Engraved Furniture

Title: 17th Century Woodcut Map of Jerusalem from Abraham Saur’s Städte-Buch, 1658 Description: A rare and visually compelling 17th-century German woodcut...

Caesar’s Gallia Veteris – Blaeu Map of Ancient Gaul, France c.1642 Description: A finely engraved and highly decorative 17th-century map of ancient Gaul, titled Typus Galliae Veteri...

Joan of Arc in Armor, Antique Hand-Colored Costume Lithograph, c.1845 This striking antique hand-colored lithograph depicts the legendary French heroine Joan of Arc (Jeanne d'Arc) s...

Hawaiian Dancer Engraving, Sandwich Islands Figure Study, Cook Voyage, c.1790 This elegant late 18th-century copperplate engraving presents a striking full-length depiction of a Haw...

JOHANN WILHELM WEINMANN (1683-1741) - PHYTANTHOZA ICONOGRAPHIE - Antique pair of framed 18th century first edition Phytanthoza Iconographie botanical hand colored mezzotint engraving...

A vintage Hindu Dancing Shiva - Nataraja Lord of Dance - Dancing in a ring of fire. Cast in Bronze/brass with silver-plate details and hand-etchings. Mad...

Set of Two Original Antique Engravings of Peru by C.T. Middleton, 1778 Description: A decorative matching set of two original antique copperplate engravings illustrating traditional...

Fantastic quality large antique Edwardian silver plated twin handled tray, having a fantastic quality large antique Edwardian tray with beautiful engraved detail to the centre, havin...

Original Antique Print of Ancient Greek and Roman Lyres by Bertuch, 1802 Original antique hand-colored copper engraving depicting ten different forms of ancient lyres, citharas and ...

Renaissance sterling silver dinner set. Made by Tiffany & Co. in New York, ca 1910. This set comprises 156 pieces (dimensions in inches): Forks: 12 dinner forks (8), 12 salad fo...

Pair of red a blue crystal liquor bottles, with a pear-shaped shape with grinding of geometric engravings on the base and on the body giving a beautiful shine. Silver neck marked wit...

Small-Format Butterfly Engravings with Botanical Studies, 1835 This elegant set of six hand-colored butterfly engravings originates from the celebrated Victorian scientific publicat...

An original antique steel engraving, uncolored, lettered "NEWHAVEN CONNECTICUT, VIEW LOOKING SOUTH WEST, ACROSS THE GREEN, TOWARDS YALE COLLEGE." The view looks across a broad, open ...

An original antique wood engraving, colored by hand with watercolor, showing a commander of the Order of Saint Stephen of Hungary standing full length in the robes of the order. He w...

This original antique steel engraving, uncolored, is lettered "AMHERST COLLEGE, MASS." The view shows a row of college buildings receding from the right: a tall stone dormitory block of four stories, then a chapel with a portico of four columns under a pediment and a square bell tower, and beyond them further plain buildings. Small figures stand on the chapel steps and on the walks. At the left large trees frame an open view across fields to a village and a line of low hills. Above the view a small uncaptioned emblem shows a paddle steamer lettered "BOSTON" passing a harbor town, with a rowboat in the foreground. A border of curling acanthus scrolls holds two vignettes. At the lower left a crowd of Puritan men, women and children greet one another on the shore, with ships beyond and a felled tree trunk at the right, lettered "ARRIVAL OF PURITAN MINISTERS. 1633." At the lower right a seated man writes at a table while an official in a plumed hat receives Native American chiefs in feathered headdresses, with guards behind, lettered "VISIT OF INDIAN CHIEFS TO GOVERNOR WINTHROP...

This is an original antique steel engraving, uncolored, lettered below the view "WHITE MOUNTAINS, NEW HAMPSHIRE." A wooded valley opens toward a range of mountains, with a pale, poin...

Jean Jacques Pradier (1790-1852) Bronze Napoleon Bonaparte James Pradier (born Jean-Jacques Pradier, 1790–1852) was a Genevan-born French sculptor best known for his work in the neoclassical style, one of the primary artists of Napoleon's tomb, Les Invalides.  This exceptional 19th-century French bronze full-length portrait of a standing Napoleon Bonaparte bronze...

This is an original antique map of France, a steel engraving colored by hand, titled "FRANCE IN DEPARTMENTS". The departments are outlined in color, with a pale blue wash along the c...

American Art Nouveau sterling silver hand mirror, ca 1890. Beveled glass in round frame with baluster handle. In dense low-relief are swans with whiplash necks, a nymph with tentacul...

Mounted Crusader in Full Charge with Sword and Shield, circa 1400 Description This powerful hand-colored engraving, Plate No. 86 from the prestigious 1845 publication Costumes Histo...

Sevres Porcelain Ormolu Tazza, 1838 Hunting Royal Service of King Louis Philippe This exceptional Sèvres porcelain ormolu-mounted tazza, dating to 1838, forms part of the renowned ...

Pair of Classical Dressage Engravings — Haute École Horsemanship, c.1750 This elegant pair of mid-18th century hand-colored copperplate engravings illustrates advanced movements fro...

Antique View of Siam — Royal Barges, Elephants & Customs Engraving, Chatelain c.1720 This detailed early 18th-century copperplate engraving titled “Vue & description de la ville de ...

An engraved portrait of Henry VIII, King of England, famous for his role in the separation of the Church of England from the Roman Catholic Church. His reign saw the Dissolution of...

Circa 1900 Caldwell silver plated bronze small chandelier with 6 lights. Engraved flowers on body and cups

Rare English Georgian Political Satirical Cow Horn Beaker with Royal Coach Attacked by the Heraldic Lion English Georgian Political Satirical Cow-Horn Beaker with a Royal Coach Atta...

An antique Art Deco tea set and silver-plated teapot beautifully designed and created suit elegant serving. With lid pressed, cast and chased vaulted lid. Coffee pot, Height 26 cm. S...

Title: View of the Grand Water Jet at Saint-Cloud by Louis-Pierre Baltard, Paris, 1803 Description: This finely executed original antique copperplate engraving depicts the spectacul...

FREE WORLDWIDE SHIPPING CAST BY BEDDOES & CO, BIRMINGHAM From our silver collection, we’re pleased to offer a truly unique piece from Royal history, an Asprey silver and enamel t...

Elegantly proportioned and distinctly Israeli in character, this silver oil pourer was made in Jerusalem during the late 20th century, combining a traditional ewer form with restrain...

A sterling vesta matches oval box by Thomas Johnson. This is a very rare vesta box for matches created in London, England at the silversmith atelier of Thomas Johnson. The piece has...

Gilded Age sterling silver centerpiece bowl. Made by Tiffany & Co. in New York. Plain and round well on short and stepped foot. Turned-down sides and wavy rim embellished with scroll...

Title: Antique Paris & Versailles Views Set of 3, Louvre St Cloud Versailles Description: A refined and highly decorative set of three original mid-19th-century engravings depic...

Grand Master of the Order of St. Michael in Ceremonial Attire, 18th Century Engraving This hand-colored engraving depicts the Grand Master of the Order of St. Michael, adorned in ...

Antique World Map Planisphere, Levasseur, Decorative Atlas, c.1845 This highly decorative world map titled Planisphère was created by Victor Levasseur and published in Paris circa ...

We kindly suggest you read the whole description, because with it we try to give you detailed technical and historical information to guarantee the authenticity of our objects. Beaut...

Title: 1799 Samuel Howitt "Mares & Foals" Engraving – Original Georgian English Equestrian Print Creator: Samuel Howitt (British, 1756–1822) Date: Published February 1, 1799 Medium: Original copperplate engraving on laid paper, unframed Country of Origin: England An original late Georgian copperplate engraving titled Mares & Foals, designed and engraved by the distinguished British sporting artist Samuel Howitt. The print depicts a tranquil pastoral scene with mares and their young gathered beneath a magnificent tree in an English countryside setting. The plate is signed in the image "Howitt inv. et f.", indicating that Howitt both conceived and executed the engraving himself. At lower right it bears the publication line "Published Feb.y 1st, 1799," confirming its eighteenth-century origin. Samuel Howitt was among the foremost British animal and sporting artists of his generation. Renowned for his naturalistic depictions of horses, hunting scenes, and wildlife, his works were widely admired by the English gentry and remain highly collectible today. His engravings combine elegant composition with remarkable observational detail, making them timeless decorative works. This authentic Georgian print offers exceptional appeal for equestrian interiors, country houses, libraries, and collectors of antique sporting art. Condition: Good antique condition with light age toning and minor handling wear consistent with more than two centuries of age. The sheet retains generous original margins and presents beautifully. Presented unframed. Framed images are shown for inspiration only and not always to scale. Keywords: Samuel Howitt, Mares & Foals, horse engraving, equestrian print, Georgian engraving, sporting art, English countryside, antique animal print, original copperplate engraving, British horse art, pastoral landscape, 1799 engraving, country house decor, stable decoration, laid paper print, eighteenth century print, English sporting print...

Antique Fruit Prints by Poiteau and Turpin, Hand-Colored Botanical Engravings Description: This exquisite compilation features three antique bot...

Edwardian Classical glass trivet with engraved silver overlay. Made by Tiffany & Co. in New York, ca 1911. Round with concentric overlay ornament: Central rondel engraved with interl...

TITLE: Pair of French Rococo Berlin & Diable Carriage Engravings, 1771 DESCRIPTION: Pair of original antique 18th-century copper engravings illustrating two elegant French horse-drawn carriages, published in the celebrated Encyclopédie of Denis Diderot and Jean le Rond d’Alembert in 1771. The plates belong to the “Sellier-Carrossier” section devoted to the sophisticated craft of French carriage making. Drawn by Jacques-Raymond Lucotte and engraved by Robert Bénard, they combine highly decorative Rococo coach design with precise technical documentation of carriage construction, suspension, wheels, chassis, upholstery and fittings. PLATE IV – Berline ou Vis-à-vis à panneaux arrasés: An exceptionally ornate enclosed Berlin or vis-à-vis carriage. The large central elevation shows the richly decorated passenger compartment, elaborate Rococo carving, large rear and smaller front wheels, driver’s seat and suspension. Additional figures illustrate individual decorative and structural components. PLATE XII – Diable: An elegant open carriage known as a “Diable,” characterized by its sweeping body profile and richly upholstered passenger compartment. The plate presents the complete carriage in side elevation together with a plan view, separate upholstery study and construction details. Together, the two engravings provide a fascinating contrast between enclosed and open luxury carriage...

An exceptionally rare French Palais Royal musical sewing box of magnificent diamond sarcophagus form, crafted in finely chased gilt bronze and mounted with exquisitely engraved mother-of-pearl panels, French, circa 1830. The architectural case is adorned throughout with engraved mother-of-pearl panels delicately decorated with floral sprays, framed by richly chased gilt bronze borders and raised upon an elegant pierced gallery base with scrolling foliate feet. The faceted lid is surmounted by a turquoise cabochon finial, completing one of the most sophisticated and desirable designs produced by the celebrated Palais Royal workshops. Opening the lid reveals a sumptuous ruched silk-lined interior above a fitted crimson velvet tool tray retaining an excellent suite of original carved mother-of-pearl sewing implements, including scissors, needle case, stiletto, bodkin, thread winder, crochet hook and winding key. Beneath the tray is concealed the original musical movement. The movement is fitted with an early segmented steel comb, a feature associated with the finest early nineteenth-century musical mechanisms, and plays two separate airs on a pinned cylinder. Segmented comb movements are considerably scarcer than later one-piece comb examples and are highly prized by collectors for both their early construction and superior tonal quality. During the first half of the nineteenth century, the Palais Royal in Paris was Europe's foremost centre for luxury goods, where the finest bronziers, jewellers and tabletiers collaborated to produce exquisite objets de vertu for an international clientele. Musical sewing boxes represented the pinnacle of fashionable luxury, combining practical utility with exceptional craftsmanship and ingenious mechanical design. Examples of this distinctive diamond sarcophagus form are among the rarest Palais Royal sewing...

Antique Greek Amphorae Classical Pottery Color Lithograph, 1883 Original antique color lithograph depicting two ancient Greek amphorae, published in Berlin in 1883 as part of Albert Genick’s monumental work on Greek ceramics. This impressive landscape-format plate presents two contrasting examples of ancient Greek amphorae. The vessel on the left has a predominantly black body with twisted handles and a single standing draped male figure rendered in terracotta red. He holds a long staff and stands above a traditional Greek-key meander border. The more elaborate amphora on the right is richly decorated with black, terracotta and additional colored details. Its central frieze contains a lively procession or group of figures, surrounded by multiple ornamental bands. The neck carries a large symmetrical palmette motif, while birds and further decorative elements appear around the shoulder of the vessel. Two smaller archaeological line drawings between and above the amphorae record details associated with the pottery decoration. The juxtaposition of the restrained black amphora with the richly ornamented second vessel makes this a particularly attractive and visually varied plate from the series. Its horizontal format also makes it especially suitable for display above a console, desk or fireplace. The print originates from the second edition of Albert Genick’s important publication on Greek ceramics, published by Ernst Wasmuth in Berlin in 1883. The complete work comprised 36 large color lithographic plates, including four double-page plates, illustrating amphorae, vases, bowls and other examples of ancient Greek ceramic art. The lithographs were produced by the Berlin printing establishment Hein & Mosler. Albert Genick (1837–1906), a Berlin-trained architect, became particularly known for his precise graphic documentation of ancient ceramics. This publication is regarded as his principal work. Complete examples are rare, and individual plates from the series are increasingly difficult to find. Creator: Albert Genick (1837–1906) Publisher: Ernst Wasmuth, Berlin Printer: Hein & Mosler, Berlin Plate: IV Date: 1883 Edition: Second edition Technique: Color lithograph Origin: Germany Sheet size: Approximately 46 x 68 cm (18.1 x 26.8 inches) Orientation: Landscape Period: Late 19th Century Style: Neoclassical / Archaeological Revival Condition: Very good antique condition. Strong black and terracotta coloring with the additional colors of the decorated amphora remaining well preserved. Light age-related toning with scattered minor foxing and spotting, principally in the surrounding background and margins. Minor edge wear consistent with age. Please study the photographs carefully as they form part of the condition description. An original antique lithograph printed in 1883, not a modern reproduction. The print is offered unframed. Any framed or interior images, if shown, are for presentation and inspiration only. Additional companion plates from Albert Genick’s series are available separately. Keywords: Albert Genick, Greek amphorae, Greek amphora, ancient Greek pottery, Greek ceramics, Greek vases, amphora print, classical pottery, archaeological print, ancient Greece, Greek art, Greek figures, classical antiquity, Greek key, Greek meander, palmette ornament, black figure pottery...

TITLE: French Garden & Hunting Carriage Designs, Diderot Encyclopédie, 1771 DESCRIPTION: Original antique 18th-century copper engraving illustrating elegant French garden, pleasure ...

A superbly incised Arts and Crafts pyrography depiction of a great horned owl. This unique work of art was hand incised in 1978 by Bert (HA) Peters Signed obverse lower right P...

Antique Butterfly Napkin Holder Decorative Silver-Plated Tableware A charming and highly decorative vintage butterfly-themed table accessory set comprising an elegant butterfly napki...

Antique Map with Title: "Mappemonde en Deux Hémisphères" Publication Details: - **Atlas Title:** Nouvel Atlas Universel de Géographie Ancienne et Moderne - **Purpose:** For the Nouvelle Edition de la Géographie de Guthrie - **Mapmakers:** P. F. Tardieu, with contributions from various geographical works - **Publisher:** Chez Hyacinthe Langlois, Libraire, quai des Augustins, n° 45 - **Year:** An X - 1802 (French Revolutionary Calendar) **Geographical Scope:** This antique map illustrates a double-hemisphere world map, showing both the Eastern (Old World) and Western (New World) hemispheres. It provides a global perspective, capturing the entire known world as understood in the early 19th century. **Map Features:** - **Hemispheres Displayed:** - **Western Hemisphere:** The Americas, labeled as "Hémisphère Occidental ou Nouveau Monde...

Original Antique Print of Four Corals by Bertuch, c. 1790 Original antique hand-colored copper engraving depicting four remarkable varieties of coral and marine growth, published in Friedrich Justin Bertuch’s celebrated “Bilderbuch für Kinder” around the end of the 18th century. The plate is titled “Corallen I / Corallia / Coraux I” and bears the reference “I.B.21” at lower right. It belongs to Bertuch’s early natural-history series illustrating the extraordinary diversity of marine organisms then collectively described as corals. Four dramatically different specimens are arranged across the sheet. Fig. 1 depicts a branching red coral with multiple upright stems. Its vivid original red coloring makes it the strongest color accent in the composition and recalls the precious red corals that had long been collected in the Mediterranean and used for jewelry and decorative objects. Fig. 2 shows a tall, dark branching form with an elegant tree-like structure, representative of the flexible horn-like corals historically grouped among the gorgonians. Fig. 3 illustrates a large irregular, porous coral formation, rendered in pale ochre and gray tones. Its complex surface and numerous cavities emphasize the extraordinary structural variety encountered in coral colonies. Fig. 4 dominates the upper part of the plate and is perhaps the most visually striking specimen. Its broad, deeply folded and radiating surfaces create an almost flower-like or sculptural appearance, demonstrating why corals occupied such a fascinating position between the botanical and zoological worlds in early natural-history classification. During the 18th century, the classification and biological nature of corals remained an important subject of scientific investigation. Earlier naturalists had frequently compared them with plants or mineral formations, while increasingly detailed observation established their animal nature. The terminology and organization of early coral collections therefore provide a fascinating insight into the development of marine zoology. The engraving combines finely engraved scientific detail with restrained original hand coloring in red, ochre, gray and black. Its large sculptural forms and spacious composition give the plate considerable decorative appeal in both traditional natural-history collections and contemporary coastal interiors. Friedrich Justin Bertuch (1747–1822) was a German publisher, writer and patron of the arts. His monumental “Bilderbuch für Kinder” was one of the great illustrated educational encyclopedias of the late 18th and early 19th centuries, covering zoology, botany, geography, science, technology, antiquity and numerous other subjects. Creator: Friedrich Justin Bertuch (1747–1822) Source: Bilderbuch für Kinder Plate: Corallen I / Corallia / Coraux I Reference: I.B.21 Subject: Four Corals and Marine Organisms Place of Publication: Weimar, Germany Date of Manufacture: Circa 1790 Period: Late 18th Century Style: Neoclassical – In the Period of Medium: Original hand-colored copper engraving on paper Condition: Good. Wear consistent with age and use. General age-related toning with scattered foxing, spotting and minor marks. Some discoloration and handling wear are visible, consistent with the age of the sheet. Original hand coloring remains attractive, particularly the strong red coloring of Fig. 1. Please refer to the photographs for further details of condition. Please note: This is an original antique engraving from the late 18th century, not a modern reproduction. The print is sold unframed. Framed images or interior views, if shown, are for presentation and inspiration only. Other companion marine-life and natural-history plates from Bertuch’s “Bilderbuch für Kinder” are also available separately. Keywords: antique coral print...

Italian Modern Silverplated Twin-Handled Champagne/Wine Bucket Italy, 20th Century This elegant modern Italian silver-plated champagne/wine bucket exudes sophistication with its sl...

A. Kuger Sterling Silver Mounted Ostrich Egg Bowl with Buffalo Head Handles A sculptural late 20th-century ostrich egg bowl mounted in sterling silver by A. Kuger, retaining its ori...

Antique Utah Landscape Print, Weber Canyon & Great Salt Lake Valley, 1861 Description: A refined mid-19th century American landscape engraving titled Weber Lower Cañon, depictin...

Handcrafted in 925 sterling silver and Bohemian crystal, the monumental “Snow Lion” sculptural centerpiece vase is a distinguished work of decorative art celebrating vitality, youth,...

Antique Handcolored Engraving of Starfish and Marine Creatures, c.1800 This original handcolored copperplate engraving features various starfish and other echinoderms, emphasizing...

Original Antique Print of Ancient Greek and Roman Musical Instruments by Bertuch, 1802 Original antique hand-colored copper engraving illustrating a remarkable collection of musical...

Title: Funeral Rites and Burial of Inca Nobles – Rare 1734 Engraving of Peruvian Customs Description: This detailed 1734 copperplate engraving presents two dramatic scenes depicting...

Horatio Nelson Portrait, Trafalgar Engraving, Naval Hero, 1819 London This striking engraved portrait depicts Vice-Admiral Horatio Nelson (1758–1805), one of Britain’s most celebrat...

Original Antique Print of Two Sperm Whales by Bertuch, c. 1800 Original antique hand-colored copper engraving depicting two sperm whales, published in Friedrich Justin Bertuch’s celebrated “Bilderbuch für Kinder” around the beginning of the 19th century. The plate is titled “Fische XXXVIII / Poissons XXXVIII” and presents two different representations of the sperm whale, one of the largest toothed whales in the world. Both animals are shown in profile with their characteristic massive, almost rectangular heads, narrow toothed lower jaws and relatively small flippers. Jets of water emerge dramatically from the blowholes. The unusual appearance of the animals reflects both their distinctive anatomy and the way whales were understood and represented by European naturalists around 1800. The sperm whale was of considerable economic importance during this period. It was hunted particularly for spermaceti, the waxy substance contained within its enormous head, as well as for whale oil and ambergris. These early zoological representations are especially interesting because accurate observation of living whales was extremely difficult. Natural-history illustrators therefore frequently relied upon stranded or captured specimens, descriptions by sailors and whalers, and earlier published illustrations. The engraving is delicately enhanced with original hand coloring in restrained shades of black, gray and brown and bears the inscription “Jacob Hauer Schmuzer” at lower right. Friedrich Justin Bertuch (1747–1822) was a German publisher, writer and patron of the arts. His monumental “Bilderbuch für Kinder” (Picture Book for Children) was one of the great illustrated educational encyclopedias of the late 18th and early 19th centuries. Creator: Friedrich Justin Bertuch (1747–1822) Engraver: Jacob Hauer Schmuzer Source: Bilderbuch für Kinder Plate: Fische XXXVIII / Poissons XXXVIII Place of Publication: Weimar, Germany Date of Manufacture: Circa 1800 Period: Early 19th Century Style: Neoclassical – In the Period of Medium: Original hand-colored copper engraving on paper Condition: Good. Wear consistent with age and use. Light age-related toning and scattered minor spotting and marks. Some marginal wear and a small loss/irregularity at the upper right corner. Original hand coloring remains attractive. Please refer to the photographs for further details of condition. Please note: This is an original antique print from circa 1800, not a modern reproduction. The print is sold unframed. Framed images or interior views, if shown, are for presentation and inspiration only. Keywords: sperm whale print, antique whale print...

Knight of the Illustrious Order of Saint Januarius in Ceremonial Robes Description: This hand-colored engraving depicts a distinguished Knight of the Illustrious Order of Saint Janu...

Vintage Falstaff Silver-Plated Goblet, Made in Spain, Ornate Stem Cup Elegant and timeless, this vintage Falstaff silver-plated goblet showcases refined European craftsmanship with ...

19th Century French Bronze Figure of Cupid, Attributed to Auguste Moreau France, circa 1890 Unsigned A captivating 19th-century French bronze figure of Cupid, attributed to the reno...

Pairpoint Cobalt Blue Wheel-Engraved Floral Art Glass Center Bowl with Controlled Bubble Pedestal, New Bedford, circa 1915–1930 A striking example of early 20th-century American art...