Bay Area

ABOUT Vintage French wooden sign for "Boulangerie Pattisserie, Pain cuit au feu de bois." (Wood fire baked bread). Framed in steel. CR...

Imposing round pedestal center table or dining table featuring a thick Carrara marble top. The large table has a decorative frieze with a scrolled quatrefoil design around the edge. ...

For Sale: Stunning Dark-Toned Rattan Storage Chest with Brass Accents Add a touch of elegance to your home with this beautiful dark toned rattan storage chest, designed in a classic...

Weighing an impressive 156.2 grams, this vintage Napier necklace offers a substantial feel, closely mimicking the weight and presence of real ...

Breathe New Life into Your Space with this Stunning 10-drawer Oak Apothecary Cabinet! Vintage Charm Meets Modern Functionality: This exquisite 10-drawer oak apothecary cabinet is a rare find, offering timeless elegance and exceptional storage capacity. Crafted from solid oak, the cabinet boasts a warm, inviting presence that complements a variety of design styles. Perfect for the home or office, its ten drawers provide ample space to organize anything from paperwork and files to linens, crafting...

Original large format still life photograph from Linda Rosewall's series "Flora Italiana", an intensely beautiful body of works exploring the botanical ...

originally used as traveling tea tables for the British in India; the octagonal top centering a large stylized floral medallion surrounded foliate stems all within a preimeter border...

Unusual Silver flatware French Provincial style storage chest. Consisting of 2 pieces as seen in images. Four flatware storage drawers with fitted interior and original felt lining. ...

Gorgeous vintage Japanese ceramic vase with kanji symbols and a clear crackle glaze. Beautiful form, signed by artist.

Vintage Sarmi 1960's sweet short dress in a retro floral and stripe print. Slightly puffed sleeves with three coordinated cloth covered buttons at each cuff. Orange belt...

Vintage 1990s Alexander Mcqueen grey skirt suit from the 1998 Joan collection. Suit is made of a beautiful grey and black fabric with a light sheen. A...

Rustic 19th century country French provincial farmhouse dining table crafted from solid oak timbers. The table features a massive slab top measuring nearly 3 inches thick. The top is...

large scale photograph of billboard sign with conceptual message in iconic landscape of the American West. A series of images capturing the unique infi...

Rare set of eight hand-crafted aluminum patio and garden dining chairs by McKinnon and Harris Richmond, Virginia. The neoclassical style dining chairs are from the Beaufort collectio...

A pair of folding director's-style chairs of beech, brass, and canvas, with low-slung leather arms. Professionally restored with new canvas seats and backs.

Incredible example of Asian lacquer carving. Standing over seven feet tall, this monumental display shelf was produced in Japan at the end of the Ed...

New as of Jan. 1, 2025. This is a brand-new addition to the artist's ever-growing series of foggy woods in northern California near San Francisco. These tall eucalyptus trees are the...

A mid century teak cheese and cracker serving tray. Nice long oval shape. Features a glass cloche on one side over and enameled plate with the words "cheese". Crackers or other appet...

Very rare, semi-sheer brown dress with spaghetti straps and flounced hemline designed by Azzedine Alaia dating to spring of 1987 as seen on the runway in white and most recently on B...

Very rare, cinnamon and black marled knit spaghetti strap dress with deep V neckline and flounced hem designed by Phoebe Philo for Celine dating to the prefall 2015 collection. Beaut...

The Single Bucket Stool is a single sized, dining table height seat, or side table. The second of four versions from the Bucket Stools collection, a famil...

Oscar de la Renta brown pencil dress with raw edged ruffle trim. Grosgrain trim circles the bodice. Boned at bodice for shape. Back zip and hook and eye. Seen in another color in L...

Elegant, tasteful, classic cufflinks in 18K white gold featuring luminous blue oval sapphires and oval-shaped, hinged backs. Retailed by Asprey London, they bear marks for crown jewe...

Mid-century modern Trompe l'oeil gilt metal umbrella stand or waste basket produced by Li Puma Florence. The Hollywood regency stand features a gilt geometric lattice round form deco...

large-scale original art photography from a series of dramatic cloud atlas observations and abstract monochromatic skyscapes above the Mediterranean Sea C...

This ornate “Feuille” (leaf) mirror is a genuine French treasure showcasing impeccable artisanal craftsmanship. The distinct alternating petal design creates a sophisticated rhythm a...

Satin kimono jacket with matelasse Asian phoenix motif designed by Yves Saint Laurent dating to 1979 exactly as seen on the runway. Labeled a French 40 however this can fit a variety...

The Encounter, 1944 Maurits Cornelis Escher (Dutch, 1898-1972) Print size: 13.5 by 18.5 inches (34.2 by 47 cm) Frame size: 23.25 x 27.5 inches (59 by 70 cm) From the catalogue raison...

Tiffany & Co. Lady's platinum five row domed band with 140 round brilliant cut diamonds; 56-.03ct. approximately 3.40cttw. Clarity grade is VVS1 Color grade is E-F Platinum 7.7 gr...

Elegant six panel lacquered wallpaper screen made in the style and manner of Gracie. The screen is two-sided and depicts an idyllic flora and fauna l...

Fascinating and rare set of seven boxes featuring a lacquered eggshell veneer attributed to French artist Thierry Voeltzel. Each box is designed with Greco-Roman neoclassical archite...

This artwork titled " Lendas Africanas Da Bahia" from the suite, 1978, is an original colors woodcut by renown Brazilian/Argentinian artist Hector Julio Paride Barnabo Carybe, 1911-1997. It is hand signed and numbered 83/200 in pencil by the artist. The Wood block mark (image) is 23.65 x 15.75 inches, sheet size is 26.75 x 19 inches. It is in excellent condition, has never been framed. It will be shipped in a 8 inches diameter heavy duty tube. About the artist: Héctor Julio Páride Bernabó (7 February 1911 – 2 October 1997) was an Argentine-Brazilian artist, researcher, writer, historian and journalist. His nickname and artistic name, Carybé, a type of piranha, comes from his time in the scouts. He died of heart failure after the meeting of a candomblé community's lay board of directors, the Cruz Santa Opô Afonjá Society, of which he was a member. Quick Facts Born, Died ... Carybé Born Héctor Julio Páride Bernabó 7 February 1911 Lanús, Argentina Died 2 October 1997 (aged 86) Salvador, Bahia, Brazil Nationality Brazilian Known for Painter, engraver, draughtsman, illustrator, potter, sculptor, mural painter, researcher, historian and journalist Close He produced thousands of works, including paintings, drawings, sculptures and sketches. He was an Obá de Xangô, an honorary position at Ilê Axé Opô Afonjá. Orixá Panels in the Afro-Brazilian Museum in Salvador Some of Carybé's work can be found in the Afro-Brazilian Museum in Salvador: 27 cedar panels representing different orixás or divinities of the Afro-Brazilian religion candomblé. Each panel shows a divinity with their associated implements and animal. The work was commissioned by the former Banco da Bahia S.A., now Banco BBM S.A., which originally installed them in its branch on Avenida Sete de Setembro in 1968. Murals at Miami International Airport American Airlines, Odebrecht and the Miami-Dade Aviation Department partnered to install two of Carybé's murals at Miami International Airport. They have been displayed in the American Airlines terminal at John F. Kennedy International Airport in New York since 1960. The 16.5 x 53-foot murals were accredited when Carybé won the first and the second prize in a contest of public art pieces for JFK airport. As its terminal at that airport was due for demolition, American Airlines donated the murals to Miami-Dade County, and Odebrecht invested in a project to remove, restore, transport and install the murals at Miami International Airport. The mural "Rejoicing and Festival of the Americas" portrays colorful scenes from popular festivals throughout the Americas, and "Discovery and Settlement of the West" depicts the pioneers’ journey into the American West. Carybé's Woodcuts in Gabriel García Márquez's Books Carybé illustrated four books by the Colombian writer Gabriel García Márquez, including One Hundred Years of Solitude, The Autumn of the Patriarch, Chronicle of a Death Foretold, and Love in the Time of Cholera "Carybé: um mestre da cultura baiana". ArqBahia Arquitetura, design, arte e lifestyle (in Brazilian Portuguese). 26 April 2023.. In particular, the woodcuts in One Hundred Years of Solitude are well-known for providing a visual image of the fictional town of Macondo, where the story takes place. The illustrations depict the colorful and winding houses, the railway bridge, and the hot and humid climate of the region, contributing to the reader's immersion in the story. Carybé's woodcuts are, therefore, an important part of Gabriel García Márquez's literary legacy, bringing a visual dimension to his stories that further enriches the reader's experience. Timeline 1911 — Birth in Lanús, Argentina. 1919 — Moved to Brazil. 1921 — The name Carybé is first given to him by the Clube do Flamengo scouts group, in Rio de Janeiro. 1925 — Beginning of his artistic endeavours, going to the pottery workshop of his elder brother, Arnaldo Bernabó, in Rio de Janeiro. 1927–1929 — Studies at the National School of Fine Arts, in Rio de Janeiro. 1930 — Worked for the newspaper Noticias Gráficas, in Buenos Aires, Argentina. 1935–1936 — Works with the writer Julio Cortázar and as a draughtsman for the El Diario newspaper. 1938 — Sent to Salvador by newspaper Prégon. 1939 — First collective exhibition, with the artist Clemente Moreau, at the Buenos Aires City Museum of Fine Arts, Argentina; illustrates the book Macumba, Relatos de la Tierra Verde, by Bernardo Kardon, published by Tiempo Nuestro. 1940 — Illustrates the book Macunaíma, by Mário de Andrade. 1941 — Draws the Esso Almanach, the payment for which allows him to set on a long journey through Uruguay, Brazil, Bolivia, and Argentina. 1941–1942 — Study trip around several South American countries. 1942 — Illustration for the book La Carreta by Henrique Amorim, published by El Ateneo (Buenos Aires, Argentina). 1943 — Together with Raul Brié, translates the book Macunaíma, by Mário de Andrade, into Spanish; produces the illustrations for the works Maracatu, Motivos Típicos y Carnavalescos, by Newton Freitas, published by Pigmaleon, Luna Muerta, by Manoel Castilla, published by Schapire, and Amores de Juventud, by Casanova Callabero; also publishes and illustrates Me voy al Norte, for the quarterly magazine Libertad Creadora; awarded First Prize by the Cámara Argentina del Libro (Argentine Book Council) for the illustration of the book Juvenília, by Miguel Cané (Buenos Aires, Argentina). 1944 — Illustrates the books The Complete Poetry of Walt Whitmann and A Cabana do Pai Tomás, both published by Schapire ; as well as and Los Quatro Gigantes del Alma by Mira y Lopez, Salvador BA; attends capoeira classes, visits candomblé meetings and makes drawings and paintings. 1945 — Does the illustrations for Daniel Defoe's Robinson Crusoe, for the Viau publishing house. 1946 — Helps in setting up the Tribuna da Imprensa newspaper, in Rio de Janeiro. 1947 — Works for the O Diário Carioca newspaper, in Rio de Janeiro. 1948 — Produces texts and illustrations for the book Ajtuss, Ediciones Botella al Mar (Buenos Aires, Argentina). 1949–1950 — Invited by Carlos Lacerda to work at the Tribuna da Imprensa, in Rio de Janeiro. 1950 — Invited by the Education Secretary Anísio Teixeira, moves to Bahia, and produces two panels for the Carneiro Ribeiro Education Center (Park School), in Salvador, Bahia. 1950–1997 — Settles in Salvador, Bahia. 1950–1960 — Actively participate in the plastic arts renewal movement, alongside Mário Cravo Júnior, Genaro de Carvalho, and Jenner Augusto. 1951 — Produces texts and illustrations for the works of the Coleção Recôncavo, published by Tipografia Beneditina and illustrations for the book, Bahia, Imagens da Terra e do Povo, by Odorico Tavares, published by José Olímpio in Rio de Janeiro; for the latter work he receives the gold medal at the 1st Biennial of Books and Graphic Arts. 1952 — Makes roughly 1,600 drawings for the scenes of the movie O Cangaceiro, by Lima Barreto; also works as the art director and as an extra on the film (São Paulo, SP). 1953 — Illustrations for the book A Borboleta Amarela, by Rubem Braga, published by José Olímpio (Rio de Janeiro, RJ). 1955 — Illustrates the work O Torso da Baiana, edited by the Modern Art Museum of Bahia. 1957 — Produces etchings, with original designs, for the special edition of Mário de Andrade's Macunaíma, published by the Sociedade dos 100 Bibliófilos do Brasil. 1958 — Makes an oil painting mural for the Petrobras Office in New York, USA; illustrates the book As Três Mulheres de Xangô, by Zora Seljan, published by Editora G. R. D. (Rio de Janeiro, RJ); Receives a scholarship grant in New York, USA. 1959 — Takes part in the competition for the New York International Airport panels project, in New York, USA, winning first and second prizes. 1961 — Illustrates the book Jubiabá, by Jorge Amado, published by Martins Fontes (São Paulo, SP). 1963 — Awarded the title of Honorary Citizen of Salvador, Bahia. 1965 — Illustrates A Muito Leal e Heróica Cidade de São Sebastião do Rio de Janeiro, published by Raymundo Castro Maya (Rio de Janeiro, RJ). 1966 — With Jorge Amado, co-authors Bahia, Boa Terra Bahia, published by Image (Rio de Janeiro, RJ); writes and illustrates the book Olha o Boi, published by Cultrix (São Paulo, SP). 1967 — Receives the Odorico Tavares Prize – Best Plastic Artist of 1967, in a competition ran by the state government to stimulate the development of plastic arts in Bahia; makes the Orixás Panels for the Banco da Bahia (currently at the UFBA Afro-Brazilian Museum) (Salvador, BA). 1968 — Illustrates the books Carta de Pero Vaz de Caminha ao Rei Dom Manuel, published by Sabiá (Rio de Janeiro) and Capoeira Angolana, by Waldeloir Rego, published by Itapoã (Bahia). 1969 — Produces the illustrations for the book Ninguém Escreve ao Coronel, by Gabriel Garcia Marquez, published by Sabiá (Rio de Janeiro, RJ). 1970 — Illustrates the books O Enterro do Diabo and Os Funerais de Mamãe Grande, published by Sabiá (Rio de Janeiro, RJ), Agotimé her Legend, by Judith Gleason, published by Grossman Publishers (New York, USA). 1971 — Illustrates the books One Hundred Years of Solitude, by Gabriel Garcia Marquez and A Casa Verde by Mario Vargas Llosa, both published by Sabiá (Rio de Janeiro, RJ); produces texts and illustrations for the book Candomblé da Bahia, published by Brunner (São Paulo, SP). 1973 — Illustrations for Gabriel Garcia Marquez's A Incrível e Triste História de Cândida Erendira e sua Avó Desalmada (Rio de Janeiro, RJ); paints the mural for the Legislative Assembly and the panel for the Bahia State Secretary of the Treasury. 1974 — Produces woodcuts for the book Visitações da Bahia, published by Onile. 1976 — Illustrates the book O Gato Malhado e a Andorinha Sinhá: uma história de amor, by Jorge Amado (Salvador, BA); receives the title of Knight of the Order of Merit of Bahia. 1977 — Certified with the Honor for Afro-Brazilian Cult Spiritual Merit, Xangô das Pedrinhas ao Obá de Xangô Carybé (Magé, RJ). 1978 — Makes the concrete sculpture Oxóssi, in the Catacumba Park; illustrates the book A Morte e a Morte de Quincas Berro D´Água, by Jorge Amado, published by Edições Alumbramento (Rio de Janeiro, RJ). 1979 — Produces woodcuts for the book Sete Lendas Africanas da Bahia, published by Onile. 1980 — Designs the costumes and scenery for the ballet Quincas Berro D´Água, at the Teatro Municipal in Rio de Janeiro. 1981 — Publication of the book Iconografia dos Deuses Africanos no Candomblé da Bahia (Ed. Raízes), following thirty years of research. 1982 — Receives the title of Honorary Doctor of the Federal University of Bahia. 1983 — Makes the panel for the Brazilian Embassy in Lagos, Nigeria. 1984 — Receives the Jerônimo Monteiro Commendation – Level of Knight (Espírito Santo); receives the Castro Alves Medal of Merit, granted by the UFBA Academy of Arts and Letters; makes the bronze sculpture Homenagem à mulher baiana (Homage to the Bahian woman), at the Iguatemi Shopping Center (Salvador, BA). 1985 — Designs the costumes and sets for the spectacle La Bohème, at the Castro Alves Theater; illustrates the book Lendas Africanas dos Orixás, by Pierre Verger, published by Currupio. 1992 — Illustrates the book O sumiço da santa: uma história de feitiçaria, by Jorge Amado (Rio de Janeiro, RJ). 1995 — Illustration of the book O uso das plantas na sociedade iorubá, by Pierre Verger (São Paulo, SP). 1996 — Making of the short film Capeta Carybé, by Agnaldo Siri Azevedo, adapted from the book O Capeta Carybé, by Jorge Amado, about the artist Carybé, who was born in Argentina and became the most Bahian of all Brazilians. 1997 — Illustration of the book Poesias de Castro Alves. Exhibitions ммIndividual Exhibitions: 1943 — Buenos Aires (Argentina) — First individual exhibition, at the Nordiska Gallery 1944 — Salta (Argentina) — at the Consejo General de Educacion 1945 — Salta (Argentina) — Amigos del Arte, Buenos Aires (Argentina) — Motivos de América, at the Amauta Gallery, Rio de Janeiro RJ — individual exhibition at the IAB/RJ 1947 — Salta (Argentina) — Agrupación Cultural Femenina 1950 — Salvador BA — First individual exhibit in Bahia, at the Bar Anjo Azul; São Paulo SP — MASP. 1952 — São Paulo SP — MAM/SP 1954 — Salvador BA — Oxumaré Gallery 1957 — New York (USA) — Bodley Gallery; Buenos Aires (Argentina) — Bonino Gallery * 1958 - New York (USA) — Bodley Gallery 1962 — Salvador BA - MAM/BA 1963 — Rio de Janeiro RJ — Bonino Gallery 1965 — Rio de Janeiro RJ — Bonino Gallery 1966 — São Paulo SP — Astrea Gallery 1967 — Rio de Janeiro RJ — Santa Rosa Gallery 1969 — London (England) — Varig Airlines 1970 — Rio de Janeiro RJ — Galeria da Praça 1971 — Rio de Janeiro RJ — MAM/RJ, São Paulo SP — A Galeria; Belo Horizonte MG, Brasília DF, Curitiba PR, Florianopolis SC, Porto Alegre RS, Rio de Janeiro RJ and São Paulo SP — The Orixás Panel (exhibition tour), at the Casa da Cultura in Belo Horizonte, MAM/DF, the Public Library of Paraná, the Legislative Assembly of Santa Catarina State, the Legislative Assembly of Rio Grande do Sul, MAM/RJ and MAM/SP 1972 — The Orixás Panel in Fortaleza CE — at the Ceará Federal University Art Museum, and in Recife PE — at the Santa Isabel Theater 1973 — São Paulo SP — A Galeria 1976 — Salvador BA — at the Church of the Nossa Senhora do Carmo Convent 1980 — São Paulo SP — A Galeria 1981 — Lisbon (Portugal) — Cassino Estoril 1982 — São Paulo SP — Renot Art Gallery, São Paulo SP — A Galeria 1983 — New York (USA) — Iconografia dos Deuses Africanos no Candomblé da Bahia, The Caribbean Cultural Center 1984 — Philadelphia (USA) — Art Institute of Philadelphia; Mexico — Museo Nacional de Las Culturas; São Paulo SP — Galeria de Arte André 1986 — Lisbon (Portugal) — Cassino Estoril; Salvador BA — As Artes de Carybé, Núcleo de Artes Desenbanco 1989 — Lisbon (Portugal) — Cassino Estoril; São Paulo SP — MASP 1995 — São Paulo SP — Documenta Galeria de Arte, São Paulo SP — Casa das Artes Galeria, Campinas SP — Galeria Croqui, Curitiba PR — Galeria de Arte Fraletti e Rubbo, Belo Horizonte MG — Nuance Galeria de Arte, Foz do Iguaçu PR — Ita Galeria de Arte, Porto Alegre RS — Bublitz Decaedro Galeria de Artes, Cuiabá MT — Só Vi Arte Galeria, Goiânia GO — Época Galeria de Arte, São Paulo SP — Artebela Galeria Arte Molduras, Fortaleza CE — Galeria Casa D'Arte, Salvador BA — Oxum Casa de Arte Collective Exhibitions: 1939 — Buenos Aires (Argentina) — Carybé and Clemente Moreau Exhibition, at the Museo Municipal de Belas Artes 1943 — Buenos Aires (Argentina) — 29th Salon de Acuarelistas y Grabadores — first prize 1946 — Buenos Aires (Argentina) — Drawings by Argentine Artists, at the Kraft Gallery 1948 — Washington (USA) — Artists of Argentina, at the Pan American Union Gallery 1949 — Buenos Aires (Argentina) — Carybé and Gertrudis Chale, at the Viau Gallery; Salvador BA — Bahian Showroom of Fine Arts, at the Hotel Bahia 1950 — Salvador BA — 2nd Bahian Showroom of Fine Arts; São Paulo SP — MAM/SP 1951 — São Paulo SP — 1st São Paulo Art Biennial, Trianon Pavilion. 1952 — Salvador BA — 3rd Bahian Showroom of Fine Arts, at Belvedere da Sé; São Paulo SP — MAM/SP 1953 — Recife PE — Mario Cravo Júnior and Carybé, at the Santa Isabel Theater; São Paulo SP — 2nd São Paulo Art Biennial, at MAM/SP 1954 — Salvador BA — 4th Bahian Showroom of Fine Arts, at the Hotel Bahia. — Bronze medal 1955 — São Paulo SP — 3rd São Paulo Art Biennial, at MAM/SP — first prize for drawing 1956 — Salvador BA — Modern Artists of Bahia, at the Oxumaré Gallery; Venice (Italy) — 28th Venice Biennial 1957 — Rio de Janeiro RJ — 6th National Modern Art Show — exemption from the jury; São Paulo SP — Artists from Bahia, at the MAM/SP 1958 — San Francisco (USA) — Works by Brazilian Artists, at the Fine Arts Museums of San Francisco, Washington and New York (USA) — Works by Brazilian Artists, at the Pan American Union and the MoMA 1959 — Seattle (USA) — 30th International Exhibition, at the Seattle Art Museum; Salvador BA — Modern Artists of Bahia, at the Dentistry School. 1961 — São Paulo SP — 6th São Paulo Art Biennial, at MAM/SP — special room 1963 — Lagos (Nigeria) — Brazilian Contemporary Artists, at the Nigerian Museum; São Paulo SP — 7th São Paulo Art Biennial Bienal, at the Fundação Bienal 1964 — Salvador BA — Christmas Exhibition, at the Galeria Querino 1966 — Baghdad (Iraq) — collective exhibition sponsored by the Calouste Gulbenkian Foundation; Madrid (Spain) — Artists of Bahia, at the Hispanic Culture Institute; Rome (Italy) — Piero Cartona Palace; Salvador BA — 1st National Biennial of Plastic Arts (Bienal da Bahia) — special room; Salvador BA — Draughtsmen of Bahia, at the Convivium Gallery 1967 — Salvador BA — Christmas Exhibition at the Panorama Art Gallery; São Paulo SP — Artists of Bahia, at the A Gallery 1968 — São Paulo SP — Bahian Artists, at the A Gallery 1969 — London (England) — Tryon Gallery; São Paulo SP — 1st Panorama of Current Brazilian Art at the MAM/SP; São Paulo SP — Carybé, Carlos Bastos...

tall pair of Kashmir polychrome and black lacquer candlesticks now electrified;  each twisting openwork stick surmounted by a candle cup issuing an electrified socket all raised on a...

Very rare, deep salmon-red suede wrap top designed by Azzedine Alaia dating to 1984. Labeled a French size 38 and best fits an XS or S. Measurements are difficult to take due to the...

ABOUT A set of two Donghia Anziano bentwood chairs designed by John Hutton. Ivory base with black hair pin metal legs. The chairs are stackable. ...

Origin: Denmark Designer: Illum Wikkelsø Manufacturer: Søren Willadsen Möbelfabrik Era: 1950s Materials: Teak, Oak Measurements: 63" wide x 17.5" deep x 51" tall

Jean Paul Gaultier Femme blue maxi dress with trench coat detailing. Thin straps can be unsnapped at back to create a criss-cross or halter style. Bu...

Off-white lambskin leather jacket with unique wrap closure designed by Tom Ford for Yves Saint Laurent spring 2004 exactly as seen on the runway. Belt can be worn at waist or hips. J...

An exceptional and scarce 1909 twelve-drawer, four-door Bown steel and brass “Aseptic” dental cabinet by Lee S. Smith & Son. Considered by collectors to be the ne plus ultra of anti...

An edition of 150 unique bowls, the concrete Series by UMÉ Studio expresses the tension between heavy concrete and its delicate edge generated by hand pouring. While one assumes conc...

Jet black ribbed wool sweater with peplum designed by Yohji Yamamoto dating 1993. Size 'M' however this best fits a XS or S. Approximate measurements (unstretched): bust 30" arm le...

The medium-sized Sea Urchin Pendant by Coup Studio, model LL-C5-09B, features an intricately woven rattan design inspired by the natural beauty of sea urch...

This large framed 18th century etching by Giovanni Battista Piranesi entitled "Veduta della Basilica di S. Lorenzo fuor della mura" (Basilica of San Lorenzo Outside the Walls), published in Rome in 1750 in Piranesi's Vedute di Roma (Views of Rome), This etching depicts the Basilica of San Lorenzo Outside the Walls, which is a Roman Catholic papal basilica and parish church, located in Rome, Italy. The Basilica is one of the Seven Pilgrim Churches of Rome and one of the five "papal basilicas". It was built as a shrine to the martyred Roman deacon St. Lawrence. This Piranesi etching is held by many museums and institutions, including: The Metropolitan Museum, The British Museum, The National Gallery of Art, The Yale University Art Gallery, and The Harvard Museum of Art. This magnificent etching is presented in a brown-colored wood frame and a tan French...

ABOUT Vintage Redwood door with steel plates and hinges. CREATOR Unknown. DATE OF MANUFACTURE 20th c. MATERIALS AND TECHNIQUES Redwood, Wood, Steel. CONDITION Go...

This large framed 18th century etching by Giovanni Battista Piranesi entitled "Veduta dell'interno dell'Anfiteatro Flavio detto il Colosseo" (View of the interior of the Flavian Amph...

Charming signed oil on canvas painting of a wooly white lamb over a dramatic indigo blue background by artist Ira Yeager (American 1938-2022). The lamb is standing on green grass wit...

Big Sky: Utah - The painting was created in 2007 by celebrated American realist artist Willard Dixon, who has captured the undeniable beauty of the west for the past 35 years. Dixon...

A "Hickory Dickory Dock" themed clock inspired by the popular nursery rhyme. The clock has a wooden design with an antique feel. The top of the clock has the words “Dickory Dickory Dock” engraved in gold letters, referencing the classic rhyme. The clock face is not the traditional round shape but a long vertical structure, resembling a height chart, with golden numbers from 1 to 12 running along the length. Instead of a standard clock...

Dreamy pair of late 19th/early 20th century Swedish painted pine demilune console tables or round center table. Crafted in the Gustavian taste with whimsical trompe l'oeil carved tas...

A 1920's Biedermeier style serving table crafted in a beautiful, figured satinwood. Embellished with hand painted details. Retains brass makers mark by Landstrom Furniture, Rockford,...

An antique brass fire extinguisher repurposed into a table lamp. Fluted shade included. Electrical socket in working order. Made by The...

A hand woven Native American basket with a geometric pattern. Crafted by the Papago Tribe of Arizona which changed their name to the Tohono Oʼodham Nation in 1986. Very good original...

Charming wrought iron patio and garden chaise longue or lounge made in the style and manner of Rose Tarlow, Melrose House. The lounge features a thick iron frame with a neoclassical ...

Amazing set of eight hardwood dining chairs designed by Barbara Barry for Baker. The chairs have been upholstered in a Sabina Fay Braxton jacquard velvet fa...

JOHN VARVATOS bag in a brown leather with stitched trim details featuring an adjustable crossbody strap, interior zip pocket, key clasp, and zip closure.Very Good Pre-Owned Condition...

Collection of seven vintage espresso makers. Five of these have a chrome finish the other two are aluminum. There is a Paradiso, a Velox, a Prod...

This stunning ruby ring is handmade of 22 karat gold. It was designed and Made in Montecito California by Daniel Gibbings. He is a South African design...

Grand bespoke mohair velvet tufted sectional sofa custom designed by George Smith, London UK. The grand "ottoman sofa" was commissioned by Sama...

This is an original Chanel belt from the Spring 1995 collection (95P), part of the iconic Barbie line. It features bright blue crystals set in gold-tone metal with a matching CC logo...

Amazing pair of matching country French bibliotheque library bookcases or display cabinets featuring beveled glass windows and doors. Constructed from mostly pine with a whitewash pa...