Engraved Furniture

A superb example of early domestic craftsmanship, this hand‑forged brass and copper bedpan from Belgium, circa 1600–1700, combines utility with ornate artistry. The pierced lid featu...

Antique Blaeu Map Picardy Region France, Decorative Costume Cartouche 1642 This elegant map of Picardy (Picardia) in northern France was engraved and published by Willem Jansz. Blae...

Antique Grain Studies – Wheat Varieties Botanical Lithographs, Calwer 1852 This focused two-plate set presents advanced botanical studies of wheat varieties from Carl Gustav Calwer’...

Antique VOC Governance Chart Engraving — Dutch East India Company, Chatelain, c.1707–1719 This remarkable early 18th-century copperplate engraving titled “Gouvernement de la Compagn...

Modern champagne bucket made of solid 800 silver with handles. The champagne bucket is cylindrical in shape and features modern designs engraved on the lower part of its body. The up...

Parable of the Rich Fool Engraving – Luke XII Covetousness 1735 This antique engraving illustrates the Parable of the Rich Fool from the Gospel of Luke, Chapter 12, published in 173...

Antique Map of Ancient Egypt – Nile Valley & Red Sea, Engraving c.1818 Elegant antique map depicting ancient Egypt, extending from the Nile De...

Two large candelabra-candlesticksdecorated with lion claw and cherub heads on the on the visible side . They are turned wood and are decorated, engraved and gilded only on one side ...

This monumental J.W. Fiske–attributed polychromed lead urn represents a sophisticated synthesis of 19th-century American garden ornament, classical revival taste, and the naturalisti...

Antique Handcolored Engraving of Frogs and Amphibians, Amphibien VIII, c.1800 Description; This original handcolored copperplate engraving features three detailed depictions of fr...

Set of Three Ornithological Engravings – Early 20th Century A beautiful set of three early 20th-century ornithological plates, depicting various bird species with remarkable precisi...

Medieval Knights in Combat, Elegant Hand-Colored Antique Print, France 1845 This striking hand-colored lithograph from 1845 depicts two medieval knights locked in ceremonial combat,...

Hanukkah lamp shaped like a palace, surmounted by Islamic crescent. Made in Laghouat, Algeria. The Hanukkah lamp is made of two parts: a pierced and engraved brass in the shape of ...

Title: Hand-Colored 17th-Century Map of Île-de-France by Frederik De Wit c. 1688 Description: This striking map, "Le Gouvernement de l’Isle de France," showcases the Île-de-France r...

Emigrants Crossing the Plains, American West Wagon Migration – 1869 Engraving This evocative 19th-century engraving titled Emigrants Crossing the Plains presents a compelling visual...

Canaan from Joshua to the Babylonian Captivity — Biblical Holy Land Map, London 1823 This finely engraved and delicately hand-colored biblical map titled “Canaan from the Time of Jo...

Richmond Virginia James River View – Antique Steel Engraving c.1850 Description: This finely detailed mid-19th century steel engraving depicts a pan...

Nubia and Abyssinia – Venetian Map of Northeast Africa, Zatta, 1784 This detailed late-18th-century map depicts Nubia and Abyssinia, covering large parts of present-day Sudan, Ethiopia, Eritrea, and the Horn of Africa. The map is titled “La Nubia ed Abissinia” and was published in Venice in 1784 by Antonio Zatta, one of the most important Italian map publishers of the period. It forms part of Zatta’s monumental Atlante Novissimo, produced with the privilege of the Venetian Senate. The map presents the Nile basin in exceptional detail, tracing the river from its upper reaches through Nubia toward Egypt, while also mapping the Red Sea coast, inland mountain ranges, deserts, and regional kingdoms. Political and regional boundaries are outlined in contemporary hand color, distinguishing Nubia, Abyssinia, and neighboring territories. Numerous towns, tribal regions, rivers, and topographical features are carefully named, reflecting the synthesis of classical sources, Jesuit reports, and more recent travel accounts available to European geographers in the late Enlightenment period. Zatta’s cartography represents the Italian continuation of the scientific mapping tradition pioneered by Delisle and d’Anville, emphasizing clarity, proportional accuracy, and critical compilation of sources. While interior Africa remained imperfectly known, this map shows a marked departure from earlier speculative geography, replacing legend with measured structure and comparative reasoning. The decorative title cartouche, engraved in a restrained architectural style, anchors the upper right and reflects the sober elegance characteristic of Venetian Enlightenment cartography. Latitude and longitude lines, clean engraving, and balanced composition give the map strong visual presence without excess ornamentation. This map is particularly appealing to collectors of African cartography, Nile exploration history, Ethiopian history, and Enlightenment-era geography. It also serves as an excellent intellectual counterpart to earlier French coastal and regional charts of Africa, illustrating the progression of European geographic knowledge during the 18th century. Condition report Good condition overall. Central vertical fold as issued. Light age toning and some mild discoloration, more noticeable along the fold. Minor scattered spots and faint handling marks. Original outline hand color. Plate mark visible. Margins intact. Framing tips A wide off-white or light sand-colored mat is recommended to balance the dense interior detail and preserve visual calm. A medium to dark wood frame enhances the engraved line work and complements the restrained hand coloring. Particularly effective as a scholarly centerpiece or paired with Indian Ocean or Nile-related maps. Technique: Copper engraving with contemporary outline hand color Maker: Antonio Zatta, Venice, 1784 Keywords: Nubia map, Abyssinia map, Ethiopia antique...

This print titled "Ornemens, Ustensiles Et Armes Des Isles Des Amis" is from Captain James Cook's third voyage, specifically published in 1777 by Strahan and Cadell. It represents va...

Antique Constantinople Print, Allom St George Monastery Princes Islands Description: A finely engraved early 19th-century view of the Monastery of St. George of the Precipice, situa...

A large American silver spirit flask, by Tiffany & Co., circa 1880, Edward C Moore era, one side chased with hunting scenes, the reverse with cartouche on...

Arabian Moor Figure, Antique Hand-Colored Costume Engraving, Jefferys, 1749 A finely engraved and delicately hand-colored costume print depicting a Moorish figure of Arabia, publish...

Meleager and the Calydonian Boar Antique Engraving, Montfaucon 1721 This original early eighteenth-century copper engraving depicts the classical hero Meleager standing beside the head of the Calydonian Boar, accompanied by a hunting dog. The image reproduces a celebrated ancient sculpture and originates from Bernard de Montfaucon’s monumental antiquarian publication *L’Antiquité expliquée et représentée en figures*, published in Paris in 1721. Montfaucon’s work is considered one of the earliest systematic studies of classical antiquities and played a crucial role in shaping Enlightenment understanding of ancient art and mythology. The engraving illustrates Meleager, the heroic hunter of Greek mythology, famed for slaying the monstrous Calydonian Boar sent by Artemis to devastate the countryside of Calydon. Presented in contrapposto stance, the hero embodies classical ideals of proportion, strength, and restrained movement. Drapery falls naturally over one shoulder, while the severed boar’s head rests upon a sculptural support beside him, symbolizing triumph over chaos and the restoration of order. The attentive hunting dog reinforces the narrative identity of the figure and emphasizes the heroic hunting theme central to the myth. Below the principal sculpture, a secondary frieze presents additional classical scenes and figures derived from antique reliefs, reflecting Montfaucon’s scholarly method of comparing ancient artworks within a single visual plate. Such engravings served as essential references for artists, architects, and collectors throughout the eighteenth century, influencing the development of Neoclassicism across Europe. Executed with refined precision typical of Parisian copperplate engraving, the print displays delicate cross-hatching, balanced composition, and sculptural clarity. Today, plates from Montfaucon’s publication are prized for both their academic importance and their strong decorative presence, equally suited to classical interiors, libraries, or contemporary gallery walls. This original antique engraving is offered unframed, allowing flexibility to select a frame that best complements the intended interior. Condition: Good antique condition with age-related toning and light discoloration consistent with early eighteenth-century paper. Minor edge wear and handling marks mainly confined to the margins. Plate impression visible. Blank verso. Framing tips: A dark walnut or gilt frame with a generous ivory mat enhances the sculptural quality of the figure. For a modern aesthetic, a slim black gallery frame with deep mat spacing creates a refined museum-style presentation. Technique: Copper engraving Maker: Bernard de Montfaucon, France, Paris, 1721 Keywords: Meleager engraving, Calydonian boar print, classical mythology engraving, Montfaucon antiquité expliquée, antique classical sculpture print, Greek mythology art...

Blaeu Andalusia Map, Seville Cordoba Granada Spain, c.1642 Description: A richly engraved and highly decorative map of Andalusia in southern Spain, centered on Seville, Cordoba, and...

Antique Constantinople Street Scene Print, Ottoman Market Mosque View, c.1850 Description: A lively and finely detailed 19th-century engraving depicting a bustling street scene in C...

Set of 3 Antique Putti & Cupid Engravings, Montfaucon Antiquity Explained 1721 This refined set of three copper engravings originates from Bernard de Montfaucon’s foundational antiq...

Italian Renaissance Style Gilt Bronze & Marble Putti on Crocodile Candlestick Italy, Late 19th Century Behold the elegance of this Italian Renaissance...

Blaeu Map of Persia, Caspian Sea & Arabia, Hand Colored, c.1642 Description: A richly detailed and highly decorative 17th-century map of Persia (modern-day Iran) and the surrounding regions, engraved and published by Willem and Joan Blaeu in Amsterdam around 1642. This striking composition originates from Blaeu’s celebrated atlas Toonneel des Aerdrycx, produced at the height of the Dutch Golden Age of cartography. The map covers an expansive geographic area, stretching from Asia Minor and the eastern Mediterranean across Persia to Central Asia and parts of India, with the Caspian Sea prominently rendered at the top center. The Persian Gulf and Arabian Peninsula are carefully delineated, while mountain ranges, rivers, and cities are finely engraved with remarkable clarity and precision. The Caspian Sea is particularly notable for its distinctive early depiction, reflecting contemporary European geographical understanding. Blaeu’s maps are renowned not only for their accuracy but also for their artistic refinement. This example features a beautifully hand-colored cartouche in the lower left corner, adorned with figures in traditional Persian dress...

St Paul’s Broadway New York Antique Engraving Meyer c1850 Description: A finely engraved mid-19th-century view of St. Paul’s Chapel on Broadway, New York, published by the German fi...

A Modern Mezuzah Case made by Chava Wolpert Richard in New York Circa 1970. Chava Wolpert Richard was an artist who dedicated her career to the creation of Jewish ceremonial art. Growing up in the shadow of her father, Ludwig Yehuda Wolpert — one of the most influential innovators of modern Judaica of the twentieth century — she soon carved out her own career and came to be recognized as an artist in her own right. Richard brought several innovative practices to the art of Judaica. For example, her mezuzah cases of the early 1960s were made of aluminum coated with phenolic. This Mezuzah case is one of the classic examples of the modernistic designs. Reverse and rounded sides are made of aluminum and the front center is coated with phenolic. The front black panel fits smoothly into its rounded sides where a mezuzah scroll...

La Pêche du Requin (Shark Fishing), Hand-Colored Engraving, 1840 A superb maritime engraving depicting sailors pursuing a large shark alongside a majestic sailing vessel under gathe...

Le Squale Scie (Sawfish), Hand-Colored Engraving, 1840 An energetic marine scene showing fishermen struggling to secure a powerful sawfish amid crashing waves and rocky shores. The ...

Le Dauphin Vulgaire (Common Dolphin), Hand-Colored Engraving, 1840 This charming hand-colored engraving depicts a common dolphin resting upon a Mediterranean shoreline, accompanied ...

Le Cachalot Macrocéphale (Sperm Whale), Hand-Colored Engraving, 1840 A dramatic and finely executed natural history engraving depicting the mighty sperm whale (Physeter macrocephalu...

Dutch Golden Age Cattle Etchings – After Paulus Potter, Blooteling Set of 8 A rare complete set of eight etched cattle scenes after the celebrated Dutch Golden Age animal painter Pa...

SERGIO ROSSI MURANO Art Glass PINK Latticino FIGURINE Asian Man. 10.5” SIGNED Rossi Murano on lower front. Excellent Condition. Photos are part o...

Mirror Lagunes Glass with solid wood background in antique finish, with central mirror glass in clear glass. With bevelled glass frames, engraved clear mirrored glass. The inner fram...

Italian Sterling Silver and Polished Agate Fish Sculpture, Hallmarked, 1970s 6" W x 4" H x 1" D Charming and sculptural, this mid-20th century Italian fish-form objet d’art combine...

Attributed to Sergio Bustamante, Mexican Sterling Silver Sun Face Pendant, 32g From a private collection of Sergio Bustamante jewelry, this ...

Antique View of Bombay India, Coastal Panorama, James S Virtue, c.1850 A refined and atmospheric mid-19th-century engraved view of Bombay (modern-day Mumbai), published in London by...

Description: Antique map titled 'Nieuwe Kaart Van het Westelykste Deel Der Weereld, dienende tot aanwyzing an de Scheepstogten der Nederlanderne Naar West Indie.' Excellent map of America, featuring an unusual northwest coast of America, which includes Martin d'Aguilar's strait which provides for a Northwest Passage via the Great Lakes. The rest of the NW coast...

Saint Francis of Paola, engraving by Antonio Gramignani, Rome, circa 1670–1690 Description: This devotional engraving by Antonio Gramignani (active Rome, late 17th century) depicts ...

Handmade silver Torah pointer, Russia, circa 1880. The handle is made with a knob shape interval engraved with floral ornaments. The reading end is shaped as a hand with a pointing index finger. A suspension loop is connected to the top of upper section of the pointer. Marked with Russian silver hallmarks...

Antique Paris Views Set of 6, Chamouin Engravings – Louvre, Concorde Description: A refined and highly decorative set of six original 19th-century engravings depicting some of the most celebrated landmarks of Paris, published by Chamouin in Paris circa 1855. These views belong to the renowned series Vues de Paris, prises au daguerréotype, a remarkable project that translated early photographic imagery into finely detailed steel engravings. The set includes prominent and instantly recognizable sites such as the Nouveau Louvre, Place de la Concorde, Hôtel de Ville, Palais du Sénat (Luxembourg), Bois de Boulogne, and the Palais de l’Industrie. Each composition presents a carefully structured perspective, combining grand architectural settings with animated scenes of Parisian life—figures in period dress, horse-drawn carriages, and leisurely promenades—capturing the elegance and rhythm of the city during the Second Empire. What makes this series particularly desirable is its direct connection to early photography. Based on daguerreotypes, these engravings possess an exceptional clarity and realism, offering a more precise and atmospheric depiction of Paris than earlier engraved views. The balance between documentary accuracy and refined engraving technique results in a visually sophisticated and historically rich body of work. As a cohesive group, the six prints form a harmonious decorative ensemble. The consistent format, tonal unity, and architectural focus make them ideally suited for display as a gallery wall—whether in a classic 2x3 arrangement or a linear presentation. Together, they create a timeless Parisian narrative that appeals equally to collectors and interior designers seeking an elegant European aesthetic. This is an original 19th-century set, not a reproduction. All items we offer are authentic period works of art over 100 years old. The prints are sold unframed; any framed images are shown for presentation and interior inspiration only and may not always be to scale. Condition report: Overall in good condition for age, with typical light toning and occasional spotting to the margins. Minor handling wear and age-related marks. Plate impressions visible. Strong, clean impressions with good contrast throughout. Framing tips: Best displayed as a unified gallery wall in a 2x3 arrangement. Particularly effective in dark walnut or ebonized frames with wide ivory or off-white mats for a classic museum-style presentation. For a lighter, contemporary interior, consider thin black or bronze frames with crisp white mats to enhance the architectural detail. Keywords: Paris engravings, Vues de Paris, Chamouin, Louvre print, Place de la Concorde, Hôtel de Ville, Luxembourg Palace, Bois de Boulogne, Palais de l’Industrie, antique Paris views, French architecture prints, 19th century Paris, daguerreotype engravings, Paris cityscape, Second Empire Paris, decorative wall set, architectural engravings, Paris gallery wall, French antique prints...

Antique Istanbul Panorama from Mount Bulgurlu, Constantinople – Bartlett, c.1839 A beautifully composed panoramic view of Constantinople as seen from Mount Bulgurlu, after W.H. Bartlett, one of the most influential travel artists of the 19th century. This engraving presents a sweeping vista across the Bosporus toward the historic skyline of Istanbul, dotted with domes and minarets and animated by ships moving through the water. Published in London around 1839 by Fisher, Son & Co., the print exemplifies the romantic yet topographically accurate style that made Bartlett’s work so widely admired. The foreground, with figures resting beneath trees and a caravan scene, adds narrative charm and scale to the expansive city view beyond. The composition is particularly effective in its layering: from the shaded foreground to the luminous water and the distant city bathed in soft atmospheric light. The delicate hand-coloring enhances this depth, with subtle greens, blues, and warm tones harmonizing across the landscape. Panoramic views such as this were among the most desirable images for 19th-century collectors and remain highly decorative today, offering both historical interest and strong visual impact. Note: All items we offer are authentic period works of art over 100 years old. The print is sold unframed; any framed images are shown for presentation and interior inspiration only. Condition: Good condition. General age toning and some scattered foxing, primarily in the margins. Plate mark visible. Image area remains bright with attractive original coloring. Framing tips: Ideal for a wide mount and a classic dark wood or ebonized frame to enhance the panoramic effect. Also suitable for a lighter, Paris-style presentation for a brighter interior. Technique: Steel engraving with original hand-coloring Maker: W.H. Bartlett (after), engraved by R. Brandard, London, circa 1839 Keywords: Constantinople panorama, Istanbul antique...

The Lady’s Magazine 1784 Frontispiece: Allegorical Temple of Learning and Virtue Description: This finely engraved frontispiece features three classical draped figures approaching a...

Annunciation & Visitation, Pieter Mortier, ca. 1700 Original antique engraving from Histoire du Vieux et du Nouveau Testament, published in Amsterdam by Pieter Mortier around 1700. ...

This remarkable late Victorian hand blown glass vase was manufactured in Stourbridge circa 1890 and most likely at the Webbs Factory. It is very finely wheel engraved with a deeply ...

Veneto- Saracenic candlestick Engraved bronze 15th century 12,5 x 6,2 cm This rare candlestick exemplify exquisite craftsmanship, featuring a bell-shaped base with a flared foot ado...

20th century Louis XVI style basket applique wall lamp Finely engraved bronze with hand ground French ball-prism cords. (F-Me-4).

Bosporus Harbor View from Pera, Istanbul Arsenal – Antique Bartlett, c.1839 Description: An elegant and detailed 19th-century view of the Arsenal of Constantinople as seen from Pera, after W.H. Bartlett. This engraving presents a lively harbor scene along the Bosporus, with ships at anchor and the city rising in layered architectural forms across the water. Published in London around 1839 by Fisher, Son & Co., this work exemplifies the refined steel engraving techniques of the period. The composition balances foreground architectural elements with the expansive cityscape beyond, offering both intimacy and grandeur. The skyline of Constantinople is richly depicted with domes, minarets, and densely built structures, conveying the scale and importance of the city during the Ottoman era. The foreground includes cypress trees and traditional buildings, framing the view and adding depth. The original hand-coloring enhances the subtle interplay of light across the water and architecture, making this a particularly decorative and collectible example of Bartlett’s work. Note: All items we offer are authentic period works of art over 100 years old. The print is sold unframed; any framed images are shown for presentation and interior inspiration only. Condition: Good condition. Light age toning and scattered foxing, mainly in the margins. Plate mark visible. Image remains clear with pleasing original coloring. Framing tips: Beautiful in a dark frame with a wide mount for a classic collector’s look. Also suitable for a lighter contemporary frame to emphasize the cityscape and water tones. Technique: Steel engraving with original hand-coloring Maker: W.H. Bartlett (after), engraved by S. Bradshaw, London, circa 1839 Keywords: Istanbul harbor print, Pera engraving, Constantinople arsenal, Bartlett Istanbul, Bosporus harbor scene, antique Turkey print, Ottoman cityscape, 19th century engraving, Istanbul skyline, maritime print, Middle East art...

Antique Map of Ancient Gaul – Roman France & Low Countries, Engraving c.1818 Elegant antique map depicting ancient Gaul under Roman rule, cove...

This wonderfully ornamented sterling silver oval dish by Bailey, Banks and Biddle is beautiful showpiece exemplifying the richness of antique craftsmanship. Of oval form, with a gr...

Decorative Map of Manchester and Environs, Victorian Industrial Lancashire Map, 1885 Description: This finely detailed Victorian map titled “Map of the...

This original antique map titled "Le Gouvernement de l'Isle de France" represents the Île-de-France region, which historically was one of the provinces of France and contained the ci...

Handmade gilt silver Torah pointer (Yad), probably Morocco, circa 1880. Engraved in Hebrew: "For the soul of the virgin Tova daughter of Erza Asher. Every item in Menorah Galleries...

Antique Costume Print Lady of Paros Traditional Dress Jefferys 1749 This elegant engraving portrays a lady of Paros in traditional island dress. Published by Thomas Jefferys in London in 1749, the print forms part of a wider series documenting regional costumes. The figure is depicted in layered garments with apron and veil, rendered in soft reds and neutrals. The delicate hand coloring and refined engraving create a balanced and graceful composition. Such prints were widely collected for their ethnographic interest and remain timeless decorative works. Condition: Good condition with age-related toning and light spotting. Minor edge wear and marginal losses. Plate mark visible. Framing tips: A darker frame with a wide ivory mat enhances contrast and highlights the figure. Special note: This is an original 18th-century engraving, not a reproduction. All items we offer are authentic period works of art over 100 years old. The print is sold unframed; any framed images are shown for presentation and interior inspiration only and may not always be on scale with the original. Technique: Engraving with original hand color Maker: Thomas Jefferys, London, 1749 Keywords: antique print, paros, greek island costume, ethnographic print, 18th century engraving, thomas jefferys, mediterranean dress...

Antique Map of France – Divided into 89 Departments by Andriveau-Goujon, 1861 This finely engraved and beautifully hand-colored map titled “France divisée en 89 Départements” was pu...

Orientalist India Engraving – Muslim at Prayer, Daniell & Cochran c.1836 Description: A refined and evocative mid-19th-century steel engraving tit...

This original copper engraving hails from Arnoldus Montanus' seminal work, "Die Unbekannte Neue Welt oder Beschreibung des Welt-teils Amerika und des Sud-Landes," a comprehensive depiction of the Americas published in 1673. It presents a vivid scene set in colonial New Mexico, showcasing a moment of interaction—possibly a ceremonial or everyday event—between indigenous people and European settlers or explorers. The detailed attire and adornments of the figures suggest a narrative rich in cultural exchange and complexity. This piece is not only a reflection of the artistic style and engraving techniques of the 17th century but also serves as a historical document capturing the early encounters between different worlds. Published in Amsterdam by Jacob Meurs, this rare German edition offers a unique glimpse into the perceptions and imaginations of European society regarding the New World during the Age of...