Minimalist Prints

An iconic and intimate image originally drawn by John Lennon in 1969 using traditional sumi ink, "Two is One" captures the minimalist, calligraphic style that defined Lennon's visual...

Christopher Wool stenciled letter lithographs, American, circa 1990. They have been professionally framed in clean lined black lacquer wood gallery frames under UV resistant glass. T...

“In order to use colour effectively it is necessary to recognise that colour deceives continually.” Josef Albers “We never really perceive what colour really is, as it physically is. This fact makes colour the most relative medium in art.” Josef Albers “The structures are irrational statements which illustrate the artist’s claim that the eye seeks, in endless exploration, to fathom and master the contradictions of reversed symmetry. One begins to study the structure at some point where isometric order is suggested. One finds evidence for the reading of the work, but when one tries to take in the whole structure as a unit, new evidence requires a drastic reorganization of the work’s implications. That which was above shifts to below, that which was negative becomes positive, that which was full becomes vacant, that which was in front has moved to the rear. Having found a balance, the eye’s testing...

Brice Marden tile set of 4, Circa 1979. Four framed Etchings with Aquatint on Somerset Satin Paper. All tiles are signed and numbered from an edition of 50 published by Parasol Press, LTD, New York. The Art has been vetted by 1st Dibbs...

Rapto (The Abduction of Hippodamia) - The subject from the Greek mythology describes the kidnapping of the bride Hippodamia during her wedding by the centaur Eurytus, resulting in a battle between humans and centaurs. Álvaro Siza started drawing at the age of six. With a great variety of drawings on his portfolio, many of them are inspired by mythology and historic scenes. “The drawings are what came to my mind in this very moment. I like mythology and expressing the stories in images. I have made a lot of mythological drawing...

Josef Albers from Formulation: Articulation, 1972. Silkscreen prints, folio 1/folder 6. Floated in while gold leaf frames using all acid free archival material...

Donald Judd is a landmark figure in the history of postwar art (June 3, 1928 – February 12, 1994). Judd was an American artist associated with minimalism. In his work, Judd sought au...

From the "Random Colors" set of four prints. This is "White over Random Colors" Published jointly in 1977 by G.W. Einstein, Brooke Alexander and Denise Rene. Printed by the artist in...

“In order to use colour effectively it is necessary to recognise that colour deceives continually.” Josef Albers “We never really perceive what colour really is, as it physically is. This fact makes colour the most relative medium in art.” Josef Albers “The structures are irrational statements which illustrate the artist’s claim that the eye seeks, in endless exploration, to fathom and master the contradictions of reversed symmetry. One begins to study the structure at some point where isometric order is suggested. One finds evidence for the reading of the work, but when one tries to take in the whole structure as a unit, new evidence requires a drastic reorganization of the work’s implications. That which was above shifts to below, that which was negative becomes positive, that which was full becomes vacant, that which was in front has moved to the rear. Having found a balance, the eye’s testing finds the entire constellation shifting into its reverse.” Gerald Nordland, in his essay for the “White Embossings on Gray” catalogue For sale, one print from Albers’ late in life exploration of color and perception, the “White Embossings on Gray” Series. For this series, renowned California print...

Set of 4 "Women of Hawaii" Serigraph artwork prints by Pegge Hopper including "Na Kua'Ana", "Woman with Fan", "Calico Popoki", and "Woman with Lei" each comes in a matching gold-tone...

## **Lithograph by François-Xavier Lalanne – *Les Nouveaux Constructeurs*, 1982 – Tenth Anniversary – This lithograph, countersigned by François-Xavier Lalanne in 1982, is numbered...

A portfolio of 12 offset-printed heart designs by noted German graphic designer Pierre Mendell (1929-2008) assembled from his work at Mendell & Oberer -...

The results of the artists' study of the forms that have been consistent in art throughout its history regardless of place or culture. This is a 'negative' version of the original 19...

An 'artist proof' from the "Random Colors" set of four prints. This print is "Random Colors over Random Colors" Published jointly in 1977 by G.W. Einstein, Brooke Alexander and Denis...

An abstract postmodern silkscreen in colors on paper titled “Tailgate” by Nicholas Krushenick. Hand signed in pencil and dated lower right with an annotation of 189/200 on the lower ...

An abstract silkscreen in colors on paper titled “Curve” by Takesada Matsutani. Signed in pencil lower right. Titled and annotated 42/75 on the lower left. Published in 1971. This ar...

A contemporary abstract pen and ink over acrylic monotype titled "You Be You" by Paul VerBurg. Hand signed lower right. A quietly expressive work that blends subtle layering with ric...

The watercolour prints by Marta Cruz approach the relationship between space and time, expressed through colour and composition. Using them as instruments, the designer works with an...

Desenho (Man Painting) - The painting shows someone who begins a drawing, looking on the paper with a pen in the hand. Álvaro Siza describes the very special moment of taking the decision to make a painting, facing the white paper. A reproduction of his situation, doing this series of paintings: not knowing what to do until the decision to draw was being made. Then the idea of mythology came to his mind. “It is, in some way, an expression of my personal moment making drawings. But it is not a self-portrait, I am quite different than this man. It is not a specific person on purpose, because everyone makes drawings. Maybe not everyone does it, but everyone could do it.” Álvaro Siza started drawing at the age of six. With a great variety of drawings on his portfolio, many of them are inspired by mythology and historic scenes. “The drawings are what came to my mind in this very moment. I like mythology and expressing the stories in images. I have made a lot of mythological drawing...

The watercolour prints by Marta Cruz approach the relationship between space and time, expressed through colour and composition. Using them as instruments, the designer works with an...

The watercolour prints by Marta Cruz approach the relationship between space and time, expressed through colour and composition. Using them as instruments, the designer works with an...

The watercolour prints by Marta Cruz approach the relationship between space and time, expressed through colour and composition. Using them as instruments, the designer works with an...

Kumi Sugaï, one of the most internationally acclaimed Japanese painters of the twentieth century. ‘ Variations ‘ Portfolio of 5 in mint condition by Kumi Sugaï 1995. Signed and num...

Emil Schumacher (1912 Hagen-1999 Ibiza) Untitled Aquatint and etching on vellum Created in 1967 Ed. 4/120 Numbered in pencil and signed lower right Sheet size: 52 x 72 cm Fra...

'Carmen', 1949 Etching in Burin, from an unnumbered edition of 289 printed by Atelier Roger Lacourière, Paris, on Montval wove, to illustrate an 1845 novella by Prosper Mérimée 31 x...

Signed and numbered abstract of child and woman in great condition by Keith Bruce Finch. He was born in Holyoke, Colorado on October 9, 1919. Finch was most active in Los Angeles i...

Untitled lithograph by Fred Sandback printed in brown, 1984, on Japan paper, signed, dated and numbered 15/20 in pencil, published by Edition Fred Jahn, Munich, with full margins, fr...

A contemporary abstract pen and ink over acrylic monotype "Untitled 46" by Paul VerBurg. Hand signed lower right. At its center, a dark, petal-like form is encircled by a radiant red...

Limited (nr. 95 of 100) screen print. Made by Ruud (Rudy) Beerens in 1999. The piece has been framed in an aluminium frame with a glass pane. Ruud (R.W., Rudy) Beerens (1950 Weert – 2023 Maastricht) was not only an artist, but also a performer, collector, storyteller. During his life he strolled flea markets, thrift centers and (souvenir) shops. There was always something that caught his attention. And to store and display everything, he bought cabinets to use all the objects. His home was not only his studio, but became a treasury with references to other and bygone times. With the collection of analog photography, self-recorded video- and music cassettes...

Josef Albers from Formulation: Articulation, 1972. Silkscreen prints, folio 1/ folder 1. Floated in 12 karat white gold gilt frame using all acid free archival materials. #176 of 100...