Baroque Prints

Wonderful image after Rembrandt Fine Steel engraving. Published by Blackie & Sons London. C.1850 Unframed.

Wonderful image after Garofalo Fine Steel engraving. Published by Jones C.1840 Unframed.

8 Baroque Style Erotic Prints of Compromised Aristocrats & Soldiers, I (I is our inventory tag) Italy, 20th Century Prints,  This suite of eight Italian Baroque-style erotic prints ...

Wonderful image after Rembrandt Fine steel engraving. With a highly decorative border. Published C.1850 Unframed.

Wonderful image after Rembrandt Fine Steel engraving. Published by Fisher, London, Dated 1842 Unframed.

18th Century Engraving Sneed Park, the Seat of Joseph Jackson Esquire. Hand colored engraving, “Sneed Park, the seat of Joseph Jackson Esquire. Illustration from the second volume o...

Wonderful image after Rembrandt Fine Steel engraving. Published by Jones & Co., London. C.1850 Unframed.

A vintage professionally framed lithograph of Johann Sebastian Bach. This print was created after the original Elias Gottlob from 1746. This piece is in black on a creamy white paper...

This a print of the iconic The Blue Boy by Thomas Gainsborough from around 1770. It is believed to be a portrait of Jonathan Buttali, the son of wealthy ironmonger. This print come...

Set of four antique hand-colored engravings. "Britannia Illustrata," the publication in which these prints originally appeared, was one of the most important topographical works of t...

A set of three antique Dutch engravings and etchings from the 18th Century. This set has been professionally framed in newer gilt frames and feature acid-free paper to protect these...

Wonderful image after Rembrandt Fine Steel engraving. Published by Jones & Co., London. C.1850 Unframed.

Offering a pair of FRAMED vintage large reproduction prints in the manner of Giovanni Baptista Ferrari engravings from his Hesperides book from 1646....

French Engraving Hand Colored Galerie des Modes Costumes Francais, 1779. Rare antique French fashion print hand colored published first ...

A wonderful trio of etchings of gentlewomen by Wenceslau Hollar, who was born in Prague in 1607 and died in London in 1677. The largest, A Woman of Holland, is inscribed on the upper...

A wonderful antique print of Nicolaes Maes' iconic painting "The Eavesdropper." Nineteenth Century or earlier, from the Netherlands. Framed in a love...

A collection of 18 framed prints from engravings of musical instruments from the book by Gabinetto Armonico, which was published in 1722. The book had a total of 150 instruments. The...

This framed engraving, made in the red chalk style, represents the apostle Matthew writing his Gospel under the dictation of the angel. The angel is Matthew's symbol, because his Gos...

A Rare 17th Century Engraving: Saint Sebastian on "Chain-Laid" Paper This powerful 17th-century engraving captures Saint Sebastian in a moment of stoic martyrdom. A hallmark of Baroq...

Barthelemy Roger (Ladeve 1767- 1841 Saulx-les-Chartreux) “Marie Antoinette de Lorraine-d’Autriche, Reine de France”, after Elisabeth Louise Vigée-Le Brun, 1828, engraving, inscribed “Peint par Rossline de Suédois / Dessiné par Monanteuil / Gravé par B. Roger 1828” This engraving of Marie Antoinette was wonderfully done by Barthemely Roger in 1828. It is beautifully framed in the original 19th century gold gilded frame.

Very early 18th century Dutch woodblock engraving of the Northern Whale Fishery, circa 1720, a hand colored engraving illustrating the Dutch whaling flee...

Wonderful image after Carracci Fine Steel engraving. Published C.1850 Unframed.

Wonderful image after Rembrandt. Fine steel engraving. Published by Fisher, London. circa 1840 Unframed.

Wonderful image after Rubens Fine Steel engraving. Published C.1850 Unframed.

Hand framed and encased Florentine Fine Art depicting 3 Dogs, Angel and a Nude Woman. Backing supports a secure way of hanging it. Art Size measures: 5 x 12 inches. O-609-335

Wonderful image after Raphael Fine Steel engraving. Published C.1850 Unframed.

Paragon un Barbe Pl. 6&9 'A General System of Horsemanship in All Its Branchs'. A pair of hand-colored engravings depicting two different views of the Welbeck Estate in Nottinghamshi...

A pair of fine engravings of two Swedish monarchs by Samuel Blessendorf for Puffendorf’s History of Sweden, in antique birch frames, 1663 and 1696. Engravings of Swedish King Karl X Gustav (b. 1622 - d. 1660) dated 1663 and his successor, King Karl XI (b. 1655 - d. 1697) from 1696 by Samuel Blessendorf, a Prussian enamel painter and engraver, born in Berlin in 1670. He designed and engraved these portraits for Puffendorf’s History of Sweden by Freiherr Samuel von Pufendorf (1632-1694), Historiographer to King Karl X of Sweden. Freiherr Samuel von Pufendorf (b 1632 – d 1694) was a German jurist, political philosopher, economist and historian. He was born Samuel Pufendorf and ennobled in 1684 when he was made a baron by Charles XI of Sweden a few months before his death at age 62. Among his achievements are his commentaries and revisions of the natural law theories of Thomas Hobbes...

Wonderful image after Rembrandt Fine Steel engraving. Published by Jones & Co., London. C.1850 Unframed.

Wonderful print Chromolithograph Published by Connoisseur circa 1900 Unframed.

Wonderful image after Raphael Fine Steel engraving. Published C.1850 Unframed.

Engraving of Jesús Nazareno by Juan Antonio Salvador Carmona, dedicated to the Duke of Medina Celi, circa 1780–1795 A powerful and finely executed late 18th-century devotional engra...

This is an original etching by Giovanni Benedetto Castiglione, circa 1640, of a Young Man Looking Down to the Right. It is the only known state and belongs to the series known as 'Studies of Heads in Oriental Headdress'. Signed (in monogram) in the plate in the upper right 'G Castiglione Genovese.' In a delicate gilt/black frame. Frame dimensions 12.75" by 8.75". Certificate of Authenticity. In this work, Castiglione offers us an exquisite portrait of a young man. This small etching shows all the hallmarks of Castiglione's style: incredibly detailed etching marks that result in a wonderful play of light and shadow. The angle of the head and the lively floating feather in the young man's hat show us a figure in movement, pausing to look at something the viewer can only guess at. That such a small collection lines and cross-hatchings can evoke so much is a testament to Castiglione's genius. Giovanni Benedetto Castiglione was an Italian Baroque painter, printmaker and draftsman of the Genoese school. He is best known now for his etchings, and as the inventor of the printmaking technique of monotyping. He was known as Il Grechetto in Italy and in France as Le Benédette. Castiglione was a brilliant draftsman and pioneered the development of the oil sketch (often using a mixture of mediums) as a finished work. He is credited with having invented the monotype in 1648, the only printmaking technique to be an Italian invention, making over twenty over the succeeding years. His most popular and influential prints were a series of exotic heads, mostly of vaguely Oriental males, but also of women. From Bartch/Bellini: Giovanni Benedetto Castiglione was profoundly influenced by foreigners. He first studied with local artists in his native Genoa, absorbing not only Tuscan Mannerism and Caravaggism but also the style of Peter Paul Rubens, who had worked in Genoa. From 1621, Castiglione also worked in Anthony van Dyck's Genoa studio. Early on, he was attracted to Flemish animal painting. Though he painted portraits, historical pieces and landscapes, Castiglione excelled in rural scenes with animals and influenced Italy's animal painting specialists. By 1634, Castiglione was in Rome, where he remained for about ten years. After returning to Genoa for a time, he worked for the Mantuan court in 1648, which had also employed Rubens. There Castiglione picked up the freedom of touch he saw in Domenico Fetti's paintings. One of the first Italians to appreciate Rembrandt van...

French Engraving Hand Colored Galerie des Modes Costumes Francais, 1779 Rare antique French fashion print hand colored published first i...

A Pair of Framed 18th c Hand Colored Copper Engravings by Josef Friedrich Leopold (1668-1726) in Augsburg. One titled "Vertumnus and a Nymph Playing With Apples." The other "Mercury ...

Salvator Rosa, the Italian Baroque painter was also a significant etcher and printmaker. Rosa’s is series of small prints of soldiers was very popular and influential. This etching i...

Original pieces from the renowned Trowbridge Gallery, London We offer two exceptional hand-colored copperplate engravings after original botanical illustrations by Maria Sibylla M...

Early 20th Century Print reproduction of Thomas Lawrence's "Pinkie" in a baroque style brass frame and elevated with this beautiful convex glass to add depth to the print. Sarah Goo...

"Armiger et Ephebus Indi" — Hand-Coloured Engraving from the Grand Carrousel of 1662 An exceptional hand-coloured copperplate engraving from the celebrated Grand Carrousel held at t...

In giltwood frame, dated 1652.       

Antique Greek vase print on paper 19th Century France This is a beautiful baroque print of an antique Greek vase. Contemporary wooden black ...

Early 17th century, French hand colored equestrian engraving. After Antoine de Pluvinel (French, 1552-1620), "Henry IV, Mounted", figure 42 from "L'Instruction du Roy en l'Exercice de Monter a Cheval", c. 1625, matted and framed under UF-3 plexiglass (blocks approx. 97% of UV) , gallery label verso. Figures from this publication have sold at Christie's. Those were not hand colored. A highly detailed engraving with the French King Henry 1V the central figure. Mounted on horseback, Le Roy (the King) is watched by no less than 10 courtiers some of whom are mounted on horseback, all of which are named in the engraving. Antoine de Pluvinel (1552, Crest, Dauphine - 24 August 1620) was the first of the French riding masters, and has had great influence on modern dressage. He wrote L’Instruction du Roy en L'exercice de Monter à Cheval ("instruction of the King in the art of riding"), was tutor to King Louis XIII, and is credited with the invention of using two pillars, as well as using shoulder-in to increase suppleness. In 1594, Pluvinel founded the "Academie d'Equitation" near what is now Place des Pyramides. There, the French nobility was trained not only in horsemanship, but also in all the accomplishments (dancing, fashionable dressing, etc.) It can be said that Pluvinel's influence on the aristocracy lasted from the late 16th century to the 17th century. Richelieu, the future Prime Minister of King Louis XIII attended the Academie; so did William, Duke of Cavendish. Pluvinel's book was published posthumously by the Flemish engraver Crispijn van de Passe II and the royal valet de chambre...

Set of 18 hand colored copper engravings done by Carlo Lasinio depicting notable artists and scholars with captions pasted beneath, within frame of printed borderlines. The engravin...

French Baroque style hand painted multicolored print of eight figures of varying designs for hearthstone marbles in a sliver frame (Matching prints available NWL6148A-F) Good condi...

French Baroque style hand painted multicolored print of three rectangular figures of varying designs for marble pavings of square rooms or lounges in a silver frame (Matching prints ...

French Baroque style hand painted multicolored print of six figures of varying patterns for marble tiles in a silver frame (Matching prints available NWL6148A-F) Good condition cons...

French Baroque style hand painted multicolored print of three semicircular figures of varying designs for marble pavings of circular rooms or lounges in a silver frame (Matching prin...

French Baroque style hand painted multicolored print of six figures of varying patterns for marble tiles in a silver frame (Matching prints available NWL6148A-F) Good condition cons...

French Baroque style hand painted multicolored print of sections of marble pavings for the Church of the Sorbonne in a sliver frame (Matching prints available NWL6148A-F) Good condi...

France baroque black and white print Grand Carrousel mid-19th century. This beautiful antique print titled "Grand Carrousel sous Louis XIV" show the horses parade under the Louis XI...

This is an engraving by Johann Georg Wille after the work of Godfried Schalcken. This is a genre scene. Representing a family is sitting around...

France Paris black and white print on paper Mid-19th century This beautiful antique print titled "Paris dans sa splendeur" (Paris shows i...

Poster by Gianni Versace for the opening of the exhibition "Theater der Mode" in 1992. The poster was made for the exhibition dedicated to his theater collection in Munich, Germany, in Villa Stuck...

This framed engraving, made in the red chalk style, represents the apostle Matthew writing his Gospel under the dictation of the angel. The angel is Matthew's symbol, because his Gos...

Outstanding pair of 18th century hand-colored shell engravings by Albertus Seba (1665-1736). Plates Tab. LXIX and Tab. LXXIV. The Engravings ...

A large 19th Century engraving by Giovanni Battista Piranesi depicting the decoration on the leg armor worn by a Roman gladiator. The illustration includes masks and emblems of Bacch...

Pair of beautifully framed 20th century crackled paper prints depicting entrances to the Schloss Belvedere Palace in Vienna. One print is of the Main ...

This etching by Albert Artigue after the oil on canvas by Esteban Murillo. Published in the french art magazine « L' Art » ( 1875-1907) in 1880. Engraved in the 19 century by the Fre...

Whitehall From Downing Street. The Centre of Government- Samuel Pepys began his famous diaries in Whitehall in 1660 (start of the new Carolean Era), although it was over 150 years u...

BLOME, Richard (d. 1705). A set of 5 framed plates from the first part of The gentlemans recreation in two parts : the first being an encyclopedy of the arts and sciences ... the s...