Natural Fiber Prints

Joan Miró Barcelona 1973 Limited Edition Lithography on Burlap Rare Artwork A rare and extraordinary folder portfolio artwork piece designed by Joan Miró to house the iconic "Barc...

Four bamboo rectangular frames with Gheisa women prints. Spain, 1960s. Each print has a different design, all them representing japanese Gheisas different landscapes. Highly decorati...

The iconic Porsche 911 RS 1973, pop art print in the style of Andy Warhol. Vibrant wall art, a great addition to your art collection. Probably 1980s, these are signed limited editi...

Hamlet Dalla Costa, serigraph on original glossy paper, First Edition, c. 1980. Framed in handmade lacquered wood frame, the passepartout is raffia. Glass. Silkscreen prints on glo...

Hamlet Dalla Costa, serigraph on original glossy paper, First Edition, c. 1980. Framed in handmade lacquered wood frame, the passepartout is raffia. Glass Silkscreen prints on glos...

Hamlet Dalla Costa, serigraph on original glossy paper, First Edition, c. 1980. Framed in handmade lacquered wood frame, the passepartout is raffia. Glass. Silkscreen prints on glo...

Hamlet Dalla Costa, serigraph on original glossy paper, First Edition, c. 1990. Framed in handmade lacquered wood frame, the passepartout is raffia. Silkscreen prints on glossy pap...

A pair of Japanese Woodblocks each in a fine custom matted frame with fine ebony and gilt decorations. Each signed and dated on the reverse. Listed below. -A courtyard lady in a comm...

Pair of 19th century Japanese woodblocks by Utagawa Kuniyoshi in custom frames. Each set in a custom matted ebony and gilt decorated custom frame finely matter. The pair signed and dated on reversed. -Three Courtman drinking sake and admiring the full moon, 1788-1861 -A lady admiring the chrysanthemum flower 1785-1864. Utagawa Kuniyoshi 1798 - 1861 The vogue for full-body tattoos of interlaced characters, animals and fish, the full arms and backs that writhe with complex figures and designs can be directly traced not only in their drawing but in their conception to the Japanese woodblock artist Utagawa Kuniyoshi. It was he, whilst trying to establish a flagging career in the 1820’s in Edo (Tokyo) Japan, that conceived of decorating heroic, supernatural warriors with florid designs to emphasise their toughness and in some part to elaborate on their narrative. Kuniyoshi was born Yoshisaburo and like Kunisada was apprenticed to the great woodblock artist Toyokuni I at his Utagawa School 1811. Kuniyoshi showed prodigious talent but unlike his colleague Kunisada failed to find commissions and it was not until the late1820’s that he discovered his own style and overnight success with the release of his series of warrior prints...