Engraved Prints

Jacques Bellin's copper-plate map entitled "Partie de la Coste de Guinee Dupuis la Riviere de Sierra Leona Jusquau Cap das Palmas", depicting the coast of Guinea and Sierra Leone in ...

This handcolored copperplate engraving, originating from Friedrich Johann Bertuch’s "Bilderbuch für Kinder" (Picture Book for Children) published in Weimar in 1805, depicts four stri...

1810 Hand-Coloured Engraving - Abyssinians Resting on a March, Ethiopia Description: This 1810 hand-coloured copperplate engraving from Carl Bertuch's "Bilderbuch für Kinder" ("Pict...

1805 Handcolored Engraving of Egyptian Monuments from Bertuch's "Bilderbuch für Kinder" Description: This remarkable handcolored engraving from 1802 depicts two iconic views of an...

The image is a historical copper engraving from 1673, taken from the German edition of Arnoldus Montanus' work, which is known for its depiction of the Americas and the Southern land...

Title: Striking 1740 Engraving of Colossus Depicting King Nebuchadnezzar's Dream Description: This vibrant 1740 engraving, titled *Colossus Monarchic Statua Danielis Dan. II. 31*...

Title: 1757 Engraving of Inuit & Indigenous Peoples – Hudson Bay & Arctic Canoe Scene Description: This rare 1757 antique copperplate engraving presents two fascinating scenes depicting Indigenous life in Arctic Canada, focusing on the Inuit and other First Nations communities in the Hudson Bay region. Originally published in *Histoire Générale des Voyages*, the engraving provides an invaluable visual record of daily life, survival techniques, and traditional dwellings. The top illustration, titled 'Un Esquimau dans son Canot', depicts an Inuit paddling a sleek, narrow kayak through choppy waters, showcasing the remarkable boat-making skills of the Arctic peoples. The kayak, designed for hunting and efficient travel, is shown in its traditional form, reflecting centuries of adaptation to harsh northern environments. The bottom illustration, 'Esquimaux du côté du Nord-Ouest de la Baie de Hudson', portrays a male and female Inuit figure standing near an igloo, a crucial form of temporary winter shelter. The man holds a bow and arrows, symbolizing subsistence hunting, while the woman carries a small child. In the background, additional Indigenous dwellings, including conical tipis, suggest the presence of other First Nations groups living near the Hudson Bay coastline. The detailed hatching and shading techniques used in the engraving bring out the textures of clothing, landscapes, and architectural features, making this a historically and artistically significant piece. As an early European representation of Arctic Indigenous culture, it holds great value for collectors of ethnographic art, Canadian history, and antique travel prints...

These original antique images are hand-colored and from the publication "Picturesque Representations of the Dress and Manners of the Russians," which includes sixty-four colored engr...

The original antique print is a pair of original engravings from "Bankes's New System of Geography." This work, as indicated by the title, was published by royal authority, suggestin...

Panoramic View of Isfahan in the Late 17th Century by J.C. Haffner The translation of the German text on the engraving: "A. The Meidan or Great Market and Promenade Square in front...

Napoleon's Defeat at Waterloo: French Cannons Seized and Transported, July 1815 This finely crafted engraving, published in 1816, captures a significa...

Historic Engraving of Newburgh, NY with Hudson River View, c. 1850 This antique engraving beautifully captures a mid-19th-century view of Newburgh, New York, nestled along the sceni...

Presenting a lovely late 19th century, EAS Douglas hunt scene aquatint engraving. Hand colored and originally painted by Edward Algernon Stuart Douglas (1...

Hand-Colored Botanical Lithograph of Wild Mustard and Charlock, Calwer, 1854 Description: This beautifully detailed botanical lithograph is from Carl Georg Calwer’s *Deutschlands ...

Hand-Colored Botanical Lithograph of Madder, Buckthorn, and Cleavers, Calwer, 1854 This finely crafted botanical lithograph is from Carl Georg Calwer’s *Deutschlands Technische P...

Zeus (Jupiter) Engraving from Bertuch’s 1805 Porte-Feuille des Enfants – Classical Mythology Print This finely detailed engraving, published in 1805 as part of Friedrich Justin Bertuch’s Porte-Feuille des Enfants (Children's Portfolio), depicts Zeus, the king of the Greek gods (known as Jupiter in Roman mythology), in a pose that exudes authority and power. Seated on a grand throne with an eagle at his side, Zeus holds a scepter, signifying his dominion over the skies and his role as ruler of the gods. The print is executed with exceptional precision, capturing the intricate details of Zeus’s muscular form, the folds of his drapery, and the noble posture of the eagle, a symbol of strength and divine power. Subtle hand-tinting adds depth and character to the artwork, enhancing its timeless appeal. This piece is part of a renowned collection of early 19th-century engravings designed to introduce young readers to the rich world of mythology, art, and antiquity. Its historical and artistic significance makes it a standout addition to any collection of classical prints. The engraving is rendered with meticulous detail, showcasing the artistry and craftsmanship of the early 19th century. The subtle hand-colored tones enhance the divine aura of Zeus, making this print a timeless addition to any collection of classical antiquities or mythological art. - Date of Publication: 1805 - Origin: Friedrich Justin Bertuch’s *Porte-Feuille des Enfants* - Condition: The engraving is in good condition with minor age-related foxing and light discoloration typical of early 19th-century prints. Well-preserved overall. This print is a perfect choice for collectors, historians, or anyone with an appreciation for classical mythology and 19th-century art. Here are some recommendations for framing and presenting this engraving to enhance its historical and artistic appeal while ensuring proper preservation: 1. Frame Style - Material: Choose a high-quality wooden or gilded frame. Options like mahogany, walnut, or an antique gold finish complement the classical theme. - Design: Select a simple yet elegant frame with subtle decorative details, such as beading or fluted edges, to echo the neoclassical style without overshadowing the engraving. 2. Matting - Color: Use an acid-free mat in a neutral tone, such as ivory, off-white, or pale cream, to draw attention to the artwork and prevent contact with the glass. - Border Size: A slightly wider mat border (around 2–4 inches) creates balance and helps focus the viewer's attention on the engraving. - Double Matting (Optional): For a refined look, consider an inner mat in a soft complementary color like light gray or pale gold to add depth. 3. Glass - UV-Protective Glass: Opt for museum-grade UV-filtering glass or acrylic to safeguard the engraving from light exposure while reducing glare. - Non-Glare Option: Non-reflective glass ensures optimal viewing, especially in brightly lit areas. 4. Backboard and Mounting - Archival Backing: Use an acid-free backing board to protect the engraving from moisture and dust while providing structural support. - Mounting Method: Secure the engraving with archival-quality corners or hinges to avoid adhesive contact with the artwork. 5. Presentation Placement - Display the framed engraving in a stable environment with consistent temperature and low humidity to prevent damage. Avoid direct sunlight or exposure to harsh artificial light. - Suitable spaces include libraries, studies, or galleries where the engraving complements other classical or antique items. 6. Labeling - Add a small engraved brass plaque or label beneath the frame with details such as "Zeus (Jupiter) – Published in 1805 by Friedrich Justin Bertuch" to highlight its provenance and historical value. 7. Alternative Display - If not framed traditionally, consider showcasing the engraving in a display case alongside other related prints or artifacts. Use museum-grade lighting to accentuate its details without causing harm. --- Keywords: - Zeus engraving...

1817 set of 4 fox hunting prints, English. Painted by Dean Wolstenholme & printed in 1817 from engravings by Sutherland. Plates 1, 2, 3 & 4. Good original antique color by hand with ...

Title: Rare 19th-Century Hand-Colored Engraving of a Natterer’s Nightjar – Ornithological Illustration Description: This stunning hand-colored engraving, titled 'Engoulevent Natt...

19th-Century Lithograph of the Long-Striped Tiger and Wild Asian Cat This remarkable 19th-century lithograph showcases two fascinating felines: the long-striped tiger (De langgest...

Title: "Hand-Colored Engraving of Wild and Domestic Cats from 19th-Century Zoological Study" Description: This hand-colored engraving, titled "Quadrupeds: Class I Mammalia, Order...

Title: Striking 18th-Century Engraving of Papal Chronology and Symbols of the Vatican This beautifully detailed 18th-century engraving, 'Pontificum Romanorum Series Chronologica'...

This original antique image is a historical depiction from "Suecia Antiqua et Hodierna," which translates to "Ancient and Modern Sweden." This was a significant work of the mid-17th century, initiated by Count Erik Dahlbergh...

Antique 1845 Hand-Colored Print of a Medieval Spearman in Colorful Tunic and Tights This vivid hand-colored engraving from 1845 depicts a medieval spearman or soldier poised in a dy...

Antique 1845 Hand-Colored Print of a Medieval King in Regal Robes with Scepter This striking hand-colored engraving from 1845 depicts a majestic medieval king standing in full cerem...

Antique 1845 Hand-Colored Print of a Medieval Woman in Pink and Gold Cape This elegant hand-colored engraving from 1845 depicts a medieval woman standing in profile, dressed in a fl...

Antique 1845 Hand-Colored Engraving of Medieval Singer in Pink Robe, France This finely hand-colored engraving from 1845 depicts a medieval male singer or minstrel, shown standing i...

Medieval Church Ceremony with Clergy and Choirboys, Richly Detailed Engraving Description: This vivid hand-colored engraving from the 1845 publication 'Costumes Historiques des XIII...

Hand-Colored Dutch Map of Ancient Israel Divided by the Twelve Tribes – After Ezekiel, c.1730 This beautifully hand-colored antique map is titled "Ontwerp en Erfdeeling van’t Land K...

The Sydney International Exhibition Building (Garden Palace), c. 1879 Minor tears on sheet edges, center fold as issued, vibrant hand coloring, overal...

Bust of Christ – Engraving by Crispijn van de Passe I, circa 1600 This finely executed early 17th-century engraving by Crispijn van de Passe the Elder (1564–1637) presents a radiant...

Portrait of Christ – Engraving After Rubens by Paul Pontius, South Netherlands, 1633 This 17th-century engraving presents a powerful and contemplative portrait of Christ, based on a...

19th Century Hand-Colored Lithograph - "Bergère" from Journal des Haras This hand-colored lithograph titled "Bergère" is from the French publication *Journal des Haras, des Chasses ...

The two engravings displayed side by side depict monumental structures from ancient Egypt and are dated to the late 18th century. They are both examples of European interest in documenting and exploring Egyptian antiquities during the period of early exploration and fascination with the ancient world. ### Image 1: Profile View of the Remains of the Sphinx near the Pyramids of Egypt - Subject: The Sphinx, one of Egypt's most iconic monuments, is shown with its body largely buried in sand, as it was during this period before modern excavations. The figures atop and around the Sphinx provide scale and show the magnitude of the monument. The image also captures European explorers and researchers measuring the Sphinx, emphasizing the curiosity and study of ancient civilizations. - Age: This engraving likely dates from the late 18th century, during a time when European expeditions to Egypt were becoming more common, particularly following Napoleon's campaign in the late 1790s, which sparked Egyptomania across Europe. - Maker: The engraving is credited to Denon and Lege, both of whom were active artists and engravers during this time. Dominique Vivant Denon...

1779 View of Onrust Island Near Batavia with VOC Shipyard Activity This hand-colored copper engraving, published in 1779, presents a vivid maritime scene titled Het Eiland Onrust, n...

Title: A Symphony of Butterflies and Moths: Hand-Colored 19th-Century Engraving from Bertuch’s Bilderbuch für Kinder Description: This vibrant hand-colored copperplate engraving...

Title: "Detailed Study of the Housefly: Anatomy Under the Microscope, Bertuch, 1805" Description This fascinating hand-colored copperplate engraving presents an intricate, magnified view of the housefly (Musca domestica) as seen through a microscope. The engraving provides a meticulous exploration of its anatomy, including: - **Figure 1**: Actual size of the housefly, offering a point of comparison to the magnified details. - **Figure 2**: A detailed underside view of the head and body, showcasing the complex structure of the fly's thorax and appendages. - **Figure 3**: A close examination of the segmented abdomen, highlighting the unique pattern and intricate venation. - **Figure 4**: The leg of the housefly, emphasizing the fine bristles and jointed segments adapted for movement and sensory functions. - **Figure 5**: A striking visualization of the compound eye, illustrating the hexagonal structure of the ommatidia, responsible for the fly's wide field of vision. Published in 1805 as part of Friedrich Johann Bertuch’s "Bilderbuch für Kinder" (Picture Book for Children), this engraving bridges...

1751 Giovanni Battista Piranesi Engraving - Veduta del Castello dell'Acqua Felice Description: This exquisite engraving by Giovanni Battista Piranesi, *Veduta del Castello dell'...

Grand Master of the Order of St. Michael in Ceremonial Attire, 18th Century Engraving This hand-colored engraving depicts the Grand Master of the Order of St. Michael, adorned in ...

19th-Century Lithograph of the Gentle Cat and the Serval in Elegant Poses This exquisite 19th-century lithograph features two strikingly graceful wild cats: the "Gentle Cat" (De z...

Title: Goliath Bird-Eating Spider and Scorpions: Hand-Colored Engraving from Bertuch's "Bilderbuch für Kinder" (1792) Description: This hand-colored copperplate engraving from Fri...

Cellarius Andreas Pair of 18th Century Watercolor Celestial Maps within gilt frames, titled Planisphaerivm Aratevm sive Compages Orbivm Mvndanorvm ex Hypothesi Aratea in Plano Expre...

Hand-Colored Botanical Lithograph of Hemp, Flax, and Horehound, Calwer, 1854 This vibrant botanical lithograph is from Carl Georg Calwer’s *Deutschlands Technische Pflanzen* (1854...

Set of 6 Optical Prints – Story of the Prodigal Son by Probst, Hand-Colored c.1780 This rare and complete set of six hand-colored optical prints illustrates the biblical parable of ...

Gypsy moth, Lymantria dispar 1, lappet moth, Gastropacha quercifolia 2, and plum lappet moth, Odonestis pruni 3, with caterpillar and pupa. Title: "Life Cycle of Moths and Caterpill...

18th Century Cannon Foundry Engraving from Diderot’s Encyclopédie, circa 1770 This fine 18th-century engraving, titled Fonte des Canons, origin...

Title: Cinchona Bark Varieties: An Illustrated Botanical Atlas (1826)** Description: This rare and finely illustrated botanical atlas, 'Versuch einer Monographie der China. Nur Atl...

This striking 18th-century engraving, titled 'The Glorious Defeat of the Invincible Spanish Armada by the English Fleet, between Dover & Calais, in the Reign of Queen Elizabeth, 1588...

Antique Botanical Engraving of Convolvulus Cneorum - Rare 1799 Floral Print by William Curtis This engraving is from the publication "The ...

19th-Century Lithograph of the Black Wolf and Grey Wolf in Striking Detail Description: This remarkable 19th-century lithograph presents two variations of the wolf species: the bl...

Title: Funeral Ceremonies of the Orinoco and Brazilian Indigenous Peoples, 1734 Description: This striking copperplate engraving, published in 1734 in Bernard Picart’s monumental *C...

Title: Set of 1770s Cannon Foundry Engravings from Diderot’s Encyclopédie, France Description: This set of eighteenth-century engravings, titled Fonte des Canons, originates from ...

Twenty framed steel engravings of English monarchs and rulers from Illustrations of English & Scottish History, by Thomas Archer. Published 1880 in Lo...

Knight of the Order of the Thistle: Elegant 18th-Century Engraving by Schwan This exquisite hand-colored engraving portrays a "Ritter des Ordens von der Distel" (Knight of the Order of the Thistle), the premier order of Scottish chivalry. The knight is depicted in a stately black robe adorned with the iconic insignia of the Thistle Order, including the collar chain featuring the Thistle emblem and the accompanying badge and star. The figure exudes grace and dignity, with the refined details of his attire highlighting the prestige of this ancient Scottish...

Vue Perspective du Grand Étang de Buen Retiro – Optical View of the Spanish Royal Retreat, Daumont, Paris circa 1770 This antique hand-colored optical print, titled 'Vue Perspective...

Title: Vue et Perspective de la Maison de Plaisance du Roy d’Espagne à Buen Retiro – Optical View, London, circa 1780 Description: This engaging hand-colored optical view, titled *V...

Vue du Port de Dieppe – Hand-Colored Optical Print, Paris circa 1790 Description: This engaging and finely hand-colored optical print titled 'Vue du Port de Dieppe' offers a vivid 1...

Combat Naval dans le Golfe de Venise – Rare Optical Print of the Venetian Victory over the Turks, circa 1770 This rare and vividly hand-colored 18th-century 'vue d’optique' titled '...

Fort St. George on the Coromandel Coast – Hand-Colored Engraving by R. Sayer, London, 1754 This rare and striking hand-colored engraving depicts Fort St. George, the first British f...

Battle of Montmirail, February 11, 1814 - Iconic Napoleonic War Engraving by Lechard This impressive 19th-century engraving captures the dramatic Battle of Montmirail, fought on Feb...

Vue de Bayonne du Côté du Port – Hand-Colored Optical Print by Basset, Paris circa 1790 This beautifully detailed hand-colored optical print, titled 'Vue de Bayonne du côté du Port'...