Bay Area

Where metal implies sturdiness and calls for strong industrial motifs - the I/ the H, the beam / the cross, the Paper Table is a play on our own sense of balance. It questions the ...

This artwork titled "The Windmill" 1641 is an etching on paper After Rembrandt Van Rijn, 1606-1669, plate engraved By French renown engraver Charles Armand Durand, 1831-1905. Signatu...

This petite fashion ring is impressive in its vintage appeal, featuring a bezeled natural pink round brilliant sapphire, accented with round brilliant diamond. Experience the differe...

Diminutive size 19th century French provincial writing table or desk. The table is constructed from fruitwood with a warm patina and lovely wood grain patterns. Fronted by a single s...

Hand printed photograph by artist. Signed in pencil recto & verso. Edition 4/15 Dry mounted on board

Jason Schoener (1919-1997) "Boothbay Harbor" Original Watercolor c.1950s Fine vintage watercolor by listed artist Jason Schoener. Dimensions 21.5" x 1...

Large outdoor aviary/bird cage Made with brass and steel in an unusual triangular shape with a pagoda style roof 2 perch rods, 2 mini wooden feeders, and 1 porcelain feeder inside

This all natural, untreated imperial green jadeite jade and diamond ring has two pieces of fine imperial jadeite jade in carved into two ru...

C. 20th century Gorgeous Arts & Crafts torchiere hand painted art glass inserts Measurements of lamp Top: 7.50 x 7.50 ( square all the way arou...

Iconic Tonico Sofa, designed by the legendary Sergio Rodrigues in the 1960's. Excellent quality and masterfully crafted. Solid Jacaranda hardwood frame upholstered in green Brazilia...

Azzedine Alaïa Semi-Sheer Ribbed Dress, 1989 Extremely rare black ribbed knit dress from Azzedine Alaïa’s 1989 fall collection. Designed in his signature ...

A finely crafted Scandinavian bedroom set designed by Ib Kofod-Larsen for Brande Mobelfabrik, Denmark, 1958. The set includes a credenza dresser with cabinet and four drawers, a gent...

Vintage late 80s Moschino Cheap & Chic black long sleeved velour dress with round gold flat studs reading Not Just a Pretty Dress in large print at front....

Gilbert Rohde sideboard from the “Paldao” series. Features a pedestal base, pull-out cutting surfaces and four cabinets with carved nobs. In...

Soft, warm authentic Toscana sheep blanket. 100% Toscana sheep fur from Spain, this one-of-a-kind piece is sewn from Italian glove company remnants. Each piece has its own unique c...

Rustic late 18th century country French provincial farmhouse dining table constructed from warm toned fruitwood. The top is re...

MONCLER GAMME BLEU jacket in a navy wool featuring a quilted style, cozy down-filled design, rib knit collar details, and snaps closure with gold tone metal hardware. Made in Italy.E...

AMIRI jacket in a black and grey cotton fabric featuring a trucker style, distressed details, two patch pockets, and a button closure. Made in USA.Excellent Pre-Owned Condition. Ma...

A very comfortable guest chair in teak with a black leather seat. Manufactured by Gustav Bertelsen, Copenhagen. Seat shows patina on the leather.

An elegant Empire Period black lacquered walnut chaise or daybed with brass ormolu decoration. Has its original horsehair mattress. Frame is sturdy ...

Radiant Spanish colonial style eight-panel folding screen featuring polychromed leather decorated in the baroque taste. Each panel is hand-painted with intricate details depicting fruit, floral and foliate designs over a dramatic parcel gilt background. Each wood panel features an arched crest echoing a Moorish or Arabesque influence. Each panel measures over 22 inches wide and 90 inches high. The screen is divided into 2 pieces each with 4 panels. The polychrome design displays a bold interplay of deep red tones and earth tones over the gold ground. The leather is conjoined to the wood frame with laced leather borders having exposed seams. Provenance: Retailed by L. Rossi Antiques...

Origin: Sweden Designer: Unknown Manufacturer: Mjolby Intarsa Era: 1940s Materials: Mahogany, Beech Measurements: Inquire for measurements Condition: In excellent original condition...

This minimalist solitaire ring features an O.60-carat Emerald Shape Colombia Green Emerald prong set on a 1.2 mm wide band. The heavily natural inclusions in the gem give it a rustic...

A large vintage studio pottery bowl. Gray exterior glaze with a contrasting brown interior. Decorated around the sides with quirky blue hand painted nude people...

Artist: Beth van Hoesen – American (1926- 2010) Title: Grapes Date: 1973 Medium: Color aquatint etching, drypoint on BFK Rives paper Image Size: 6 x 4.5 inches Sheet size: 15 x 11 in...

Wear Art every day! This stunning 18K Yellow Gold Hand-Crafted ring features Fourthly Four (44) Brilliant round diamonds channel and Micro-Prong set. We alternate round wire shanks w...

of graceful form with sloping barrel-back above a loose cushion; the back fitted with a bentwood rib cascading to the floor providing support to the front; supported at the rear with...

"One of Two Colossal Statues of Rameses II. Entrance to the Temple at Luxor" is a framed 19th century hand-colored lithograph by David Roberts from volume I of his monumental 6 volum...

Pair of antique cherubs. I believe these are spelter, but I’m not sure. They have some really good detail to them. One of them has a crack around the neck, but could easily be filled...

Yves Saint Laurent Rive Gauche Silver Passementerie Bag, 1990's Deep silver-gray woven passementerie handbag from Yves Saint Laurent Rive Gauche, dating to the early 1990's. The str...

Dramatic pair of neoclassical style Clivedon dining chairs designed by Ralph Lauren. The Italian bench made bespoke chairs feature a klismos style beech frame with a rich faux Macass...

In very good condition. Total weight is 2.8 grams. Totally is diamond 0.19 carat. The diamond is has H color s1-s2 clarity. Ring size is US 7.3 . We can make any size. Box is not in...

In very good condition. Total weight is 12.4 grams. Totally is diamond about 3 ct. The diamond is has H-I color and s1-s2-s3 clarity. Acid tested to be 12k real gold. Back clips part...

the openwork chandelier capped with a spheroid element supporting six scrolled candlearms; all joined by a shapely outer stretcher;  adorned with crystal flower heads and leaves inte...

A pair of chrome plated flat bar steel lounge chairs attributed to Poul Kjaerholm. Chair frames made with substantial, polished chrome steel. In need of upholstery. Minor oxidation a...

This very striking double condiment set really caught our attention. Admittedly this is something we rarely buy, but just one look made us buyers. The commitment...

This artwork titled " Lendas Africanas Da Bahia" from the suite, 1978, is an original colors woodcut by renown Brazilian/Argentinian artist Hector Julio Paride Barnabo Carybe, 1911-1997. It is hand signed and numbered 83/200 in pencil by the artist. The Wood block mark (image) is 23.65 x 15.75 inches, sheet size is 26.75 x 19 inches. It is in excellent condition, has never been framed. It will be shipped in a 8 inches diameter heavy duty tube. About the artist: Héctor Julio Páride Bernabó (7 February 1911 – 2 October 1997) was an Argentine-Brazilian artist, researcher, writer, historian and journalist. His nickname and artistic name, Carybé, a type of piranha, comes from his time in the scouts. He died of heart failure after the meeting of a candomblé community's lay board of directors, the Cruz Santa Opô Afonjá Society, of which he was a member. Quick Facts Born, Died ... Carybé Born Héctor Julio Páride Bernabó 7 February 1911 Lanús, Argentina Died 2 October 1997 (aged 86) Salvador, Bahia, Brazil Nationality Brazilian Known for Painter, engraver, draughtsman, illustrator, potter, sculptor, mural painter, researcher, historian and journalist Close He produced thousands of works, including paintings, drawings, sculptures and sketches. He was an Obá de Xangô, an honorary position at Ilê Axé Opô Afonjá. Orixá Panels in the Afro-Brazilian Museum in Salvador Some of Carybé's work can be found in the Afro-Brazilian Museum in Salvador: 27 cedar panels representing different orixás or divinities of the Afro-Brazilian religion candomblé. Each panel shows a divinity with their associated implements and animal. The work was commissioned by the former Banco da Bahia S.A., now Banco BBM S.A., which originally installed them in its branch on Avenida Sete de Setembro in 1968. Murals at Miami International Airport American Airlines, Odebrecht and the Miami-Dade Aviation Department partnered to install two of Carybé's murals at Miami International Airport. They have been displayed in the American Airlines terminal at John F. Kennedy International Airport in New York since 1960. The 16.5 x 53-foot murals were accredited when Carybé won the first and the second prize in a contest of public art pieces for JFK airport. As its terminal at that airport was due for demolition, American Airlines donated the murals to Miami-Dade County, and Odebrecht invested in a project to remove, restore, transport and install the murals at Miami International Airport. The mural "Rejoicing and Festival of the Americas" portrays colorful scenes from popular festivals throughout the Americas, and "Discovery and Settlement of the West" depicts the pioneers’ journey into the American West. Carybé's Woodcuts in Gabriel García Márquez's Books Carybé illustrated four books by the Colombian writer Gabriel García Márquez, including One Hundred Years of Solitude, The Autumn of the Patriarch, Chronicle of a Death Foretold, and Love in the Time of Cholera "Carybé: um mestre da cultura baiana". ArqBahia Arquitetura, design, arte e lifestyle (in Brazilian Portuguese). 26 April 2023.. In particular, the woodcuts in One Hundred Years of Solitude are well-known for providing a visual image of the fictional town of Macondo, where the story takes place. The illustrations depict the colorful and winding houses, the railway bridge, and the hot and humid climate of the region, contributing to the reader's immersion in the story. Carybé's woodcuts are, therefore, an important part of Gabriel García Márquez's literary legacy, bringing a visual dimension to his stories that further enriches the reader's experience. Timeline 1911 — Birth in Lanús, Argentina. 1919 — Moved to Brazil. 1921 — The name Carybé is first given to him by the Clube do Flamengo scouts group, in Rio de Janeiro. 1925 — Beginning of his artistic endeavours, going to the pottery workshop of his elder brother, Arnaldo Bernabó, in Rio de Janeiro. 1927–1929 — Studies at the National School of Fine Arts, in Rio de Janeiro. 1930 — Worked for the newspaper Noticias Gráficas, in Buenos Aires, Argentina. 1935–1936 — Works with the writer Julio Cortázar and as a draughtsman for the El Diario newspaper. 1938 — Sent to Salvador by newspaper Prégon. 1939 — First collective exhibition, with the artist Clemente Moreau, at the Buenos Aires City Museum of Fine Arts, Argentina; illustrates the book Macumba, Relatos de la Tierra Verde, by Bernardo Kardon, published by Tiempo Nuestro. 1940 — Illustrates the book Macunaíma, by Mário de Andrade. 1941 — Draws the Esso Almanach, the payment for which allows him to set on a long journey through Uruguay, Brazil, Bolivia, and Argentina. 1941–1942 — Study trip around several South American countries. 1942 — Illustration for the book La Carreta by Henrique Amorim, published by El Ateneo (Buenos Aires, Argentina). 1943 — Together with Raul Brié, translates the book Macunaíma, by Mário de Andrade, into Spanish; produces the illustrations for the works Maracatu, Motivos Típicos y Carnavalescos, by Newton Freitas, published by Pigmaleon, Luna Muerta, by Manoel Castilla, published by Schapire, and Amores de Juventud, by Casanova Callabero; also publishes and illustrates Me voy al Norte, for the quarterly magazine Libertad Creadora; awarded First Prize by the Cámara Argentina del Libro (Argentine Book Council) for the illustration of the book Juvenília, by Miguel Cané (Buenos Aires, Argentina). 1944 — Illustrates the books The Complete Poetry of Walt Whitmann and A Cabana do Pai Tomás, both published by Schapire ; as well as and Los Quatro Gigantes del Alma by Mira y Lopez, Salvador BA; attends capoeira classes, visits candomblé meetings and makes drawings and paintings. 1945 — Does the illustrations for Daniel Defoe's Robinson Crusoe, for the Viau publishing house. 1946 — Helps in setting up the Tribuna da Imprensa newspaper, in Rio de Janeiro. 1947 — Works for the O Diário Carioca newspaper, in Rio de Janeiro. 1948 — Produces texts and illustrations for the book Ajtuss, Ediciones Botella al Mar (Buenos Aires, Argentina). 1949–1950 — Invited by Carlos Lacerda to work at the Tribuna da Imprensa, in Rio de Janeiro. 1950 — Invited by the Education Secretary Anísio Teixeira, moves to Bahia, and produces two panels for the Carneiro Ribeiro Education Center (Park School), in Salvador, Bahia. 1950–1997 — Settles in Salvador, Bahia. 1950–1960 — Actively participate in the plastic arts renewal movement, alongside Mário Cravo Júnior, Genaro de Carvalho, and Jenner Augusto. 1951 — Produces texts and illustrations for the works of the Coleção Recôncavo, published by Tipografia Beneditina and illustrations for the book, Bahia, Imagens da Terra e do Povo, by Odorico Tavares, published by José Olímpio in Rio de Janeiro; for the latter work he receives the gold medal at the 1st Biennial of Books and Graphic Arts. 1952 — Makes roughly 1,600 drawings for the scenes of the movie O Cangaceiro, by Lima Barreto; also works as the art director and as an extra on the film (São Paulo, SP). 1953 — Illustrations for the book A Borboleta Amarela, by Rubem Braga, published by José Olímpio (Rio de Janeiro, RJ). 1955 — Illustrates the work O Torso da Baiana, edited by the Modern Art Museum of Bahia. 1957 — Produces etchings, with original designs, for the special edition of Mário de Andrade's Macunaíma, published by the Sociedade dos 100 Bibliófilos do Brasil. 1958 — Makes an oil painting mural for the Petrobras Office in New York, USA; illustrates the book As Três Mulheres de Xangô, by Zora Seljan, published by Editora G. R. D. (Rio de Janeiro, RJ); Receives a scholarship grant in New York, USA. 1959 — Takes part in the competition for the New York International Airport panels project, in New York, USA, winning first and second prizes. 1961 — Illustrates the book Jubiabá, by Jorge Amado, published by Martins Fontes (São Paulo, SP). 1963 — Awarded the title of Honorary Citizen of Salvador, Bahia. 1965 — Illustrates A Muito Leal e Heróica Cidade de São Sebastião do Rio de Janeiro, published by Raymundo Castro Maya (Rio de Janeiro, RJ). 1966 — With Jorge Amado, co-authors Bahia, Boa Terra Bahia, published by Image (Rio de Janeiro, RJ); writes and illustrates the book Olha o Boi, published by Cultrix (São Paulo, SP). 1967 — Receives the Odorico Tavares Prize – Best Plastic Artist of 1967, in a competition ran by the state government to stimulate the development of plastic arts in Bahia; makes the Orixás Panels for the Banco da Bahia (currently at the UFBA Afro-Brazilian Museum) (Salvador, BA). 1968 — Illustrates the books Carta de Pero Vaz de Caminha ao Rei Dom Manuel, published by Sabiá (Rio de Janeiro) and Capoeira Angolana, by Waldeloir Rego, published by Itapoã (Bahia). 1969 — Produces the illustrations for the book Ninguém Escreve ao Coronel, by Gabriel Garcia Marquez, published by Sabiá (Rio de Janeiro, RJ). 1970 — Illustrates the books O Enterro do Diabo and Os Funerais de Mamãe Grande, published by Sabiá (Rio de Janeiro, RJ), Agotimé her Legend, by Judith Gleason, published by Grossman Publishers (New York, USA). 1971 — Illustrates the books One Hundred Years of Solitude, by Gabriel Garcia Marquez and A Casa Verde by Mario Vargas Llosa, both published by Sabiá (Rio de Janeiro, RJ); produces texts and illustrations for the book Candomblé da Bahia, published by Brunner (São Paulo, SP). 1973 — Illustrations for Gabriel Garcia Marquez's A Incrível e Triste História de Cândida Erendira e sua Avó Desalmada (Rio de Janeiro, RJ); paints the mural for the Legislative Assembly and the panel for the Bahia State Secretary of the Treasury. 1974 — Produces woodcuts for the book Visitações da Bahia, published by Onile. 1976 — Illustrates the book O Gato Malhado e a Andorinha Sinhá: uma história de amor, by Jorge Amado (Salvador, BA); receives the title of Knight of the Order of Merit of Bahia. 1977 — Certified with the Honor for Afro-Brazilian Cult Spiritual Merit, Xangô das Pedrinhas ao Obá de Xangô Carybé (Magé, RJ). 1978 — Makes the concrete sculpture Oxóssi, in the Catacumba Park; illustrates the book A Morte e a Morte de Quincas Berro D´Água, by Jorge Amado, published by Edições Alumbramento (Rio de Janeiro, RJ). 1979 — Produces woodcuts for the book Sete Lendas Africanas da Bahia, published by Onile. 1980 — Designs the costumes and scenery for the ballet Quincas Berro D´Água, at the Teatro Municipal in Rio de Janeiro. 1981 — Publication of the book Iconografia dos Deuses Africanos no Candomblé da Bahia (Ed. Raízes), following thirty years of research. 1982 — Receives the title of Honorary Doctor of the Federal University of Bahia. 1983 — Makes the panel for the Brazilian Embassy in Lagos, Nigeria. 1984 — Receives the Jerônimo Monteiro Commendation – Level of Knight (Espírito Santo); receives the Castro Alves Medal of Merit, granted by the UFBA Academy of Arts and Letters; makes the bronze sculpture Homenagem à mulher baiana (Homage to the Bahian woman), at the Iguatemi Shopping Center (Salvador, BA). 1985 — Designs the costumes and sets for the spectacle La Bohème, at the Castro Alves Theater; illustrates the book Lendas Africanas dos Orixás, by Pierre Verger, published by Currupio. 1992 — Illustrates the book O sumiço da santa: uma história de feitiçaria, by Jorge Amado (Rio de Janeiro, RJ). 1995 — Illustration of the book O uso das plantas na sociedade iorubá, by Pierre Verger (São Paulo, SP). 1996 — Making of the short film Capeta Carybé, by Agnaldo Siri Azevedo, adapted from the book O Capeta Carybé, by Jorge Amado, about the artist Carybé, who was born in Argentina and became the most Bahian of all Brazilians. 1997 — Illustration of the book Poesias de Castro Alves. Exhibitions ммIndividual Exhibitions: 1943 — Buenos Aires (Argentina) — First individual exhibition, at the Nordiska Gallery 1944 — Salta (Argentina) — at the Consejo General de Educacion 1945 — Salta (Argentina) — Amigos del Arte, Buenos Aires (Argentina) — Motivos de América, at the Amauta Gallery, Rio de Janeiro RJ — individual exhibition at the IAB/RJ 1947 — Salta (Argentina) — Agrupación Cultural Femenina 1950 — Salvador BA — First individual exhibit in Bahia, at the Bar Anjo Azul; São Paulo SP — MASP. 1952 — São Paulo SP — MAM/SP 1954 — Salvador BA — Oxumaré Gallery 1957 — New York (USA) — Bodley Gallery; Buenos Aires (Argentina) — Bonino Gallery * 1958 - New York (USA) — Bodley Gallery 1962 — Salvador BA - MAM/BA 1963 — Rio de Janeiro RJ — Bonino Gallery 1965 — Rio de Janeiro RJ — Bonino Gallery 1966 — São Paulo SP — Astrea Gallery 1967 — Rio de Janeiro RJ — Santa Rosa Gallery 1969 — London (England) — Varig Airlines 1970 — Rio de Janeiro RJ — Galeria da Praça 1971 — Rio de Janeiro RJ — MAM/RJ, São Paulo SP — A Galeria; Belo Horizonte MG, Brasília DF, Curitiba PR, Florianopolis SC, Porto Alegre RS, Rio de Janeiro RJ and São Paulo SP — The Orixás Panel (exhibition tour), at the Casa da Cultura in Belo Horizonte, MAM/DF, the Public Library of Paraná, the Legislative Assembly of Santa Catarina State, the Legislative Assembly of Rio Grande do Sul, MAM/RJ and MAM/SP 1972 — The Orixás Panel in Fortaleza CE — at the Ceará Federal University Art Museum, and in Recife PE — at the Santa Isabel Theater 1973 — São Paulo SP — A Galeria 1976 — Salvador BA — at the Church of the Nossa Senhora do Carmo Convent 1980 — São Paulo SP — A Galeria 1981 — Lisbon (Portugal) — Cassino Estoril 1982 — São Paulo SP — Renot Art Gallery, São Paulo SP — A Galeria 1983 — New York (USA) — Iconografia dos Deuses Africanos no Candomblé da Bahia, The Caribbean Cultural Center 1984 — Philadelphia (USA) — Art Institute of Philadelphia; Mexico — Museo Nacional de Las Culturas; São Paulo SP — Galeria de Arte André 1986 — Lisbon (Portugal) — Cassino Estoril; Salvador BA — As Artes de Carybé, Núcleo de Artes Desenbanco 1989 — Lisbon (Portugal) — Cassino Estoril; São Paulo SP — MASP 1995 — São Paulo SP — Documenta Galeria de Arte, São Paulo SP — Casa das Artes Galeria, Campinas SP — Galeria Croqui, Curitiba PR — Galeria de Arte Fraletti e Rubbo, Belo Horizonte MG — Nuance Galeria de Arte, Foz do Iguaçu PR — Ita Galeria de Arte, Porto Alegre RS — Bublitz Decaedro Galeria de Artes, Cuiabá MT — Só Vi Arte Galeria, Goiânia GO — Época Galeria de Arte, São Paulo SP — Artebela Galeria Arte Molduras, Fortaleza CE — Galeria Casa D'Arte, Salvador BA — Oxum Casa de Arte Collective Exhibitions: 1939 — Buenos Aires (Argentina) — Carybé and Clemente Moreau Exhibition, at the Museo Municipal de Belas Artes 1943 — Buenos Aires (Argentina) — 29th Salon de Acuarelistas y Grabadores — first prize 1946 — Buenos Aires (Argentina) — Drawings by Argentine Artists, at the Kraft Gallery 1948 — Washington (USA) — Artists of Argentina, at the Pan American Union Gallery 1949 — Buenos Aires (Argentina) — Carybé and Gertrudis Chale, at the Viau Gallery; Salvador BA — Bahian Showroom of Fine Arts, at the Hotel Bahia 1950 — Salvador BA — 2nd Bahian Showroom of Fine Arts; São Paulo SP — MAM/SP 1951 — São Paulo SP — 1st São Paulo Art Biennial, Trianon Pavilion. 1952 — Salvador BA — 3rd Bahian Showroom of Fine Arts, at Belvedere da Sé; São Paulo SP — MAM/SP 1953 — Recife PE — Mario Cravo Júnior and Carybé, at the Santa Isabel Theater; São Paulo SP — 2nd São Paulo Art Biennial, at MAM/SP 1954 — Salvador BA — 4th Bahian Showroom of Fine Arts, at the Hotel Bahia. — Bronze medal 1955 — São Paulo SP — 3rd São Paulo Art Biennial, at MAM/SP — first prize for drawing 1956 — Salvador BA — Modern Artists of Bahia, at the Oxumaré Gallery; Venice (Italy) — 28th Venice Biennial 1957 — Rio de Janeiro RJ — 6th National Modern Art Show — exemption from the jury; São Paulo SP — Artists from Bahia, at the MAM/SP 1958 — San Francisco (USA) — Works by Brazilian Artists, at the Fine Arts Museums of San Francisco, Washington and New York (USA) — Works by Brazilian Artists, at the Pan American Union and the MoMA 1959 — Seattle (USA) — 30th International Exhibition, at the Seattle Art Museum; Salvador BA — Modern Artists of Bahia, at the Dentistry School. 1961 — São Paulo SP — 6th São Paulo Art Biennial, at MAM/SP — special room 1963 — Lagos (Nigeria) — Brazilian Contemporary Artists, at the Nigerian Museum; São Paulo SP — 7th São Paulo Art Biennial Bienal, at the Fundação Bienal 1964 — Salvador BA — Christmas Exhibition, at the Galeria Querino 1966 — Baghdad (Iraq) — collective exhibition sponsored by the Calouste Gulbenkian Foundation; Madrid (Spain) — Artists of Bahia, at the Hispanic Culture Institute; Rome (Italy) — Piero Cartona Palace; Salvador BA — 1st National Biennial of Plastic Arts (Bienal da Bahia) — special room; Salvador BA — Draughtsmen of Bahia, at the Convivium Gallery 1967 — Salvador BA — Christmas Exhibition at the Panorama Art Gallery; São Paulo SP — Artists of Bahia, at the A Gallery 1968 — São Paulo SP — Bahian Artists, at the A Gallery 1969 — London (England) — Tryon Gallery; São Paulo SP — 1st Panorama of Current Brazilian Art at the MAM/SP; São Paulo SP — Carybé, Carlos Bastos...

Magnificent Chinese export six panel folding coromandel screen featuring hand-carved soapstone and hardstone decoration. The lacquered panels have recessed windows showcasing hand-ca...

Paul McCobb design dresser for his debut Planner Group series for Winchendon, Mass. High quality construction using solid maple wood featuring eight drawers with aluminum o-ring pull...

GIVENCHY sandals in a black, green, and orange leather featuring a camouflage print, slide style, and silver tone metal buckle closure. Made in Italy.Very Good Pre-Owned Condition. ...

This artwork titled "Lindau, Germany" c.1950, is a color etching 0n Wove paper by noted Austrian artist Luigi Kasimir 1881-1962. It is hand signed in pencil by the artist at the lowe...

The Wolo Dining Table leans on contrast as a guiding concept. Columnar legs feature thick pillars attached with thin connective tissue while the simple geometry emphasizes the qualit...

Origin: Denmark Designer: Tue Poulsen Manufacturer: Unknown Era: 1960s Materials: Rosewood, Tile Measurements: 41.25" wide x 41.25" deep x 20" tall

Banded Landscape - The painting was created in 2024 by celebrated American realist artist Willard Dixon, who has captured the undeniable beauty of the west for the past 35 years. Di...

Elevate your stacking look with this modern classic. Our Mini Cuban Chain, crafted in solid 14K yellow gold, delivers bold style in a sleek, refined silhouette. Designed for effortle...

Yves Saint Laurent Marabou Feather Jacket – Fall/Winter 1982 Runway Extremely rare and extraordinary fuchsia marabou feather jacket from Yves Saint Laurent’s Fall/Winter 1982 runway...

This artwork titled "Pau Hana" c.1990 is an original color lithograph on paper by noted French artist Guy Buffet, 1943-2023. It is hand signed and numbered H.C. 1/10 in pencil by the...

Impressive pair of 17th century Japanese Edo period Rinpa school screens made in the manner and style of Autumn Grasses by Tawaraya Sōtatsu (1570-1640). Beautifully decorated with wi...

Opulent 19th century French empire gilt wood console table featuring a marbleized limestone top with partial shell fossil remnants. The marble specimen is...

This is an original John James Audubon hand-colored lithograph entitled "Golden Eagle", No. 3, Plate 12 from Audubon's "Birds of America, lithographed, printed and colored by JT Bowe...

For grace with functionality plus quality construction, it’s hard to surpass English Georgian furniture. It’s why this style, originating in 1747 with King George I endured. On offer...

A rare mahogany dresser and mirror set by Frank Lloyd Wright for Heritage-Henredon. The dresser features ten drawers with recessed handles, complemented by a mirror adorned with Wri...

Extraordinary example of WWl Trench Art. Historical significance as this vase is signed by the soldier that crafted it, "Lieutenant Thorburn" including regiment "62nd Reg" and date "1918-19". Also inscribed A. E. F. The AEF helped the French Army on the Western Front during the Aisne Offensive (at the Battle of Château-Thierry and Battle of Belleau Wood...

Gorgeous set of six dining chairs crafted in the country French provincial taste. The chairs feature large, thick wood frames with a natural organic modern finish on the wood. The na...

MOSCHINO COUTURE cocktail dress in a red viscose blend fabric featuring a black figures in gowns print, 3/4 sleeves, and black bow sash detail. Made in Italy.Very Good Pre-Owned Cond...

ABOUT An original Chinese advertising poster with vivid colors for Chinese Batteries. Framed in a brown frame. CREATOR K. K. Printing...

Wild West I by Frank Schott from a series of photographic observances around Monument Valley 27 x 40 inches / 68cm x 102cm signed edition of 25 48 x 71 inches / 122cm x 180cm sign...

Gorgeous!! This Vintage Aquamarine Solitaire Ring is an amazing, gorgeous piece! Crafted in 18K White Gold, the design is a simple filigree basket, and is really made to show off the...

This artwork titled "Acrobats" c.1990, is an original colors lithograph by renown Russian artist Mihail Chemiakin, b.1943. It is hand signed and numbered 283/300 in pencil by the art...

D&G by DOLCE & GABBANA jeans in a blue cotton denim featuring a low rise style, skinny fit, and zip fly closure.Excellent Pre-Owned Condition. Marked: 35 Measurements: Waist...