Engraved Prints

This print titled "Ornemens, Ustensiles Et Armes Des Isles Des Amis" is from Captain James Cook's third voyage, specifically published in 1777 by Strahan and Cadell. It represents va...

Title: Beautiful 1805 Hand-Colored Engraving of Butterfly Life Cycle from Bertuch’s Work Description: This enchanting hand-colored engraving is from Friedrich Justin Bertuch’s *...

Title: "The Siege of Nyborg, 1659: A Strategic Battle of the Dano-Swedish War" Translated text (From Dutch) on copper engraving: "The city of Nyborg captured by the lord Michiel de ...

This is a hand-colored atnique print, this time depicting the "Habit of the Lady Mayoress of London, in 1640." It's a historical costume illustration showing the fashion of a high-ra...

This is an 18th-century engraving depicting a nautical scene with dramatic action. The image shows two sailing ships in a state of distress near a rocky coastline, with the central s...

These set of original antique engravings are from Bernard de Montfaucon's "L'Antiquité expliquée et représentée en figures" (Antiquity Explained and Represented in Figures), which is a comprehensive collection of engravings illustrating various aspects of ancient life. This work was a significant contribution to the study of antiquity in the early 18th century. The specific volume these images are taken from likely deals with artifacts such as lamps, which were common in burial practices and other rituals of ancient cultures. This collage showcases three pages from Bernard de Montfaucon's seminal work "L'Antiquité expliquée et représentée en figures." Each page features detailed engravings of ancient lamps...

An engraved portrait of Henry VIII, King of England, famous for his role in the separation of the Church of England from the Roman Catholic Church. His reign saw the Dissolution of...

Costumes of Peru, 18th Century: Hand-Colored Engraving from Bertuch’s *Bilderbuch für Kinder This detailed 19th-century hand-colored copperplate engraving illustrates traditional co...

Antique Handcolored Engraving of Crocodiles, Amphibien II, c.1800 This original handcolored copperplate engraving features two distinct crocodile species depicted in naturalistic ...

Pair of 19th-century British plant botanicals Engravings with Insects – John Curtis (1791-1862) Sold as a pair -  Please let us know your choice on your purchase order: 1 - Dandeli...

Title: View of the Customs House and Church of Santa Maria della Salute, Grand Canal, Venice (1760) Description: This 18th-century engraving by I. Tirion offers a panoramic view of...

Views of Funchal and Fort Loo, Madeira – Hand-Colored Print from Bertuch, c.1800 This original hand-colored engraving features two finely detailed views of Madeira Island, from Frie...

Boats in this engraving are intended to represent Japanese ships, particularly ceremonial or diplomatic vessels from the Edo period—but as interpreted by European artists of the late...

A color engraving from the 19th century, with the scene described as "Wood depot on the St Lawrence River near the city of Quebec, years 1850." The artists involved in the creation...

1778 Engraving of Captain Cook's Second Voyage: Meeting Tahitians This beautiful copper-line engraving from 1778, created by Charles Grignion (1717-1810) after a work by Samuel Wale...

French 18th Century Jacques Rigaud engraving of Palais Des Thuilleries. The dimension is the sight of the image. This item is ready to be framed to your...

Title: "1703 Copperplate Engraving of a Dutch Seaman’s Wife in Traditional Costume" Description: This rare copperplate engraving, created by Caspar Luyken and published by C. Wei...

Title: "Title-Page to a Book of Prospects of London, Published by R. Butter (1785-1799)" This etching, serving as the title-page to a 'Book of Prospects of London', was published by...

Antique map titled 'Frisia Occidentalis.' - A very decorative map of the Dutch province Friesland, also showing the Wadden islands Terschelling and Ameland. With coats of arms of the...

Botanical Study of Various Plant Structures This engraving is from the publication "Flora Londinensis," an illustrated work detailing the flora found around London. The specific pla...

Title: "Chief Goliath and Hercules Beetles" - Hand-Coloured Copperplate Engraving from Bertuch's 'Bilderbuch für Kinder' (1810) Description: This captivating hand-coloured copperpl...

An original engraved portrait of James II, King of England. The style of the engraving and the attire of the individual are consistent with late 17th-century fashion, aligning with James II's reign from 1685 to 1688. The text beneath the image indicates that it was published as part of the same historical work by Rapin de Thoyras, and this specific print was made from an original picture painted by Sir Godfrey Kneller, a leading portrait painter of that time. The engraving was published as the act directs on August 1st, 1789, showing that it was also intended to be protected under copyright law. This inscription indicates that the portrait of James II, King of England, was originally painted by Godfrey Kneller (referred to as G. Kneller Pinx, with "Pinx" being an abbreviation for "pinxit," Latin for "painted by") and engraved by John Goldar (referred to as Goldar Sculp, with "Sculp" being short for "sculpsit," Latin for "engraved by"). James II of England, who was also James VII of Scotland, was born on October 14, 1633, and reigned from 1685 until he was deposed in the Glorious Revolution...

Engraving of the burning at the stake of a Franciscan friar. Here is a detailed analysis, including a description and a translated version of the text: The text at the bottom reads:...

The engraving shows "His Majesty's Dog Kennel at Ascot," a facility associated with the royal hunting grounds near Ascot, England. This artwork reflects the importance of hunting as a royal pastime and the infrastructure dedicated to maintaining hunting hounds. The scene depicts a substantial kennel building with two prominent wings and a central section. A group of hounds is seen in the courtyard, indicating this was an active kennel used...

Andere Wappen-Charte: Coats of Arms of the European Empires and Kingdoms with Historical Annotations, 1718 Detailed description: This beautifully hand-colored copper engraving, pri...

The engraving shows the Duke of Bedford's stables, alongside a newly constructed tennis court and riding house at Woburn Abbey in Bedfordshire, England. This architectural depiction ...

An antique engraving depicting a dance scene titled "An Exact Representation of a Dance in Otaheite," Otaheite being an archaic name for Tahiti in French Polynesia. This engraving would have been created as a part of a series to document the culture and life of the Tahitian people, likely observed by European explorers during one of the many voyages to the South Pacific in the 18th century. In the foreground, there are central figures engaged in a dance, wearing traditional Polynesian attire, which includes wraps around their waists and adornments that seem to represent status or a part of the dance costume. They are holding what appear to be fans, which may be part of the traditional dance. The dancers' poses suggest movement and a performance aspect to the scene. Behind the dancers, we can see a group of musicians providing the accompaniment, playing drums, which indicates the importance of music and rhythm in the dance. To the right, there is an audience of seated individuals, likely members of the community, watching the performance. The background of the scene includes thatched huts and a lush landscape with palm trees, depicting a typical village setting in Tahiti. The checkerboard pattern on the ground where the dance takes place is notable, as it adds a sense of structure to the scene. This image would have been intended for a European audience unfamiliar with Tahitian culture and would have served as a visual record of the encounters between European explorers and the peoples of the Pacific Islands. The engraving you've uploaded, titled "An Exact Representation of a Dance in Otaheite," is likely from a work documenting the voyages of Captain James Cook, given the style and subject matter. Captain Cook made three voyages to the Pacific Ocean during the 18th century, and his encounters with the peoples of the Pacific, including those of Tahiti (Otaheite), were extensively recorded and published. The engravings from Cook's voyages were made by artists who accompanied him, such as John Webber on his third voyage, or were based on sketches made by other crew members. These images were then published in the official accounts of the voyages. The most notable of these accounts is "A Voyage to the Pacific Ocean" undertaken during Cook's third voyage from 1776 to 1780, which was published in the years following his death in 1779. Another possible source for this engraving could be from the accounts of Joseph Banks. Banks was a naturalist who joined Cook on his first voyage (1768-1771) aboard the HMS Endeavour and was responsible for extensive collections and descriptions of Pacific cultures. His collections and later works also included illustrations and engravings of the scenes and peoples encountered. Given that the engraving is labeled as "London Published as the Act directs by Alexr. Hogg at the Kings Arms...

Title: "The Repast of the Reapers: 18th-Century Hand-Colored Rural Scene" Description: This vibrant hand-colored engraving, titled *The Repast of the Reapers*, depicts a lively ru...

Title: Der Kleinere Weiße Carolinische Reiher - Hand-Colored Engraving of the Lesser White Heron by Johann Michael Seligmann, 18th Century This finely detailed hand-colored engravin...

Title: Der Kolibri mit rother Brust, der Kolibri mit grüner Brust, und der Siebenschläfer - Hand-Colored Engraving of Hummingbirds and Dormouse by Johann Michael Seligmann, 18th Cent...

Text: "Le cheval étant sur son plan naturel, pour faire voir la plus parfaitte posture du Cavallier" Translated: "The horse being in its natural position, to show the most perfect ...

Set of 18 hand coloured bird engravings. Antique hand coloured bird engravings by Jacques de Seve, commissioned by George-Louis Leclrec, Comtes de B...

This is an original copperplate engraving on vellin-type paper, dating from a French edition of 1727-1738 of the monumental work "Cérémonies et Coutumes Religieuses..." by A. Moubach...

Hand-Colored 18th Century Butterfly Prints by J.B. Schmutzer - Circa 1775-1790 These beautifully hand-colored engravings, created by J.B. Schmutzer in the late 18th century (circa 1...

This original antique hand-colored engraving by Johann Michael Seligmann is a representation of the Golden Thrush, derived from George Edwards' "Natural History of Uncommon Birds" and "Gleanings of Natural History." The artwork was part of Seligmann's own work, "Sammlung Verschiedener Auslandischer und Seltener Vogel," which translates to "Collection of Various Foreign and Rare Birds," published in 1749. The engraving contains several lines of text in different languages, likely identifying the bird and giving references to the work it was derived from. Here’s the transcription and translation of the visible text: - "Gallula Bengalensis." - This is Latin, likely the scientific name of the bird at the time, which translates to "Bengal Gallula" or "Bengal Thrush." - "N:o 80./VII.Heft." - This seems to be a reference to the plate number and the volume or issue number of the collection. - "Le Grive Dorée, Icterus." - In French, this means "The Golden Thrush, Icterus." 'Icterus' refers to the genus that includes birds commonly known as orioles, which are often characterized by their yellow and black plumage. - "Goldbrostel." - This could be an old or regional name for the bird in German, which might translate to something like "Gold Breast" referring to the bird's golden chest...

This engraving titled "Histoire Naturelle: le café" is a detailed botanical illustration, part of an 18th or 19th-century natural history text or compendium. It depicts the coffee ...

This is an original detailed engraving of the greater coat of arms of Sweden, referred to in Swedish as "Svea rikes huvudvapen." The engraving was printed in Paris in 1669 according to Erik Vennberg. The coat of arms is elaborately detailed, with each escutcheon representing a component of the Swedish empire, including the arms of the House of Vasa among others. At the center, the shield is crowned with a regal crown, symbolizing the Swedish monarchy. Two regally posed lions, a common heraldic symbol of courage and strength, support the shield. The entire composition is topped with a mantle that looks to be teeming with various heraldic motifs, representing the unity and history of the Swedish nation. The intricacy of the work is indicative of the period's engraving techniques, with each line meticulously carved to bring out the opulence and intricate detail of the symbols. The coat of arms is a visual representation of the sovereignty and history of Sweden. The engraving is attributed to Jean Le Pautre, a notable French engraver from the 17th century, while the author of the work is Erik Dahlbergh...

"Convolvulus Batatas Botanical Engraving - Icones Plantarum Medicinalium, 1788" This delicate hand-colored engraving features the Convolvulus Batatas, also known as the Sweet Potato...

18th-Century Hand-Colored Engraving of Moths and Larvae with Nettles Description: This finely detailed hand-colored engraving, titled 'Nacht-Vlinders van 't Tweede Gezin der Eerst...

This engraving is titled "Habits of a Young Woman of Otaheite", and it was produced as part of Bankes's New System of Geography, which was a popular geographical work published in th...

An original antique hand-colored print of a woman in an elaborate dress, which is described as the "Habit of a Lady of Quality in France." This suggests that the attire represented is that of an affluent or noble woman from France, possibly from the 18th century given the style of the dress and the method of printmaking. The dress itself features a rich blue gown with gold accents and what appears to be an underskirt or petticoat of a contrasting color, potentially gold or yellow. The woman is wearing a headdress, which also fits with the fashion of the European upper class of the period. Such prints were often part of fashion plates or costume books that depicted the latest styles and were used by tailors, dressmakers, and the fashion-conscious elite to stay up-to-date with the latest trends from various European courts and cities. It's a detailed representation of historical clothing...

The 1801 engraving depicts a figure labeled as "A Savage of the Admiralty Isles in the South Sea." The image portrays a solitary indigenous man standing with a paddle in hand, exudin...

This image is an exquisite hand-colored engraving from the "Histoire Naturelle des Oiseaux," a seminal work published between 1765 and 1780. The artist behind this detailed work is F...

PRESENTING A FABULOUS AND RARE Set of 6 19C Irish Engraved Prints of Scenes of Dublin by James Malton. Set of 6 VERY RARE AND VALUABLE engraved prints of Dublin, Ireland scenes. These were printed by ‘Cahill Printers Ltd.’ circa 1880-1900. ‘Cahill Printers Ltd’ have been in existence since 1866 and acquired the rights to print these copies of the original watercolors by James Malton (1761 – 1803). Set of 6 19C Irish Engraved Prints of Scenes of Dublin by James Malton These scenes are: (in order): Rotunda & New Rooms, Great Court Yard Dublin Castle...

This magnificent engraving is entitled "Battle of La Hougue" by the engraver E.C Voysard after Benjamin West. It depicts the Battle of Barfleur- La Hougue,...

This engraving depicts a historical battle scene between Dutch forces and a party of Spaniards, as noted by the inscription at the bottom of the image. The scene shows armed soldiers...

Pair of framed neoclassical engravings, after works painted by Jean Jacques François Le Barbier (1738 - 1826) and engraved by Jean-Jacques Avril (1744-1831), dated 1789 for the paint...

The text in the image reads: "The Cape of Good Hope" and "London Mag: 1754." This suggests that this small image is a rare copper engraving that was featured in the London Magazine i...

An handcolored original antique print of Svartsjö Castle, located on the island of Färingsö in Ekerö Municipality, Sweden. The castle has a rich history, with the current building da...

PRESENTING a Lovely medium sized Wood Block Print of the ‘Canoe Maker’ by Dietrich Varez -1979. Signed by the artist. Well known American/Hawaiian Arti...

Antique Botanical Engraving of Apple Blossom and Mallow - 1803 Floral Print by Samuel Curtis This engraving is from "The Botanical Magazin...

This engraving, titled "Witwen aus Florida, die Ihre Haare auf das Grab Ihrer Manner streuen" (Native American widows from Florida who scatter their hair on the graves of their dead ...

Plate 17 from "La Methode et Invention nouvelle de Dresser les Chevaux" portrays William Cavendish, the first Duke of Newcastle, providing instructions to Captain Mazin in the art of...

This is a large, handsome engraving entitled Washington and His Generals by Alexander H. Ritchie, one of the best historical printmakers of the mid-nineteenth century. Ritchie is par...

This original hand-colored copperplate engraved map of Africa entitled "Africa Vetus, Nicolai Sanson Christianiss Galliar Regis Geographi" was originally created by Nicholas Sanson d...

The engraving titled "Natives Of Caria, A Province Of Anatolia In Turkey In Asia" depicts two individuals from Caria, a historical region in what is now modern Turkey. The attire and...

This is an original engraved print from 1585, depicting the construction plans for the ship bridge built by the Duke of Parma during the Siege of Antwerp in the Eighty Years' War. ...

These two lithographs are part of the series depicting the native peoples of Van Diemen’s Land, now known as Tasmania, drawn by Carel Christiaan Antony Last for the natural history b...

Eurasian Scops Owl Antique Dutch Print by Sepp and Nozeman, circa 1770 This finely detailed hand-coloured engraving titled Strix Scops portrays the Eurasian Scops Owl (Otus scops), ...

Title: "The Battle of Flowers at Cannes, 1889" This colorful engraving titled *The Battle of Flowers at Cannes* was published in the *Illustrated London News* on March 6, 1886. It d...