Engraved Furniture

Geo III Sheffield Salver with a Large Engraved Armorial Design in the Center. The central engraving with a Knight's arm holding a cross with two side crosses most commonly refers to ...

This incredible Art Deco bar was handmade and installed in an apartment in St Johns Wood in London in 1946 and has remained there until the death of its owner. It is beautifully cr...

Set of 9 Antique Botanical Engravings of Grasses & Wildflowers, c.1830 This elegant set of nine antique botanical engravings dates from around 1830 and presents a beautifully detail...

Copernican Solar System – Celestial Plan, Doppelmayer, Hand-Colored c.1742 Description: This large and finely engraved celestial chart illustrates the Copernican solar system and is titled Ephemerides Motuum Coelestium Geometrica, a scientific visualization of planetary motion according to the Copernican hypothesis. The work was created by Johann Gabriel Doppelmayer and published in Nuremberg circa 1742, during the height of the Enlightenment’s engagement with astronomy and mathematical science. The map is offered unframed, giving flexibility to select a frame that best suits the intended interior. The chart presents a geometric representation of the irregular motions of the planets, including their directions, stations, and retrogradations. At the center is the sun, surrounded by concentric, color-coded orbital bands representing the paths of Mercury, Venus, Earth, Mars, Jupiter, and Saturn. Radiating lines and numerical annotations record observed planetary positions across specific dates, translating empirical observation into visual form. Surrounding diagrams provide auxiliary explanations of orbital mechanics, apparent motion, and planetary phenomena. These panels were intended for scholarly use, offering astronomers, mathematicians, and educated readers a precise tool for understanding celestial movement within the Copernican framework. The Latin text reinforces its academic purpose and confirms its role as a serious scientific instrument rather than a decorative fantasy. The composition is further enriched by allegorical figures representing astronomy and the celestial sciences, engraved in the Baroque tradition and delicately hand colored. These figures bridge science and art, a hallmark of Doppelmayer’s work, making the chart both intellectually rigorous and visually compelling. Johann Gabriel Doppelmayer was one of the leading scientific illustrators and mathematicians of the Holy Roman Empire, closely associated with the Nuremberg publishing world. His celestial charts are today prized for their accuracy, clarity, and refined engraving quality. This engraving stands as an important document in the history of astronomy, marking the widespread acceptance of the Copernican system in 18th-century Europe. It is highly desirable for collectors of scientific instruments, astronomical prints, Enlightenment-era works, and decorative interiors with intellectual character. This chart was produced by Johann Gabriel Doppelmayer and published in Nuremberg circa 1742. Doppelmayer was a leading mathematician and scientific illustrator of the early Enlightenment, closely associated with the Nuremberg scientific publishing tradition. His Ephemerides Motuum Coelestium Geometrica played an important role in visualizing and popularizing the Copernican heliocentric system through precise geometric representation of planetary motion. Condition report: Good condition overall. Contemporary hand coloring. Light age toning and patina throughout, with minor browning and scattered surface marks consistent with age. Vertical centerfold as issued. Small handling wear at margins. No modern restoration observed. Framing tips: This chart benefits from a museum-style presentation. Use a wide ivory or warm off-white mat to balance the strong colors, paired with a dark walnut, ebonized, or gilt frame. UV-protective glazing is recommended due to the original hand coloring. Note: We supply this original antique map unframed. Technique: Engraved map with contemporary hand coloring Maker: Johann Gabriel Doppelmayer, Nuremberg, circa 1742 Keyword block: celestial map, astronomical chart, Copernican system, solar system engraving, Johann Gabriel Doppelmayer, Doppelmayer celestial map, antique astronomy print, Enlightenment science, planetary orbits, ephemerides, retrograde motion, planetary motion diagram, heliocentric model, 18th century astronomy, scientific engraving, hand colored celestial map, Baroque astronomy, Nuremberg engraving, rare astronomy chart, historical science print, antique star chart...

This etching and engraving, titled "Sanglier" (Wild Boar), depicts a wild boar lying down, possibly resting or in a moment of repose. The artist has meticulously captured the texture...

Hannibal’s Campaign Map, Spain to Italy via Alps, Wilkinson London 1817 This finely engraved and delicately hand-colored map illustrates the legendary military campaign of Hannibal ...

Saint Radegonde Exorcising a Demon – Burgkmair Circle, c.1516 Woodcut A powerful and visually striking early 16th-century woodcut depicting Saint Radegonde performing an exorcism, t...

Napoleonic Architectural Engravings Set, Baltard Paris Monuments Plates, 1803 This striking set of eight early 19th-century architectural engravings originates from the rare French publication Paris et ses Monuments, mesurés, dessinés et gravés, created by architect and engraver Louis-Pierre Baltard and published in Paris in 1803 during the early Napoleonic period. Baltard’s monumental publication was dedicated to Napoleon Bonaparte and aimed to systematically document the architectural treasures of Paris and its surrounding monuments through precise measurement, architectural drawing, and finely executed copperplate engravings. Today the work is regarded as one of the earliest comprehensive visual surveys of Parisian architecture produced during the Napoleonic era. The present group forms a visually balanced and highly decorative set illustrating several aspects of classical and Renaissance architecture. The engravings include façade elevations, architectural plans, ornamental studies, sculptural fragments, and atmospheric architectural views. Together they present a remarkable overview of architectural design, structural composition, and decorative detail typical of the scholarly architectural publications produced in France at the beginning of the nineteenth century. One of the most notable plates in the group shows the measured plan of the Château d’Écouen, one of the most important Renaissance châteaux in France. Built in the sixteenth century for the powerful Montmorency family, the château later became an important national monument and today houses the Musée National de la Renaissance. The engraved plan carefully illustrates the château’s symmetrical layout around its central courtyard together with the surrounding terraces, landscaped grounds, and tree-lined avenues. Other plates depict grand classical façades, monumental arches, richly carved capitals, sculptural ornaments, and picturesque architectural views set within wooded landscapes. Baltard’s engravings are admired for their combination of architectural precision and refined artistic engraving. Crisp linework defines the structural forms, while delicate shading creates depth in the sculptural and landscape elements. Architectural engravings from Paris et ses Monuments have become increasingly desirable among collectors, architects, and interior designers. Their refined balance between scholarly architectural documentation and decorative visual appeal makes them particularly suitable for elegant interiors such as libraries, studies, galleries, or sophisticated European-style homes. Displayed together as a gallery wall, the engravings create a striking architectural ensemble reflecting the intellectual spirit and artistic ambition of the Napoleonic period. The original antique engravings are offered unframed, giving flexibility to select frames that best suit the intended interior. Condition report: Very good condition for early nineteenth-century engravings. Printed on laid paper with wide margins. Light age toning and occasional small spots consistent with age. The engraved impressions remain sharp and clear. Framing tips: These engravings display beautifully as a coordinated wall set. Dark walnut or black frames with generous ivory or warm off-white mats create a refined museum-style presentation. For a more contemporary interior, thin black gallery frames with wide mats highlight the elegant linework and architectural detail. Technique: Copperplate engraving Maker: Louis-Pierre Baltard, Paris, 1803 Keywords: napoleonic architectural engravings, baltard paris monuments 1803, antique french architecture prints...

Horatio Nelson Portrait, Trafalgar Engraving, Naval Hero, 1819 London This striking engraved portrait depicts Vice-Admiral Horatio Nelson (1758–1805), one of Britain’s most celebrat...

Champagne glass in Baccarat crystal from the Jets d’Eau service, designed by Georges Chevalier for the 1925 International Exhibition in Paris. Crystal glasses featuring engraved sty...

A rare and important 17th Century Italian Engraving of Willem Blaeu's Great Wall Map of America, "America quarta pars orbis quam plerunq, nuvum orbem apellitant primo detecta est ann...

A fine antique engraved sterling silver vinaigrette, Edward Smith, Birmingham, 1839. The vinaigrette is finely engine turned to the hinged top and the undersaide, the lid is monogram...

A late 19th Century Caldwell neoclassical style bronze chandelier with Greek key design and leaded glass Center part. 6 lights. Has Caldwell mark on top part. Available 2 items

A highly important engraved Islamic combination locking brass casket, based on a design by the 12th Century Arab inventor & artist Ismail Al Jazari. Circa...

This elegant sterling silver mezuzah case, created in Jerusalem in 1990 by Shuki Freiman, is a refined example of contemporary Israeli Judaica rooted in traditional symbolism and met...

Antique French Apprentice Breton Three Door Cabinet With Central Window. Traditional Breton Small Furniture, Hand Carved With Baluster Inset Panels. Rear of Cabinet Has The Manufact...

Museum-quality sterling silver flask made by Tiffany & Co, New York, in 1882. The body is in very good condition, while the cap has sustained two small dents. I have left some patina...

Cabinet-Size Butterfly Engravings with Jewel-Tone Species, Set of 6, 1835 This striking set of six hand-colored butterfly engravings originates from the celebrated Victorian publica...

Nova Belgica et Anglia Nova, Blaeu c.1642 – Early New York Map This important and highly decorative map of the northeastern coast of North America is among the most attractive and h...

Pair of Serlio Architectural Plan Engravings, Neoclassical, c.1721 This elegant pair of original antique copperplate engravings presents a sophisticated series of classical architec...

Signed Mon ALPH. GIROUX PARIS Elegant pair of trumpet-shaped vases with flare neck in engraved crystal decorated with leafy interlacing and beads friezes. Removable, they are enclos...

French wall double sconces pair of lights These sconces are made of brass and hand-engraved glass. The brass have been patinated with a bronze style finishing. Each glass has little...

On offer is a trophy shaped in a classic "loving cup" style. Going back centuries, the shape is identifiable by its deep bowl and twin sweeping handles, ready to be passed around at ...

A fine antique Georgian sterling silver wine coaster, Peter & Anne Bateman, London, 1799. The coaster having a flared & ribbed rim with baronial a engraved crest to the front of a sn...

Oval mirror attributed to Luigi Brusotti or Fontana Arte. Good condition. Thanks

Title: Monumental Roman Temple Architecture Engraving, Montfaucon 1721 Description: This impressive early eighteenth-century copper engraving originates from Bernard de Montfaucon’s...

This Italian Baroque style Sterling Silver mirror is fully hand embossed and chiselled on silver sheet by hand. The two side mirrors are attached by silver hinges. 4.600 grams. Ita...

Pr. of Italian Barocco revival five light candelabras. These Candlesticks are the result of the excellence of Italian craftsmanship that cures to perfection details and design balan...

Pyrotechnicae repraesentationis splendidissimae typus – Fireworks View c.1765 This antique print is an optical view depicting a grand fireworks display, likely celebrating the coron...

Square pill box with 2 slightly rounded sides, in gold-plated 925/1000 sterling silver with translucent enamels fired on guilloché. Dimensions: 4.3 x 4.5 x 2 cm. Weight: 95 g. Design...

Antique Marine Etching Fishing Boat at Sea - Nelson Dawson, British - ca.1910 Description: This evocative marine etching depicts a small sailing fishing boat riding over rolling wav...

Small-Format Butterfly Engravings with Botanical Studies, 1835 This elegant set of six hand-colored butterfly engravings originates from the celebrated Victorian scientific publicat...

French Art Nouveau Style Figural Silverplate & Cristallerie Lorraine Claret Jug  This exquisite French Art Nouveau-style figural claret jug stands 10 inches high, 7.5 inches wide, a...

Code: FS34 Vintage sofa in black lacquered walnut, with original artistic tapestry, in the manner of the neo-plasticist designer Gerrit Rietveld. Neo-plasticism refers to the auste...

Silver frame made with the lost wax casting technique. The frame is in Art Nouveau style and the verifiable weight is all in silver, except for the wooden back. The decorations are...

Title: Rare 16th Century Holy Land Woodcut Map by Heinrich Bünting, circa 1581 Description: A rare and historically important 16th-century woodcut map of the Holy Land by the German...

Antique Map Italy, Bartholomew for Black’s General Atlas, Edinburgh 1884 Description: This detailed map of Italy was published in the New and Revised Edition of Black’s General Atlas of the World, issued in Edinburgh in 1884 by the respected Scottish publishing house A. & C. Black. The map was prepared under the direction of the renowned cartographer John Bartholomew, whose work played a major role in shaping nineteenth-century atlas cartography. John Bartholomew was one of the most influential mapmakers of the Victorian era. His atlases for A. & C. Black were admired for their clarity, precision, and elegant presentation. Combining scientific geographic accuracy with refined engraving and printed color, Bartholomew’s maps became widely used in education, government, and scholarly circles throughout Europe and the British Empire. The map presents the Italian peninsula shortly after the unification of Italy in the nineteenth century. Political divisions are clearly distinguished through printed color, showing the administrative regions of the newly unified kingdom. The map extends from the Alpine frontier in the north to the southern tip of Calabria, capturing the entire peninsula with remarkable geographic detail. Northern Italy shows the Alpine region bordering Switzerland and Austria, with cities such as Turin, Milan, and Venice prominently marked. The Po River basin is depicted with a dense network of towns and transportation routes reflecting the economic importance of the region. Central Italy includes Florence, Pisa, and Rome, while the southern regions show Naples and the mountainous landscapes of Calabria and Basilicata. The map also includes the major Italian islands. Sardinia...

New complete cutlery set 101 pieces in solid silver "Seashell" CELLINI by Ricci Argenteria Alessandria - Italy. The service is composed as follows: N ° 36 Table...

Austrian Silver Toilette Mirror, highly unique with a very elegant shape of the early Art Deco era. With three floral engravings decorating the base, the crest with the engraved ini...

About the Item

Handcrafted in Italy by Justfurnituress, this extraordinary brass sideboard draws inspiration from the lunar surface...

Antique English Silver-Plated Coffee Pot, Victorian Era, Late 19th Century Tall Cylindrical Form with Hinged Lid and Classical Proportions This exceptional Antique English silver-plated coffee pot, dating to the late 19th century, is a distinguished example of Victorian-era table silver, combining refined craftsmanship with timeless functional elegance. Executed in a tall cylindrical form, the pot features a gracefully articulated pouring spout, a substantial curved handle, and a hinged domed lid fitted with a decorative thumb lift—designed for ease of use while maintaining heat during service. The body is subtly banded and rests on a stepped circular base, lending architectural balance and visual authority. Its clean vertical profile reflects the restrained sophistication of late Victorian design, making it equally suitable as a functional serving vessel or a decorative silver object within curated interiors. Origin & Period Produced in England during the late Victorian period, this coffee pot reflects the high standards of traditional English silversmithing, when silver-plated wares were crafted to serve both domestic households and formal hospitality settings. Such vessels were integral to coffee, tea, and hot water service during formal dining and afternoon tea rituals. The presence of maker’s marks stamped on the upper body confirms its period authenticity and adherence to established English production standards of the era. Design & Decorative Appeal The pot’s design balances practicality and elegance, with a well-proportioned spout for controlled pouring and a hinged lid that opens smoothly while remaining securely attached. The interior of the lid shows concentric turning marks, a characteristic feature of hand-finished silverware from the 19th century. This versatile piece integrates beautifully into: Traditional and period interiors Classic English dining rooms Layered tabletop and sideboard displays Luxury bar or coffee service settings Curated collections of antique silver Its understated form allows it to complement both ornate Victorian silver collections and more minimalist, heritage-inspired interiors. Craftsmanship & Materials Material: Silver-plated metal Technique: Hand-finished Victorian silverwork Construction: Hinged lid, applied handle, stepped base The silver-plated surface displays a soft, even patina, consistent with age and careful use, enhancing the pot’s authenticity and visual depth without diminishing its refined presence. This is not a decorative reproduction, but a genuine antique English silver vessel crafted for long-term use and lasting beauty. Condition Excellent antique condition, with light age-related wear and patina appropriate to its period. The structure remains sound, the hinge operates correctly, and the overall form retains strong definition and balance. Interior Styling & Use This antique coffee pot works beautifully as: A functional coffee or hot water pot A decorative silver accent for dining rooms or bars A statement object in traditional or eclectic interiors A collectible piece within a curated silverware display It pairs effortlessly with linen table settings, crystal glassware, porcelain services, dark wood furniture, and marble or stone surfaces, adding heritage and elegance to any environment. Why This Piece Is Special This Victorian English silver-plated coffee pot represents a timeless fusion of utility, craftsmanship, and understated luxury. Its classic proportions, authentic patina, and refined detailing make it highly appealing to collectors of antique silver, interior designers, and lovers of traditional English decorative arts. More than a serving vessel, it is a decorative object with historical presence, equally suited to daily appreciation or formal display. Antique English silver coffee pot • Victorian silver-plated coffee pot • 19th-century English silverware • Antique lidded coffee pot • Victorian tableware • Collectible antique silver • English...

Title: 1773 John Blair Map of the Ancient Holy Land: Tribes, Journeys, and Empires This exceptional map by John Blair, published in London in 1773, offers a richly detailed view o...

La Pérouse Alaska Tlingit Costume Engraving – French Expedition, 1797 A rare and historically significant late 18th-century engraving depicting the indigenous inhabitants of Port de...

Holy Land, Twelve Tribes of Israel – After Nicolas Sanson, De Vaugondy / Delamarche, c.1798 Description: Holy Land. De Vaugondy (G. R.), Carte de la Terre des Hébreux ou Israélites,...

A Luxurious Art Nouveau Crystal Amethyst Bowl with Gold Relief Band from Moser. A beautiful centerpiece bowl made of handblown deep purple crystal with a wide band around the body, d...

Antique Handcolored Engraving of Giraffes, Quadruped III, c.1800 This original handcolored copperplate engraving features two giraffes (*Giraffa camelopardalis*), vividly illustra...

Thomas F. Garvin Trophy, 1925 Aviation Trophy, by Wilcox Silver Plate Co. Measuring approximately 14 inches high by 11 inches wide and 11 inches deep, this silver-plated trophy stands...

This impressive pair of Italian Empire Style fern pedestals was crafted in Italy during the second to third quarter of the 20th century and beautifully exemplifies the elegance and s...

Unusual hand made folk art tray from the 1950's in aluminum with etched and incised tropical theme of flamingos in palm trees. Great serving and conversation piece signed by woman ar...

Title: Pair of Hand-Colored Botanical Engravings of Wild and Cultivated Flowers, London 1828 Description: This vibrant pair of early 19th-century botanical engravings exemplifies th...

Pot of Majolica 1930, signed Ginori model 1208-3130, accompanied by an authentic archives Gio' Ponti.

Cybele, Magna Mater – Classical Goddess Statues and Medals, Montfaucon, 1721 DESCRIPTION Large classical engraving depicting Cybele, the Magna Mater or Great Mother goddess, shown t...

An antique Greek pure silver & cloisonne case, circa 1910. Despite this case dating circa 1910 it has a later engraved legend to the base "Greek Army Day Athens, 15th May 1946", from...

Sacrifice Offered to the Sun – Antique Engraving, Upper Egypt, c.1790 This 18th-century copperplate engraving, titled Sacrifice Offert au Soleil, presents...

Pair of Hand-Colored Botanical Engravings of Garden Flowers, London 1828 Description: This beautifully preserved pair of early 19th-century botanical engravings exemplifies the arti...

Gorgeous handmade sterling silver champagne bucket. The body is shaped, embossed and chiseled completely by hand. Four shells of two d...

California Indigenous Dress and Fishing Rafts – Early Ethnographic Engraving, c.1754 This finely engraved ethnographic scene depicts the dress and daily life of the Indigenous inhab...

18th century Dutch brass tobacco box with hinged lid engraved with five circular medallions containing the busts of male noblemen figures with inscriptions and dates, the most recent...

Three Antique Hawaii Engravings – Hula Dance, Native Ceremony & Lamentation, 1836 Description: This set of three original 19th-century engravings illustrates scenes of traditional l...

Beautiful pair of signed Moser wine glasses in two colors, each finely engraved with birds in flight. Classic Moser quality with crisp detailing and e...