1870s Brooches

10k yellow gold branch brooch with coral Detailed description the size of the brooch is 3.8 cm by 3.1 cm wide and 1.8 cm high weight 8.9 grams set with - 15 x various sizes flow...

DETAILS • signed 1/20 12kt • gold filled with pearls • vintage designer brooch MEASUREMENTS • CONDITION • very good vintage condition with minimal signs of wear Sku 44...

Exceptional Edwardian Corsage Ornament set in silver with pastes. Lovely design with central motif held by 3 sets of paste and faux pearl set swag chains, hanging off sword hilt...

14k yellow gold brooch set with Coral - size 2.4 cm diameter detailed description: The diameter of the brooch is approximately 2.4 cm by 1.0 cm high weight: 5.4 grams set with ...

14k yellow gold brooch set with coral – 17.6 grams detailed description: the diameter of the brooch is 3.4 cm wide by 1.8 cm high weight 17.6 grams set with - 21 x 5.2 mm – 1.3 ...

This charming brooch with a miniature painting depicting amor was created in 1870 ca. The miniature painting shows cupid holding a light in his left hand. In his right hand he is hol...

We are delighted to offer this stunning antique Victorian 14ct gold garnet and diamond star brooch/pendant made c.1870. This piece features such a sweet, intricate yet sophisticated...

Period: XX century Dimensions: 2.90 x 2.80 cm Carats: 4,50 total cts Weight: 5,75 gr This brooch dating back to the beginning of the 20th century stands out for the presence of bril...

Massive and exceptional 19th Century Paste Sword Jabot Brooch from the l9th Century. Designed likely for a heavy cloak or cape set in sterling with pastes ...

Unusual Victorian Butterfly Wing Stickpin set in 14k gold. Mid 19th Century with a small moth or butterfly caught under glass with an iridescent blue butterfly wing back ground. Supe...

An exceptional and rare authentic Victorian mourning brooch (circa 1870s–1880s), intricately crafted from molded black pressed horn. This piece features a striking hexagonal silhoue...

Victorian Topaz Pendant Brooch set in 10k gold. Simple, elegant design of oval and round sherry colored topazes set into almost invisible crow...

Extraordinarily cool 19th Century "Secret Lover" Brooch with locket fitting. Most likely French in manufacture, this exquisitely crafted brooch is the work of a master jeweler of the period. The detailing is extraordinary and can only be appreciated with the aid of a loupe. A photo or ivory miniature of a loved one (possibly secret) was inserted into the locket from the back. A mechanical fan...

Flying Swallow This graceful Victorian Swallow brooch is 1870 ca Depicted with wings spread in flight, epitome of grace and beauty Expertly rendered by the Victorian masters of solid...

The circular-cut sapphire and ruby, pear shaped aquamarine the openwork wings pavé-set with gem-set, the antennae with emerald, mounted in silver and gold, width 4.7cm Weight:10.66gr.

14k gold with 925 silver brooch set with rose cut diamond to. 0.50ct G/HSI Detailed description the brooch is 1.5 cm high and 6.3 cm wide total weight: 7.1 grams occupied with: ...

Highly unusual handmade Victorian snake stickpin in 14K gold with lovely detailing. A fully formed snake is wrapped around a pear shaped faceted rock cr...

Lovely 19th Century Diamond and Carbuncle Garnet Beetle. Realistically modeled with large cabochon garnet set in high gold prongs with body elements all ...

Victorian Persian Turquoise and Seed Pearl Dove from the late 19th Century. Pave turquoises and pearls are used to decorate the dove in fli...

Period: Late 19th century. Dimensions: 5.5 cm x 3 cm. Weight: 13.6 gr. A rose gold brooch and pendant, adorned with an oval cameo on agate representing a richly dressed woman, with...

Meticulously carved in semi-precious Chalcedony with exquisite detail this lovely three-piece set consisting of a Pre-Victorian Cameo Pendant and Earring Pair is in remarkable condi...

This beautiful antique Crescent Moon is 1870 ca Glorious Victorian workmanship made of solid 18 KT gold and Silver Set with 15 graduated in size old mine cut Diamonds and tiny rose cut Diamonds to complement, approx 3.10 Ct (H/I-SI/I) – lovely color contrast given by 15 untreated natural, mine cut, Rubies of gorgeous pastel color for 1.80 Ct. 34 mm. In diameter with fine condition throughout keeping with age Victorian Celestial...

Charming and Rare Tiffany Carved Labradorite Frog 18K Stick Pin from the late 19th Century. The stone has been cleverly chosen and beautifully carved to reflect the blueish green iri...

Charming Victorian Painted Miniature Brooch with a surround of half pearls. A finely painted miniature watercolor of a young child playing a harp in t...

Charming 19th C. Egyptian Revival Micro Mosaic Brooch circa 1870's, Italy. Designed as a micromosaic of a pharaoh head set in 14k setting of gold bead and twisted wirework. Very fine...

Here we have a Victorian knife edge bar brooch. This antique piece has been predominantly crafted from gold and features a centralised rich red ruby flanked by a duo of bright white ...

Stunning Convertible Diamond star Pendant / Brooch Set in 14K gold. Approximate 1.35 Carats of Old Mine cut diamonds. The back is fitted with a pin clasp and chain hoop, allowing you...

Charming and Unusual Victorian Enamel and Diamond Handkerchief Brooch from the 19th Century in original box. 18k gold novelty brooch with enamel and rose diamond accents within initi...

A stunning, fine and impressive antique 0.49 carat diamond and 0.02ct ruby, 9 karat yellow gold, silver set swallow and crescent brooch; part of our collection of Victorian jewelry. ...

A stunning, fine and impressive antique Victorian 4.64 carat diamond and 9 karat yellow gold, silver set brooch; part of our diverse antique diamond jewelry collections. This stunni...

Large Victorian Bronze Owl Stick Pin with glass eyes from the mid 19th Century. Beautifully detailed bronze with 9k gold shaft. Owls were a symbol of wisdom and protection in the 19t...

This divine example is 1870 ca and crafted of solid 18 KT gold displaying an array pod graduated cushion cut old mine Diamonds alternated by natura Red Rubies Approx 4.40 Ct of brigh...

An exceptional mid-Victorian en tremblant brooch, masterfully crafted in silver-topped gold and designed as a flowering spray set throughout with old-cut diamonds and natural saltwat...

Charming Victorian Fox Stickpin from the 19th Century of hand painted porcelain set in a gold filled surround. 3" length, Porcelain .75" x .65".

Highly unusual handmade Victorian snake stickpin in 14K gold with lovely detailing. A fully formed snake is wrapped around a pear shaped faceted rock cr...

A Victorian oval diamond openwork brooch, with a centre cluster, set with a cushion shaped old-cut diamond, surrounded by old-mine cut diamonds, in claw settings, enclosed by four tr...

14k yellow gold brooch/pendant with coral and onyx – 18.0 grams detailed description: the dimensions of the brooch/pendant are 5.0 cm long by 4.2 cm wide weight 18.0 grams set w...

Details: Really cool antique Italian micro mosaic brooch with a Greek mythological phoenix bird. The phoenix rises out of her ashes...

Lovely Victorian 18K Gold Etruscan Bar Pin from the mid to late 19th Century. Beautiful hand applied gold shot and wirework on Victorian base. 2.25" x .4". 1870's USA.

DETAILS • unsigned • gold tone with glass • vintage designer brooch MEASUREMENTS • CONDITION • very good vintage condition with minimal signs of wear Sku 44 ❤️❤️ VINT...

Ruffled oval brooch, which can form a collar watch holder, in 18kt yellow gold centered with a cameo on malachite depicting Cupid in profile, his head turned, holding his loose bow, ...

Lovely Victorian Coral Cat Stickpin from the 19th Century. A finely carved 3D cat's head is set on a gold round with black enamel detailing to look like a ruff or collar. Superb qua...

Unusual angelskin coral brooch form the late 19th Century of a Neoclassical maiden flanked by 2 grotesque figures. Beautifully hand carved with ...

Victorian diamond flower stomacher with 3 ct diamonds in 18 karats gold and silver. Antique brooch composed of a flower framed by leaves, holding a movable drop set with a 0.41 ct pe...

In very good condition. Total weight is 18.4 grams. Totally is diamond diamond 4.50 ct. Acid tested to be 14k real gold. Please contact for any questions.

Massive 19th Century Silver Rose, hand crafted with extraordinary detailing by a fine jeweler of the period. 4.75" x 2". 1870's. French silver marks on ...

This Victorian portrait Cameo pin is an elegant and timeless addition to any jewelry collection. Crafted from 14KT yellow gold in a classic octagon shape, this piece features a spark...

Exceptional 19th C. Egyptian Revival Micro Mosaic Brooch circa 1870's, Italy. Designed as a micromosaic of a pharaoh head set in 14k setting of gold bead and twisted wirework. Incred...

Brooch with a cameo on agate in an oval decoration punctuated with rubies, white pearls and black enamel. 18K yellow gold frame. French work. Original box. Dimensions: 4.5 x 3.80 cm....

Antique shell cameo brooch and earrings by John Brogden, English, circa 1870. A yellow gold suite of jewellery, the brooch composed of a horizontally situated oval Bull’s Mouth shell cameo of the Greek goddess Selene riding a serpentine dragon in a rubover collet setting, encircled by a conforming frame of gold beading and twisted gold wire punctuated with four gold palmette form plaques engraved and decorated with dark blue enamel and placed at the cardinal points, the reverse mounted with a hinged pin and scroll clasp, the earrings each composed of a vertical oval Bull’s Mouth shell cameo engraved with a bust length portrait of Selene with crescent-set headdress, encircled by a conforming frame matching that of the brooch with the addition of a pendant decoration composed of a horizontal bar of gold beading and twisted gold wires suspending gold link chains graduated from centre and ending in conical gold elements, the reverses mounted with French wire fittings, all in a fitted red leather case, the interior marked ‘FIRST CLASS PARIS MEDAL/ 1855.1867.1851/ PARIS FIRST CLASS & LONDON PRIZE MEDALS/ JOHN BROGDON/ Goldsmith/ MANUFACTORY/ 16, Henrietta St. Covent Garden/ London’. The cameo—defined as a gem, usually either a mineral or a shell, upon which a design has been carved in relief—is believed to have originated in Hellenistic Greece, during the third century BC. These miniature sculptures, at that time confined to the medium of hardstone, are thought to have been made with the primary purpose of personal adornment. The same practice of mounting cameos in jewellery was then continued by the Ancient Romans, and they are known to have been worn by many a Roman emperor. After the fall of Rome the fashion for cameos went into a decline, until it was again revived during the Renaissance period, brought about by a keen interest in the ancient world. At this time both antique and contemporary cameos were mounted in jewellery, as well as collected as objet d’art. The art of cameo cutting was revived in Italy, where it would remain a centre for the coming centuries. Again there was a lull in interest in carved gemstones, until the Neoclassical revival of the eighteenth century, largely stimulated by the discoveries of the ancient Roman cities of Pompeii and Herculaneum. As with the Renaissance, antique specimens were generally prized over modern cameos, and the worldliest men in Europe held them among their collections of art and antiques. That said, carving centres in Rome and Torre del Greco (near Naples) in Italy were established in response to the demand of the Grand Tourists, who travelled to Italy and Greece to become educated in the wonders of the ancient world. It was at this time that shell cameos, mostly made in Torre del Greco due to its proximity to the sea, became more popular, owing to the relative ease in carving shell over hardstone. In addition to Rome, hardstone cameos also became a specialty of Idar Oberstein, Germany, which had a long history with both the gem mining and cutting trade. In a shift away from the collector’s cases of the previous century, the nineteenth century saw a strengthening in the fashion for wearable cameos. After the Empress Josephine donned a cameo-set suite of jewellery at the coronation of Napoleon in 1804, cameo jewellery became all the rage. Napoleon played a further hand in promoting the art by establishing a gemstone carving school in Paris, inspired by his appreciation for the arts of the ancient world. By the mid-nineteenth century shell cameos, in part due to their lightness compared with hardstone cameos, were the height of fashion. Large shell cameos as well as hardstone cameos were set into contemporary mounts, often as suites of jewellery. Some of the best cameos of the nineteenth century—carved by a select group of recognized carvers—were set into revivalist mounts, corresponding to the subject matter. In Victorian England cameo jewellery was particularly prized, due in part to the fact that the Queen owned and wore a number of cameo jewels. One example which can often be seen in official portraits is the Badge of the Order of Victoria and Albert, carved by Tommaso Saulini of Rome, who also produced cameos for the maker of the present suite, John Brogden. To meet demand some carvers set themselves up in London, including William Schmidt, a German carver from Idar Oberstein, who produced cameos for top London jewellers, including Brogden, Carlo Giuliano and Child & Child. In fact, Schmidt purports to have been the first to carve cameos out of opal, which Brogden reportedly displayed in the Paris Exhibition of 1878. An extant example, now in the collection of the British Museum, was set by the Giuliano firm. Regarding subject matter, cameos throughout time have been largely figural, from bust length profile portraits to scenes with multiple full-length figures, and sometimes animals. Ancient Greek and Roman cameos often depicted mythological scenes as well as contemporary figures. During the Renaissance, mythological scenes were popular, often taken directly from ancient sculpture, as well as portraits of notable contemporary figures. During the eighteenth and nineteenth centuries, due to the revivalist styles, both Renaissance and Classical subjects were copied and set into matching (and sometimes unmatching) revivalist mounts. From the Renaissance through the Victorian era, being able to recognize the source of the carving in a cameo was a mark of erudition, revealing in the wearer knowledge of Classical art. As mentioned, the present cameo parure...

Victorian Carlo Giuliano 18K yellow gold sapphire and ruby pin featuring his signature gold open-work. The pin contains two rubies that total 0.70 carats, no treatment, Thailand orig...

Antique Archaeological Victorian Etruscan revival pin /brooch with beautiful details . Pin front features exceptional quality of the granulation and filigree wirework with enamel work in between (enamel is in red ,turquoise blue and red color) .Back has a old "C" clasp . Pin is extremely well maid Although not marked /signed it is in the same school of a Castellani style piece....a similar examples can be seen "Castellani and Giuliano...

In gold and silver; featuring a central carnelian cameo carved with the profile of Bacchus—depicted with vine tendrils in his hair—surrounded by brilliant-cut diamonds (approx. 1.33 ...

his lovely antique brooch is Victorian period, 1870 circa Elegantly designed in a triumph of Diamond rays complemented by natural not nucleated salt sea Pearls and swinging drop Pear...

We are delighted to offer this exquisite antique Victorian 14ct gold and enamel brooch made c.1870. The brooch features a fabulous target/bullseye design with a striking colour comb...

Here we have a remarkable piece of jewellery taken from the Victorian period. This antique pendant come brooch showcases a padlock design set at the centre with a smooth cabochon roc...

Period: Late 19th century. Size: 6 cm x 3 cm. Weight: 21.5 gr. Brooch bouquet in yellow gold and silver entirely set with rose-cut diamonds and the most important central diamond.

Featuring a moonstone cabochon measuring 7.5 x 12.5 mm Carved to depict a bearded man wearing a warriors helmet Translucent colorless body color with blue adularescence Set with talo...

An antique brooch (circa 1875-1910) featuring a charming enamel cherub holding a garland of ten rose-cut diamond florets above an etching with a rose cut diamond sun rising over the ...

Wonderful Victorian Snake on naturally formed tooth pearl brooch. Highly unusual, lovely design and quality. Snakes represented the eternity of love...