Engraved Prints

William Hogarth, The Bruiser – Satirical Churchill Bear Engraving, 1763 Description: A powerful and highly sought-after satirical engraving by William Hogarth, titled The Bruiser, ...

Set of Two Original Antique Engravings of Peru by C.T. Middleton, 1778 Description: A decorative matching set of two original antique copperplate engravings illustrating traditional...

TITLE: Set of Three French Carriage & Coachbuilding Engravings, 1771 DESCRIPTION: Set of three original antique 18th-century copper engravings illustrating French carriage design, c...

Wonderfully executed collaborative engraving from the end of the 18th century. Artists Jean Baptiste Michel (Paris) & Willim Leney (London) printed by "W.H. Miller" muted color palet...

1805 Copperplate Engraving of Dodo and Ostrich from Abraham Rees' Cyclopaedia This rare and finely detailed copperplate engraving, created by T. Milton...

TITLE: French Garden & Hunting Carriage Designs, Diderot Encyclopédie, 1771 DESCRIPTION: Original antique 18th-century copper engraving illustrating elegant French garden, pleas...

Antique map titled 'Carte de la Mer du Sud ou Mer Pacifique'. Original chart of the mid-Pacific Ocean, includes voyage tracks of Anson’s Centurion and the ship he stalked, the Spanish treasure...

Small-Format Butterfly Engravings with Botanical Studies, 1835 This elegant set of six hand-colored butterfly engravings originates from the celebrated Victorian scientific publicat...

The image is a historical copper engraving from 1673, taken from the German edition of Arnoldus Montanus' work, which is known for its depiction of the Americas and the Southern land...

A charming reproduction print of a 19th century Italian engraving by Giuseppe Allezard, of a naval ship with 84 cannons bearing the Swedish flag of blue & gold cross. The text be...

Title: Antique Costume Print – Indian Chief, Exotic Dress & Arms, 1749 Description: A striking and highly decorative antique costume engraving depicting an Indian chief in cerem...

Title: Exotic Wildflower with Butterflies – Rare Botanical Engraving by Meerburgh, 1775 Description: This exquisite hand-colored botanical print, marked Tab. X, comes from the 1775 ...

Original Antique Print of Swallowtail and Painted Lady Butterflies by Bertuch, c. 1800 Original antique hand-colored copper engraving depicting three colorful butterflies together w...

18th Century Anatomical Skeleton Study Engraving Academic Figure German Edition c1745 This finely engraved anatomical plate presents two standing skeleton figures shown from frontal...

Pair of French Butterfly & Moth Engravings by E. Guérin, 1835 This elegant pair of antique French natural history engravings depicts butterflies, moths, caterpillars, and botanical ...

Original Antique Print of Four Corals by Bertuch, c. 1790 Original antique hand-colored copper engraving depicting four remarkable varieties of coral and marine growth, published in Friedrich Justin Bertuch’s celebrated “Bilderbuch für Kinder” around the end of the 18th century. The plate is titled “Corallen I / Corallia / Coraux I” and bears the reference “I.B.21” at lower right. It belongs to Bertuch’s early natural-history series illustrating the extraordinary diversity of marine organisms then collectively described as corals. Four dramatically different specimens are arranged across the sheet. Fig. 1 depicts a branching red coral with multiple upright stems. Its vivid original red coloring makes it the strongest color accent in the composition and recalls the precious red corals that had long been collected in the Mediterranean and used for jewelry and decorative objects. Fig. 2 shows a tall, dark branching form with an elegant tree-like structure, representative of the flexible horn-like corals historically grouped among the gorgonians. Fig. 3 illustrates a large irregular, porous coral formation, rendered in pale ochre and gray tones. Its complex surface and numerous cavities emphasize the extraordinary structural variety encountered in coral colonies. Fig. 4 dominates the upper part of the plate and is perhaps the most visually striking specimen. Its broad, deeply folded and radiating surfaces create an almost flower-like or sculptural appearance, demonstrating why corals occupied such a fascinating position between the botanical and zoological worlds in early natural-history classification. During the 18th century, the classification and biological nature of corals remained an important subject of scientific investigation. Earlier naturalists had frequently compared them with plants or mineral formations, while increasingly detailed observation established their animal nature. The terminology and organization of early coral collections therefore provide a fascinating insight into the development of marine zoology. The engraving combines finely engraved scientific detail with restrained original hand coloring in red, ochre, gray and black. Its large sculptural forms and spacious composition give the plate considerable decorative appeal in both traditional natural-history collections and contemporary coastal interiors. Friedrich Justin Bertuch (1747–1822) was a German publisher, writer and patron of the arts. His monumental “Bilderbuch für Kinder” was one of the great illustrated educational encyclopedias of the late 18th and early 19th centuries, covering zoology, botany, geography, science, technology, antiquity and numerous other subjects. Creator: Friedrich Justin Bertuch (1747–1822) Source: Bilderbuch für Kinder Plate: Corallen I / Corallia / Coraux I Reference: I.B.21 Subject: Four Corals and Marine Organisms Place of Publication: Weimar, Germany Date of Manufacture: Circa 1790 Period: Late 18th Century Style: Neoclassical – In the Period of Medium: Original hand-colored copper engraving on paper Condition: Good. Wear consistent with age and use. General age-related toning with scattered foxing, spotting and minor marks. Some discoloration and handling wear are visible, consistent with the age of the sheet. Original hand coloring remains attractive, particularly the strong red coloring of Fig. 1. Please refer to the photographs for further details of condition. Please note: This is an original antique engraving from the late 18th century, not a modern reproduction. The print is sold unframed. Framed images or interior views, if shown, are for presentation and inspiration only. Other companion marine-life and natural-history plates from Bertuch’s “Bilderbuch für Kinder” are also available separately. Keywords: antique coral print...

Young King Edward VI Portrait Engraving, Tudor Royal, Holbein, c.1740 This elegant 18th-century copperplate engraving presents a refined portrait of King Edward VI of England (reign...

John Nieuhoff Exotic Fish Prints Set of Five Hand-Colored Engravings c1704 This rare and attractive group of five hand-colored engravings depicts a diverse selection of exotic marin...

Set of four Selby duck engravings. Original engravings from Selby’s British Ornithology illustrations of “Water Birds” by Prideaux John Selby, English ornithologist, botanist and ill...

Set of 8 Antique Botanical Engravings of Avena, Arundo and Meadow Grasses, c.1830 This refined set of eight early nineteenth-century botanical engravings features a beautifully vari...

Quetzalcoatl Worship and Hunting Deity – Rare 1734 Engraving of Aztec Rituals This finely detailed copperplate engraving from 1734 presents two theatrical interpretations of religio...

Original Antique Print of Two Sperm Whales by Bertuch, c. 1800 Original antique hand-colored copper engraving depicting two sperm whales, published in Friedrich Justin Bertuch’s celebrated “Bilderbuch für Kinder” around the beginning of the 19th century. The plate is titled “Fische XXXVIII / Poissons XXXVIII” and presents two different representations of the sperm whale, one of the largest toothed whales in the world. Both animals are shown in profile with their characteristic massive, almost rectangular heads, narrow toothed lower jaws and relatively small flippers. Jets of water emerge dramatically from the blowholes. The unusual appearance of the animals reflects both their distinctive anatomy and the way whales were understood and represented by European naturalists around 1800. The sperm whale was of considerable economic importance during this period. It was hunted particularly for spermaceti, the waxy substance contained within its enormous head, as well as for whale oil and ambergris. These early zoological representations are especially interesting because accurate observation of living whales was extremely difficult. Natural-history illustrators therefore frequently relied upon stranded or captured specimens, descriptions by sailors and whalers, and earlier published illustrations. The engraving is delicately enhanced with original hand coloring in restrained shades of black, gray and brown and bears the inscription “Jacob Hauer Schmuzer” at lower right. Friedrich Justin Bertuch (1747–1822) was a German publisher, writer and patron of the arts. His monumental “Bilderbuch für Kinder” (Picture Book for Children) was one of the great illustrated educational encyclopedias of the late 18th and early 19th centuries. Creator: Friedrich Justin Bertuch (1747–1822) Engraver: Jacob Hauer Schmuzer Source: Bilderbuch für Kinder Plate: Fische XXXVIII / Poissons XXXVIII Place of Publication: Weimar, Germany Date of Manufacture: Circa 1800 Period: Early 19th Century Style: Neoclassical – In the Period of Medium: Original hand-colored copper engraving on paper Condition: Good. Wear consistent with age and use. Light age-related toning and scattered minor spotting and marks. Some marginal wear and a small loss/irregularity at the upper right corner. Original hand coloring remains attractive. Please refer to the photographs for further details of condition. Please note: This is an original antique print from circa 1800, not a modern reproduction. The print is sold unframed. Framed images or interior views, if shown, are for presentation and inspiration only. Keywords: sperm whale print, antique whale print...

Antique Handcolored Engraving of Sheep and Rams, Quadruped XXXII, c.1800 This original handcolored copperplate engraving depicts various breeds of sheep and rams, highlighting their unique physical characteristics and adaptations. The plate is from Friedrich Johann Bertuch’s *Bilderbuch für Kinder* (Picture Book for Children), a 12-volume natural history encyclopedia published between 1790 and 1830, celebrated for its educational and artistic contributions to zoology. The engraving includes: 1. A ram with curled horns, possibly a Mouflon (*Ovis orientalis*), depicted resting (Fig. 1). 2. A long-haired goat or primitive sheep breed, such as the Jacob sheep, characterized by its multiple horns (Fig. 2). 3. A domestic sheep breed, shown standing and with shorn wool, indicating agricultural significance (Fig. 3). 4. A woolly sheep...

Title: Plato at Cape Sounion with His Disciples, Ambroise Tardieu, 1825 Description: Original antique engraving depicting Plato with his disciples at Cape Sounion in Attica, Greece,...

Title: "Warrior of Owhyhee: Anthropophage in War Costume, 1785 Engraving" Description: This evocative print, titled "Anthropophage d'Owhay, costume de guerre," portrays a Hawaiian w...

King Henry VIII Portrait Engraving, Tudor Royal Image, Vertue, c.1736 This striking 18th-century copperplate engraving presents a powerful portrait of King Henry VIII of England (re...

Original Antique Print of Exotic Lizards and Flying Dragon by Bertuch, c. 1800 Original antique hand-colored copper engraving depicting three remarkable exotic lizards, published in Friedrich Justin Bertuch’s celebrated “Bilderbuch für Kinder” around the beginning of the 19th century. The plate is titled “Amphibien XII / Amphibies XII” and presents three unusual reptiles individually numbered Fig. 1–3. Particularly striking is Fig. 3, a so-called flying dragon or flying lizard, shown with its characteristic wing-like membranes extended from the sides of its body. These remarkable reptiles became popular subjects in early European natural-history publications because of their unusual ability to glide between trees. The two larger lizards above are equally dramatically represented, with elongated tails, prominent claws and distinctive markings. The animals are finely engraved and enhanced with original hand coloring in black, brown, green, red and ochre. The plate bears the engraved inscription “Jacob Hauer Schmuzer” at lower right. Friedrich Justin Bertuch (1747–1822) was a German publisher, writer and patron of the arts. His monumental “Bilderbuch für Kinder” (Picture Book for Children) was one of the great illustrated educational encyclopedias of the late 18th and early 19th centuries. Published in Weimar from 1790 onward, the work contained hundreds of finely engraved and hand-colored plates covering natural history, geography, science, technology, antiquity, costumes and mythology. An unusual and highly decorative early zoological print, particularly appealing to collectors of reptiles, natural history and early scientific illustration. Creator: Friedrich Justin Bertuch (1747–1822) Engraver: Jacob Hauer Schmuzer Source: Bilderbuch für Kinder Plate: Amphibien XII / Amphibies XII Place of Publication: Weimar, Germany Date of Manufacture: Circa 1800 Period: Early 19th Century Style: Neoclassical – In the Period of Medium: Original hand-colored copper engraving on paper Condition: Good. Wear consistent with age and use. Light age-related toning and occasional minor spotting. Some marginal wear and small edge imperfections, particularly along the right edge. Original hand coloring remains attractive. Please refer to the photographs for further details of condition. Please note: This is an original antique print from circa 1800, not a modern reproduction. The print is sold unframed. Framed images or interior views, if shown, are for presentation and inspiration only. Keywords: antique lizard print, flying dragon lizard, flying lizard, Draco lizard, exotic reptiles, antique reptile print...

Title: Monumental Roman Temple Architecture Engraving, Montfaucon 1721 Description: This impressive early eighteenth-century copper engraving originates from Bernard de Montfaucon’s...

Antique Engraving of Lima, Cathedral and Plaza Mayor, 1867 Detailed 19th-century engraving titled Lima, published in 1867. The view captures the grand Plaza Mayor of the Peruvian ca...

Antique Date Palm & Coconut Botanical Scene, Phoenix & Cocos, c.1831 Description: This richly illustrated botanical scene depicts the date palm (Phoenix dactylifera) and coconut pal...

Title: Plan of the Château de Saint-Cloud First Floor by Baltard, Paris, 1803 Description: This finely executed original antique copperplate engraving presents a detailed architectural floor plan of the first floor of the Château de Saint-Cloud, one of France's most celebrated royal residences. The plan meticulously illustrates the palace's internal layout, grand courtyards, formal gardens, fountains, terraces, and surrounding landscape, offering a fascinating insight into the organization of the royal estate during the Napoleonic period. The Château de Saint-Cloud was a favored residence of the French monarchy and later of Napoleon Bonaparte. Overlooking the River Seine, it was renowned for its magnificent architecture and formal gardens, making it one of the grandest royal palaces in France before its destruction during the Franco-Prussian War in 1870. The engraving was created by the distinguished French architect and engraver Louis-Pierre Baltard (1764–1846) and published in Paris in 1803 as part of the celebrated Napoleonic-era publication Paris et ses Monuments, mesurés, dessinés et gravés. This monumental work documented France's most important monuments with exceptional architectural precision and artistic refinement. Both historically important and visually appealing, this engraving is an excellent acquisition for collectors of antique architectural plans...

Rivinus botanicals: Cracca, Genista & Coronilla, Leipzig, 1690s (set of 3) Set of three late-17th/early-18th-century botanical copper engravings with period hand-colour, attributed ...

Rivinus botanicals: Natrix, Astragalus & Cytisus, Leipzig, 1690s (set of 3) Set of three late-17th/early-18th-century botanical copper engravings with period hand-colour, attributed...

Pair of early 19th century engravings by Giovanni Tognolli and Domenico Marchetti after sculptures by Antonia Canova. Excellent quality. Mounted on board and in mats. Unframed. 26" ...

Pair of Botanical Engravings from The Botanic Garden by B. Maund, London c.1836 A beautiful matching pair of hand-colored botanical engravings from Benjamin Maund’s renowned work Th...

Original 19th Century Pencil Drawing of Moyobamba, Peru Description: An original nineteenth-century pencil drawing depicting a panoramic view of Moyobamba, one of the oldest Spanish...

Plate 17 from "La Methode et Invention nouvelle de Dresser les Chevaux" portrays William Cavendish, the first Duke of Newcastle, providing instructions to Captain Mazin in the art of...

Pair Original Hand Colored Engravings, Georges-Louis Leclerec, Comte de Buffon, Paris 1749. These two original engravings from Histoire Naturell, Generale et Particuliere, avec la...

Title: View of the Grand Water Jet at Saint-Cloud by Louis-Pierre Baltard, Paris, 1803 Description: This finely executed original antique copperplate engraving depicts the spectacul...

Set of 6 Antique Classical Antiquities Engravings, Sculpture & Medals, 18th C. The map is offered unframed, giving flexibility to select a frame that best suits the intended interio...

Monumental Classical Allegory, Large Horizontal Engraving from Montfaucon, 1721 Description: This impressive large-format engraving originates from Bernard de Montfaucon’s monumenta...

Antique British Military Portrait Print – Sikh War Generals, c.1850 A refined and highly decorative mid-19th century engraving featuring a c...

Title: Antique Costume Print – Bashaw of Caramania, Ottoman Figure, 1749 Description: A powerful and visually striking antique hand-colored engraving depicting a Bashaw (Pasha) of C...

Set of four Regency era coloured engravings by Rowlandson. Four framed coloured engravings of Regency London landmarks including the Corn Exchange,...

Optical View of New York City, Manhattan Harbor - Hand-Colored and Published in Augsburg ca.1775 Description: This striking hand-colored vue d’optique depicts an animated harbor sce...

Antique Botanical Lithograph, Armenian Apricot, de Vriese 1856 A beautifully detailed mid-19th century botanical chromolithograph depicting the Armenian apricot (Armeniaca mume var....

Title: Débarquement des Troupes Angloises à Nouvelle Yorck – Vue d’Optique by J. Chereau, ca. 1776 This hand-colored copperplate engraving titled “Débarquement des Troupes Angloises...

Antique print titled 'Le Pied de Lion (..)'. Beautiful copper engraving of the alchemilla plant. Originates from 'La Botanique', a French botanical book...

Pair of 19th-century British plant botanicals Engravings with Insects – John Curtis (1791-1862) Sold as a pair -  Please let us know your choice on your purchase order: 1 - Dandeli...

Title: Engraving of Hindu Pagoda on Malabar Coast, Antique Temple Print Description: This elegant antique print, titled "Temple ou Pagode des Gentils de la côte de Malabar," was cre...

Habit of a Moorish Slave, North African Costume Engraving, 1749 Description: A compelling and historically evocative hand-colored engraving titled “Habit of a Moorish Slave, in 1568...

Title: Original Antique Print of Peru, Bolivia & Chile – Lima Cathedral and Views, c.1855 Description: An original antique wood-engraved print titled "Peru, Bolivia, Chile", featuring a series of finely engraved views and ethnographic scenes from the west coast of South America. The print was published in Germany around the mid-nineteenth century. At the centre of the composition is a detailed view of the Cathedral of Lima, one of the most important landmarks of the former Viceroyalty of Peru. Surrounding this principal image are ten smaller engraved vignettes illustrating the landscapes, wildlife, architecture and people of Peru, Bolivia and Chile. The scenes include the Cathedral of Chuquisaca (Sucre, Bolivia), llamas and alpacas in the Andes, the Andean condor, Indigenous inhabitants, horsemen, traders, the marketplace of Santiago de Chile, a river scene on the Marañón, tropical Indigenous dwellings, and daily life across the region. Together they provide a fascinating nineteenth-century European overview of the geography, cultures and natural history of western South America. The print combines architecture, ethnography, zoology and landscape into a single decorative composition, making it both historically informative and visually attractive. Such composite engravings were intended to introduce readers to distant countries through carefully selected representative scenes. This is an original antique print printed...

Title: 1799 Samuel Howitt "Shooting Pony" Engraving – Original Georgian English Equestrian Print Creator: Samuel Howitt (British, 1756–1822) Title: Shooting Pony Date: Published August 3, 1799 Medium: Original copperplate engraving on laid paper, unframed Country of Origin: England An original Georgian copperplate engraving by the celebrated British sporting artist Samuel Howitt, depicting a finely trained shooting pony standing within an idyllic English landscape. A huntsman appears in the background beside a gate, reinforcing the sporting character of the composition. The plate bears the inscription "Howitt inv. et f.", indicating that Samuel Howitt both designed and engraved the work himself. At lower right the print is dated "Published Aug. 3, 1799," confirming its eighteenth-century publication. Samuel Howitt ranks among the most important British animal and sporting artists of the Georgian period. Best known for his naturalistic representations of horses, hunting scenes, dogs, and wildlife, his works were widely admired by the English gentry and country estates. His engravings combine elegant composition with an extraordinary sensitivity to the anatomy and character of animals. This authentic late eighteenth-century engraving makes a superb addition to collections of sporting art, equestrian memorabilia, or traditional English country-house interiors. Condition: Good antique condition with age-appropriate toning, minor creasing and handling wear consistent with more than two centuries of age. The sheet retains generous margins and displays exceptionally well. Presented unframed. Framed images are for inspiration only. Keywords: Samuel Howitt, Shooting Pony, horse engraving, equestrian print, Georgian engraving, sporting art, English country house, antique horse print, original copperplate engraving, British sporting print, hunting art, riding horse, eighteenth century engraving, 1799 print, English rural landscape, laid paper engraving, country estate decor, stable decoration, equestrian collectible, antique animal art.

Title: Napoleon and Francis II after Austerlitz, Antique French Engraving, circa 1840 Description: This 19th-century French engraving depicts the historic meeting between Napoleon B...

Antique Fruit Prints by Poiteau and Turpin, Hand-Colored Botanical Engravings Description: This exquisite compilation features three antique bot...

Mounted Persian Soldier (KoeseIbasje) – Antique Engraving of Safavid Military Costume, c.1730 This impressive 18th-century engraving depicts a heavily armed Persian cavalryman known...

Captain Cook Landing Tonga Engraving, Friendly Isles, Pacific, 1777 This exceptional 18th-century copperplate engraving depicts the historic landing of Captain James Cook at Middleb...

Architectural engravings by Jean-François de Neufforge (1714–1791). Neufforge was a Flemish engraver, architect, and publisher known for his work "Recueil élémentaire d'architectur...

Title: Detailed 1730 Maritime Warship Print with Tools, Rigging, and Ship Cross-Section Description: This exceptionally detailed and decorative maritime print, published in Nurember...

Title: Genesee Falls, Rochester – Antique Waterfall Engraving, New York State This dramatic nineteenth-century engraving depicts the spectacular Gen...