Australia - Bookcases

Large sideboard with nine modular wall elements in French walnut veneer from the WK-Satink series, designed in 1952 by Georg Satink, manufactured by WK Möbel, Germany. The WK-Satink ...

Vintage stick cabinet. A design by Willem Lutjens for Den Boer Gouda, the Netherlands, 1960s. The Beechwood shelves are pure ,so no lacker or wax . ...

Roberto Monsani for Acerbis, wall unit, wood and glass, Italy, 1970s Stunning wall-mounted wall unit by Italian designer Roberto Monsani for Acerbis. This piece of furniture design ...

Ancient and authentic soul of Milan, Brera represents a connection between emotion and the experienced. Narrow and pebbly lanes, a constellation of antique stores where everyone can...

Osvaldo Borsani for Tecno, wall-mounted wall unit, metal, white laminated wood, Italy, 1950s  This wall mounted shelving system was designed by Osvaldo Borsani. Its purpose was a co...

This Danish Modern wall unit, designed by Kai Kristiansen for Feldballes Møbelfabrik, is a masterpiece of mid-century design. Crafted from teak wood, known for its durability and bea...

Vintage secretary desk Good condition. Upholstered in a black and white floral toile inside. Top has working locking key. Drawers open and cl...

LB7 bookcase composed of a single module with shelves and a storage unit with two doors, made in veneered solid teak wood, and black lacquered metal details. Designed by Franco Alb...

LB7 bookcase, designed by Franco Albini and manufactured by Poggi in 1957. Modular bookstore composed by upholds, containers with flying and doors, shelve. The industrial standard for every product component allows permanent and different solutions, from the bearing structures to the elements. The structure does not need anchorages to the wall and can be placed in the middle of the space. This set is composed of 3 modules, ten shelves, and three containers. It is made of Rosewood, iron, and brass. Excellent vintage condition. Franco Albini was born in Robbiate in 1905, and after his childhood and part of his youth, he moved to Milan. He graduated at Politecnico of Milan, Faculty of Architecture, in 1929, and He collaborated for three years in Giò Ponti and Emilio Lancia’s office. He probably had his international contacts here, at The International Exposition of 1929 in Barcelona and Paris, where he visited le Corbusier’s office, as Franca Helg used to tell. Throughout these first three years, his works were undoubtedly related to XIXth Century. His meeting with Edoardo Persico marks an evident turnover towards rationalism and writers for “Casabella” magazine. Persico’s thoughtful and ironical comments on some of Albini’s drawings for office furniture caused him deep upsetting. “I spent days of real anxiety – tells Albini – I had to answer all questions. I had a long fever”. The new phase that the meeting provoked begins with opening his own first office at Via Panizza with Renato Camus and Giancarlo Palanti. The group of Architects starts taking care of social housing, participating in the competition for the Baracca neighborhood in 1932, and then realizing the Ifacp neighborhood: Fabio Filzi (1936/38), Gabriele D’Annunzio, and Ettore Ponti (1939). During those years, He also worked for his first private villa (Pestarini). It is mainly in the context of exhibitions that the Italian architect experiments the compromise between rigor and poetic fantasy that Pagano was talking about; He conceived all the elements that would become recurrent in all types of his work – Architecture, Interiors, Design. The 1933 opening of the new Triennale of Milano, in Palazzo dell’Arte, becomes an occasion to express the highly innovative character of rationalist thinking. In this place, to experiment with new materials and solutions, but most of all a “method”. Young rationalist architects cultivated the art of exhibiting as a communication lab, an open field to space solutions. Albini, with Giancarlo Palanti, sets the steel structure house (with R. Camus, G. Mazzoleni, G. Minoletti and coordination by G. Pagano) designing also its furniture. For the next Triennale in 1936, marked by Persico’s early death, Franco Albini, together with a group of young architects around Pagano, takes care of the exhibition of Dwelling, where he presented 3 types of lodgings. In the same year, Albini and Romano design the exhibition for Ancient Italian jewelry: vertical uprights, simple linear poles design space. This element is recurring in other works, like the Scipione exhibition (1941), Vanzetti stand (1942), and Olivetti shop in Paris (1956). The architectural space is readable through a grid, introducing a third dimension, the vertical one, with a sense of lightness and transparency. Upright is also used in design objects, such as the Veliero bookcase...

Simply stunning George III secretaire bookcase in mahogany Lovingly restored so in great shape Lots of storage with drawers below and glass covered bookcase...

The Vienna Bookshelf is made by hand and designed by Troy Smith. This bookshelf is extremely well-built and is virtually indestructible. This bookshelf is made from solid brass and solid stainless steel. The brass has been mirror polished and lacquered for protection against tarnishing to keep the bright finish of the brass. The stainless steel shelves have a directional polished grain pattern to avoid fingerprints and polishing. The stainless does not require sealing or lacquering. This bookshelf has the ability to be broken down and put back together. The bookshelf was designed to have the biggest shelf at the bottom and the smallest shelf at the top. Bigger books...

A beautiful Georgian or Queen Anne style bureau with drop front secretary desk and bookcase hutch top By Henredon USA, Circa 1980s Gorgeous figured walnut, with original bra...