Berkshires - Art

A skilled chef as well as an artist, Jay Batlle treats his art much like a recipe, with careful preparation and a methodical process. His layered compositions often incorporate image...

In 1972, John Lennon and Yoko Ono conceived a concert at Madison Garden called “One to One.” It was a benefit for the Willowbrook State School in Staten Island, a facility for mental...

"Chair-A-Plan" is a unique silkscreen print edition on felt. It is signed and numbered in paint pen by the artist, Jane Dickson. Jane Dickson has been exhibiting her paintings, dra...

"Smoke" is a suite of hand painted silkscreen prints on plastic. Each is signed and numbered by the artist, Jane Dickson. Jane Dickson has been exhibiting her paintings, drawings an...

Bob Gruen met John Lennon in 1971, shortly after he moved to New York. For the next 9 years, Bob worked as John’s personal photographer and captured a wide variety of moments in John...

"Smoke" is a suite of hand painted silkscreen prints on plastic. Each is signed and numbered by the artist, Jane Dickson. Jane Dickson has been exhibiting her paintings, drawings an...

PAN AM has a long history in Cey’s studio, first created as a painting within his Trusted Brands collection and then reimagined as a suite of hand-collaged monoprints in different co...

Kathline Carr’s “Clear Day (Revelation Range)” is a 40 x 30 x 2.5 inch abstract oil painting on wood panel, depicting a section of mountain range where the structures and colors are ...

Paul Renard French, 1941-1997 Winter in Paris Oil on canvas 18 by 24 in, w/ frame 25 ⅛ by 31 ¼ in Signed "P. Renard" lower right The art of Paul Renard, who was born in 1941, can b...

Henry Ward Ranger American, 1858-1915 Morning In the Village Oil on Academy Board 12 by 16 in, w/ frame 19 ¼ by 23 ¼ in Signed lower right A key person in the establishment of the ...

Doris Jenney American, 1912-1996 Daisies Oil on canvas 24 by 30 in, w/ frame 32 ½ by 38 ½ in Inventory Number: 01860

Alfred Smith French, 1854-1932 Storm By the Cliff Oil on canvas 25 by 32 in, w/ frame 33 ½ by 40 ¾ in Signed lower left Inventory Number: 01856 Alfred Smith (1854–1932) was a Fren...

Samuel David Landau American, 1895-1979 Country Road Oil on board 12 by 15 ¾ in, w/ frame 18 by 22 in Signed lower right Samuel David Landau was born in Warsaw, Poland, and emigrat...

This artwork is hand signed and editioned by the artist and comes directly from the artist's studio. Girls in the Windows, 1960 has been widely p...

Edward Loyal Field American, 1856-1914 Autumn Landscape Oil on canvas 27 X 22 in. w/ frame 34 ½ X 29 ¼ in. Signed lower right, monogrammed verso Etcher, watercolorist, and painter ...

Silkscreen and diamond dust on canvas Dimensions: 22" x 30" An edition of 25 Signed and numbered by the Artist Bob Gruen is one of the most well-known and respected photographers in Rock and Roll. By the mid 1970's he was already regarded as one of the foremost documenters of the scene working with major artists such as John Lennon and Yoko Ono, Tina Turner, The Rolling Stones, Led Zeppelin, Elton John, Kiss and others, also covering the emerging New Wave and Punk bands including The New York...

Wynford Dewhurst British, 1864-1941 The Park, Versailles Oil on Canvas 23 ½ by 29 in, w/ frame 31 ½ by 36 ½ in Signed Wynford Dewhurst lower left A controversial figure on the Angl...

Donald Raymond David American, 1906-2006 Abstract Oil on canvas 30 by 24 in, w/ frame 34 by 28 in Signed on back Inventory Number: 01915 Donald Raymond David was born in Springbro...

Jacques Martin-Ferrieres French, 1893 – 1972 Mountainous Landscape Oil on canvas 25 ½ by 32 in, w/ frame 34 by 40 ¼ in Signed lower right “Martin Ferrieres” A painter remarkable ...

Adelsteen Normann Norway, 1848–1918 Norwegian Fjord Oil on canvas 31 ¼ by 41 ½ in, w/ frame 37 ⅛ by 47 ⅜ in Signed lower right Inventory Number: 01...

Spatial Spiral Crawl ceramic sculpture by Michael Boroniec - ceramic, glaze Michael Boroniec’s “Spatial Spiral” series is an adventure in three dimensions and expands the concept of...

Albert Marie Lebourg French, 1849-1928 The Edge of the Seine Oil on canvas 18 ¼ by 30 ¼ in, w/ frame 26 ¾ by 38 in Signed lower left Inventory Number: 01549 Lebourg was close frie...

Arnold Marc Gorter Dutch, 1866-1933 An Autumn Landscape Oil on canvas 26 ¼ by 33 ¾ in, w/ frame 35 ¾ by 43 ¼ in Signed "A.M. Gorter" lower right Inventory Number: 01927 Arnold Mar...

Frank Myers Boggs American, 1855-1926 Pont Neuf Oil on Canvas 21 ⅜ by 25 ½ in, w/ frame 27 ⅜ by 31 ¾ in Signed and dated 1896 At an early age, Frank Myers Boggs moved from Springfi...

Paul Charles Chocarne-Moreau French, 1855-1931 Man Walking with His Dog Oil on canvas 13 by 18 in, w/ frame 18 ½ by 23 ½ in Signed lower left Inventory Number: 01651 Chocarne-More...

Jules Rene Herve French, 1887-1981 Mother and Children Having a Picnic Oil on canvas 28 ¾ by 36 ¼ in, w/ frame 38 ¼ by 45 ½ in Signed lower right J.R. Herve, an impressionist of ou...

William Penhallow Henderson American, 1877–1943 Venice Oil / Canvas 20 by 30 in, w/ frame 29 by 39 in Signed lower left W.P. Henderson & dated 1902 Provenance: Private Collecti...

Henri Bénard French, 1860-1927 A Love Letter By the Sea Oil on Canvas 19 ¾ by 24 in, w/ frame 26 by 30 in Signed Henri Bénard lower left

Pal Fried Hungarian-American, 1893-1976 Mona Lisa Oil on canvas 30 X 24 in. w/ frame 37 ⅛ X 31 ⅛ in. Signed lower left Pal was born in Budapest and studied at the Hungarian Academi...

Jacques Deveau French, born 1937 Paris, La Belle Epoque Oil on Canvas 24 by 36 in, w/ frame 33 by 45 in Provenance: Private Collection Massachusetts Inventory Number: 01485 Jacqu...

George Wharton Edwards American, 1869-1950 Roma Oil on canvas 30 by 30 in, w/ frame 36 by 36 in Signed lower left Provenance: Grand Central Art Galleries, NY Private Collection, Ne...

Paul Savigny French, 1858-1916 Martigues, France Oil on canvas 25 ½ by 36 ½ in, w/ frame 31 ½ by 42 ½ in Signed lower right

Antoine Blanchard French, 1910-1988 La Madeleine, Paris Oil on Canvas 24 by 36 in, w/ frame 30 ½ by 43 in Item Number: 01508 Antoine Blanchard is the pseudonym under which the Fre...

Jenner Augusto da Silveira Brazilian, 1924-2003 Abstract Oil on canvas 27 ½ by 35 ½ in. W/frame 29 by 37 in. Signed and dated "Jenner Augusto 1962" in lower right Jenner Augusto da Silveira (Aracaju SE 1924 - Salvador BA 2003). Painter, cartazista, illustrator, designer, writer. Reside in several cities of Sergipe. The Lizard city holds posters for the local cinema. In Orange, around 1940, studying painting of Horace Time . Returns to live in Singapore in 1944, when it dedicated to painting and works in trade. In 1949, conducts free panels in modernist style to the decor of the Bar Cacique. In 1949, he moved to Salvador, and works as an assistant in the studio of Mario Cravo...

Silkscreen in 7 colors with diamond dust 40 x 54 inches 2-Ply Museum Board Edition of 50 2014 Bob Gruen is one of the most well-known and respected photographers in rock and roll. F...

"IT WILL NOT DISAPPEAR IF WE JUST IGNORE IT," Al Diaz, 2022 Silkscreen on 290 gram Coventry Rag paper with hand deckled edges Dimensions: 18" x 37" An edition of 10 Signed and numbered by the Artist Note that the edition number you receive may be different than the one in the photograph. Al Díaz’s career spans five decades. Born and raised Puerto Rican in New York City, by age 15 he was an influential first-generation subway graffiti artist known as “BOMB-ONE.” His friendship and artistic collaboration with high school schoolmate Jean-Michel Basquiat on SAMO, (a late 70s Avant-garde graffiti tag project) has been noted often in contemporary art history. Díaz later contributed percussion to numerous musical recordings and performances, including Basquiat’s historic 1983 record, “Beat Bop,” (considered to be one of the earliest hip-hop albums). Díaz is sought-after as an expert of New York City counterculture art. He appears often in publications, as a highlighted speaker for a variety of panel discussions at universities and museums (including Smithsonian Institution, the Brooklyn Museum, The New School and Christie’s Education), and has been featured in several films, including Boom for Real: The Late Teenage Years of Jean-Michel Basquiat, BBC’s American Masters — Basquiat: Rage to Riches and Jean-Michel Basquiat: The Radiant Child. In 2018, Díaz authored "SAMO …SINCE 1978", an in-depth, color illustrated history of the street art legacy that he began with Basquiat in the late 70s. A notebook that Díaz made with Basquiat in his teens is currently held in the collection of the Yale University Beinecke Library.

"ALL WAR IS IN BAD TASTE," Al Diaz, 2022 Silkscreen on 320 gram Coventry Rag paper Dimensions: 14" x 20" Signed and numbered by the Artist in pencil An edition of 50 Al Díaz’s career spans five decades. Born and raised Puerto Rican in New York City, by age 15 he was an influential first-generation subway graffiti artist known as “BOMB-ONE.” His friendship and artistic collaboration with high school schoolmate Jean-Michel Basquiat on SAMO, (a late 70s Avant-garde graffiti tag project) has been noted often in contemporary art history. Díaz later contributed percussion to numerous musical recordings and performances, including Basquiat’s historic 1983 record, “Beat Bop,” (considered to be one of the earliest hip-hop albums...

Calogero Scibetta Italian, 1898-1931 Mission Exterior Oil on canvas 31 ½ by 31 ½ in, w/ frame 32 ⅝ by 32 ¾ in Signed "C. Scibetta 29" lower left Calogero "Charlie" Salvatore Scibet...

William Merritt Post American, 1856-1935 Autumn Oil on canvas 24 X 36 in. w/ frame 31 X 43 in. Signed lower left Inventory Number: 02132 William Merritt Post was an American tonal...

A skilled chef as well as an artist, Jay Batlle treats his art much like a recipe, with careful preparation and a methodical process. His layered compositions often incorporate image...

Dietz Edzard German, 1893-1963 The Bar Oil on panel 27 ½ by 42 ¾ in, w/ frame 33 ¼ by 48 ½ in Signed lower right Dietz Edzard was born in Bremen in 1893 Germany. He traveled extens...

Georges D’Espagnat French, 1870-1950 Still Life with Roses Oil on canvas 25 ¾ by 32 in, w/ frame 33 ¾ by 40 in Signed lower right Inventory Number: 01547 Born at Melun on 14th Aug...

Claude Verois French, 20th Century Place de la Concord, Paris Oil on board 16 by 20 in, w/ frame 20 by 24 in Signed lower left, circa 1950 Inventory Number: 01701

Samuel Edmund Oppenheim American, 1901-1992 Portrait of a Woman with Flowers Oil on canvas 12 by 16 in, w/ frame 19 by 23 in Signed upper left Samuel Edmund Oppenheim (1901-1992) o...

Andre Gisson American, 1921-2003 Mother & Child in a Landscape Oil on canvas 24 by 36 in. W/frame 32 by 44 in. Signed lower left Framed in an important Carrig Rohane frame...

Luis Graner y Arrufi Spanish, 1863-1929 The Glow Oil on board 26 ½ by 33 in, w/ frame 35 by 43 ¼ in Signed and dated 23 lower left Luis Graner y Arrufi was born in Barcelona in 186...

Gertrude Fiske American, 1879-1961 Day at the Races Oil on Canvas 10 by 14 in, w/ frame 14 by 18 in Fiske (1879-1961) was a Boston School Painter, a...

Andre Planson French, 1898-1981 Boat Launch Oil on canvas 23 ½ by 32 in, w/ frame 32 ⅛ by 40 in Signed lower right, dated 1963 verso Inventory Number: 01829

Prosper Louis Senat American, 1852-1925 Monhegan Oil on Canvas 20 by 36 ¼ in, w/ frame 26 ¼ by 42 ¼ in With artist's plaque Born in Germantown, Pennsylvania, March 13, 1852, Prospe...

John Edward Costigan, N.A. American, 1888-1972 Woman and Child Oil on canvas Signed ‘J.E. Costigan N.A.’ lower left 24 by 30 in. W/frame 32 by 38 in. John Costigan was born of Irish-American parents in Providence, Rhode Island, February 29, 1888. He was a cousin of the noted American showman, George M. Cohan, whose parents brought the young Costigan to New York City and was instrumental in starting him on a career in the visual arts. They were less successful in encouraging him to pursue formal studies at the Art Students League (where, however, he later taught) than in exposing him to the commercial art world through the job they had gotten him with the New York lithographing firm that made their theatrical posters. At the H. C. Miner Lithographing Company, Costigan worked his way up from his entry job as a pressroom helper, through various apprenticeships, to the position of sketch artist. In the latter capacity he was an uncredited designer of posters for the Ziegfeld Follies and for numerous silent films. Meanwhile, he had supplemented his very meager formal studies in the fine arts with a self-teaching discipline that led to his first professional recognition in 1920 with the receipt of prizes for an oil painting and watercolor in separate New York exhibitions. A year earlier, Costigan had wed professional model Ida Blessin, with whom he established residence and began raising a family in the sleepy little rural New York hamlet of Orangeburg, the setting for the many idyllic farm landscapes and wood interiors with which he was to become identified in a career that would span half a century. John Costigan’s first national recognition came in 1922 with his winning of the coveted Peterson Purchase prize of the Art Institute of Chicago for an oil on canvas, “Sheep at the Brook.” It marked the start of an unbroken winning streak that would gain him at least one important prize per year for the remainder of the decade. The nation’s art journalists and critics began to take notice, making him the recurring subject of newspaper features and magazine articles. The eminent author and critic Edgar Holger Cahill was just a fledgling reporter when he wrote his first feature, “John Costigan Carries the Flame,” for Shadowland Magazine in 1922. Costigan had his first one-man show of paintings at the Rehn Gallery on New York’s 5th Avenue in November, 1924, to be followed less than three years later by another at the Art Institute of Chicago. In addition, Costigan’s work has been—and continues to be included, side-by-side with that of some of America’s most high-profile artists, in museum and gallery exhibitions throughout the country. His renown had peaked in the early 1930s, by which time his work had been honored with nearly every major award then being bestowed in the fine arts and had been acquired for the permanent collections of several prestigious American museums, including New York’s Metropolitan (which only recently, in 1997, deaccessioned his “Wood Interior,” acquired in 1934). Although Costigan’s celebrity had ebbed by the late 1930s, the Smithsonian Institution saw fit in 1937 to host an exhibition exclusively of his etchings. And, in 1941, the Corcoran Gallery (also Washington, D.C.) similarly honored him for his watercolors. (Another Washington institution, the Library of Congress, today includes 22 Costigan etchings and lithographs in its permanent print collection.) During World War II, Costigan returned briefly to illustrating, mainly for Bluebook, a men’s pulp adventure magazine. A gradual revival of interest in his more serious work began at the end of the war, culminating in 1968 with the mounting of a 50-year Costigan retrospective at the Paine Art Center and Arboretum in Oshkosh, Wisconsin. Oils, watercolors and prints were borrowed from museums and private collections throughout the country, and the exhibition was subsequently toured nationally by the Smithsonian Institution. John Costigan died of pneumonia in Nyack, NY, August 5, 1972, just months after receiving his final prestigious award —the Benjamin West Clinedinst Medal of the Artist’s Fellowship, Inc., presented in general recognition of his “...achievement of exceptional artistic merit...” in the various media he had mastered in the course of his career. This painting depicts one of the artist's favorite themes --the farm family bathing...

Vyacheslav Shraga Russian, 1953- Homage to Picasso Ink on paper 12 by 17 in. W/frame 22 by 27 in. Painter, graphic artist, sculptor Vyacheslav Sh...

George Joseph Seideneck American, 1885-1972 Tugboats in the Harbor Oil on Canvas 20 ½ by 24 ¼ in, w/ frame 27 ½ by 31 ½ in Signed lower left Born in Chicago, IL on Feb 4, 1885 of C...

Bruce Barton Penney American, born 1929 Barn on a Hill Oil on board 25 by 30 in, w/ frame 30 ¼ by 35 in Signed lower right, dated 64 Born Laconia, New Hampshire. Addresses: Kennebu...

Otto Eichinger Austrian, 1922 – 2004 Still Life with Cherries Oil on panel 10 ¼ by 12 ¾ in, w/ frame 17 ¼ by 19 ¾ in Signed lower right Otto Eichinger was born in 1922 in Vienna, A...

Charles Jay Taylor American, 1855-1929 Ships in the Moonlight Oil on Canvas 32 ¼ by 42 in, w/ frame 36 ¾ by 46 ¾ in Signed lower left Charles Jay Taylor was born in New York in 185...

Andre Gisson French, 1928-2003 Mother & Children in a Meadow Oil on canvas 12 by 16 in. w/ frame 18 ⅝ by 22 ⅝ in. Signed "Gisson" lower left Although most modern references cla...

Antonio Y Mencia Garcia Spanish 1853-1915 Lily Pads Oil on canvas 24 by 29 in, w/ frame 31 by 36 in Signed lower left Inventory Number: 01257 Student of Matias Lavina. He made his...

Richard Hayley Lever American, 1876-1958 Between the Red Rocks Oil on Canvas 20 ¼ by 24 ¼ in, w/ frame 28 ½ by 33 in Signed Hayley Lever lower right Richard Hayley Lever was born o...

Caroline Helena Armington Canadian, 1875-1939 Walk Along the Water Oil on canvas 8 ½ by 10 ¾ in, w/ frame 15 by 17 in Signed "Caroline Armington 1921" lower right Inventory Number:...

Jean Salabet French, Born 1900 Marche De Fleurs, Paris Oil on canvas 20 by 24 in, w/ frame 25 ¼ by 29 ½ in Signed lower left Jean Salabet was a School of Paris painter known for hi...