraving depicts a Red-Breasted Merganser (Mergus serrator)...

Hallmarked Sterling by William Vincent of London Dated 1779 From our Tea Caddy collection, we are delighted to offer this Georgian Sterling Silver Tea Caddy. The Tea Caddy of slight...

This is an original antique map titled "Carte des Isles de la Jamaïque et de St. Domingue," depicting the islands of Jamaica and Saint-Domingue (modern-day Haiti and the Dominican Re...

A compendium lighter cigarette case made in England. This is a very rare compendium cigarettes and lighter case, created in Dublin England during the post-war back in 1947. The enti...

Antique Silver Cruet Set with Cut Glass Bottles, Europe, Early 20th Century Ornate Table Condiment Ensemble with Handled Stand This exceptiona...

Warwick Castle River View, English Castle Landscape Engraving, c1850 A finely composed hand-colored architectural landscape depicting Warwick Castle, one of England’s most historic ...

Sphere table cigarette lighter in 925/1000 gold-plated sterling silver and translucent fire enamel on guilloché, in a modern contemporary style. Piezoelectric mechanism. Dimensions d...

Antique Map Turkey in Asia, Ottoman Empire Anatolia Syria Iraq Black 1884 This detailed and beautifully engraved antique map titled Turkey in Asia was published in the New and Revised Edition of Black’s General Atlas of the World, issued in Edinburgh in 1884 by the respected Scottish cartographic publisher Adam and Charles Black. The map illustrates a vast portion of the Middle East during the late nineteenth century, when the region formed the Asian territories of the Ottoman Empire. The map centers on Anatolia, the great peninsula that today forms modern Turkey, shown here as the heartland of Ottoman Asia. The rugged mountain ranges, river systems, and historic provinces are carefully engraved, reflecting the high standard of Victorian atlas cartography. Numerous cities and towns are clearly marked, including Constantinople (Istanbul), Smyrna (Izmir), Angora (Ankara), Trebizond, and many other regional centers that played important roles in trade and administration. Extending southward, the map covers Syria and the Levant, including Damascus, Aleppo, and the Mediterranean coastal cities that historically linked the Ottoman interior with European commerce. Further south appear Palestine and the Sinai region, together with the eastern Mediterranean coastline. The map also includes the northern portion of Egypt, showing the Nile Delta and the strategic area surrounding the Suez Canal, which had opened only fifteen years earlier in 1869 and had quickly become one of the most important maritime routes in the world. To the east the map extends into Mesopotamia, depicting the great river valleys of the Tigris and Euphrates, including the historic cities of Mosul, Baghdad, and Basra. These regions formed key administrative provinces of the Ottoman Empire and were vital corridors connecting Anatolia with Persia and the Arabian Peninsula. The composition also includes parts of Armenia, Kurdistan, and the Caucasus along the northern and northeastern margins, as well as portions of Persia and Arabia to the southeast. An inset map of Cyprus appears at the bottom, highlighting the island’s strategic importance in the eastern Mediterranean. Cyprus had recently come under British administration in 1878, reflecting the shifting geopolitical dynamics of the region during the late nineteenth century. The map is engraved with remarkable clarity, featuring finely drawn coastlines, mountain relief, and a delicate latitude and longitude grid. Land areas are distinguished with subtle printed color, a typical feature of high-quality Victorian atlas production. The understated color scheme and precise engraving give the map both historical authority and strong decorative appeal. Maps from Black’s General Atlas were widely respected for their accuracy and clarity and were used throughout the British world in schools, libraries, and government institutions. Today they are highly appreciated by collectors for their elegant engraving and for the insight they provide into the political geography of the late nineteenth century. This map was published in the New and Revised Edition of Black’s General Atlas of the World, Edinburgh, 1884. This example is an original antique steel engraving with original printed color applied at the time of publication. It is not a modern reproduction. Any presentation images showing the print framed are for visual inspiration only. The map is supplied unframed. Condition: Good antique condition with light age toning consistent with age and a central fold from the original atlas binding. A small tear near the folding split. The engraving remains crisp and the printed color remains clear and attractive. Framing tips: This map displays beautifully in a wide horizontal frame. A dark walnut or classic black frame combined with an ivory or museum-white mat will emphasize the delicate engraving and warm tones of the nineteenth-century printed color. Technique: Steel engraving with original printed color Maker: Adam & Charles Black, Edinburgh, 1884 Keyword block: Turkey in Asia, Ottoman Empire, Anatolia, Asia Minor, Syria, Palestine, Mesopotamia, Iraq, Baghdad, Mosul, Basra, Damascus, Aleppo, Constantinople, Istanbul, Smyrna, Izmir, Angora, Ankara, Armenia, Kurdistan, Caucasus, Persia, Iran, Arabia, Nile Delta, Egypt, Suez Canal, Cyprus, Eastern Mediterranean, Middle East map, Ottoman provinces, nineteenth century Middle East, Victorian atlas map, Black’s General Atlas, antique Turkey map...

A circa 1920’s silver plate light fixture neoclassic style with Opaline glass inset and three lights

Santambrogio e De Berti Specchio curvo ovale Vetro colorato blu, ottone e vetro specchiato. Vetro blu curvato con incisioni argentate nel retro che assimilano e somigliano a tante g...

Monument of King Edward IV – Antique Engraving of St George’s Chapel, Windsor, 1790 This finely detailed antique engraving shows the monument of King E...

Three Antique Hawaii Engravings – Hula Dance, Native Ceremony & Lamentation, 1836 Description: This set of three original 19th-century engravings illustrates scenes of traditional l...

Dating to 1857 hallmarks for James Vickery and makers plaque Henry Lewis From our Vanity Box collection, we are delighted to offer this exceptional Victorian Coromandel Vanity Box...

This large cigarette case was made by the well known Wadsworth's of Canada and dates to approximately 1970 and done in the period Mid-Century Modern style. The box is composed of eng...

This original print is Johann Georg Wille's copper engraving of a Sappeur of the Swiss Guard from 1779. Wille was a notable artist and engraver known for his portraits and engravings during the 18th century. The piece depicts a half-length portrait of a soldier in the uniform of the Swiss Guard, likely in service in Italy, perhaps even in Rome, given the connection of the Swiss Guard with the Vatican. The soldier is portrayed as a sapper or pioneer, carrying out specialized military tasks. The dimensions of the paper and the technique used (copper engraving on paper) give a sense of the physical aspects of the artwork. The condition report indicates some minor damage but an overall good state, with some restoration work done. It's fascinating how historical artworks like this engraving can provide insights into military attire, cultural connections, and artistic techniques of the time. More details: Johann Georg Wille (1715 Königsberg, Giessen - 1808 Paris): "Sapeur des gardes suisses" Portrait of a man wearing a feather-trimmed fur hat and a sash worn over his uniform, breast piece with profile to the left, 1779. Technique: Copper engraving on Paper Inscription: At the lower part signed in the printing plate: "Dessine et gravé par Wille Graveur du Roi". At the lower part inscribed in the printing plate: "SAPEUR DES GARDES SUISSES ...". Keywords: Soldier; Uniform; Man; Soldier portrait...

Stunning, sizeable and highly decorative Arts & Crafts light fixture. This gorgeous, six-light chandelier is another one of our recent great finds. Inspired by the beauty of nature and wildlife, Arts & Crafts designers and craftsman around the world have created some of the most interesting decorative art in the history of mankind. This hand-crafted and circular chandelier too is the result of a great design and an equally impressive execution which makes this antique an...

Title: Napoleon and Francis II after Austerlitz, Antique French Engraving, circa 1840 Description: This 19th-century French engraving depicts the historic meeting between Napoleon B...

Created in 2008 A unique and original work of art. Engraved brass, metal and glass slab. 32 pieces made of silver engraves brass with a dark brown finish. Sharkskin support ...

Title: Holy Week and Candlemas Rites – Rare 1734 Engraving of Catholic Liturgical Scenes Description: This rare and finely engraved 18th-century print presents six distinct Roman Ca...

Octagonal table box in semi-precious tiger's eye stone with a hinged 925/1000 sterling silver hull. The interior of the lid is in black Belgian marble. Dimensions: 11.4 x 18.4 x 4 c...

A Dupont roller petrol lighter made in France. This is a very rare pocket petrol lighter created in Paris France during the post war period, back in the 1945. The lighter has been p...

Belle Époque French .950 Silver Wine Coasters by L. Lapar, Orfèvre Paris, Circa 1880 (Pair) A superb and elegant pair of late 19th-century French wine coasters by L. Lapar, Orfèvre ...

This striking vintage bronze rooster sculpture is a fine example of African tribal artistry, originating from the cultural regions of Ife and Benin in Nigeria. Crafted with a primiti...

Octagonal pill box in gold-plated 925/100 sterling silver with translucent enamels fired on guilloché also on all sides and with a two-tone circle on the lid. English Art Nouveau sty...

Large Antique Map of Texas with Panhandle & Bay Inset Maps, Colton, 1873 This richly detailed and visually striking antique map of Texas was pub...

Rectangular with rounded corners table box for cigarettes in 925/1000 sterling silver gold plated with translucent enamels on a radial guilloché an...

Loangers – Antique Hand-Colored Ethnographic Engraving (c.1810) Finely hand-colored early 19th-century ethnographic print depicting a family from Loango, a Central African coastal r...

Pair of Botanical Engravings from The Botanic Garden by B. Maund, London c.1836 A refined pair of original hand-colored botanical engravings from *The Botanic Garden* by Benjamin Ma...

Sterling silver bi-color chessboard and chess game in "Florence" style. The chessboard is in molten silver with red jasper and white color marble The work was engraved with the anc...

This Sheffield Reproduction silver plated gallery tray was made in Sheffield England in approximately 1920 in a Victorian style. This oval tray ...

Quality antique Art Nouveau copper tray, having a quality Art Nouveau copper tray with a highly decorated engraved tray with a wavy shaped edge. D. 1920

Large Cast & Patinated Bronze Alligator Soap Dish/Vide-Poche This large cast and patinated bronze alligator vide-poche is a sculptural decorative object that seamlessly blends funct...

Rectangular table box in 925/1000 sterling silver gold plated with translucent two-tone striped fired enamels on guilloché and hand-engraved motifs. English Empire style George V. Di...

Antique Map South Africa, Bartholomew for Black’s General Atlas - 1884 Description: This detailed map of South Africa was published in the New and Revised Edition of Black’s General...

This is an Emile Galle Art Glass Cameo Vase. It is an elongated ovoid shaped vase. It has a frosted orange glass at the upper top highlighted by differ...

Pair of Napoleon III Aesthetic Ormolu Naturalistic Lizard Compotes/Tazza—in the Style of Christofle France, Circa 1875 This exquisite pair of Napoleon III period ormolu compotes (ta...

Antique View Surat Castle India – Mughal Empire Port, Millar 1782 This finely engraved eighteenth-century print presents a coastal view of t...

Paris: Rombaldi Éditeur, 1937. Limited Edition. 8vo, 7 5/8 x 5 3/4 (194 x 156 mm). pp: 4, vii, 242. Five color lithographs including the frontispiece. Copies printed on Voiron laid...

Waterfall Hackberry Solid Wood Epoxy Console Table Presenting our Epoxy Waterfall ConsoleTable – a true sample of craftsmanship and elegance. This exceptional piece of furniture is ...

Handcrafted antique 19th century Islamic Turkish Ottoman tinned copper ceremonial water ewer. Antique Middle Eastern Asian Islamic style ewer jug metalware vessel. The bulbous body...

Antique Map of Ireland – Royaume d’Irlande, Robert de Vaugondy, Venice 1778 Description: This finely engraved 18th-century map depicts the Kingdom of Ireland under the title Royaume d’Irlande divisé en ses quatre Provinces et subdivisé en Comtés. The island is shown in impressive detail, with the traditional four provinces—Ulster, Connaught, Leinster, and Munster—clearly delineated and subdivided into counties by contemporary outline coloring. Coastal features, rivers, towns, and road networks are rendered with the clarity and balance typical of late Enlightenment French cartography. The map was drawn by Robert de Vaugondy, one of the most influential mapmakers of the 18th century and royal geographer to the King of France. This Venetian edition was published in 1778 by Paolo Santini, who issued a number of high-quality Italian editions of leading French cartographic works. Santini’s publications are prized for their crisp engraving, generous format, and restrained coloring, making them particularly attractive for framing. The decorative maritime cartouche, left uncolored as issued, provides a refined visual counterbalance to the densely engraved map surface. Longitude and latitude scales frame the composition, while inset coastal details along the eastern seaboard emphasize Ireland’s maritime orientation and strategic importance during the Georgian period. The overall aesthetic is elegant rather than ornate, lending the map strong decorative appeal for both classic and contemporary interiors. This map sits at the intersection of political geography and decorative cartography, reflecting Ireland’s administrative structure in the late 18th century while remaining visually calm and highly legible. It works exceptionally well as a stand-alone wall piece in libraries, studies, hallways, or heritage-inspired interiors, and also pairs beautifully with maps of England or Scotland from the same period. Condition report: Good antique condition. Light, even age toning throughout. Original centerfold as issued. Minor handling wear and soft creases consistent with age. Contemporary outline coloring well preserved. No major tears or losses. Framing tips: This map benefits from a wide mat to emphasize its scale and clarity. Recommended combinations include a dark walnut or ebonized frame with an ivory or light parchment mat for a traditional library look, or a slim black frame with an off-white mat for a cleaner, architectural presentation. UV glass is advised to preserve the original coloring. Technique: Copper engraving with contemporary outline coloring Maker: Robert de Vaugondy, published by Paolo Santini, Venice, 1778 Keywords: antique map of Ireland, antique Ireland map, Royaume d’Irlande map, Robert de Vaugondy Ireland, Santini Venice map, 18th century Ireland map, hand colored antique map, Georgian era cartography, historic Ireland wall map, European antique map, French cartographic school, Italian engraved map, copper engraved map, decorative antique map, neutral antique wall art, classic library wall decor, historic wall decor, heritage interior art, gentleman’s library wall art, study wall decor, old world interior decor, English country house style, refined wall map, vintage European wall art, timeless wall decor, architectural interior art, framed antique map...

Title: Baroque Dressage Horses – Reitschule des Baron d’Eisenberg, c.1730 Description: This refined set of original 18th-century copper engravings originates from the celebrated rid...

Late 19th Century French Fire-Gilt Ormolu and Cut Crystal Table Casket, Attributed to Baccarat A refined French fire-gilt ormolu and cut crystal table box, dating to the late 19th century and attributed to Baccarat. The rectangular casket is executed in heavy crystal, cut in the pointe de diamant (diamond point) pattern, with a richly faceted surface that sparkles with light. The base is finished with a classic starburst cut (étoile taillée), a hallmark of Baccarat’s precision craftsmanship. The crystal is mounted in finely chased fire-gilt bronze, the band encircling the box decorated with laurel leaf and berry motifs, symbols of victory, eternity, and refinement within the French neoclassical tradition. The lockplate is adorned with a foliate wreath surrounding the keyhole, adding both ornamental and symbolic significance, as the casket was intended to hold cherished personal objects, jewels, or keepsakes. The ormolu mount retains a rich, warm fire gilding, applied by the traditional mercury gilding process, and features a continuous rear hinge—an indicator of the precision fittings used by Baccarat and other leading Parisian luxury workshops of the period. The box opens to a generous interior, ideal for use as a boîte à bijoux (jewel casket), boîte à bonbons (sweetmeat box), or wedding casket...

the first was modelled as a female nude with a robe draped over her shoulder, 44cm high, signed R Cameron Like Asian Yin and Yang, this large erotic sculpture merges masculine Renais...

JOHANN WILHELM WEINMANN (1683-1741) - PHYTANTHOZA ICONOGRAPHIE - Antique pair of framed 18th century first edition Phytanthoza Iconographie botanical hand colored mezzotint engraving...

18th Century Pair of Sea Shell Prints, from Lamarck, 1790, engraved prints of seashells from the Histoire Naturelle, the Conchology volume featuring Coquilles Univalves - in particu...

Satirical German Military Engraving of Napoleon as the Little Corporal, c1835 This 19th-century German engraving presents a humorous encounter between a marching soldier and Napoleon Bonaparte, referred to here by his well-known nickname “the Little Corporal.” The guard refuses to let Napoleon pass, replying firmly: “Man passirt nicht — Und wär’ Ihr der kleine Corporal selbst; ich sage Euch man passirt nicht” (“One does not pass — and even if you were the Little Corporal himself, I tell you one does not pass”). The composition gently satirizes Napoleon’s legendary status, contrasting the anonymous authority of a common soldier with the figure who once ruled Europe. Produced around 1830–1850, likely in a German or Austrian print workshop, the engraving reflects the wave of post-Napoleonic satire that circulated widely in Central Europe. The artist captures the exchange with strong facial expressions, detailed uniforms and a richly rendered woodland setting. Prints of this type remain popular among collectors of Napoleonic history, military art and European caricature, while the crisp impression and large sheet size make it appealing as decorative wall art as well. A charming and historically engaging image from the early 19th century, combining humour, military history and well-executed engraving work. Condition: Strong impression; light age toning; minor handling marks; margins clean with no major tears or repairs. Suitable for immediate framing. Framing: Looks best floated on off-white or pale cream museum board in a thin black, dark walnut or antiqued gold frame. Museum glass recommended to preserve contrast and period detail. Keywords: Napoleon engraving...

Dreamy engraved round glass disc Pisces paperweight by Val Saint Lambert, France, circa 1970s. Signed with engraved signature on disc edge, as pictured.

A beautiful vintage shadowbox of solid brass hardware. The exceptionally large door plate is prominently featured, displaying great details of a fine...

Victorian Classical brilliant-cut glass candy jar, ca 1890. Drum-form with diaper ground and same central wide band with stars and ferns; faceted shoulder and everted rim with flush ...

Victorian Beetle Prints Set of Four – Scarab & Stag Beetle Plates, 1893 Description: This decorative set of four natural history beetle plates originates from the influential Ge...

Museum Style Beetle Specimen Plates, Victorian Entomology Prints, Set of 8 Description: This striking decorative set of eight beetle plates originates from the celebrated German ent...

Large Pair of French Patinated Bronze Neoclassical Sconces with Empire Influences, Mid-20th Century, Candelabra Bulb up to 60W A grand pair of French patinated bronze wall sconces, ...

Galle Cameo Glass Anemone Vase, circa 1900 Art Nouveau Marks: Gallé Height: 9.5 inches (24.1 cm) Diameter: 4.5 Condition: Vase features red and pink anemones over a white to yellow...

19th century Grand Tour Painting on Porcelain View of Vatican/St. Peter's Basilica Italy, circa 1880s Standing in rectangular gilt bronze engraved frame with applied stylized flo...

Persian/Iranian solid silver box carved/engraved repoussé with birds and flowers. Very intricate details throughout this special piece. Distinct byzantine r...