Engraved Prints

Sandwich-Eilanders – Antique Hand-Colored Engraving of Hawaiian Figures (c.1800) Description: An early 19th-century hand-colored ethnographic engraving titled “Sandwich-Eilanders,” ...

Large and beautiful etching, engraving by Nicolaes Lauwers after Jacob Jordaens. Flanders, 17th century. Representing Zeus and Hermes (Jupiter and Mercury) in the house of Philemon a...

Set of Three Baron d’Eisenberg Equestrian Engravings, 1727 Description: A refined set of three early 18th-century equestrian engravings showing classical riding and manège training....

Wonderfully executed collaborative engraving from the end of the 18th century. Artists Jean Baptiste Michel (Paris) & Willim Leney (London) printed by "W.H. Miller" muted color palet...

Rare 17th Century View of St. Augustine Florida, Hand-Colored, 1671 Original hand-colored copper engraving depicting St. Augustine, Florida, published in Amsterdam in 1671. This imp...

Title: 1799 Samuel Howitt "Mares & Foals" Engraving – Original Georgian English Equestrian Print Creator: Samuel Howitt (British, 1756–1822) Date: Published February 1, 1799 Medium: Original copperplate engraving on laid paper, unframed Country of Origin: England An original late Georgian copperplate engraving titled Mares & Foals, designed and engraved by the distinguished British sporting artist Samuel Howitt. The print depicts a tranquil pastoral scene with mares and their young gathered beneath a magnificent tree in an English countryside setting. The plate is signed in the image "Howitt inv. et f.", indicating that Howitt both conceived and executed the engraving himself. At lower right it bears the publication line "Published Feb.y 1st, 1799," confirming its eighteenth-century origin. Samuel Howitt was among the foremost British animal and sporting artists of his generation. Renowned for his naturalistic depictions of horses, hunting scenes, and wildlife, his works were widely admired by the English gentry and remain highly collectible today. His engravings combine elegant composition with remarkable observational detail, making them timeless decorative works. This authentic Georgian print offers exceptional appeal for equestrian interiors, country houses, libraries, and collectors of antique sporting art. Condition: Good antique condition with light age toning and minor handling wear consistent with more than two centuries of age. The sheet retains generous original margins and presents beautifully. Presented unframed. Framed images are shown for inspiration only and not always to scale. Keywords: Samuel Howitt, Mares & Foals, horse engraving, equestrian print, Georgian engraving, sporting art, English countryside, antique animal print, original copperplate engraving, British horse art, pastoral landscape, 1799 engraving, country house decor, stable decoration, laid paper print, eighteenth century print, English sporting print...

Original Antique Print of Volcanic Eruptions and Ships by Bertuch, c. 1800 Original antique hand-colored copper engraving depicting two dramatic volcanic phenomena, published in Fri...

Quetzalcoatl Worship and Hunting Deity – Rare 1734 Engraving of Aztec Rituals This finely detailed copperplate engraving from 1734 presents two theatrical interpretations of religio...

Antique Map Turkey in Asia, Ottoman Empire Anatolia Syria Iraq Black 1884 This detailed and beautifully engraved antique map titled Turkey in Asia was published in the New and Revised Edition of Black’s General Atlas of the World, issued in Edinburgh in 1884 by the respected Scottish cartographic publisher Adam and Charles Black. The map illustrates a vast portion of the Middle East during the late nineteenth century, when the region formed the Asian territories of the Ottoman Empire. The map centers on Anatolia, the great peninsula that today forms modern Turkey, shown here as the heartland of Ottoman Asia. The rugged mountain ranges, river systems, and historic provinces are carefully engraved, reflecting the high standard of Victorian atlas cartography. Numerous cities and towns are clearly marked, including Constantinople (Istanbul), Smyrna (Izmir), Angora (Ankara), Trebizond, and many other regional centers that played important roles in trade and administration. Extending southward, the map covers Syria and the Levant, including Damascus, Aleppo, and the Mediterranean coastal cities that historically linked the Ottoman interior with European commerce. Further south appear Palestine and the Sinai region, together with the eastern Mediterranean coastline. The map also includes the northern portion of Egypt, showing the Nile Delta and the strategic area surrounding the Suez Canal, which had opened only fifteen years earlier in 1869 and had quickly become one of the most important maritime routes in the world. To the east the map extends into Mesopotamia, depicting the great river valleys of the Tigris and Euphrates, including the historic cities of Mosul, Baghdad, and Basra. These regions formed key administrative provinces of the Ottoman Empire and were vital corridors connecting Anatolia with Persia and the Arabian Peninsula. The composition also includes parts of Armenia, Kurdistan, and the Caucasus along the northern and northeastern margins, as well as portions of Persia and Arabia to the southeast. An inset map of Cyprus appears at the bottom, highlighting the island’s strategic importance in the eastern Mediterranean. Cyprus had recently come under British administration in 1878, reflecting the shifting geopolitical dynamics of the region during the late nineteenth century. The map is engraved with remarkable clarity, featuring finely drawn coastlines, mountain relief, and a delicate latitude and longitude grid. Land areas are distinguished with subtle printed color, a typical feature of high-quality Victorian atlas production. The understated color scheme and precise engraving give the map both historical authority and strong decorative appeal. Maps from Black’s General Atlas were widely respected for their accuracy and clarity and were used throughout the British world in schools, libraries, and government institutions. Today they are highly appreciated by collectors for their elegant engraving and for the insight they provide into the political geography of the late nineteenth century. This map was published in the New and Revised Edition of Black’s General Atlas of the World, Edinburgh, 1884. This example is an original antique steel engraving with original printed color applied at the time of publication. It is not a modern reproduction. Any presentation images showing the print framed are for visual inspiration only. The map is supplied unframed. Condition: Good antique condition with light age toning consistent with age and a central fold from the original atlas binding. A small tear near the folding split. The engraving remains crisp and the printed color remains clear and attractive. Framing tips: This map displays beautifully in a wide horizontal frame. A dark walnut or classic black frame combined with an ivory or museum-white mat will emphasize the delicate engraving and warm tones of the nineteenth-century printed color. Technique: Steel engraving with original printed color Maker: Adam & Charles Black, Edinburgh, 1884 Keyword block: Turkey in Asia, Ottoman Empire, Anatolia, Asia Minor, Syria, Palestine, Mesopotamia, Iraq, Baghdad, Mosul, Basra, Damascus, Aleppo, Constantinople, Istanbul, Smyrna, Izmir, Angora, Ankara, Armenia, Kurdistan, Caucasus, Persia, Iran, Arabia, Nile Delta, Egypt, Suez Canal, Cyprus, Eastern Mediterranean, Middle East map, Ottoman provinces, nineteenth century Middle East, Victorian atlas map, Black’s General Atlas, antique Turkey map...

Maiorana Syriaca sive Marum Syriacum – Origanum Syriacum Botanical Engraving c.1676 This antique botanical engraving features Origanum syriacum, also known as Bible hyssop, Lebanese...

Antique Small-Format View of Singapore, Government Hill, c.1882 A rare and atmospheric early view of Singapore, capturing the colonial port from Government Hill at a formative momen...

The image depicts an original old hand-colored copperplate engraving of the plant "Oxalis stricta", commonly known as yellow wood sorrel or common yellow oxalis. This botanical illus...

This magnificent engraving is entitled "Battle of La Hougue" by the engraver E.C Voysard after Benjamin West. It depicts the Battle of Barfleur- La Hougue,...

Christ Healing the Sick and Preaching the Sermon on the Mount, Pieter Mortier, ca. 1700 This fine engraving, published by Pieter Mortier in Amsterdam around 1700, presents two strik...

Optica View The Hague Canal & Cannon Foundry, Basset c.1770 This is a finely engraved and hand-colored optical print titled *Vue du Canal et de l’Hotel de Fonderie de Canon a la Hay...

William Hogarth, The Bruiser – Satirical Churchill Bear Engraving, 1763 Description: A powerful and highly sought-after satirical engraving by William Hogarth, titled The Bruiser, ...

Title: 18th-Century Engraving of European Monarchies with Heraldry and Imperial Regalia This intricately detailed 18th-century engraving, *Statua Regum et Ropotorum P.C.N.*, offer...

TITLE: Pair of French Rococo Berlin & Diable Carriage Engravings, 1771 DESCRIPTION: Pair of original antique 18th-century copper engravings illustrating two elegant French horse-drawn carriages, published in the celebrated Encyclopédie of Denis Diderot and Jean le Rond d’Alembert in 1771. The plates belong to the “Sellier-Carrossier” section devoted to the sophisticated craft of French carriage making. Drawn by Jacques-Raymond Lucotte and engraved by Robert Bénard, they combine highly decorative Rococo coach design with precise technical documentation of carriage construction, suspension, wheels, chassis, upholstery and fittings. PLATE IV – Berline ou Vis-à-vis à panneaux arrasés: An exceptionally ornate enclosed Berlin or vis-à-vis carriage. The large central elevation shows the richly decorated passenger compartment, elaborate Rococo carving, large rear and smaller front wheels, driver’s seat and suspension. Additional figures illustrate individual decorative and structural components. PLATE XII – Diable: An elegant open carriage known as a “Diable,” characterized by its sweeping body profile and richly upholstered passenger compartment. The plate presents the complete carriage in side elevation together with a plan view, separate upholstery study and construction details. Together, the two engravings provide a fascinating contrast between enclosed and open luxury carriage...

Title: Exotic Wildflower with Butterflies – Rare Botanical Engraving by Meerburgh, 1775 Description: This exquisite hand-colored botanical print, marked Tab. X, comes from the 1775 ...

Set of four Selby duck engravings. Original engravings from Selby’s British Ornithology illustrations of “Water Birds” by Prideaux John Selby, English ornithologist, botanist and ill...

18th Century Anatomical Skeleton Study Engraving Academic Figure German Edition c1745 This finely engraved anatomical plate presents two standing skeleton figures shown from frontal...

Very nice engraving "dressing for the masquerade" by Francesco Bartolozzi after the painting by George Morland. It represents 3 characters in a ru...

Small-Format Butterfly Engravings with Botanical Studies, 1835 This elegant set of six hand-colored butterfly engravings originates from the celebrated Victorian scientific publicat...

Antique Engravings of Reptiles, Fish, and Insects, Tab. V & VI, circa 1800 This fine double natural history engraving, titled “Tab. V” and “Tab. VI,” presents an engaging selection ...

John Nieuhoff Exotic Fish Prints Set of Five Hand-Colored Engravings c1704 This rare and attractive group of five hand-colored engravings depicts a diverse selection of exotic marin...

A framed hand-colored 16th century map of Northern Scotland by Gerard Mercator entitled "Scotiae pars Septentrionalis", published in Amsterdam in 1636. It is a highly detailed map of the northern part of Scotland, with the northwest Highlands and the cities Inverness and Aberdeen, as well as the Orkney Islands and the Hebrides. There is a decorative title cartouche in the upper left corner. The map is presented in an antiqued brown wood...

This is the frontispiece of the first volume of "Delle antichità di Ercolano" (The Antiquities of Herculaneum), published in 1757 by the Royal Printing House of Naples, Italy. The ...

Indians of North America, Dress and Weapons – Millar Geography Engraving, c.1782 This detailed 18th-century copper engraving illustrates the dress, customs, and weapons of Indigenou...

Set of Two Original Antique Engravings of Peru by C.T. Middleton, 1778 Description: A decorative matching set of two original antique copperplate engravings illustrating traditional...

Set of 8 Antique Botanical Engravings of Avena, Arundo and Meadow Grasses, c.1830 This refined set of eight early nineteenth-century botanical engravings features a beautifully vari...

Christopher Columbus Battle in Hispaniola, Antique Engraving, Dublin c.1815 Description This original early nineteenth-century engraving depicts Christopher Columbus and his forces ...

Pair of French Butterfly & Moth Engravings by E. Guérin, 1835 This elegant pair of antique French natural history engravings depicts butterflies, moths, caterpillars, and botanical ...

Set of 6 Antique Classical Antiquities Engravings, Sculpture & Medals, 18th C. The map is offered unframed, giving flexibility to select a frame that best suits the intended interio...

Young King Edward VI Portrait Engraving, Tudor Royal, Holbein, c.1740 This elegant 18th-century copperplate engraving presents a refined portrait of King Edward VI of England (reign...

Original Antique Print of Archaeological Excavations by Bertuch, c. 1800 Original antique copper engraving depicting archaeological excavations and newly uncovered ancient architect...

TITLE: Set of Three French Carriage & Coachbuilding Engravings, 1771 DESCRIPTION: Set of three original antique 18th-century copper engravings illustrating French carriage design, c...

TITLE: French Garden & Hunting Carriage Designs, Diderot Encyclopédie, 1771 DESCRIPTION: Original antique 18th-century copper engraving illustrating elegant French garden, pleas...

Title: Monumental Roman Temple Architecture Engraving, Montfaucon 1721 Description: This impressive early eighteenth-century copper engraving originates from Bernard de Montfaucon’s...

Pair of early 19th century engravings by Giovanni Tognolli and Domenico Marchetti after sculptures by Antonia Canova. Excellent quality. Mounted on board and in mats. Unframed. 26" ...

Title: Pair of Antique Hawk Moth Life Cycle Engravings – Bertuch, c.1800 A striking set of two original antique hand-colored copper engravings depicting large hawk moths or sphinx m...

Title: "Great St. Bernard and St. Gotthard Passes: Alpine Routes of Switzerland, 1805" Description This finely hand-colored copperplate engraving vividly depicts two iconic Alpine p...

Rivinus botanicals: Cracca, Genista & Coronilla, Leipzig, 1690s (set of 3) Set of three late-17th/early-18th-century botanical copper engravings with period hand-colour, attributed ...

Rivinus botanicals: Natrix, Astragalus & Cytisus, Leipzig, 1690s (set of 3) Set of three late-17th/early-18th-century botanical copper engravings with period hand-colour, attributed...

Mehmed IV Ottoman Sultan “The Hunter” Portrait Engraving, c.1700 A striking and highly decorative late 17th to early 18th-century copperplate engraving depicting Mehmed IV (1642–169...

Antique map titled 'Novissima Totius Terrarum Orbis Tabula, Auctore Nicolao Visscher'. Gorgeous example of Nicholas Visscher's World map, which appeared...

Medieval Coronation Ceremony, Hand-Colored Costume Plate by Paul Mercuri, 1845 A richly detailed hand-colored engraving depicting a grand medieval coronation or ecclesiastical cerem...

Pair of Botanical Engravings from The Botanic Garden by B. Maund, London c.1836 A beautiful matching pair of hand-colored botanical engravings from Benjamin Maund’s renowned work Th...

Title: Napoleon and Francis II after Austerlitz, Antique French Engraving, circa 1840 Description: This 19th-century French engraving depicts the historic meeting between Napoleon B...

A charming French miniature fashion engraving, probably Paris, dating from around 1780. The finely engraved image depicts an elegant lady wearing an elaborate coiffure with a strikin...

Optical View of New York City, Manhattan Harbor - Hand-Colored and Published in Augsburg ca.1775 Description: This striking hand-colored vue d’optique depicts an animated harbor sce...

Antique print titled 'Sultan Hibraim I (..)'. Portrait of Ottoman sultan Ibrahim I, bust-length directed to left; in oval. Published by Balthasar Moncornet, circa 1660. Balthasar ...

Original Antique Print of Four Corals by Bertuch, c. 1790 Original antique hand-colored copper engraving depicting four remarkable varieties of coral and marine growth, published in Friedrich Justin Bertuch’s celebrated “Bilderbuch für Kinder” around the end of the 18th century. The plate is titled “Corallen I / Corallia / Coraux I” and bears the reference “I.B.21” at lower right. It belongs to Bertuch’s early natural-history series illustrating the extraordinary diversity of marine organisms then collectively described as corals. Four dramatically different specimens are arranged across the sheet. Fig. 1 depicts a branching red coral with multiple upright stems. Its vivid original red coloring makes it the strongest color accent in the composition and recalls the precious red corals that had long been collected in the Mediterranean and used for jewelry and decorative objects. Fig. 2 shows a tall, dark branching form with an elegant tree-like structure, representative of the flexible horn-like corals historically grouped among the gorgonians. Fig. 3 illustrates a large irregular, porous coral formation, rendered in pale ochre and gray tones. Its complex surface and numerous cavities emphasize the extraordinary structural variety encountered in coral colonies. Fig. 4 dominates the upper part of the plate and is perhaps the most visually striking specimen. Its broad, deeply folded and radiating surfaces create an almost flower-like or sculptural appearance, demonstrating why corals occupied such a fascinating position between the botanical and zoological worlds in early natural-history classification. During the 18th century, the classification and biological nature of corals remained an important subject of scientific investigation. Earlier naturalists had frequently compared them with plants or mineral formations, while increasingly detailed observation established their animal nature. The terminology and organization of early coral collections therefore provide a fascinating insight into the development of marine zoology. The engraving combines finely engraved scientific detail with restrained original hand coloring in red, ochre, gray and black. Its large sculptural forms and spacious composition give the plate considerable decorative appeal in both traditional natural-history collections and contemporary coastal interiors. Friedrich Justin Bertuch (1747–1822) was a German publisher, writer and patron of the arts. His monumental “Bilderbuch für Kinder” was one of the great illustrated educational encyclopedias of the late 18th and early 19th centuries, covering zoology, botany, geography, science, technology, antiquity and numerous other subjects. Creator: Friedrich Justin Bertuch (1747–1822) Source: Bilderbuch für Kinder Plate: Corallen I / Corallia / Coraux I Reference: I.B.21 Subject: Four Corals and Marine Organisms Place of Publication: Weimar, Germany Date of Manufacture: Circa 1790 Period: Late 18th Century Style: Neoclassical – In the Period of Medium: Original hand-colored copper engraving on paper Condition: Good. Wear consistent with age and use. General age-related toning with scattered foxing, spotting and minor marks. Some discoloration and handling wear are visible, consistent with the age of the sheet. Original hand coloring remains attractive, particularly the strong red coloring of Fig. 1. Please refer to the photographs for further details of condition. Please note: This is an original antique engraving from the late 18th century, not a modern reproduction. The print is sold unframed. Framed images or interior views, if shown, are for presentation and inspiration only. Other companion marine-life and natural-history plates from Bertuch’s “Bilderbuch für Kinder” are also available separately. Keywords: antique coral print...

Monumental Classical Allegory, Large Horizontal Engraving from Montfaucon, 1721 Description: This impressive large-format engraving originates from Bernard de Montfaucon’s monumenta...

Title: Débarquement des Troupes Angloises à Nouvelle Yorck – Vue d’Optique by J. Chereau, ca. 1776 This hand-colored copperplate engraving titled “Débarquement des Troupes Angloises...

Title: Plan of the Château de Saint-Cloud First Floor by Baltard, Paris, 1803 Description: This finely executed original antique copperplate engraving presents a detailed architectural floor plan of the first floor of the Château de Saint-Cloud, one of France's most celebrated royal residences. The plan meticulously illustrates the palace's internal layout, grand courtyards, formal gardens, fountains, terraces, and surrounding landscape, offering a fascinating insight into the organization of the royal estate during the Napoleonic period. The Château de Saint-Cloud was a favored residence of the French monarchy and later of Napoleon Bonaparte. Overlooking the River Seine, it was renowned for its magnificent architecture and formal gardens, making it one of the grandest royal palaces in France before its destruction during the Franco-Prussian War in 1870. The engraving was created by the distinguished French architect and engraver Louis-Pierre Baltard (1764–1846) and published in Paris in 1803 as part of the celebrated Napoleonic-era publication Paris et ses Monuments, mesurés, dessinés et gravés. This monumental work documented France's most important monuments with exceptional architectural precision and artistic refinement. Both historically important and visually appealing, this engraving is an excellent acquisition for collectors of antique architectural plans...

Antique View of Trelawney Town, Jamaica Maroons, Bryan Edwards, 1818 Original antique engraved view titled "Trelawney Town, the Chief Residence of the Maroons," depicting the histor...

Antique Fruit Prints by Poiteau and Turpin, Hand-Colored Botanical Engravings Description: This exquisite compilation features three antique bot...

Antique Handcolored Engraving of Starfish and Marine Creatures, c.1800 This original handcolored copperplate engraving features various starfish and other echinoderms, emphasizing...

Original Antique Print of Two Sperm Whales by Bertuch, c. 1800 Original antique hand-colored copper engraving depicting two sperm whales, published in Friedrich Justin Bertuch’s celebrated “Bilderbuch für Kinder” around the beginning of the 19th century. The plate is titled “Fische XXXVIII / Poissons XXXVIII” and presents two different representations of the sperm whale, one of the largest toothed whales in the world. Both animals are shown in profile with their characteristic massive, almost rectangular heads, narrow toothed lower jaws and relatively small flippers. Jets of water emerge dramatically from the blowholes. The unusual appearance of the animals reflects both their distinctive anatomy and the way whales were understood and represented by European naturalists around 1800. The sperm whale was of considerable economic importance during this period. It was hunted particularly for spermaceti, the waxy substance contained within its enormous head, as well as for whale oil and ambergris. These early zoological representations are especially interesting because accurate observation of living whales was extremely difficult. Natural-history illustrators therefore frequently relied upon stranded or captured specimens, descriptions by sailors and whalers, and earlier published illustrations. The engraving is delicately enhanced with original hand coloring in restrained shades of black, gray and brown and bears the inscription “Jacob Hauer Schmuzer” at lower right. Friedrich Justin Bertuch (1747–1822) was a German publisher, writer and patron of the arts. His monumental “Bilderbuch für Kinder” (Picture Book for Children) was one of the great illustrated educational encyclopedias of the late 18th and early 19th centuries. Creator: Friedrich Justin Bertuch (1747–1822) Engraver: Jacob Hauer Schmuzer Source: Bilderbuch für Kinder Plate: Fische XXXVIII / Poissons XXXVIII Place of Publication: Weimar, Germany Date of Manufacture: Circa 1800 Period: Early 19th Century Style: Neoclassical – In the Period of Medium: Original hand-colored copper engraving on paper Condition: Good. Wear consistent with age and use. Light age-related toning and scattered minor spotting and marks. Some marginal wear and a small loss/irregularity at the upper right corner. Original hand coloring remains attractive. Please refer to the photographs for further details of condition. Please note: This is an original antique print from circa 1800, not a modern reproduction. The print is sold unframed. Framed images or interior views, if shown, are for presentation and inspiration only. Keywords: sperm whale print, antique whale print...

Architectural engravings by Jean-François de Neufforge (1714–1791). Neufforge was a Flemish engraver, architect, and publisher known for his work "Recueil élémentaire d'architectur...