Engraved Furniture

Large Pair of French Patinated Bronze Neoclassical Sconces with Empire Influences, Mid-20th Century, Candelabra Bulb up to 60W A grand pair of French patinated bronze wall sconces, ...

Large Cast & Patinated Bronze Alligator Soap Dish/Vide-Poche This large cast and patinated bronze alligator vide-poche is a sculptural decorative object that seamlessly blends funct...

Victorian Beetle Prints Set of Four – Scarab & Stag Beetle Plates, 1893 Description: This decorative set of four natural history beetle plates originates from the influential Ge...

Museum Style Beetle Specimen Plates, Victorian Entomology Prints, Set of 8 Description: This striking decorative set of eight beetle plates originates from the celebrated German ent...

Rectangular table box in 925/1000 sterling silver gold plated with translucent two-tone striped fired enamels on guilloché and hand-engraved motifs. English Empire style George V. Di...

Antique Map of Ireland – Royaume d’Irlande, Robert de Vaugondy, Venice 1778 Description: This finely engraved 18th-century map depicts the Kingdom of Ireland under the title Royaume d’Irlande divisé en ses quatre Provinces et subdivisé en Comtés. The island is shown in impressive detail, with the traditional four provinces—Ulster, Connaught, Leinster, and Munster—clearly delineated and subdivided into counties by contemporary outline coloring. Coastal features, rivers, towns, and road networks are rendered with the clarity and balance typical of late Enlightenment French cartography. The map was drawn by Robert de Vaugondy, one of the most influential mapmakers of the 18th century and royal geographer to the King of France. This Venetian edition was published in 1778 by Paolo Santini, who issued a number of high-quality Italian editions of leading French cartographic works. Santini’s publications are prized for their crisp engraving, generous format, and restrained coloring, making them particularly attractive for framing. The decorative maritime cartouche, left uncolored as issued, provides a refined visual counterbalance to the densely engraved map surface. Longitude and latitude scales frame the composition, while inset coastal details along the eastern seaboard emphasize Ireland’s maritime orientation and strategic importance during the Georgian period. The overall aesthetic is elegant rather than ornate, lending the map strong decorative appeal for both classic and contemporary interiors. This map sits at the intersection of political geography and decorative cartography, reflecting Ireland’s administrative structure in the late 18th century while remaining visually calm and highly legible. It works exceptionally well as a stand-alone wall piece in libraries, studies, hallways, or heritage-inspired interiors, and also pairs beautifully with maps of England or Scotland from the same period. Condition report: Good antique condition. Light, even age toning throughout. Original centerfold as issued. Minor handling wear and soft creases consistent with age. Contemporary outline coloring well preserved. No major tears or losses. Framing tips: This map benefits from a wide mat to emphasize its scale and clarity. Recommended combinations include a dark walnut or ebonized frame with an ivory or light parchment mat for a traditional library look, or a slim black frame with an off-white mat for a cleaner, architectural presentation. UV glass is advised to preserve the original coloring. Technique: Copper engraving with contemporary outline coloring Maker: Robert de Vaugondy, published by Paolo Santini, Venice, 1778 Keywords: antique map of Ireland, antique Ireland map, Royaume d’Irlande map, Robert de Vaugondy Ireland, Santini Venice map, 18th century Ireland map, hand colored antique map, Georgian era cartography, historic Ireland wall map, European antique map, French cartographic school, Italian engraved map, copper engraved map, decorative antique map, neutral antique wall art, classic library wall decor, historic wall decor, heritage interior art, gentleman’s library wall art, study wall decor, old world interior decor, English country house style, refined wall map, vintage European wall art, timeless wall decor, architectural interior art, framed antique map...

Italian Neoclassic Silvered Wrought Iron & White Stone Wall-Mounted Console Table, Italy, Circa 1960s This exquisite Italian Neoclassical silvered wrought iron console table is ...

This marvelous oval glass-framed mirror, measuring 125 h x 80 cm, is made with a mouth-blown Murano Crystal Torchon element, with a diameter of 4 cm, embellished with 24 kt gold leaf...

This is an Emile Galle Art Glass Cameo Vase. It is an elongated ovoid shaped vase. It has a frosted orange glass at the upper top highlighted by differ...

Title: Baroque Dressage Horses – Reitschule des Baron d’Eisenberg, c.1730 Description: This refined set of original 18th-century copper engravings originates from the celebrated rid...

Paris: Rombaldi Éditeur, 1937. Limited Edition. 8vo, 7 5/8 x 5 3/4 (194 x 156 mm). pp: 4, vii, 242. Five color lithographs including the frontispiece. Copies printed on Voiron laid...

A beautiful vintage shadowbox of solid brass hardware. The exceptionally large door plate is prominently featured, displaying great details of a fine...

Pair of Napoleon III Aesthetic Ormolu Naturalistic Lizard Compotes/Tazza—in the Style of Christofle France, Circa 1875 This exquisite pair of Napoleon III period ormolu compotes (ta...

Presenting a fabulous original Art Deco Fortune Magazine Cover, December 1938. The cover of Fortune Magazine for December 1938, fram...

Rectangular with rounded corners table box for cigarettes in 925/1000 sterling silver gold plated with translucent enamels on a radial guilloché an...

Waterfall Hackberry Solid Wood Epoxy Console Table Presenting our Epoxy Waterfall ConsoleTable – a true sample of craftsmanship and elegance. This exceptional piece of furniture is ...

Octagonal pill box in gold-plated 925/100 sterling silver with translucent enamels fired on guilloché also on all sides and with a line on the lid. English Art Nouveau style, early 1...

Satirical German Military Engraving of Napoleon as the Little Corporal, c1835 This 19th-century German engraving presents a humorous encounter between a marching soldier and Napoleon Bonaparte, referred to here by his well-known nickname “the Little Corporal.” The guard refuses to let Napoleon pass, replying firmly: “Man passirt nicht — Und wär’ Ihr der kleine Corporal selbst; ich sage Euch man passirt nicht” (“One does not pass — and even if you were the Little Corporal himself, I tell you one does not pass”). The composition gently satirizes Napoleon’s legendary status, contrasting the anonymous authority of a common soldier with the figure who once ruled Europe. Produced around 1830–1850, likely in a German or Austrian print workshop, the engraving reflects the wave of post-Napoleonic satire that circulated widely in Central Europe. The artist captures the exchange with strong facial expressions, detailed uniforms and a richly rendered woodland setting. Prints of this type remain popular among collectors of Napoleonic history, military art and European caricature, while the crisp impression and large sheet size make it appealing as decorative wall art as well. A charming and historically engaging image from the early 19th century, combining humour, military history and well-executed engraving work. Condition: Strong impression; light age toning; minor handling marks; margins clean with no major tears or repairs. Suitable for immediate framing. Framing: Looks best floated on off-white or pale cream museum board in a thin black, dark walnut or antiqued gold frame. Museum glass recommended to preserve contrast and period detail. Keywords: Napoleon engraving...

JOHANN WILHELM WEINMANN (1683-1741) - PHYTANTHOZA ICONOGRAPHIE - Antique pair of framed 18th century first edition Phytanthoza Iconographie botanical hand colored mezzotint engraving...

China, a panoramic pyrography painting on panel: “Master Tea Ceremony” by then Living Treasure Fang Tzun or his workshop (1930-2000) Inscribed “This year mid summer he painted in new section of Yuan Ming...

1720 Albin Butterfly & Host Plant Plate – Dedicated to William Byrd of Virginia This finely hand-colored copper engraving was published in London in 1720 as part of A Natural Histor...

West View of Cowdray House – Antique Engraving of Viscount Montague’s Estate, 1796 This detailed antique engraving captures the west-facing elevation of Cowdray House, the celebrate...

Late 19th Century French Fire-Gilt Ormolu and Cut Crystal Table Casket, Attributed to Baccarat A refined French fire-gilt ormolu and cut crystal table box, dating to the late 19th century and attributed to Baccarat. The rectangular casket is executed in heavy crystal, cut in the pointe de diamant (diamond point) pattern, with a richly faceted surface that sparkles with light. The base is finished with a classic starburst cut (étoile taillée), a hallmark of Baccarat’s precision craftsmanship. The crystal is mounted in finely chased fire-gilt bronze, the band encircling the box decorated with laurel leaf and berry motifs, symbols of victory, eternity, and refinement within the French neoclassical tradition. The lockplate is adorned with a foliate wreath surrounding the keyhole, adding both ornamental and symbolic significance, as the casket was intended to hold cherished personal objects, jewels, or keepsakes. The ormolu mount retains a rich, warm fire gilding, applied by the traditional mercury gilding process, and features a continuous rear hinge—an indicator of the precision fittings used by Baccarat and other leading Parisian luxury workshops of the period. The box opens to a generous interior, ideal for use as a boîte à bijoux (jewel casket), boîte à bonbons (sweetmeat box), or wedding casket...

Jerusalem, Holy City View – Early Renaissance Woodcut, c.1560 This rare and evocative Renaissance woodcut depicts the Holy City of Jerusalem as imagined in early modern Europe, show...

the first was modelled as a female nude with a robe draped over her shoulder, 44cm high, signed R Cameron Like Asian Yin and Yang, this large erotic sculpture merges masculine Renais...

Important Italian sugar bowl in 800 solid silver made in Florence. The Empire style is characterized by the Classic leaves, embossed and finely chis...

Sacramento City California – Antique Gold Rush Port Steel Engraving, ca.1850 Description: This detailed mid-19th century steel engraving presents an early panoramic view of Sacramen...

Antique map France titled 'Normannia Galliae celebris Provincia in terras suas Ballisiatus (..)'. Decorative regional map of Normandy, France, circa ...

Handcrafted antique 19th century Islamic Turkish Ottoman tinned copper ceremonial water ewer. Antique Middle Eastern Asian Islamic style ewer jug metalware vessel. The bulbous body...

Museum-quality sterling silver flask made by Tiffany & Co, New York, in 1882. The body is in very good condition, while the cap has sustained two small dents. I have left some patina...

Large baroque style sterling silver vase. The body of the vase has been masterfully embossed with shells, flowers and volutes, typical of the Baroque style. Still in the body of the ...

The beautiful brass patina makes this James Mont mid-century lamp a standout. If a lamp can be exciting, this is it. It is encircled with etching and Asian motif symbols around the outside. It is a beautiful example of Mont's Hollywood Regency style lighting and will bring a sense of design and high style to any room. The lamps is on a three way switch. This would be magnificent in a foyer or entryway. It just imparts a sense of drama. James Mont's artistry helped popularize the Asian fusion effect in design. His design style attracted the attention and loyal following of many Hollywood A-listers in the 1950s and '60s including John Barrymore, Lana Turner, Bob Hope and songwriter Irving Berlin...

Antique Map Italy, Bartholomew for Black’s General Atlas, Edinburgh 1884 Description: This detailed map of Italy was published in the New and Revised Edition of Black’s General Atlas of the World, issued in Edinburgh in 1884 by the respected Scottish publishing house A. & C. Black. The map was prepared under the direction of the renowned cartographer John Bartholomew, whose work played a major role in shaping nineteenth-century atlas cartography. John Bartholomew was one of the most influential mapmakers of the Victorian era. His atlases for A. & C. Black were admired for their clarity, precision, and elegant presentation. Combining scientific geographic accuracy with refined engraving and printed color, Bartholomew’s maps became widely used in education, government, and scholarly circles throughout Europe and the British Empire. The map presents the Italian peninsula shortly after the unification of Italy in the nineteenth century. Political divisions are clearly distinguished through printed color, showing the administrative regions of the newly unified kingdom. The map extends from the Alpine frontier in the north to the southern tip of Calabria, capturing the entire peninsula with remarkable geographic detail. Northern Italy shows the Alpine region bordering Switzerland and Austria, with cities such as Turin, Milan, and Venice prominently marked. The Po River basin is depicted with a dense network of towns and transportation routes reflecting the economic importance of the region. Central Italy includes Florence, Pisa, and Rome, while the southern regions show Naples and the mountainous landscapes of Calabria and Basilicata. The map also includes the major Italian islands. Sardinia...

An extraordinary survivor of the Spanish Colonial era, this rare 18th-century candlestick radiates both history and refinement! Crafted in Peru circa 1750, it is cast in richly patin...

Mark Catesby (British, 1683-1749) Framed Engravings, Set of Nine. These 18th Century engravings originated from Catesby's publication, 'The Natural History of Carolina, Florida, and ...

Monumental Classical Allegory, Large Horizontal Engraving from Montfaucon, 1721 Description: This impressive large-format engraving originates from Bernard de Montfaucon’s monumenta...

Rectangular table box in 925/1000 sterling silver with translucent fired enamels on the guilloche and, on the corners, miniature of floral shoots hand-painted by the painter Romano B...

A circa 1900's Caldwell silver plated 8 lights chandelier very unusual floral design

A rare and most impressive 18th century European parcel ebonized rosewood hardstone bronze pewter bone ivory marquetry tabletop cabinet casket. Of exceptionally fine quality, lavish...

Set of 4 Baccarat crystal glasses, so-called Sevigne model, composed of : - 1 water glass - American format (16.9cm high) (rare format) - 1 red wine glass (cm high) - 1 white wine gl...

Title: Rare 1782 Sonnerat Engraving of Sani, Hindu Deity on Raven Description: This captivating antique print, titled "Sani," was created by French naturalist and explorer Pierre So...

Persian/Iranian solid silver box carved/engraved repoussé with birds and flowers. Very intricate details throughout this special piece. Distinct byzantine r...

19th-Century Maritime Engraving – Fishing Boats and Rowers at Sea This evocative 19th-century maritime engraving presents a lively coastal scene featuring two fishing vessels under ...

Classical Antiquities Engraving, Sepulchrum des Nasonii, Montfaucon 1721 This original early eighteenth-century copper engraving presents a scholarly compilation of classical antiquities drawn from ancient Roman artworks, engraved gems, and sculptural sources. The plate originates from Bernard de Montfaucon’s influential publication *L’Antiquité expliquée et représentée en figures*, published in Paris in 1721, one of the most important antiquarian works of the Enlightenment and a cornerstone in the development of archaeology and classical art history. The composition assembles multiple mythological and archaeological subjects arranged in a structured, comparative format typical of Montfaucon’s method. At the center appears a detailed scene labeled “Sepulchrum des Nasonii,” referring to the celebrated Tomb of the Nasonii located along the Via Flaminia in Rome, an important Roman funerary monument known for its painted mythological decorations. The engraving records figures, animals, and pastoral imagery derived from ancient wall paintings, offering eighteenth-century scholars and collectors access to monuments that were otherwise difficult to study directly. Surrounding vignettes reproduce imagery taken from antique cameos, engraved gems, and sculptural fragments. Oval compositions depict mythological figures and allegorical scenes, while the lower section includes a classical statue and medallion studies attributed to antiquarian sources associated with collectors and scholars such as Maffei and Vaillant. These references reflect Montfaucon’s ambition to synthesize knowledge gathered from Europe’s major antiquities collections into a single visual encyclopedia. Executed with refined precision, the engraving demonstrates the clarity and balance characteristic of Parisian copperplate engraving of the early 1700s. Fine linework and careful tonal shading translate sculptural and painted sources into a harmonious graphic composition. Today, plates from Montfaucon’s work are appreciated both for their scholarly significance and for their elegant decorative qualities, making them highly suitable for libraries, study interiors, or contemporary gallery walls seeking classical visual depth. This original antique engraving is offered unframed, allowing flexibility to select a frame that best complements the intended interior. Condition: Good antique condition with age-related toning and light discoloration consistent with early eighteenth-century paper. Minor edge wear and handling marks mainly confined to the margins. Plate impression visible. Blank verso. Framing tips: A dark walnut, gilt, or ebonized frame with a generous ivory mat enhances the academic and neoclassical character of the engraving. For modern interiors, a slim black gallery frame with wide mat spacing provides a refined museum-style presentation. Technique: Copper engraving Maker: Bernard de Montfaucon, France, Paris, 1721 Keywords: Montfaucon engraving, Antiquité expliquée, Sepulchrum des Nasonii, Roman antiquities print, classical archaeology engraving, antique mythological engraving, 18th century copperplate engraving, French antiquarian print, Roman tomb illustration, Via Flaminia Rome print...

Set of four antique prints illustrating various plants. These prints originate from 'Collectanea Austriaca' by N.J. Jacquin. Published between 1786 and 1796.

Presenting a lovely late 19th century, EAS Douglas hunt scene aquatint engraving. Hand colored and originally painted by Edward Algernon Stuart Douglas (1...

Four-leaf clover-shaped table box in gold-plated 925/1000 sterling silver with petals in lapis lazuli and red jasper. Dimensions: 8.3 x 8.3 x 2 cm. Silver weight: 175 g. Designed by ...

This exceptional antique map, titled "Nouvelle Carte Marine de Toute les Cotes de l´Amerique" and alternatively known as "Nieuwe groote en seer Curieuse Paskaart van Geheel-WestIndie...

An Austrian art-nouveau cigar cutter made by Oskar Dietrich. This is a beautiful cigar cutter created in Austria during the late art-nouveau period, back in the 1900-1920, The cigar...

Virgin Mary with Child, Baroque Devotional Engraving, Penzinger, c.1700 This refined Baroque devotional engraving depicts the Virgin Mary tenderly embracing the Christ Child, set wi...

Set of Three De Bry Botanical Engravings of Indian Fruits and Spices, c.1598 – Pineapple, Mango, and Pepper An exceptional trio of original copper engravings from Theodor de Bry’s P...

A marble base, that quickly charges your phone, with a touch of magic. A circle, a stone, realized with the care that marble requires. A powerful wireless charging technology en...

Pr. of Italian Barocco revival five light candelabras. These Candlesticks are the result of the excellence of Italian craftsmanship that cures to perfection details and design balan...

Silver frame made with the lost wax casting technique. The frame is in Art Nouveau style and the verifiable weight is all in silver, except for the wooden back. The decorations are...

Ancient Egyptian Reliefs & Hieroglyphs, Denon Voyage Egypt, 6 Engravings 1802 This cohesive set of six copper engravings originates from Voyage dans la Basse et la Haute Égypte, pub...

A rare and important French Art Nouveau tea table with two shapely shelves. Engraved with lily pads petals & leaves. Decorative bronze handles. Completely hand crafted.

The original exquisite 18-piece dinner service is a rare early example of the Asiatic Pheasants pattern, produced by Podmore, Walker & Co. around 1840. A precursor to later itera...

This finely detailed hand-colored engraving showcases the Imperial Academy of Sciences in St. Petersburg, a prestigious institution founded by Peter the Great in 1724 to advance know...

Add a touch of vintage charm to your jewellery collection with this beautiful swan ring holder. Crafted from high-quality metal with gold/silver plating, it is the perfect addition t...

Antique Entomology Prints, English Insects on Marigold & Willow, Albin 1720 Description: A refined and visually striking pair of early 18th-century hand-colored engravings by Eleaza...