Engraved Furniture

Antique Virginia Map Blaeu c.1642 – Jamestown, Powhatan, Chesapeake One of the most desirable early maps of colonial America, this striking Blaeu engraving captures Virginia and the...

A museum quality George IV English Sterling Silver Covered Soup Tureen on Stand by Paul Storr, London, Circa 1823 Lid engraved with 'Lion Rampant' herald; also repeated to the should...

Rectangular frame for oval photo in 925/1000 sterling silver gold plated with translucent fired enamels on guilloché patterns with vertical stripes in three colors and ornaments with...

Antique Rose and Botanical Insect Engravings — Decorative Natural History Set, Albin 1720 This attractive decorative set of three hand-colored copper engravings originates from the ...

Bioethanol fireplace in silver mirror with pure silver and decorated in red color, produced by Fratelli Tosi on the Murano Glass Island carved, beveled and hand-engraved with pure si...

Antique Handcolored Engraving of Starfish and Marine Creatures, c.1800 This original handcolored copperplate engraving features various starfish and other echinoderms, emphasizing...

Huge WMF tin silver plated Art Nouveau vase with female figure and putto.

Classical Warfare & Naval Battles, Set of 5 Antique Engravings, France c.1720 A striking and intellectually rich set of five original 18th-century French engravings depicting classi...

A charming reproduction print of a 19th century Italian engraving by Giuseppe Allezard, of a naval ship with 84 cannons bearing the Swedish flag of blue & gold cross. The text be...

18th century Dutch copper tobacco box 18th century copper tobacco box in oval shape with rims. Engraved with Biblical scenes and Dutch text. Text is: "...

Chinese export silver cigarette case, ca 1910. Curved and rectangular with push tab. On cover engraved tail-chasing dragon—all talons and horns and scaly serpentine body. Back plain....

Paris: Rombaldi Éditeur, 1937. Limited Edition. 8vo, 7 5/8 x 5 3/4 (194 x 156 mm). pp: 4, vii, 242. Five color lithographs including the frontispiece. Copies printed on Voiron laid...

This elegant sterling silver rectangular double-handled butlers tray features engraved Neo-Renaissance decoration including winged cherubs along with urns and floral and foliate moti...

Set of 4 George III sterling silver candlesticks. Made by William Abdy in London in 1779. Each: Urn socket with detachable bobeche; tapering pillar on stepped and raised foot. Low re...

Vintage Silver-Plated Engraved Goblet / Decorative Wine Chalice An elegant vintage silver-plated goblet featuring beautifully hand-engraved botanical and fern motifs, crafted with t...

Vintage Silver-Plated Flower Frog Centerpiece Bowl – Elegant English Floral Arranger Add timeless sophistication to your dining table or interior décor with this beautiful vintage si...

Title: Antique Trojan War Map – Bellum Trojanum Mediterranean, Wilkinson 1815 This finely engraved and delicately hand-colored antique map titled Bellum Trojanum (The Trojan War) presents the eastern Mediterranean world as understood through the legendary narratives of Homer’s Iliad and Odyssey. Published in London in 1815 by the respected British cartographer and publisher Robert Wilkinson, the map formed part of his scholarly Atlas Classica, an atlas created to illustrate the lands and geography described by ancient Greek and Roman authors. Wilkinson’s Atlas Classica was produced during a period of intense European fascination with classical antiquity. Educators, historians, and scholars sought visual tools to accompany the study of Homer, Virgil, Herodotus, and other ancient writers. This map reflects that intellectual movement by reconstructing the geography of the Mediterranean as it related to the events of the Trojan War and the legendary journeys of the heroes who emerged from it. The map spans the eastern Mediterranean basin, extending from southern Italy and Sicily in the west across Greece, the Aegean Sea, and Asia Minor to the Levant and Syria in the east. The Black Sea (Pontus Euxinus) appears in the northeast, while North Africa and the coast of Libya are visible to the south. Classical place names appear throughout the map, including Italia, Sicilia, Graecia, Macedonia, Thracia, Asia Minor, Phrygia, Lydia, and Syria. The famous site of Troy is shown on the northwestern coast of Asia Minor near the Dardanelles. A particularly fascinating feature of the map is the network of curved routes drawn across the Mediterranean Sea. These lines trace the legendary voyages of figures associated with the Trojan War cycle. Among them are the journeys of Aeneas following the fall of Troy, the travels of Telemachus searching for his father, and the long wanderings of Odysseus (Ulysses) as described in the Odyssey. These routes connect famous locations such as Troy, Crete, Sicily, Carthage, and the shores of Greece and Italy, transforming the map into a visual narrative of classical mythology. The engraving is precise and elegant, typical of late eighteenth-century British cartography. The map was engraved by E. Bourne, whose fine line work and careful lettering give the sheet a refined and scholarly appearance. Subtle contemporary hand coloring highlights the ancient regions and coastlines, adding visual clarity and decorative charm. Today the map appeals not only to collectors of antique cartography but also to those interested in classical literature, mythology, and the history of ancient Mediterranean civilizations. It provides a striking visual interpretation of the epic journeys that have shaped Western storytelling for more than two millennia. This example is an original antique map printed in 1798 and hand-colored at the time of publication. It is not a modern reproduction. Any presentation images showing the map framed are for visual inspiration only. The map is supplied unframed. Condition: Good antique condition with attractive original hand coloring. Light age toning and minor handling marks consistent with age. The sheet retains generous margins suitable for framing. Framing tips: This map frames beautifully in a dark walnut or ebonized wood frame with a generous ivory or museum-white mat. A double mat with a subtle gold inner fillet complements the warm tones of the antique paper and highlights the elegant engraving. Such a presentation works particularly well in a study, library, or classical interior setting. Keyword block: Bellum Trojanum, Trojan War map, Homer Iliad map, Odyssey map, ancient Greece map, ancient Mediterranean map, Troy map, Aeneas voyage, Odysseus voyage, Ulysses route, Telemachus journey, Atlas Classica map, Robert Wilkinson map, London 1798 map, Pontus Euxinus, Black Sea map, Aegean Sea map, Mediterranean Sea map, Sicilia, Italia, Graecia, Macedonia, Thracia, Asia Minor, Phrygia, Lydia, Syria, Crete, Carthage, Libya, ancient mythology map, classical geography map, Homeric geography, antique Mediterranean map...

Antique map titled 'L'Impero della Persia diviso ne suoi Stati'. The Empire of Persia divided into its states. Originates from 'Atlante Novissimo, illustrato ed accresciuto sulle oss...

This group of antique English football medals are sugned by an unknown maker, and date to approximately 1914 and done in the period Georgie V style. The three larger medals are each ...

Antique Persian Brass Engraved Vase. Persian engraved brass vase with intricate detailed foliage and birds. The vase has been expertly etched by ha...

A superb portable cased 19th Century Paget Star Celestial Globe by H. Hughes & Son Ltd. London, No. 735, circa 1890 in date. The constellations are depicted on lithographed paper se...

Pair of Hand-Colored Botanical Engravings of Spring Flowers, London 1828 This elegant pair of early 19th-century botanical engravings captures the charm and precision of British bot...

A circa 1900’s Caldwell 6 lights bronze chandelier with engraved body

Sterling silver cylindrical tankard gilded inside. The body is embossed an engraved by hand with scrolls and flowers Measure: 730 grams.

Italian Country Woman Costume Print, Pavia Peasant Dress, 1749 A charming and highly decorative antique costume engraving depicting a country woman from Pavia, Italy, titled “Habit ...

Set of Three Baron d’Eisenberg Equestrian Engravings, 1727 Description: A refined set of three early 18th-century equestrian engravings showing classical riding and manège training....

French jade vase ank inkwell Vegetal motifs of flowers and leaves Can be used for a little floral composition Good condition. Shipping: P 4 L 15 H 8 0.1 kg.

These are exceptionally RARE color engraved prints done after originals by artist Henry William Bunbury (1750-1811) and engraved by Francesco Bartol...

Antique French Apothecary Mortar and Pestle, Hand Cast Brass / Bronze, 17th / 18th Century. This rare primitive mortar and pestle, handcraft...

Italian Neoclassic Silvered Wrought Iron & White Stone Wall-Mounted Console Table, Italy, Circa 1960s This exquisite Italian Neoclassical silvered wrought iron console table is ...

British Isles Antique Map – England, Scotland & Ireland, Lapie Paris 1836 Description: A finely engraved and beautifully hand-colored early 19th-century map of the British Isles, depicting England, Scotland, and Ireland in exceptional detail. This elegant composition was published in Paris in 1836 as part of the celebrated Atlas Universel de Géographie Ancienne et Moderne by the distinguished French cartographer M. Lapie. The map presents a comprehensive view of the British Isles, with England and Wales outlined in soft red, Ireland in yellow, and Scotland in green, creating a harmonious yet highly legible composition. The dense network of towns, cities, rivers, and roads reflects the advanced state of geographic knowledge in the early 19th century, while the surrounding seas—including the Irish Sea and the North Sea—are delicately shaded, enhancing both depth and visual balance. Particularly notable is the detailed rendering of Scotland’s rugged Highlands and island groups, including the Hebrides, as well as the intricate coastline of Ireland and the dense infrastructure of England. The map captures a moment in time just prior to the height of the Victorian era, offering insight into the geographic and administrative landscape of the British Isles during a period of rapid industrial and social transformation. Lapie’s cartographic approach is characterized by clarity, precision, and refinement. Terrain is rendered through delicate hachuring, while subtle original hand coloring distinguishes political divisions without overwhelming the engraved detail. The engraving was executed by Pierre Antoine Tardieu, a member of the renowned Tardieu family of engravers, whose crisp linework ensures remarkable readability and elegance throughout. This map is highly desirable for collectors of British cartography, as well as for interior designers seeking a classic and recognizable geographic subject with strong decorative appeal. Its balanced vertical format makes it particularly suitable as a standalone statement piece in a study, library, or traditional interior. NOTE: The interior mockups are for visual inspiration only and do not represent the exact scale. Condition: Good antique condition with age-related toning and scattered foxing, more visible in the margins. Original fold lines as issued. The engraving remains sharp and clear, with attractive original hand coloring. Plate mark visible. Framing tips: This map displays beautifully with a wide ivory or warm off-white mat and a thin dark walnut or ebonized frame. A classic museum-style presentation enhances both the color balance and the fine engraved detail. Ideal as a focal piece in a study, office, or library setting. Technique: Engraving with original hand coloring Maker: M. Lapie, engraved by Pierre Antoine Tardieu, Paris, 1836 Keyword block: British Isles map, England map, Scotland map, Ireland map, Wales map, London, Edinburgh, Dublin, British Empire map...

18th C Baroque Style German G. von Gundlach Armorial Beer /Goblet/Kelchglas Engraved later with ancestors name 'G. von Gundlach' with corresponding Armorial Crest, Germany, Hesse or Saxony region, Circa 1790 An exceptional 18th century example of early German or Dutch craftsmanship in this traditional Kelchglas form. A finely engraved later armorial to the body reveals the Gundlach family heraldry which date back to as early as 1304. The crest and shield of arms...

Pair of 19th-century British plant botanicals Engravings with Insects – John Curtis (1791-1862) Sold as a pair -  Please let us know your choice on your purchase order: 1 - Dandeli...

Original Antique Print of a Chocolate-Drinking Creole Lady of Lima, Peru, c.1796 Description: An original antique copperplate engraving titled "Española Criolla de Lima" and "Dame C...

A giving joy beautiful French Fayence Floor Vase fantastic Art Nouveau pattern - Impressing Colours Manufacturer unknown - marked Design Period 1915 - 1925 Country of Manufacture : France H / height: 46 cm ~ Gew. / weight: 4550 grs DM / diameter max: 28 cm ~ DM oben / diameter inner rim: 19.8 cm .... an ode to Southern France A Legend of Provence by Adelaide Anne Procter (30 October 1825 – 2 February 1864) The lights extinguished, by the hearth I leant, Half weary with a listless discontent. The flickering giant-shadows, gathering near, Closed round me with a dim and silent fear. All dull, all dark; save when the leaping flame, Glancing, lit up a Picture's ancient frame. Above the hearth it hung. Perhaps the night, My foolish tremors, or the gleaming light, Lent power to that Portrait dark and quaint, — A Portrait such as Rembrandt loved to paint, — The likeness of a Nun. I seemed to trace A world of sorrow in the patient face, In the thin hands folded across her breast: — Its own and the room's shadow hid the rest. I gazed and dreamed, and the dull embers stirred, Till an old legend that I once had heard Came back to me; linked to the mystic gloom Of that dark Picture in the ghostly room. In the far south, where clustering vines are hung; Where first the old chivalric lays were sung; Where earliest smiled that gracious child of France, Angel and knight and fairy, called Romance, I stood one day. The warm blue June was spread Upon the earth; blue summer overhead, Without a cloud to fleck its radiant glare, Without a breath to stir its sultry air. All still, all silent, save the sobbing rush Of rippling waves, that lapsed in silver hush Upon the beach; where, glittering towards the strand The purple Mediterranean kissed the land. All still, all peaceful; when a convent chime Broke on the mid-day silence for a time, Then trembling into quiet, seemed to cease, In deeper silence and more utter peace. So as I turned to gaze, where gleaming white, Half hid by shadowy trees from passers' sight, The Convent lay, one who had dwelt for long In that fair home of ancient tale and song, Who knew the story of each cave and hill, And every haunting fancy lingering still Within the land, spake thus to me, and told The Convent's treasured Legend, quaint and old: — Long years ago, a dense and flowering wood, Still more concealed where the white convent stood, Borne on its perfumed wings the title came: " Our Lady of the Hawthorns " is its name. Then did that bell, which still rings out to-day, Bid all the country rise, or eat, or pray. Before that convent shrine, the haughty knight Passed the lone vigil of his perilous fight; For humbler cottage strife or village brawl, The Abbess listened, prayed, and settled all. Young hearts that came, weighed down by love or wrong, Left her kind presence comforted and strong. Each passing pilgrim, and each beggar's right Was food, and rest, and shelter for the night. But, more than this, the Nuns could well impart The deepest mysteries of the healing art; Their store of herbs and simples was renowned, And held in wondering faith for miles around. Thus strife, love, sorrow, good and evil fate, Found help and blessing at the convent gate. Of all the nuns, no heart was half so light, No eyelids veiling glances half as bright, No step that glided with such noiseless feet, No face that looked so tender or so sweet, No voice that rose in choir so pure, so clear, No heart to all the others half so dear, So surely touched by others' pain or woe, (Guessing the grief her young life could not know,) No soul in childlike faith so undefiled, As Sister Angela's, the " Convent Child. " For thus they loved to call her. She had known No home, no love, no kindred, save their own. An orphan, to their tender nursing given, Child, plaything, pupil, now the Bride of Heaven And she it was who trimmed the lamp's red light That swung before the altar, day and night; Her hands it was whose patient skill could trace The finest broidery, weave the costliest lace; But most of all, her first and dearest care, The office she would never miss or share, Was every day to weave fresh garlands sweet, To place before the shrine at Mary's feet. Nature is bounteous in that region fair, For even winter has her blossoms there. Thus Angela loved to count each feast the best, By telling with what flowers the shrine was dressed. In pomp supreme the countless Roses passed, Battalion on battalion thronging fast, Each with a different banner, flaming bright, Damask, or striped, or crimson, pink, or white, Until they bowed before a newborn queen, And the pure virgin Lily rose serene. Though Angela always thought the Mother blest Must love the time of her own hawthorn best, Each evening through the years, with equal care, She placed her flowers; then kneeling down in prayer, As their faint perfume rose before the shrine, So rose her thoughts, as pure and as divine. She knelt until the shades grew dim without, Till one by one the altar lights...

King Henry VIII Portrait Engraving, Tudor Royal Image, Vertue, c.1736 This striking 18th-century copperplate engraving presents a powerful portrait of King Henry VIII of England (re...

Rectangular/octagonal table box in 925 silver. The box was completely handmade in Florence at the end of the last century. Engraved with floral and abstract motifs, it has been fin...

A very pretty Italian mid century religious triptych depicting Raphael’s Madonna of the Chair. Label on the back. Made in Italy, Florence. Measurements: Closed 12cm. Open 24cm Heigh...

Antique Hand-Colored Engraving of Squirrels and Rodents, Quadrupeds Plate XXXXI Description: This fine antique hand-colored engraving, titled Vierf. Thiere XXXXI (Quadrupeds Plate 4...

Tureen in sterling silver in Baroque style. The dish measures 31cm in diameter and was left smooth with the brim raised. On the plate, scrolls and shells typical of the Italian Bar...

Antique Engravings of Reptiles, Fish, and Insects, Tab. V & VI, circa 1800 This fine double natural history engraving, titled “Tab. V” and “Tab. VI,” presents an engaging selection ...

Hawaiian Volcanoes & Valleys – Antique Voyage Engravings, Renzi, Paris 1836 A rare and visually striking set of three small original antique engravings depicting the dramatic volcan...

Antique map titled 'Novissima Totius Terrarum Orbis Tabula, Auctore Nicolao Visscher'. Gorgeous example of Nicholas Visscher's World map, which appeared...

Talisman cabinet designed by Maysam Al Nasser manufactured by BD design. Limited edition of eight units, two artist proofs and two prototypes. Material: lacquered white matte MDF c...

**Customizable Artisan Elegance: Poplar Wood Pantry Covered in Brass** Pantry from kitchen,hall,all,hotel In the world of interior design, where art meets functionality, a masterpie...

Sandwich-Eilanders – Antique Hand-Colored Engraving of Hawaiian Figures (c.1800) Description: An early 19th-century hand-colored ethnographic engraving titled “Sandwich-Eilanders,” ...

The print is from one of Captain Cook's voyages and likely from one of the three major voyages he undertook between 1768 and 1779. The engravings from these voyages were made by arti...

Medieval Coronation Ceremony, Hand-Colored Costume Plate by Paul Mercuri, 1845 A richly detailed hand-colored engraving depicting a grand medieval coronation or ecclesiastical cerem...

A circa 1900's Caldwell silver plated 8 lights chandelier very unusual floral design

Maiorana Syriaca sive Marum Syriacum – Origanum Syriacum Botanical Engraving c.1676 This antique botanical engraving features Origanum syriacum, also known as Bible hyssop, Lebanese...

New complete cutlery set 101 pieces in solid silver "Seashell" CELLINI by Ricci Argenteria Alessandria - Italy. The service is composed as follows: N ° 36 Table...

Nova Belgica et Anglia Nova, Blaeu c.1642 – Early New York Map This important and highly decorative map of the northeastern coast of North America is among the most attractive and h...

A sterling vesta matches oval box by Thomas Johnson. This is a very rare vesta box for matches created in London, England at the silversmith atelier of Thomas Johnson. The piece has...

Mehmed IV Ottoman Sultan “The Hunter” Portrait Engraving, c.1700 A striking and highly decorative late 17th to early 18th-century copperplate engraving depicting Mehmed IV (1642–169...

Pair of Classical Dressage Engravings — Haute École Horsemanship, c.1750 This elegant pair of mid-18th century hand-colored copperplate engravings illustrates advanced movements fro...

Title: Antique View of Delphi and the Rocks of Mount Parnassus, Tardieu, 1825 Description: Original antique engraved view of Delphi and Mount Parnassus in Greece, engraved by Ambroi...

Beautiful pair of signed Moser wine glasses in two colors, each finely engraved with birds in flight. Classic Moser quality with crisp detailing and e...

This is a beautifully crafted Art Deco period Sterling Silver Lady's Compact or necessaire. This stunning engraved and monogrammed compact opens to reveal a sterling silver interior with fittings for two different types of coins and a covered powder dispenser...

Exquisite Small Silver-Plated Rectangular Footed Dish – Antique Luxury with Italian Sterling Silver Style This small elegant silver-plated trinket dish is a fine example of timeless ...

Title: Antique Hand-Colored Crested Birds Engraving – Bertuch, c. 1800 Original antique hand-colored copper engraving depicting five remarkable crested and ornamental birds, publish...