Berkshires

Joan Miro Spanish, 1893-1983 Poster For The Exhibition Serie Mallorca Lithograph in colors 28 by 22 in. W/frame 34 by 28 in. Pencil signed lower right...

Black sequined lace and taffeta cocktail dress, 1980s, the elongated and fitted long-sleeve bodice in lace embellished with wavy vertical rows of black sequins, the full skirt in ta...

Pal Fried, Hungarian/American, 1893-1976 Mona Lisa Oil on canvas 30 by 24 in.W/frame 38 by 32 in. Signed lower left Pal was born in Budapest and studied at the Hungarian Academie ...

Dietz Edzard German, 1893-1963 Les Enfants Du Paradis Oil on board 23 ¾ by 33 ¼, w/ frame 32 ½ by 42 ¼ in Signed lower right Dietz Edzard was born in Bremen in 1893 Germany. He tra...

Maurice Sterne American, 1878-1957 On the Ganges Oil on canvas 28 by 31 ¼ in, w/ frame 35 by 38 ¼ in Signed lower right Maurice Sterne studied with Thomas Eakins at the National Ac...

A Unique Vase Signed Michele Luzoro Height 14 in. Founded in 1977 Verrerie d’art Luzoro is a small studio in Biot, a littl...

John Edward Costigan, N.A. American, 1888-1972 Bathers Oil on canvas Signed ‘J.E. Costigan N.A.’ lower left 20 by 24 in. W/frame 26 by 30 in. John Costigan was born of Irish-American parents in Providence, Rhode Island, February 29, 1888. He was a cousin of the noted American showman, George M. Cohan, whose parents brought the young Costigan to New York City and was instrumental in starting him on a career in the visual arts. They were less successful in encouraging him to pursue formal studies at the Art Students League (where, however, he later taught) than in exposing him to the commercial art world through the job they had gotten him with the New York lithographing firm that made their theatrical posters. At the H. C. Miner Lithographing Company, Costigan worked his way up from his entry job as a pressroom helper, through various apprenticeships, to the position of sketch artist. In the latter capacity he was an uncredited designer of posters for the Ziegfeld Follies and for numerous silent films. Meanwhile, he had supplemented his very meager formal studies in the fine arts with a self-teaching discipline that led to his first professional recognition in 1920 with the receipt of prizes for an oil painting and watercolor in separate New York exhibitions. A year earlier, Costigan had wed professional model Ida Blessin, with whom he established residence and began raising a family in the sleepy little rural New York hamlet of Orangeburg, the setting for the many idyllic farm landscapes and wood interiors with which he was to become identified in a career that would span half a century. John Costigan’s first national recognition came in 1922 with his winning of the coveted Peterson Purchase prize of the Art Institute of Chicago for an oil on canvas, “Sheep at the Brook.” It marked the start of an unbroken winning streak that would gain him at least one important prize per year for the remainder of the decade. The nation’s art journalists and critics began to take notice, making him the recurring subject of newspaper features and magazine articles. The eminent author and critic Edgar Holger Cahill was just a fledgling reporter when he wrote his first feature, “John Costigan Carries the Flame,” for Shadowland Magazine in 1922. Costigan had his first one-man show of paintings at the Rehn Gallery on New York’s 5th Avenue in November, 1924, to be followed less than three years later by another at the Art Institute of Chicago. In addition, Costigan’s work has been—and continues to be included, side-by-side with that of some of America’s most high-profile artists, in museum and gallery exhibitions throughout the country. His renown had peaked in the early 1930s, by which time his work had been honored with nearly every major award then being bestowed in the fine arts and had been acquired for the permanent collections of several prestigious American museums, including New York’s Metropolitan (which only recently, in 1997, deaccessioned his “Wood Interior,” acquired in 1934). Although Costigan’s celebrity had ebbed by the late 1930s, the Smithsonian Institution saw fit in 1937 to host an exhibition exclusively of his etchings. And, in 1941, the Corcoran Gallery (also Washington, D.C.) similarly honored him for his watercolors. (Another Washington institution, the Library of Congress, today includes 22 Costigan etchings and lithographs in its permanent print collection.) During World War II, Costigan returned briefly to illustrating, mainly for Bluebook, a men’s pulp adventure magazine. A gradual revival of interest in his more serious work began at the end of the war, culminating in 1968 with the mounting of a 50-year Costigan retrospective at the Paine Art Center and Arboretum in Oshkosh, Wisconsin. Oils, watercolors and prints were borrowed from museums and private collections throughout the country, and the exhibition was subsequently toured nationally by the Smithsonian Institution. John Costigan died of pneumonia in Nyack, NY, August 5, 1972, just months after receiving his final prestigious award —the Benjamin West Clinedinst Medal of the Artist’s Fellowship, Inc., presented in general recognition of his “...achievement of exceptional artistic merit...” in the various media he had mastered in the course of his career. This painting depicts one of the artist's favorite themes --the farm family bathing...

Pauline Lennards Palmer American, 1867-1938 The Picture Book Oil on Canvasboard 32 ¼ by 36 ¼, w/ frame 37 by 41 ¼ in Signed lower right Born in McHenry, Illinois, Pauline Palmer became a painter in realist/impressionist style of a wide variety of subjects including landscapes, street and beach scenes, genre, and portraits. She trained at the Art Institute of Chicago, and studied with William Merritt Chase, Kenneth Hayes Miller, and Charles Hawthorne. She also studied in Paris. She married Dr. Albert...

"Smoke" is a suite of hand painted silkscreen prints on plastic. Each is signed and numbered by the artist, Jane Dickson. Jane Dickson has been exhibiting her paintings, drawings an...

Hand blown three piece white centerpiece set icased to clear. Each piece is filled with gold leaf and embellished with hand blown figural bunches of grapes. One can only imagine the ...

André Vignoles French, b. 1920 Les Blés Prés de Thoiry Oil on Canvas 32 by 39 ⅜ in, w/ frame 40 ¼ by 47 ¾ in Signed lower right André Vignoles is a painter of still lifes and portr...

The Elizabethan/ Jacobean style dining table has hand-carved decorations of grapes, flowers, leaves and rosettes. The table extends to doub...

Jean Even French, 1910-1986 Boats in the Harbor Oil on Canvas 21 ¼ by 25 ¾ in, w/ frame 29 ¾ by 34 in Signed Even lower right

Denes Holesch Hungarian, 1910-1983 The Violinist Oil on board 26 ½ by 22 in. W/frame 33 by 28 ½ in. Denes Holesch (Denes de Holesch) was born in 1910...

Andre Raffin French, 1927-2005 Les Fruits Oil on Canvas 18 in. by 22 in. W/frame 25 ½ in. by 29 ½ in. Signed & dated 61 lower left André Raffin was bor...

A rare and amazing signed Stevens and Williams hand blown centerpiece set, all matching, all in excellent condition. Each vase has all-over copper wheel engraved decoration, twist st...

This set of tumblers are fabulous in the hand. Heavy but comfortable and elegantly shaped, they make the perfect water glass or dramatic on the back ba...

This is a beautiful pair of Spode hand painted, artist signed "Sevres Green" porcelain vases with gilded graceful handles rising above the opening. Painted on both front and reverse ...

Paul Bernard King American, 1867-1947 Stony Brook, Long Island Oil on canvas 25 ¼ by 30 ¼ in, w/ frame 34 ¼ by 39 ¼ in Signed and titled verso Traditional American painter Paul Kin...

Walter Blackman American, 1847-1928 Young Beauty Oil on canvas 20 by 16 in, w/ frame 32 by 28 in Studied under Gerome, Paris Exhibited: Society of American Painters 1878 Paris Sal...

This set of 12 early 19th c. Spode rimmed soup bowls are transfer decorated with hand painted vibrant enamel colors which are sure to work with many p...

George-Henri Tribout French, 1884-1962 Fauvist Landscape Oil on board 31 ½ by 41 ¾, w/ frame 34 ½ by 44 ½ in Signed lower right George Henri Tribout was born in Paris in 1884. He s...

Thomas Edwin Mostyn British, 1864-1930 A Walk Through the Forest Oil on canvas 20 by 27 in, w/ frame 28 by 35 in Signed "Mostyn" lower right He was a figure painter, portrait paint...

This is an amazing set of 12 rimmed soup bowls marked "Spode's New-Stone" dating to 1840 but in like new condition. The "Japonesque" transfer decoration is embellished with hand pain...

Marie Antoinette Boullard-Deve French, 1890-1970 Segovie Oil on canvas 29 by 21 ½ in. W/frame 39 by 31 ½ in. Signed lower left and titled and dated 1951 on the back Marie was born...

A fine and rare Louis XV Carved walnut and oak commode France Mid-18th century The shaped top over a bombe case with three carved drawers all resting on carved feet. Height 39 in....

This extremely large Faience pottery plaque is the epitome of the "Aesthetic Movement" style at it's best! Thick impasto enamels create a 3-dimensional effect of flowers rising out o...

Italian School Italian, 18th Century Venetian Ruins Oil on canvas 20 by 26 in, w/ frame 24 by 30 in

The elegantly simple 19th century elmwood bench has the clean restraint of Classic Chinese Minimalist forms, Elegantly simple in design from China's Zhejiang province celebrates the...

Dietz Edzard German, 1893-1963 Nice, French Rivera Oil on canvas 23 ¾ by 36 ⅜ in, w/ frame 30 ⅝ by 43 ⅝ in Signed D. Edzard lower right Inventory Number: 01631 Dietz Edzard was bo...

Ben Benn American, 1884-1983 Dancing Girls Oil on board 14 ½ by 21 in, w/ frame 21 ½ by 28 in Studied: The Art Student League in NYC; National Academy of Design, 1904-1908. Membe...

Pair of Webb hand blown crystal candlesticks with wrythen stems and cupped foot. These magnificent candlesticks have brass mounts with separate optic r...

This set of 12 dinner plates were made by Coalport in 1889 and retailed by Gilman Collamore, New York. Evoking the colors and style of Sevres porcelain, they have shaped rims with mo...

A Rare Louis XV Walnut Parquetry Slant Front Desk of interesting and unsual proportions. 18th Century Height 40 in. Width 42 in. Depth 24 in. Provenance: Private Collection, Sa...

Rene Robert Bouche American, 1906-1963 Portrait of Virginia Cowles Oil on canvas 33 by 43 in, w/ frame 35 ½ by 45 ½ in Signed upper left Fascinated by th...

This is an unusual pair of 19th century decorative hand-painted porcelain cachepots with hand-painted classical bust decoration made by Vieux Paris / Old Paris. Molded "Bamboo" faux ...

Lucien Adrion French, 1889-1953 Figures in a Landscape Oil on canvas 22 by 33 in, w/ frame 29 ½ by 39 ¾ in Signed lower left Lucien Adrion was born in Strasbourg, France in 1889 an...

Jean Salabet French, 20th Century Les Bouquinistes, Paris Oil on canvas 18 by 22 in. W/frame 24 by 28 in. Signed lower left Item number: 01868 Jean Salabet was a School of Paris ...

Remo Michael Farruggio American,1905-1981 Covered Bridge Oil on canvas. 22 in. by 30 in. W/frame 26 in. by 34 in. Signed lower right & titled on verso...

Your table will be magnificent when you set it with this three-piece centrepiece set of handblown Venetian glass. The unusual and rare color of amethys...

From the same 1976 collection by Hubert de Givenchy (1927-2018) as this metallic necklace, TheMet acquired a similar design (accession 1984.598.41). Without the rhinestones of the mu...

Elegant, nice size gold gilt neoclassical or Italian Renaissance style wall mirror. Pier or console mirror mantel (fireplace) and trumeau.

This beautifully matched pair of 19th c vases are cased in white crystal and cut to clear in an all-over pattern decorating the vases from the petal rims to the raised foot. Completi...

Michel Dureuil French, born 1929 Côte d’Azur Oil on Canvas 15 by 18 ¼ in, w/ frame 22 ¾ by 25 ¾ in Signed lower right Michel Dureuil was born in Paris...

Michael Gloeckner American, 1915-1989 Cartagena, Columbia Oil on canvas 18 ½ by 24 ½ in, w/ frame 23 by 29 in Signed and dated 64 A painter of colorful abstractions, Michiel Gloeck...

Esther Williams American, 1907-1967 Playing By the Fountain Oil on canvas 40 by 50 in, w/ frame 48 ⅛ by 58 in Signed lower left Inventory Number: 01808 Exhibited: Boston Museum of...

Auguste Pegurier French, 1856-1936 St. Tropez Bord de Mer Oil on canvas 9 ¼ by 12 in, w/ frame 16 ¼ by 19 in Signed lower right

Antonio Barone American, 1889-1971 Mother Hen Oil on canvas 22 ½ by 30 in, w/ frame 29 ⅞ by 37 ⅝ in Inventory Number: 01880

Georges d'Espagnat French, 1870 - 1950 Les Vendanges Signed gdE (lower left)  Oil on canvas 67 by 43 in. W/frame 71 by 47 in. Born at Melun on 14th August 1870, Georges d’Espagnat...

An Important Neoclassical Lacquered & Parcel Gilt Console Florence, Italy 18th Century The spetacular & wonderful sienna veneered marble...

The rustic almost square country style Asian elm wood coffee table has rounded legs and stretchers with solid pegged construction. The plank top is secured by breadboard ends. The ru...

Rupert Scott Lovejoy American, 1885-1975 Low Tide Oil on canvas 32 ¼ by 36 ¼ in, w/ frame 37 ⅝ by 41 ¾ in Signed lower right Rupert Scott Lovejoy was born in Portland, Maine on 3 J...

A Fine Louis XV Ormolu mounted Tulipwood, Kingwood & Parquetry Collectors Cabinet Mid 18th Century Attributed to Jean-François Oeben The shaped marble top over a shaped cabinet with tulipwood, kingwood & parquetry throughout, with tambour shutters revealing a re-fitted interior with 6 graduating drawers, all over four cariole legs ending in gilt bronze sabots. Height 41 in. Width 38 in. Depth 20 in. Jean-François Oeben, ébéniste du roi in 1754 and maître in circa 1761. Jean-François Oeben was a sub-tenant of charles-joseph boulle (1688–1751) in the galleries of the louvre from 1751, and in 1754 was granted lodgings at the gobelins and then at the arsenal in 1756. he was appointed ebéniste du roi in 1754 and was therefore able to work outside guild restrictions. he was a protégé of the marquise de pompadour, the marquis de marigny and the duc de choiseul. his identifiable works span less than ten years. his earliest pieces are in the louis xv style (e.g. small table, 1756–8; munich, residenzmus.), and he seems even to have completed some pieces started by jean-pierre latz (e.g. pair of corner cupboards...

A Set of Four North Italian Neoclassic Cream Painted & Parcel Gilt Armchairs Late 18th Century Upholstered in cream leather Height 39 in. Width 24 in. Depth 19 in. Provenanc...

An Important Neoclassical Giltwood Console Roma,Italy 18th Century The mottled grey rectangular marble above an egg and dart edge, the guilloche frieze with a central rosette, on r...

Frank Vincent Dumond American, 1865-1931 Sunny Hedge Oil on canvas Signed "F.V. DuMond," lower right 24.5 in. by 29 in. W/frame 32.5 by 37 in. Born in Rochester, New York in 1865, Frank DuMond left his work as an illustrator at age 23 to study in the rigorous classical atelier tradition of the Academie Julian Paris in 1888.  Upon his return to New York in 1892, DuMond embarked on a painting and teaching term at the Art Students League spanning nearly six decades until his death. A painter of diverse talents, he was an accomplished landscape, portrait and still life painter, muralist, and leader of the Tonalist then Impressionist art colonies of Lyme, Connecticut.  In particular, DuMond was noted for his use of landscape green.  American Impressionist expert William H. Gerdts wrote of DuMond, "As one might speak of Velazquez's blacks, one must speak of DuMond's greens."  Scholars have described him as a deft painter of the American Impressionist landscape and the figure, but he will perhaps be remembered as among the most outstanding educators in American art history.  Though an accomplished painter, he is said to have considered himself more of an educator than an artist. By all accounts, DuMond is described by his students as a man whose art and teaching methods were based on deeply held religious and philosophical beliefs.  One student recalls, "There were occasions when DuMond revealed a clear intent to educate us on a deeper level than might casually be associated with painting."  His students remember him fondly as "a genial, generous, and perceptive instructor…whose warmth and kindness pervaded everything he did."  Under his tutelage, many prominent American artists were brought to recognition, including Georgia O'Keeffe, Norman Rockwell, and John Marin.  Still other protégés of DuMond renown became influential teachers, such as Baroque-style painter Frank Mason, whose influence emerged in New York at the Art Students League; and Arthur Maynard...

Oscar de la Renta black patent coat, the front ornamented with pleated and swirled appliqués, the back undecorated. The coat features a simple straig...

Gaston Sebire French, 1920-2001 At The Seaside Oil on canvas 25 ¾ by 32 in, w/ frame 34 by 40 ¼ in Signed lower right Gaston Sebire was born August 18, 1920, in Saint-Samson Calvad...

The figure is highly detailed on a pedestal with carved details throughout including three figural carvings on the tripod form base.

Vilis Reinis Valdmanis Swedish, 1906-1980 Summer Pasture Oil on canvas 20 by 24 in, w/ frame 27 ⅜ by 31 in Signed lower right