Magistretti Nuvola Rossa

As one of the founding fathers of modern Italian design, prolific architect and industrial designer Ludovico Magistretti (known by his nickname Vico) was guided by his philosophy, “There is no excuse for bad design.” His architectural projects are widely revered, and an ingenious meld of form and function can be found in his stylish and deceptively simple table lamps, sofas, armchairs and other mid-century furnishings.

Born in Milan, Magistretti followed in the footsteps of his father and grandfather (both architects) to study architecture at the Polytechnic University of Milan. At the outbreak of World War II, he fled to Switzerland, and it was there he met his role model and mentor, renowned humanist architect Ernesto Nathan Rogers. Magistretti was inspired by Rogers’s vision to revive postwar Italy, and they collaborated on several reconstruction projects. Among Magistretti’s first architectural designs is a “poetic” round church, which he created for the QT8, an experimental Milanese neighborhood.

When Magistretti returned to Milan in 1945, he worked at his father’s architectural firm. It wasn’t until the early 1950s that he expanded his talents into design while working with furniture artisans.

In the 1960s, Magistretti began his 30-year working relationship with famed entrepreneur Cesare Cassina of the Cassina furniture manufacturing company. In their design approach, the two men shared a vision of the relationship between modernity and tradition and enjoyed a close bond (Magistretti designed Cassina’s luxurious villa in 1965). However, their friendship was not without contention.

Legend has it that upon seeing the prototype for Magistretti’s Maralunga sofa, Cassina hated it so much that he punched it, breaking the back of the sofa, which crumpled into itself.

“Right, great, it looks perfect to me like that,” an unfazed Magistretti allegedly responded, and the Maralunga’s slumped, adjustable-height backrest was born. Incidentally, the Maralunga sofa won Italy’s Compasso d’Oro award as did his Eclisse lamp for Artemide and his Atollo lamp for Oluce.

Magistretti died in 2006, but his designs live on in galleries, museums and private residences and offices around the world.

Find a range of vintage Vico Magistretti furniture and lighting on 1stDibs.

Of all the vintage storage cabinets and antique case pieces that have become popular in modern interiors over the years, dressers, credenzas and cabinets have long been home staples, perfect for routine storage or protection of personal items. 

In the mid-19th century, cabinetmakers would mimic styles originating in the Louis XIV, Louis XV and Louis XVI eras for their dressers, bookshelves and other structures, and, later, simpler, streamlined wood designs allowed these “case pieces” or “case goods” — any furnishing that is unupholstered and has some semblance of a storage component — to blend into the background of any interior. 

Mid-century modern furniture enthusiasts will cite the tall modular wall units crafted in teak and other sought-after woods of the era by the likes of George Nelson, Poul Cadovius and Finn Juhl. For these highly customizable furnishings, designers of the day delivered an alternative to big, heavy bookcases by considering the use of space — and, in particular, walls — in new and innovative ways. Mid-century modern credenzas, which, long and low, evolved from tables that were built as early as the 14th century in Italy, typically have no legs or very short legs and have grown in popularity as an alluring storage option over time. 

Although the name immediately invokes images of clothing, dressers were initially created in Europe for a much different purpose. This furnishing was initially a flat-surfaced, low-profile side table equipped with a few drawers — a common fixture used to dress and prepare meats in English kitchens throughout the Tudor period. The drawers served as perfect utensil storage. It wasn’t until the design made its way to North America that it became enlarged and equipped with enough space to hold clothing and cosmetics. The very history of case pieces is a testament to their versatility and well-earned place in any room. 

In the spirit of positioning your case goods center stage, decluttering can now be design-minded.

A contemporary case piece with open shelving and painted wood details can prove functional as a storage unit as easily as it can a room divider. Alternatively, apothecary cabinets are charming case goods similar in size to early dressers or commodes but with uniquely sized shelving and (often numerous) drawers.

Whether you’re seeking a playful sideboard that features colored glass and metal details, an antique Italian hand-carved storage cabinet or a glass-door vitrine to store and show off your collectibles, there are options for you on 1stDibs.