Needlework Decorative Art

A Set of 8 framed embroidery fragments. First the fragments are hand backed on linen and strutted on wooden stretchers and finish with wooden frames.

First the fragment has been hand backed on a linen fabric, then stretched over a wooden stretcher and finished with a wooden frame. Late 19th Century. Uzbekistan Ready to go on a wa...

First the fragment has been hand backed on a linen fabric, then stretched over a wooden stretcher and finished with a wooden frame. Late 19th Century. Turkey Ready to go on a wall. ...

First the fragment has been hand backed on a linen fabric, then stretched over a wooden stretcher and finished with a wooden frame. Late 19th Century. Turkey Ready to go on a wall. ...

The suzani fragment on the frame is from a 19th C. Suzani. It is hand backed on linen and streched over a strecher and finish with a wooden frame. Ready to go on any wall. The item ...

First the fragment has been hand backed on a linen fabric, then stretched over a wooden stretcher and finished with a wooden frame. Late 19th Century. Turkiye Ready to go on a wall....

This early Victorian needlework depicts the biblical story of Moses discovered among the reeds of the Nile. Worked in silk and chenille, the scene shows the infant Moses being lifted...

Laura Wheeler stamped embroidery kits: eagle with Liberty Bell, together with eagle and George Washington profile, circa 1920; wool on wool ground, later frames. Large: 31 ½ by 24...

Suzani, a Central Asian term for a specific type of needlework, is also the broader name for the hugely popular decorative pieces of textile that feature this needlework in vivid col...

Suzani, a Central Asian term for a specific type of needlework, is also the broader name for the hugely popular decorative pieces of textile that feature this needlework in vivid col...

A beautiful piece of textile art, this petite needlework sampler exemplifies the best of American Antiques. A wonderful example of late 19th Century women's art work, the sampler d...

First the fragment has been hand backed on a linen fabric, then stretched over a wooden stretcher and finished with a wooden frame. Late 19th Century. Turkey Ready to go on a wall. ...

First the fragment has been hand backed on a linen fabric, then stretched over a wooden stretcher and finished with a wooden frame. Early 20th C. Morocco. Ready to go on a wall. Fra...

First the fragment has been hand backed on a linen fabric, then stretched over a wooden stretcher and finished with a wooden frame. Late 19th Century. Uzbekistan Ready to go on a wa...

First the fragment has been hand backed on a linen fabric, then stretched over a wooden stretcher and finished with a wooden frame. Late 19th Century. Morocco Ready to go on a wall....

First the fragment has been hand backed on a linen fabric, then stretched over a wooden stretcher and finished with a wooden frame. Late 19th Century. Turkey Ready to go on a wall. ...

A French framed needlepoint tapestry from the 19th century, with ribbon and floral motifs. Set inside a simple yet elegant gilded frame with matting and gilt rim, this lovely horizon...

First the fragment has been hand backed on a linen fabric, then stretched over a wooden stretcher and finished with a wooden frame. Late 19th Century. Turkey Ready to go on a wall. ...

First the fragment has been hand backed on a linen fabric, then stretched over a wooden stretcher and finished with a wooden frame. Late 19th C. Turkey Ready to go on a wall. Framed...

First the fragment has been hand backed on a linen fabric, then stretched over a wooden stretcher and finished with a wooden frame. Late 19th C. Turkey. Ready to go on a wall. Frame...

First the fragment has been hand backed on a linen fabric, then stretched over a wooden stretcher and finished with a wooden frame. Early 20th C. Morocco. Ready to go on a wall. Fra...

First the fragment has been hand backed on a linen fabric, then stretched over a wooden stretcher and finished with a wooden frame. Late 19th C. Ottoman Turkey Ready to go on a wall....

A vintage midcentury red color silk brocade collectable Japanese ceremonial wedding kimono. One of a kind handcrafted . Fabulous museum quality ceremonial piece in pure silk with ...

Suzani, a Central Asian term for a specific type of needlework, is also the broader name for the hugely popular decorative pieces of textile that feature this needlework in vivid col...

First the fragment has been hand backed on a linen fabric, then stretched over a wooden stretcher and finished with a wooden frame. Late 19th C. Uzbekistan Ready to go on a wall. Fr...

- Handspun and handwoven wool, oil paint - 2022 - Unique piece - Framing by Laetitia Verchere - Edition of 10. Dimensions: 40 x 40 in // 100 x 100 cm.

Suzani, a Central Asian term for a specific type of needlework, is also the broader name for the hugely popular decorative pieces of textile that feature this needlework in vivid col...

Vintage handmade Uzbek Suzani textile from Central Asia, featuring a rich deep red ground with bold circular medallion motifs in ivory, golden yellow, navy blue, green and black embr...

First the fragment has been hand backed on a linen fabric, then stretched over a wooden stretcher and finished with a wooden frame. Late 19th Century. Turkey Ready to go on a wall. ...

Suzani, a Central Asian term for a specific type of needlework, is also the broader name for the hugely popular decorative pieces of textile that feature this needlework in vivid col...

Introducing our exquisite vintage suzani hand embroidered wall hanging, a captivating piece that combines ancient craftsmanship with modern artistry. This embroidered cloth is not ju...

Refined Chinese decorative panel featuring a polychrome embroidery on natural silk, executed between 1920 and 1930 in Jiangsu Province, in the Suzhou area, and later mounted within a...

First the fragment has been hand backed on a linen fabric, then stretched over a wooden stretcher and finished with a wooden frame. Late 19th Century. Turkey Ready to go on a wall. ...

First the fragment has been hand backed on a linen fabric, then stretched over a wooden stretcher and finished with a wooden frame. Late 19th Century. Turkiye Ready to go on a wall....

A silk collar from China dated to late Qing Dynasty circa 19th century. Known as Yunjian (Cloud Shoulder or Cloud Collar), this two-tiered embroidery textile piece was a detachable c...

This is an antique needlepoint sampler. An English, handmade embroidered decorative panel, dating to the early Victorian period, circa 1850...

A set of 19th-century Chinese silk tapestries, woven or embroidered entirely by hand. Left and right represents a fishing village with women and men fishing at the net. Both ba...

First the fragment has been hand backed on a linen fabric, then stretched over a wooden stretcher and finished with a wooden frame. Late 19th Century. Turkiye Ready to go on a wall....

A fine matching pair of embroidered silk civil rank badge panels (known in Chinese as Buzi) unframed. The panels feature borders of fret archaic key a...

Beautifully framed vintage American needlework of daisies. Very modern almost Pop Art style needlework which really pops thanks to its striking blue background.

First the fragment has been hand backed on a linen fabric, then stretched over a wooden stretcher and finished with a wooden frame. Late 19th C. Kaitag, Daghestan. Ready to go on a w...

First the fragment has been hand backed on a linen fabric, then stretched over a wooden stretcher and finished with a wooden frame. Early 20th C. Morocco. Ready to go on a wall. Fra...

Large Scale Framed Italian Silk Embroidery Textile Panel, dating from the 18th century. The textile displays a finely balanced symmetrical design of scrolling acanthus vines and abundant blossoming flowers in soft tones of rose, blue, green, and gold on a neutral background. Each stitch reveals the exceptional craftsmanship typrical of Italian embroidery of the period, likely originating from a noble household or religious setting. The embroidery is bordered with its original fringe edge and preserved under a custom gilt frame, lending the piece both protection and an elegant presentation. This panel will be perfect as a statement piece in a hallway, dining room, or above a console. This framed antique...

First the fragment has been hand backed on a linen fabric, then stretched over a wooden stretcher and finished with a wooden frame. Late 19th C. Tajikstan Ready to go on a wall. Fra...

A Pair of Framed Silk Embroidery Panels Anglo-Chinese, Early 20th century A refined pair of silk embroidery panels depicting birds in flight among flowering branches, executed in fi...

A buck deer animal needlepoint artwork wall art with Birdseye maple frame, circa 20th century, Europe. Dimensions: 10.13" Width x 8.94" Height....

First the fragment has been hand backed on a linen fabric, then stretched over a wooden stretcher and finished with a wooden frame. E 20th C. Ottoman Turkey Ready to go on a wall. ...

First the fragment has been hand backed on a linen fabric, then stretched over a wooden stretcher and finished with a wooden frame. Late 19th C. Uzbekistan Ready to go on any wall. ...

The suzani fragment on the frame is from a 19th C. Suzani. It is hand backed on linen and streched over a strecher and finished with a wooden frame. Ready to go on any wall. The ite...

First the fragment has been hand backed on a linen fabric, then stretched over a wooden stretcher and finished with a wooden frame. Late 19th C. Turkey Ready to go on a wall. Framed...

The suzani fragment on the frame is from a 19th C. Suzani. It is hand backed on linen and streched over a strecher and finished with a wooden frame. Ready to go on any wall. The ite...

Suzani, a Central Asian term for a specific type of needlework, is also the broader name for the hugely popular decorative pieces of textile that feature this needlework in vivid col...

Large antique needlepoint of the British sailing ship Amelia hand crafted in wool, popularly known as woolies, crafted with ambitious detail. Pres...

First the fragment has been hand backed on a linen fabric, then stretched over a wooden stretcher and finished with a wooden frame. Early 20th C. Kazakstan, ( silk embroidery on silk...

First the fragment has been hand backed on a linen fabric, then stretched over a wooden stretcher and finished with a wooden frame. Early 20th C. Morocco. Ready to go on a wall. Fra...

First the fragment has been hand backed on a linen fabric, then stretched over a wooden stretcher and finished with a wooden frame. Late 19th C. Greece. Ready to go on a wall. Frame...

The suzani fragment on the frame is from a 19th C. Suzani. It is hand backed on linen and streched over a strecher and finish with a wooden frame. Ready to go on any wall. The item ...

In the most technical sense of the word, "Suzani," in Central Asia and Iran, means needle and is used to describe this type of needlework, but to most people, such as decorators or c...

First the fragment has been hand backed on a linen fabric, then stretched over a wooden stretcher and finished with a wooden frame. Late 19th C. France/ England Ready to go on a wall...

A woman's court coat made from fine orange color silk with wide sleeves from Chinese Qing Dynasty (mid 19th century), mounted on linen canvas and presented on under a plexiglass shadow box with brass corner trims. This piece is part of the textile art collection of the former Xerox Corporate and still bears a metal tag that read "Xerox property no A2425". The semi-long Apricot color silk coat features elaborate embroidery work executed in superb workmanship. Perfectly symmetrical, the design follows the iconic Qing dynasty court tradition as an informal court coat. The bottom of the skirt is bordered with fine Li-Shui bands with rocks in the middle. Three large peony floral roundels form the focal points of the front. Two additional were placed on the shoulder (half visible). Numerous auspicious symbols were incorporated into the picture, including plum blossom, Chrysanthemum flower centered with Buddhism symbols, bats, butterflies, and magic mushrooms. The neck and skirt bands features archaic key motif, scrolling floral vines and Buddhist drums with ribbons. Examining the robe, one is struck by the fine workmanship. Long and short satin stiches were used widely. The peonies were created using forbidden knots (Peking Knote), one of the most challenging and time-consuming stiches in Qing textile. The robe carries a nice patina, reflecting in a mottled fading in the background that renders the piece a nice antique aurora...