Bone Paintings

A late 19th Century hand painted mature portrait in a bone and Bronze frame with velvet backing and bronze twig like stand. An impeccable piece and lovely on the desk or shelf. A w...

Pair of exceptional 18th century icons hand-painted on bone depicting various saints, mounted in glazed gilt metal frames. Apparently unsigned. Eac...

Impressive Chinese late Qing dynasty four panel folding coromandel screen featuring carved soapstone. The lacquered panels are decorated with idyllic scenes of beauties in a pagoda p...

A magnificent hand painted miniature on ivory, it is signed by the artist and dates from the first third of the 19th century, enhanced by a very pretty bronze frame bearing the signa...

Suzy Bartolini reverse painting, French artist born 1930. Well known for her reverse painting of flowers baskets and individuals. Very special custom ...

Miniature portrait of Louise of Mecklenburg-Strelitz , Queen of Prussia. Very detailed painting after J.M Grassi. Watercolours on ivory. Framed in a g...

Napoleon Bonaparte on ivory with a an oval doré bronze frame with a bow at the top. Hangs but stands as well, it has an easel back. Signed but I can...

American portrait miniature by Thomas Story Officer, Woman in a White Gown, Signed "T.S. Officer, Pinxt", The 1830s The American portrait miniature signed by Thomas Story Officer depicts a beautiful young woman, her red hair “Coeffure a la Chinoise”, sitting in a red chair confidently looking out towards the painter and us, the viewers.  She wears a white dress with a pin in the center of her chest.  Based on her style of dress and her hair, we believe this was painted while Officer was in Philadelphia. It is signed to the lower right "T.S. Officer, Pinxt" along at edge. The reverse has a small oval glass Dimensions: 3 inches high x 2 3/16 inches wide x 1/4 inch deep Reference: Thomas S. Officer: Miniature and Portrait Painter, Gardner Library,  Author: Merri Lou Schaumann. Born in Carlisle in 1810, this gifted artist trained in Philadelphia, traveled extensively and won awards for his paintings. In 1872, James Miller McKim wrote a series of reminiscences for the Carlisle Herald newspaper about the places and people of Carlisle in an earlier day. He wrote that “David Smith, a boot and shoemaker, had two sons… one of whom early developed a taste for art and finally devoted himself to miniature painting as a profession. He was a contemporary, and for a while, a rival of Mr. Thomas Officer, though I believe he never reached the celebrity attained by that gifted young artist. Mr. Officer, by the way, was one of the last miniature painters of any eminence produced by this country, the daguerreotype and photographer having come in to sweep away the entire profession.” Thomas Story Officer was born in Carlisle on August 15, 1810, to cabinetmaker John Officer and his second wife Margaret. He trained in Philadelphia with the well-known portrait painter Thomas Sully and began his career there in the 1830s. Officer left Philadelphia occasionally to paint portraits in Mobile, Alabama in 1837, in Richmond, Virginia in 1845, and in New York City from 1846-1849 where he became a member of the National Academy of Design. In 1842, Officer intended to travel to Mexico and needed a passport. He asked Attorney Charles B. Penrose, formerly of Carlisle, to write a letter of recommendation for him. In his letter to Fletcher Webster, Esq., Penrose wrote, “This will be handed to you by Thomas S. Officer, Esq., a friend of mine, and a native artist of Pennsylvania, who is a gentleman of great talents and respectability. Intending to visit Mexico, he wishes to procure passports at the State Department…”  Officer was issued a passport in July 1842. He was described as 30 years old, 5’ 11” with a “full and round forehead, bluish-gray eyes, an ordinary nose, medium mouth, ordinary chin, sallow complexion with an oval face and brown hair.” Officer went to Mexico and later to Australia. In 1854, he opened a studio in Sandridge, Australia, and while there he “entered several oil portraits in the 1854 Melbourne Exhibition preparatory to sending them to the 1855 Paris Exhibition.” Officer left Australia, and in 1855 he settled in San Francisco where he would spend the last years of his life. He set up a portrait painting department in James Johnson’s photographic gallery in San Francisco. In 1857, Officer received a bronze medal for his oil portraits exhibited at The First Industrial Exhibition of the Mechanics’ Institute of San Francisco, as well as awards at several other exhibits in 1858. A short piece in the San Francisco newspaper, Alta, on October 30, 1859, read, “Mr. Thomas S. Officer, the talented portrait painter, lies near to death’s door and is in pecuniary distress. Out of the many to whose pleasure he has contributed by his gay, social manners, as well as by his pleasing artistic productions, may there not be found someone who will extend a helping hand?”  Officer died on December 8, 1859. Almost an entire column in the January 18, 1860 edition of the Carlisle Herald, was devoted to a very long and informative obituary of Officer taken from the Alta, California newspaper. Officer was buried in the now defunct Lone Mountain Cemetery in San Francisco. In 2014, the Cumberland County Historical Society received a bequest of a portrait painted by Thomas Officer from the estate of historian John J. Snyder, Jr. It joined a miniature portrait already a part of the Society’s museum collection in Carlisle, not far from where Officer was born. Notes: The May 28, 1834 edition of the Carlisle Weekly Herald reported that Thomas S. Officer had "...within the last few weeks, taken the portraits of several gentlemen of this borough...Mr. O. is principally self-taught, and although young, already evinced a degree of taste, judgment, and talent..." A short biography of Officer can also be found in Early American Portrait Painters in Miniature by Theodore Bolton, published by F. F. Sherman (New York, 1921). The entire book is one line  Bio. of Officer on page 117. See Officer’s portrait...

Painting of a cavalier soldier or an aristocrat on ivory signed cannot make out the signature it is a bronze jewelry frame with tiny pearls all the way aro...

French picture is ivory of a beautiful girl in a white hat. It is signed bun can not make it out. Bronze jewelry frame with a beautiful little bow on the top. Circa 1910s.

Portrait on ivory of a lady in a hat in a brass and tortoise shell frame. French paper on back. Circa 1880s, France.

Portrait of girl with a shawl on her head in an ivory frame. The back is an early piece of French fabric. France, circa 1890s.

An English regency domed leather portrait box with a doré bronze border and a velvet interior. The box opens to a 19th century painting on ivory. Si...

Jan Hendrik Eversen (Dutch, 1906-1995) - 'Molen Te Ede' - Exceptional oil painting on panel - featuring a prominent 19th century grist mill in Ede, Holland...

This is a very good, detailed oval miniature portrait of a gentleman painted on bone, 19th century.

Pair of antique 19th century artist-signed hand painted miniature portraits of two lovers looking at each other from individual inlaid bone frames. Artist-signed J. Smont. The noble ...

Miniature portrait of a beautiful young lady in a bone frame with a repoussé inner gilt brass filet. The portrait is hand painted on bone and retains its original crown glass. (This...

Superb French hand-painted watercolor/gouache miniature on a bone panel. It depicts Bacchus and Ariane in a courting scene set in a mountainous landscape. The 18th century miniature is a version of the painting by Charles Joseph Natoire (1700-1777). It is a small but elegant painting with amazing quality details. It is mounted in a hand carved polychrome and gilded Spanish Baroque style wood frame...

Behold a captivating set of hand-painted portraits that immortalize two musical giants, Richard Wagner and Pjotr Iljitsj Tsjaikovski. Crafted with exquisite detail, these portraits a...