Australia

An Impressive Fully Mounted Taxidermied African Male Lion, 20th Century With a walking attitude and with head inclined to the left, raised on a naturalistic...

Designed by Dunlin. Introducing the latest addition to the Etna family, The Etna XL. A stunning pendant light or statement piece for any Living Room, Entry way or Dining Space. Wit...

Timepieces by Longines have been long admired for their functionality, desirability & power This particular example is an elegant & timeless gents' watch, dating from circ...

Imagine after a hard day’s work relaxing into a genuine sheepskin bean bag, the world’s most beautiful natural fibre. Sheepskin's qualities are und...

A Spanish Polychrome Earthenware Plate, 19th Century With flower motif to the center and borderd by abstract floral pattern. Provenance: Private Australian Collection. Dimensions: ...

'Bassets D'Artois a Jambes Droites'. French chromolithograph, published in 1931. Signed by artist in the plate. Printed title lower right of sheet. Plate number top right. From a Fr...

'1. Vanessa urticae 2. 3. Pyrameis cardui' Late 19th century colour lithograph of butterflies.

Antique Japanese 6 panel screen from the early Edo period (C1650). One of a pair (both available). This magnificent golden screen shows...

A set of twelve Italian painted and parcel gilt Louis XVI Style dining chairs, 19th century Tablet back chairs with floral carved details raised on fluted legs with rosette embellis...

Antique Unusually Large OpenFace Sterling Silver Pocket Watch by Waltham American Watch Co (A.W.W. Co) featuring a big - 58mm - 925 Sterling Silver case, case back is detailed wit...

prémode presents Versace RARE S/S 2005 Chaos Couture Gown The Chaos Couture gown from Versace’s Spring/Summer 2005 collection is an exceptionally rare archival treasure. Meticulousl...

'Chrysiridia madagascarensis' Late 19th century colour lithograph of butterflies.

Studio AOAO is an interdisciplinary studio combining art and design. It was created by Alicja Strzyzynska and Onur Iseri in Amsterdam in 2020. The studio specializes in crafting scul...

A striking 5.45 carat natural tsavorite garnet, displaying an exceptionally rich and saturated green colour with vivid brilliance. The gemstone is expertly fashioned in a refined oct...

A beautiful 1890s antique Victorian oval trilogy ring featuring three striking Australian opal doublets showcasing vivid red, orange, yellow, green, and blue colour plays. English ha...

A "Adelie" (white eye) and "Rockhopper" (red eye) penguins with feet embedded on a clear base resembling ice.

This instantly-recognisable ladies’ Cartier Ballon Bleu ref 3009 Watch is an epitome of timeless sophistication Circa 2020, the timepiece is in excellent condition & in great w...

Collection of inserts from the exhibition catalog, Homage to the Square: 40 New Paintings by Josef Albers, which took place at Sidney Janis Gallery, New York, 1964. Sold as a set of...

A Chinese Ceramic Turquoise Glazed 'Shiwan' Opium Pillow, Early 20th Century Description: This Shiwan ceramic pillow (headrest) of earthenware features a turquoise glaze. Pillows in...

A Bronzed Metal Canopic Jar, Early 20th Century Provenance: Private Australian Collection Acquired in Rome in 2007. Description: The bronze jar with a lid in the form of a humanoid...

Description: A fine depiction of Guanyin, possessing the regal tranquillity that the Chinese Bodhisattva of compassion has come to be visually associated with. Marked by an urna signifying her spiritual enlightenment and crowned with a diadem depicting the Buddha Amitabha, the figure is immediately recognisable as Guanyin. Her androgynous figure is gracefully poised in the Lalit asana or “royal ease”, the pose classical in representations of the deity. The figure is asymmetric, with the weight of her supple form falling upon her left hand placed against the base, her right knee raised and left pendant. Her right hand rests upon her raised knee, delicately pinching at her draped attire. At first unassuming, this gesture may be suggestive of the Apana Mudra, the seal of purification. This Mudra is associated with physical wellbeing, fecundity and the cleansing of the body. Though she is adorned in the princely garb of dhoti, she bears features of idealised feminine beauty as prescribed in Asian art. With plump cheeks and near pouted lips, her full face gazes down upon the viewer with an empathetic and half-lidded gaze, upholding her title as ‘One who hears the cries of the world.’ Notes on the item: Guanyin is the Chinese interpretation of Avalokiteshvara, the Indian Bodhisattva of compassion. The term “Bodhisattva” is derived from the Sanskrit “Bodhi”, meaning ‘awakening’ or ‘enlightenment’, combined with “Sattva”, meaning ‘spirit’ or ‘being’, referring to one on the path to achieving enlightenment. Bodhisattvas in Mayahana Buddhism are recognised as figures who have effectively achieved enlightenment yet relinquish their accension to nirvana in order to remain amongst mankind in the ultimate act of compassion to aid as spiritual guides. As such, the Bodhisattva inhabit a liminal space between samsara and nirvana; enlightened beings that maintain a relationship with humanity that buddhas cannot, as attaining Buddhahood necessitates the abandonment of all worldly attachments, including mankind. Guanyin’s very name, ‘One who hears the cries of the world’ highlights this role as a compassionate figure who acknowledges the suffering and strife of man. Along with Mahāsthāmaprāpta, a fellow bodhisattva, Guanyin serves as an attendant to Buddha Amitabha, with these three deities recognised as the Three Sages of Western Pure Land Buddhism, a sect of Mayahana Buddhism popular in East Asia. Avalokiteshvara is commonly posited to have been adopted from Indian Buddhism into China as Guanyin around 200-400 CE, however it was the Tang dynasty (618-907) which saw the popularisation of the deity. By the Ming (1358–1644) and Qing (1644–1911) dynasties, Guanyin held the position as the most popular female deity in China. The unique state of religion in China held no monolithic canon regarding Buddhism and saw the assimilation of several belief systems, primarily Daoism, Buddhism and Confucianism. Consequently, Guanyin became a deity to be revered beyond Buddhism alone, appointed as both an official imperial deity and Daoist deity in the 12th century. Guanyin may also be seen to fulfil the role of idealised femininity as prescribed by Confucianism, with the scarcity of female Chinese deities perhaps accounting for the gradual gender shift Guanyin underwent. The Indian Avalokiteshvara is unequivocally recognised as male, whilst the supposed gender of Guanyin remains contentious. Although there is a clear shift from the masculine Avalokiteshvara towards a more feminine representation, it is unclear if Guanyin is understood to be entirely feminine, to inhabit qualities of both genders or to be elevated beyond gender entirely, embodying neither. Depictions of Guanyin are highly androgynous, which some believe lends credence towards Guanyin symbolising the unity of dualistic forces as recognised in Daoism, displaying the anthropomorphism of yin and yang. Comparative Analysis: Market comparisons of similar Qing Dynasty polychrome figures of Guanyin include lot 767 (no.2) From Christies ‘Important Chinese Ceramics and Works of Art,’ New York, 25 March 2022, with the price realised USD 52,920 (Estimate USD 20,000 – USD 30,000). Christies also auctioned a comparable polychrome Guanyin...

'1. Cynthia juliana 2. Anartia amalthea 3. Junonia orthosia' Late 19th century colour lithograph of butterflies.

A Large Pair of Cast Iron Royal Coat of Arms, 19th Century Provenance: Important Private Melbourne Collection. Description: Each coat of arms rendered with polychrome application, ...

The Lover's Croc ring is crafted in 18ct yellow gold, its sculptural crocodile form coiling around a vivid tsavorite centre stone. The powerful silhouette draws inspiration from the ...

Salvador Dali Autumn from the suite “The Seasons.”, 1972 Color Lithograph. Hand signed lower right. Numbered XC / CC. Sheet size: 76 x 56 cm. Published by Mitsubishi Department Sto...

Designer's Notes HK14 "Handelsmann and Khaw have long admired the quality and refinement of Dunlin's collections. Our first collection came about from where we found a need for fea...

The CYRUS Cabinet Handle makes a bold and timeless addition to interior spaces. Sand cast in solid bronze and finished by hand, they are luxurious and enduring. CYRUS Cabinet h...

This bowl was designed by René Lalique (1860-1945) and produced during his lifetime. The clear and frosted glass bowl has a sepia patina and is known as the 'Gui' pattern which trans...

Crafted from sterling silver this collar dates to the Victorian period. The fancy-link collar has a wonderful 'star punch' motif which is part of every link and is integrated into th...

An Architectural Model of the Temple of Vespasian and Titus, Early 20th Century Description: Features Corinthian style columns supporting a partial entablature, representing the rui...

An Important Chinese Carved Wood Figure of Guanyin, Ming Dynasty, 17th Century Description: A dignified portrayal of the bodhisattva, respl...

‘Flow Rida’ features sculptural molten forms and fluid lines, inspired by volcanically created geological formations. This hand-cast Bronze coffee table flows effortlessly, melting i...

Joe Ceiling Lights are inspired by my father's mid-century Mark Cross cuff link box. The geometric shape works with any contemporary, mid-century or art deco decor. We use Italian and Belgian linens available in a wide range of colours to dramatically or subtly change the mood of this handmade fixture. We also offer and range of stitching colours to suit. Joe's solid brass fixture...

A Cromwellian English Oak Refectory Table. 17th Century The plank top over a recessed carved freize on column legs joined by an H stretcher, dated 1656. Home decor, interior design...

Versace Medusa Renaissance print leggings A colourful take on Versace's signature Greek-inspired motif, the Medusa Renaissance is present throughout the house's SS22 collection, as s...

A magnificent 19th-century blue overlay crystal vase, finely hand-cut and richly decorated with enamel and gold. The deep cobalt blue crystal has been expertly overlaid and cut to re...

This delightful 19th century oil on panel presents an intimate and romantic outdoor scene, capturing two refined ladies dressed in voluminous gowns seated in the countryside, near th...

Crafted in 14ct yellow gold, this stunning pendant features a striking 2.61ct natural Australian sapphire in a deep, royal blue hue, cut in a classic oval shape that maximises its co...

This Tag Heuer Formula 1 ref. WAH 1210 BAO 859 Unisex Wristwatch is a refined Swiss timepiece, made from ceramic valued for its light weight, durability, hypoallergenic properties,...

Make a statement with the Chanel C22 Large CC Alphabet Oversized Earrings, an eye-catching piece that embodies the brand’s signature glamour and sophistication. Featuring Chanel’s ic...

A Small Egyptian Bronze Statue of Harpocrates, Circa 1st Century B.C. / 1st Century A.D. The left hand holds the horn of abundance. Provenanc...

Donald Judd Untitled (Schellmann 265/266), 1992-1993 Woodcut on Japanese Echizen Kozo paper Signed and numbered to verso: 1/30 Judd (concealed) Sheet size 59 x 79cm Frame size 65 x 8...

French Designer Modular Lounge Seating An iconic composition of modern seating design, this Togo modular sofa set designed by Michel Ducaroy for Ligne Roset includes two separate el...

Introducing the epitome of sophistication and style: the Pierre Balmain Snakeskin Leather Beige Nude High Heel Mule Sandals in size 36. Elevate your ens...

This asymmetrical PAIR of Fermat Cabinet Handles are cast from solid bronze. The Fermat range provides a tactile and beautiful addition to interior spaces. Designed to be applied...

Art Deco style 14ct white gold dress ring, narrow, high half round, tapered shank with cut-out underrail, upswept shoulders rubover setting with a double halo, polished finish, stamp...

Striking custom-made ring featuring a spectacular 12.5ct solid Australian boulder opal, set in 9ct yellow gold. Mined in Queensland, this opal is truly one of a kind, showcasing natu...

A Green Majolica Fish Saucer by Sarreguemines, Circa 1930 Provenance: Private Australian Collection. Dimensions: Height: 12cm. Width: 24.5cm. Depth: 9cm.

Handwoven Rattan in Indonesia. Designed by Dunlin. Delivery Included in pricing. Dunlin's exquisitely crafted Hurricane Lantern Pendant - a stunning addition to any interior space. This pendant boasts elegant, perfectly proportioned lines that are accentuated by its unique Dunlin weave, handcrafted with the utmost care and attention to detail. Made from premium rattan materials, this lantern pendant is a testament to Dunlin's commitment to quality and timeless design. Its impeccable craftsmanship ensures that it will be a cherished piece for years to come. Bring the warm and inviting glow of the Dunlin Hurricane Lantern Pendant into your home and experience the beauty of this exceptional work of art firsthand. Supplied with weathered brass chain, ceiling hook and cotton-covered cable or available as the shade only to enable you to match the rattan shade to existing decor. 100cm drop of cable and chain supplied, custom lengths are available upon request. Color: Natural Technical details 4W Max LED Made by hand exclusively to Dunlin's design. Lampholder: E27 (E26 for USA available upon request) Exclusive to Dunlin. Please allow a 10mm tolerance for all rattan pieces as each is handmade. Includes: Shade, Ceiling Rose, Chain and Cable. Dunlin, Founded in 2010 by Australian architect Nicholas Barber, Dunlin has grown to be a devoted source for Australia’s leading Architects, Interior Designers and private clients for lights of exceptional beauty and quality. Exclusively distributing leading international lighting firms for over a decade, Dunlin remains the designers choice for lights and objects of beauty. Dunlin is located in Bondi Beach...

A finely proportioned 16.29 carat rhodolite garnet, presented in an elegant antique cushion cut, displaying a richly saturated purplish-red hue with vivid chromatic intensity. This ...

This 1.70ct cabochon-cut natural Australian semi-black opal takes centre stage in this stunning 18ct yellow gold pendant. The opal displays a mesmerizing play of colour, with flashes...

A Faience Glazed Ceramic Canopic Jar of Imsety, Early 20th Century Provenance: Private Australian Collection. Description: The sturdy ovoid jar with mottled faience glaze throughou...

Crafted in 18ct yellow gold, the Cushion Cut Bold Icon Studs are defined by our signature sculptural talon setting, framing each cushion-cut gemstone with precision. The distinctive ...

This asymmetrical PAIR of Fermat Cabinet Handles is cast from solid bronze. The Fermat range provides a tactile and beautiful addition to interior spaces. Designed to be applied ...

A Royal Crown Derby Square Imari ‘383’ Dish, 19th Century Provenance: Private Australian Collection. Description: The chamfered square dish applied with the ‘383’ design, otherwi...

The Jumbo coffee table, designed by Gae Aulenti in 1965 and produced by Knoll International, is constructed entirely from solid marble. The design features a square top supported by ...

A French Giltwood Over Mantle Mirror, 18th Century Description: The large rectangular mirror surmounted by a central scrolling acanthus corona, descending to scrolling yoke flanked ...

The solid bronze Fermat Entrance Handles are bold and beautiful statement pieces designed to grace doors and entranceways. They provide tactile and interesting architectural eleme...

The solid bronze Fermat Entrance Handles are bold and beautiful statement pieces designed to grace doors and entranceways. They provide tactile and interesting architectural elemen...

Gucci Fall/Winter 1996 show by Tom Ford might be one of the most iconic collections of the era. Tom Ford built it around a deliberate rejection of mid-90s minimalism: military tailor...