Engraved Furniture

Rare 1769 Iceland Sheep Pair – Hand-Coloured Buffon Engravings Amsterdam This superb pair of hand-coloured 18th-century engravings of the Icelandic sheep and ram, titled La Brebis d’Islande (Plate XXXII) and Le Bélier d’Islande (Plate XXXI), comes from the 1769 Amsterdam Dutch edition of Buffon’s Histoire Naturelle. These plates are among the most characterful and decorative images in the quadruped series, capturing the distinctive long-haired Icelandic breed with remarkable artistic sensitivity. Drawn by Buffon’s celebrated illustrator Jacques de Sève and engraved with fine precision, each sheet presents an Icelandic sheep in a natural landscape, shown with rustic dwellings, hills, and the atmospheric grey skies of the North. The hand colouring of the Schneider edition is exceptionally appealing: warm chestnut and golden tones in the long wool, contrasted with soft greens and muted earth tones in the foreground. The engraver’s subtle linework in the facial features and horns brings great expression to these hardy northern animals. The ewe, shown in Plate XXXII, stands with a slightly turned head, her long fleece rendered with delicate layered strokes. Small cottages and distant volcanic forms complete the landscape, nodding subtly to Iceland’s rugged environment. The ram, Plate XXXI, is even more striking, with dramatically curled horns and a powerful stance. His expression, posture, and thick coat combine to form one of the most distinctive animals in the Buffon series. Together, the two plates form a natural pair—male and female, complementary compositions, matching landscapes, and identical framing proportions. When hung side by side, they create an elegant and balanced display that combines scientific illustration, pastoral charm, and 18th-century artistry. Buffon’s Histoire Naturelle was one of the most influential natural history works of the Enlightenment, and the Amsterdam edition is particularly prized for its hand colouring and high production values. Icelandic sheep were of special interest to Buffon because of their adaptation to extreme climates, their unusual wool, and their cultural importance. These engravings remain among the earliest widely circulated images of the breed in Europe. Condition report: Very good condition for age. Clean sheets with wide margins and strong plate marks. Minor age toning and occasional small foxing spots, mostly in the margins. Hand colouring bright and well preserved. No tears, repairs, or stains affecting the image. Framing tips: Frame the pair together for maximum visual impact. Use warm cream or pale grey matting to complement the wool tones. Natural oak, walnut, or light gilt frames work beautifully with the earthy palette. Floating the sheets also highlights the generous margins and plate marks. Keywords: Iceland sheep engraving Buffon 1769 Amsterdam Jacques de Sève hand coloured natural history La Brebis d’Islande Le Bélier d’Islande antique farm animal prints...

TITLE: Large Hand-Colored Map of Cambridgeshire by Greenwood, 1834 DESCRIPTION: Original large-format antique map of Cambridgeshire by Christopher and John Greenwood, published in London in 1834. Titled “Map of the County of Cambridge, from an Actual Survey made in the Years 1832 & 1833,” the map was produced from the Greenwoods’ detailed survey of the county. Cambridgeshire and the Isle of Ely are shown with contemporary wash colouring, identifying the various administrative divisions. The map is richly detailed with towns, villages, roads, rivers, estates and other topographical information. Decorative elements include an elegant compass rose, a list of the Hundreds and Liberties of the Isle of Ely, a detailed table of explanations and a large engraved vignette of Ely Cathedral at lower right. An impressive example of early 19th-century English county cartography and an attractive historical record of Cambridge and its surrounding region. CARTOGRAPHERS: Christopher Greenwood (1786–1855) and John Greenwood PUBLISHER: Greenwood & Co., London DATE: April 1, 1834 ORIGIN: London, England MEDIUM: Engraved map with contemporary wash colouring on paper DIMENSIONS: 70.5 × 52.5 cm (27.8 × 20.7 in.) SUBJECT: Cambridgeshire, Cambridge and the Isle of Ely, England STYLE / PERIOD: William IV / Early 19th Century CONDITION: Fair to good antique condition, consistent with age and use. Old fold lines with general age-related toning, scattered spotting, surface soiling and areas of discoloration and offsetting, particularly to the left side and lower portion of the sheet. Some creasing and handling wear, with occasional marginal closed tears and repairs. The engraved image remains clear and detailed, and the contemporary wash colouring, decorative title, compass rose and Ely Cathedral vignette remain attractive. Please study all photographs carefully as they form an important part of the condition description. FRAME / PRESENTATION: Sold unframed. Any framed or interior images shown are for presentation and inspiration only. AUTHENTICITY: This is an original antique map published in 1834, not a modern reproduction. KEYWORDS: Cambridgeshire map, Cambridge map...

TITLE: Antique Map of Cambridgeshire with Ely Cathedral by Greenwood, 1834 DESCRIPTION: Original large-format engraved map of Cambridgeshire by Christopher and John Greenwood, published in London on April 1, 1834. Titled “Map of the County of Cambridge, from an Actual Survey made in the Years 1832 & 1833,” the map was based on the Greenwoods’ detailed county survey. It features attractive contemporary wash colouring distinguishing the administrative divisions, together with a list of the hundreds and liberties of the Isle of Ely, a table of explanations, mileage scale and finely engraved compass rose. At lower right is a particularly decorative architectural vignette of Ely Cathedral. An impressive and highly detailed early 19th-century English county map combining cartography with topographical illustration. CARTOGRAPHERS: Christopher Greenwood (1786–1855) and John Greenwood PUBLISHER: Greenwood & Co., London DATE: April 1, 1834 ORIGIN: London, England MEDIUM: Engraving with contemporary wash colouring on paper DIMENSIONS: 58 × 72 cm (22.8 × 28.3 in.) SUBJECT: Cambridgeshire and the Isle of Ely, England STYLE / PERIOD: William IV / Early 19th Century CONDITION: Good antique condition. General light age-related toning and occasional minor spotting and surface marks. Old fold lines and some light creasing are visible. Occasional marginal closed tears have been professionally or historically repaired. Some minor wear and irregularity to the sheet edges. The contemporary colouring remains attractive, while the engraved detail, decorative lettering, compass rose and Ely Cathedral vignette are well preserved. Please study the photographs carefully as they form an important part of the condition description. FRAME / PRESENTATION: Sold unframed. Any framed or interior images shown are for presentation and inspiration only. KEYWORDS: Cambridgeshire map, Cambridge map...

Georgia Map 1888 – Rand McNally Antique Lithograph This antique 1888 map of Georgia, published by Rand, McNally & Co., offers a detailed portrayal of the state in the post-Reconstru...

Antique Chestnut Botanical Print, Castanea Vesca, Hand Colored, c.1831 Description: This original botanical engraving depicts Castanea Vesca, the sweet chestnut tree, shown with fol...

Girard's Bank Philadelphia, Antique American City View Engraving, c.1840 This original 19th-century engraving depicts Girard's Bank in Philadelphia, one of the most important financ...

TITLE: Antique Map of Scotland by Nolin and Coronelli with Island Insets, 1689 DESCRIPTION: Original antique copper-engraved map of Scotland by Jean-Baptiste Nolin after the celebra...

Antique Biblical Engravings, Mortier Amsterdam – Acts & Apocalypse, c.1700 This rare and decorative set consists of three early-18th-century biblical copper engravings, each sheet e...

TITLE: Antique Map of Scotland by T. L. Murray with Original Colour, 1830 DESCRIPTION: Original antique engraved map of Scotland by Thomas Laurie Murray, published in London in 1830...

This vintage Italian Murano glass Venetian hand wall mirror is a charming example of traditional Venetian craftsmanship. Crafted in Italy during the mid-20th century, the mirror feat...

TITLE: Large Antique Map of Cambridgeshire by Emanuel Bowen, circa 1760 DESCRIPTION: A large and highly detailed 18th-century county map by Emanuel Bowen, titled “An Accurate Map of Cambridgeshire Divided into its Hundreds,” published circa 1760 by J. Tinney, T. Bowles, John Bowles & Son and Robert Sayer for the celebrated Large English Atlas. The map divides Cambridgeshire into its historic Hundreds and provides an exceptionally detailed record of the county during the Georgian period. Cambridge occupies a central position, surrounded by numerous villages, roads, rivers, estates and other geographical features, while extensive engraved annotations provide historical and topographical information characteristic of Bowen’s highly informative style. Particularly attractive is the inset prospect of Ely, with Ely Cathedral dominating the skyline. The map also incorporates an elaborate decorative cartouche and retains contemporary outline coloring, subtly distinguishing the historic administrative divisions. Emanuel Bowen (1693/94–1767) was one of the most important British cartographers and engravers of the 18th century. He held the unusual distinction of serving as engraver to both King George II of Great Britain and Louis XV of France. His maps are particularly admired for combining geographical information with extensive historical, economic and topographical commentary. The Large English Atlas was one of the most ambitious English county atlases of the 18th century. Its maps were produced on an unusually large scale, allowing considerably more geographical and historical information to be included than in many contemporary county atlases. At approximately 70.5 × 52.5 cm (27.8 × 20.7 in.), this is an impressive original Georgian map with considerable decorative presence when framed. An excellent piece for collectors of Cambridgeshire, Cambridge, Ely and English cartography, as well as for a library, study or traditional or contemporary interior. ARTIST / MAKER: Emanuel Bowen (1693/94–1767) PUBLISHERS: J. Tinney, T. Bowles, John Bowles & Son and Robert Sayer DATE: Circa 1760 ORIGIN: London, England MEDIUM: Copper engraving on paper with contemporary outline coloring DIMENSIONS: Approximately 70.5 × 52.5 cm (27.8 × 20.7 in.) STYLE / PERIOD: Georgian, 18th Century CONDITION: Good antique condition. Faint vertical fold consistent with its original atlas publication. Expected minor signs of age and handling. Please examine the photographs carefully for the condition of the individual sheet. FRAME / PRESENTATION: Unframed. Any framed or interior images shown are for presentation and inspiration only. PROVENANCE / REFERENCES: Originally published in The Large English Atlas, one of the most important English county atlases of the 18th century. KEYWORDS: Emanuel Bowen, Cambridgeshire map, Cambridge map...

Title: Early Depiction of Indigenous Fishing, “Maniere van te visschen,” Linschoten c.1601 Description: Original 17th-century Dutch engraving from Itinerario by Jan Huygen van Linsc...

English serpentine hand chased foliage fire fender with molded edges and decorative flanking chased bird and serpent motif, Mid 18th century.

Just Andersen Danish Art Deco Disko Metal Young Man with Fish Sculpture 1742 Designed by the celebrated Danish sculptor and designer Just Andersen (1884–1943), this exceptional Art ...

Title: "Ceremonial Tribute to Captain Cook in the Hawaiian Archipelago" Description: This antique print depicts a scene titled "An Offering before Capt'n Cook in the Sandwich Island...

Antique Biblical Holy Land Map — Jerusalem, Palestine & Levant, De Fer 1703 This finely engraved antique map of the Holy Land, titled “La Terre Sainte Tirée des Memoires de M. de la Ruë,” was published in Paris in 1703 by the celebrated French cartographer Nicolas de Fer, Geographe de Sa Majesté Catholique et de Monseigneur le Dauphin. De Fer was one of the most influential map publishers of late seventeenth- and early eighteenth-century France, known for producing highly detailed and historically informed maps that blended geographic knowledge with historical and biblical scholarship. The map is offered unframed, giving flexibility to select a frame that best suits the intended interior. The map presents a detailed representation of Palestine and the surrounding Levant, including regions corresponding to modern Israel, Jordan, Lebanon, and parts of Syria and Egypt. It emphasizes biblical geography, identifying ancient tribal territories, cities, and historically significant sites associated with scriptural narratives. Jerusalem occupies a central position, surrounded by carefully engraved place names that reflect both classical and biblical traditions. The Dead Sea, Jordan River, and Mediterranean coastline are rendered with clarity, reinforcing the cartographic focus on sacred landscapes. A distinctive feature of this example is the inset map at lower left illustrating the “Le Passage du Peuple Saint,” referencing the biblical Exodus narrative and highlighting the broader historical and theological context. The engraved title cartouche in the upper right adds a refined decorative element, while the compass rose and scales at the bottom demonstrate the technical precision characteristic of De Fer’s workshop. Maps of the Holy Land were among the most sought-after cartographic subjects in early modern Europe, serving scholars, clergy, collectors, and travelers interested in biblical history. Today, they remain highly collectible for their historical significance, decorative appeal, and enduring cultural resonance. The horizontal format and balanced composition make this example particularly suitable for framing, either as a standalone focal piece or within a curated wall of antique maps. Condition report: Light age toning and minor foxing consistent with age. Margins show gentle handling wear. Strong impression with clear engraving and legible text. Plate mark visible. Framing tips: A dark walnut or ebonized frame with a generous ivory mat enhances the refined engraving and complements both classic and contemporary interiors. Museum-style framing works especially well to highlight the detailed cartouche and inset map. We sell the map unframed. Technique: Copperplate engraving Maker: Nicolas de Fer, Paris, France, dated 1703 Keywords: Nicolas de Fer map, Terre Sainte map, Holy Land antique map, Palestine antique...

Not 12, but a set of 16 hand blown Bristol Yellow crystal bowls and underplates made by Steuben, Carder Period Ca. 1920's. Most likely a custom order wi...

An exceptional example of the European pewter tradition, this ceremonial charger plate from France dates to the year 1735 and depicts an exchange between the Saints Peter and Paul th...

Blaeu Map of Aragon – Arragonia Regnum, Decorative Spain Atlas Map 1642 A finely engraved and highly decorative map of the historic Kingdom of Aragon in northeastern Spain, publishe...

A very elegant clear crystal table lamp with a tall Baccarat engraved tulipe, France, 1980-1990. This beautiful table lamp is in very good condition, no chips or cracks, rewired. On...

Title: Death's Head Skull Hussars, Freiherr von Ruesch, Hand-Colored Engraving Description: A striking original eighteenth-century hand-colored engraving depicting Freiherr von Ruesch, commander of the famed Royal Prussian Black Hussars, one of the most recognizable cavalry regiments in European military history. The image portrays two mounted hussars in dramatic black uniforms adorned with the regiment's celebrated skull-and-crossbones insignia, the emblem that earned them the nickname *Totenkopfhusaren* or "Death's Head Hussars." The engraved caption identifies the subject as: *"Freijherr von Ruesch. Obrister derer Königl. Preuss. Schwarze Husaren oder so genanter Todten Köpfe."* Colonel Wilhelm von Ruesch played a central role in establishing the reputation of the Black Hussars during the eighteenth century. Their distinctive black uniforms and skull insignia created one of the most memorable military images of the era and later inspired military traditions that continued well into the nineteenth century. This engraving captures the regiment at full gallop, sabres drawn and horses in motion. The artist emphasizes the dramatic appearance of the skull emblems displayed on the riders' headgear and horse furniture...

The brass Mughal hookah features a beautifully engraved brass base adorned with intricate floral and geometric motifs. The base is a work of art, showca...

Description: Johann Baptista Homann’s Atlas Novus Frontispiece (Circa Early 18th Century) This original hand-colored engraving served as the frontispiece for Johann Baptista Homann’...

Belgian National Guard – Infantry Drill and Uniforms, c.1830–1840 This finely hand-colored military print depicts the Belgian National Guard shortly after the formation of the Kingd...

18th century George III set of six mezzotints depicting Lucretia, circa 1780, ‘Domestic Happiness’, ‘The Elopement’, ‘The Virtuous Parent’, ‘Dressing for Masquerade’, ‘The Tavern Door’, ‘The Fair Penitent’. Engraved by John Raphael Smith, (1751 – 1812) and painted by George Morland, (1763 – 1804). Engraved by John Raphael Smith, (1751 – 1812) was a British painter and mezzotinter, son of Thomas Smith of Derby, the landscape painter, and father of John Rubens Smith, a painter who emigrated to the United States. Smith became a London publisher from 1781, including among his clients the radical writer and artist William Blake. A prolific mentor of apprentices, he shared plates with at least thirty other London printers. In this group was J. M. W. Turner, Charles H. Hodges, William Ward, Thomas Girtin...

View of Paris from Pont-Royal to Pont-Neuf, Engraving by Pierre-Gabriel Berthault, 1786 This elegant late 18th-century engraving by Pierre-Gabriel Berthault (1748–1819) offers a swe...

Butterfly, Caterpillar & Chrysalis on Leaves – Albin Hand-Colored Engraving 1720 This finely hand-colored copper engraving was published in London in 1720 as part of A Natural Histo...

Antique map titled 'Carte du Canal des Iles Philippines - Kaart van het Kanaal in de Filippynsche Eilanden'. Large detailed chart of the islands of the Philippines. One of the most detailed charts of the Philippines of the era. Shows Islands, bays, reefs, soundings tracks of the Manila Galleon route, etc. Includes a large compass...

One the most dramatic and elegant patterns, this set of 12 Webb goblets will create a one of a kind table setting. Standing 9 3/8" tall, these goblets are all hand blown crystal, emb...

English brass serpentine fire place fender with centered decorative floral engraving, flanking rope columns, pierced intertwined foliage gallery, rope banding, and resting on a step ...

Egypt Architecture & Topography – Denon Voyage Egypt Copper Engravings 1802 This scholarly and visually compelling set of three copper engravings originates from Voyage dans la Bass...

Small Gothic table clock with gilt bronze (or possibly golden) pocket watch by John Worboys of London, 1780-1810. We know too little about antique ...

Royal Swedish Dragoon Corps – Cavalry Uniforms, Stockholm, c.1800 This finely executed hand-colored military print depicts mounted soldiers of the Royal Swedish Dragoon Corps, shown...

Antique Miniature Map of Portugal by Pierre Du Val ,Paris. Hand-Colored c1680 A charming late-17th-century miniature map of Portugal by Pierre Du Val, published in Paris around 1680...

Delicate wall mirror in Rococo style. Bronze, finely engraved and silver-gilded. Rocaille-formed mirror frame. (M-Mr-27-Bas)

This rare and refined French perfume bottle dates from the late 19th century and is a beautiful example of the Art Nouveau period, combining elegant materials with delicate, flowing ...

View of the City of Canton (Guangzhou) with Foreign Factories, 1806 This finely detailed engraving, titled 'Vue de la Ville de Canton', presents a rare early 19th-century European v...

Empire Style Silver & Crystal Swing-Handle Basket with Sphinx Decoration, Continental, circa 1820–1850 Measurements: 7" high x 6" wide x 4.75" deep Interior Measurements of Crystal ...

Barbary Ladies in Morning and Ceremonial Dress, Costume Engravings, 1749 Description: A refined and highly decorative pair of hand-colored costume engravings depicting “A Morning Ha...

A selection of 37 window-mounted, hand coloured views around Regent’s Park in a super-luxurious bespoke Sotheran’s binding. Chunky square format (25x25cm) bound in crushed red moroc...

Mirror Lagunes Glass with solid wood background in antique finish, with central mirror glass in clear glass. With bevelled glass frames, engraved clear mirrored glass. The inner fram...

Elegant Déco glass ceiling light from France . I made a new assembly to hang it securely from the ceiling. Ideal where it is not appropriate to hang a cha...

Antique Map of the Holy Land Palestine & Jerusalem, Elias Baeck ca. 1700 Decorative and historically fascinating early map of the Holy Land, titled “Palæstina, das gelobte Land,...

Antique print titled 'Vue de l'entree de Chequetan ou Seguataneo, restant au N.E. a la distance de 5 milles' and 'Vue de l'entree du port d'Acapulco.' View of Zihuatanejo and the har...

Title: 1685 Alain Manesson Mallet Map of Hokkaido, Iesso, and Company’s Land Description: This engraved seventeenth-century map, titled Terre de Iesso, was published in 1685 as pa...

Oval table box in 925/1000 sterling silver gold-plated with fired enamels, with a fine floral miniature fired enamelled on a white background on a guilloché pattern, edge enamelled w...

Antique Map of Sinai and Gulf of Suez by Niebuhr, Arabia, c.1774 A rare and highly important 18th-century engraved map titled “Tabula Itineraria a Sues usque ad Dsjaebbel el Mokatte...

The MW04 chair combines sophistication and bold design, transforming any space into a work of art. Crafted with smoked glass panels, engraved and sandblasted with the iconic cannage ...

New Testament Title Page Engraving, Dutch Baroque, Circa 1700 This richly engraved allegorical title page introduces a Dutch edition of the New Testament, published in Amsterdam aro...

Title: 1806 Engraving: Ganesha as Pollear, Wisdom Deity in Hindu Mythology Description: This exquisite antique print, titled "Pollear," depicts the Hindu deity Ganesha, known as Pol...

A beautiful Early 20thC Arts & Crafts tall sterling silver on bronze baluster vase with flowering branch overlay decoration by Otto Heintz, Buffalo, N.Y. The back of the vase ha...

This pure silver 999/°° K-OVER draws inspiration from love. The Heart and roses are emblems of real true love. At the heart of the design lies an empty space, perfect for personaliza...

Vrouwenpoort, Leeuwarden – Historic Frisian City Gate View, c.1790 This attractive topographical print depicts the Vrouwenpoort, one of the four principal gates of the historic Fris...

Antique Paris Views Set of 6, Chamouin Engravings – Louvre, Concorde Description: A refined and highly decorative set of six original 19th-century engravings depicting some of the most celebrated landmarks of Paris, published by Chamouin in Paris circa 1855. These views belong to the renowned series Vues de Paris, prises au daguerréotype, a remarkable project that translated early photographic imagery into finely detailed steel engravings. The set includes prominent and instantly recognizable sites such as the Nouveau Louvre, Place de la Concorde, Hôtel de Ville, Palais du Sénat (Luxembourg), Bois de Boulogne, and the Palais de l’Industrie. Each composition presents a carefully structured perspective, combining grand architectural settings with animated scenes of Parisian life—figures in period dress, horse-drawn carriages, and leisurely promenades—capturing the elegance and rhythm of the city during the Second Empire. What makes this series particularly desirable is its direct connection to early photography. Based on daguerreotypes, these engravings possess an exceptional clarity and realism, offering a more precise and atmospheric depiction of Paris than earlier engraved views. The balance between documentary accuracy and refined engraving technique results in a visually sophisticated and historically rich body of work. As a cohesive group, the six prints form a harmonious decorative ensemble. The consistent format, tonal unity, and architectural focus make them ideally suited for display as a gallery wall—whether in a classic 2x3 arrangement or a linear presentation. Together, they create a timeless Parisian narrative that appeals equally to collectors and interior designers seeking an elegant European aesthetic. This is an original 19th-century set, not a reproduction. All items we offer are authentic period works of art over 100 years old. The prints are sold unframed; any framed images are shown for presentation and interior inspiration only and may not always be to scale. Condition report: Overall in good condition for age, with typical light toning and occasional spotting to the margins. Minor handling wear and age-related marks. Plate impressions visible. Strong, clean impressions with good contrast throughout. Framing tips: Best displayed as a unified gallery wall in a 2x3 arrangement. Particularly effective in dark walnut or ebonized frames with wide ivory or off-white mats for a classic museum-style presentation. For a lighter, contemporary interior, consider thin black or bronze frames with crisp white mats to enhance the architectural detail. Keywords: Paris engravings, Vues de Paris, Chamouin, Louvre print, Place de la Concorde, Hôtel de Ville, Luxembourg Palace, Bois de Boulogne, Palais de l’Industrie, antique Paris views, French architecture prints, 19th century Paris, daguerreotype engravings, Paris cityscape, Second Empire Paris, decorative wall set, architectural engravings, Paris gallery wall, French antique prints...

Charolais, Burgundy Antique Blaeu Atlas Map of France, 1642 This original hand-colored map depicts a large part of the historic Comté de Charolois (County of Charolais) in the Burgu...

French bronze and marble lion figure by PAUL ÈDUARD DELABRIÉRRE. "Reclining lion." Beautiful French figure of a prostrate lion in brown patina, with a reddish marble base by sculptor...

Blaeu Map of Castile Spain, Castilla León Madrid Toledo c.1642 Description: This finely engraved and beautifully hand-colored map depicts the historic kingdoms of Castile in central Spain, extending across much of the Iberian Peninsula’s political and cultural heartland. Produced by Willem and Joan Blaeu during the Dutch Golden Age of cartography, the map originates from the celebrated atlas Toonneel des Aerdrycx, one of the most luxurious and influential atlases of the 17th century. Entitled “Vtrivsqve Castiliae nova descriptio,” the map illustrates both Old and New Castile with remarkable detail, covering regions that today include Castilla y León, Castilla–La Mancha, Madrid, Extremadura, and surrounding territories. Hundreds of towns, rivers, mountain chains, and roads are carefully engraved throughout the composition, reflecting the extraordinary precision and artistic sophistication for which the Blaeu firm became renowned. Important cities including Madrid, Toledo, Salamanca, Burgos, Valladolid, Segovia, Ávila, Cuenca, Badajoz, Córdoba, and Valencia are prominently identified. The map also extends toward Aragón, Navarra, Galicia, Murcia, and Portugal, making it an exceptionally rich geographic portrait of inland Spain during the early modern period. Mountain ranges are rendered in Blaeu’s elegant pictorial style, creating a highly decorative visual texture across the landscape. The composition is enriched by several ornamental elements, including royal heraldic coats of arms, a decorative title cartouche, and an elaborate mileage scale. The subtle original hand color enhances both the political boundaries and decorative details while preserving the refined elegance associated with Blaeu atlas maps. Maps of Spain from the Blaeu atlases are among the most sought-after examples of Dutch Golden Age cartography, admired both for their historical importance and their extraordinary decorative appeal. The present example offers a strong balance of cartographic detail and interior-design presence, making it equally suitable for collectors, libraries, studies, or sophisticated Mediterranean-inspired interiors. This map displays beautifully framed in dark walnut, black lacquer, or lightly gilt frames with wide ivory or cream mats. Its balanced composition and intricate engraved detail make it especially suitable for libraries, studies, Spanish interiors, or refined gallery walls. Special note: This is an original 17th-century map, not a reproduction. All items we offer are authentic period works of art over 100 years old. The map is sold unframed; any framed images are shown for presentation and interior inspiration only and may not always be on scale with the original. Condition: Good antique condition with age-related toning and minor wear. Original centerfold as issued. Some light marginal wear and small age-related imperfections consistent with use and age. Attractive original hand color and strong impression. Wide margins and visible plate mark. Framing Tips: This map displays exceptionally well in dark walnut, ebonized, or black lacquer frames paired with wide cream or ivory mats. A thin gilt fillet can enhance the heraldic decoration and subtle original coloring while maintaining an elegant museum-style presentation. Technique: Copperplate engraving with original hand coloring Maker: Willem Janszoon Blaeu and Joan Blaeu, Amsterdam, circa 1642 Keywords: Castile, Castilla, Castilla y León, Castilla La Mancha, Spain, Madrid, Toledo, Salamanca, Burgos, Valladolid, Segovia, Ávila, Cuenca, Extremadura, Badajoz, Valencia, Aragón, Navarra, Galicia, Murcia, Portugal, Iberian Peninsula, Blaeu map, Willem Blaeu, Joan Blaeu, Toonneel des Aerdrycx, Dutch Golden Age cartography, antique map Spain, 17th century map, Spanish kingdoms, old map Castile, decorative cartography, hand colored map, copperplate engraving, historical Spain map, collectible map Spain, Madrid antique...

French Map of Europe by Cortambert – Russia, Scandinavia & Balkans 1864 A large and finely detailed antique map of Europe published in Paris in 1864 under the direction of the Frenc...

Title: Pair of Roman Antiquities & Classical Bronze Objects Engravings, 1721 Description: This elegant pair of early eighteenth-century copper engravings originates from Bernard de ...

Captain Davis's First Interview with the North American Indians, Dublin c.1815 Description This original early nineteenth-century engraving depicts the first meeting between the Eng...