Berlin - Art

This work is part of the Inner Landscapes series, in which the landscape becomes part of a memory, a lived state, or emotions that cannot be expressed in words and can only be felt. ...

This painting depicts an orchid crafted from paste, giving it volume and texture. The orchid is presented in pearlescent hues on canvas. The background canvas is coated with silver a...

This work emerges at the intersection of a personal journey through Italy and the universal image of the garden as a space of harmony and inner order. The Mediterranean garden here i...

Spring Mimosa from the Inner Landscapes series shipped in roll Abstract landscape painting This work is a visual sensation of spring — a moment when space fills with light and air. R...

A delicate close-up of a blooming pink peony, built on a subtle play of light and tonal transitions. The petals appear to glow from within, shifting from pale blush to richer raspber...

Two delicate peonies on a deep navy-blue background. It feels as if these two flowers have merged into one — this is love! The painting is created with acrylic on canvas: layered br...

An abstract composition is presented on the canvas, created using the fluid acrylic technique. The work is filled with a sense of movement and layered flow, where streams of paint fo...

Secrets of the Garden is a contemporary figurative painting capturing a quiet summer moment of rest and intimacy. Two female figures stand together in a garden, suggesting friendship...

Layer No.14 is an abstract painting by contemporary German artist Doris Marten. It is made with Indian ink on Alu-Dibond and measures 45 × 45 cm (17.7 × 17.7 in). The Layers series ...

This is an abstract painting created using the fluid acrylic technique (fluid art), featuring expressive movement and a rich interplay of color. The composition is built on the free...

An abstract composition is presented on the canvas, created using the fluid acrylic technique. The painting is built on the flowing movement of paint, creating a sense of depth, text...

Male Nude VI (29 Palms, CA) - 1999, 20x20cm, Edition of 10. Archival C-Print, based on the Polaroid. Signature label and Certificate. Artist Inventory # 23700. Not mounted. ...

This painting is created with acrylic on canvas and depicts a realistic peony on a golden background. The flower is rendered in deep burgundy and crimson tones, its velvety petals u...

shipped in roll In many cultures, blue and cyan colours are associated with water, the source of life and purification. In this context, they symbolise energy flows, the flow of ti...

Quiet Grace from the series Reflections Quiet Grace unfolds as a hymn to feminine tenderness and inner strength. The gentle gesture near the face becomes a symbol of self-care, grati...

This artwork is created with acrylic on canvas and enhanced with gold leaf. On a deep emerald-green background, stylized tulips are depicted. Their petals and leaves are rendered in...

Henri Honoré Plé (1853 Paris - 1922 Paris), The Victorious David, around1890. Red-brown and brown patinated bronze with terrain plinth mounted on a round base. 42 cm (total height) x...

shipped in roll Spring Picnic is a contemporary painting portraying a quiet moment of closeness between two women resting together in a spring garden. Rendered in soft pastel tones, ...

Light’n’Lines No.36 (Blue in Green) is an abstract painting by contemporary German artist Doris Marten. Oil on Alu-Dibond, 31.5 x 78.7 inches (80 x 200 cm). Doris Marten’s work exp...

Willibrord Haas (*1936 Schramberg), The completely naked prostration, 1999. Etching, 32.5 cm x 23.5 cm (plate size), 54 cm x 37.5 cm (sheet size). Signed “Willibrord Haas” in lead by...

The composition exists between abstraction and recognizability, inviting the viewer to enter a space that is both boundless and intimate. The work is based on the state of zero thin...

SOUND AND VISION – Budgies is a unique oil on vinyl installation by German contemporary artist Doris Marten, dimensions are 100 × 100 cm (39.4 × 39.4 in). Every piece is 30 cm in dia...

Willibrord Haas (*1936 Schramberg), Entangled, 2008. etching, 28 cm (height) x 17 cm (width). Signed “Willibrord Haas” in pencil by the artist, dated “2008”, titled “Verschränkt” and...

Ludwig von Hofmann (1861 Darmstadt - 1945 Pillnitz), Female nude from the back, around 1900. Red chalk drawing on watermarked drawing paper, 36 cm x 44 cm (sheet size). Artist's liga...

"Elegance in Black and Gold" is a striking acrylic painting that captures the essence of timeless beauty through its intricate use of graphic lines and a rich palette of golden hues....

FPE Edition No. 12 is a unique oil on vinyl painting by German contemporary artist Doris Marten, dimensions are 30 × 30 cm (11.8 × 11.8 in). The artwork is signed, sold unframed and...

Elegant oil on canvas still life by A. Rudolphi, signed lower left and dating from around 1900. The composition features a delicate arrangement of grapes in a silver bowl, halved pea...

Else Fürst was a German sculptor and medalist who was murdered by the Nazis. Biographical data: Bronze signed Foundry stamp of the Berlin foundry Kraas. 25 x 73 cm Born: June 25,...

Hermann Prell (1854 Leipzig - 1922 Dresden-Loschwitz). Half-length portrait of a Pharisee, 1885. Sketch for the right-hand figure in the painting Judas Iscariot, 1886. Pencil drawing heightened with opaque white and black chalk on beige-grey wove paper (papier vélin), 34 x 27.8 cm (visible size), 52 x 45 cm (mount), signed, dated and inscribed "H. PRELL 1885 zu 'Judas'". Minor browning, collection stamp on the reverse. - In the shadow of betrayal - About the artwork This painting is the sketch for the head of the Pharisee offering the coins to Judas in one of Herrmann Prell's major works, the painting Betrayal of Judas, completed in 1886. The painting belongs to the Staatliche Kunstsammlungen Dresden and is illustrated in Adolf Rosenberg: Prell, Bielefeld and Leipzig 1901, p. 21 (Fig. 19). It is especially highlighted in Thieme-Becker (vol. 27, p. 376). Hermann Prell, Betrayal of Judas, 1886 The monumental head, which fills the picture and is distinguished by its ornamented robe, is almost a lost profile, which in the executed painting is justified by the Pharisee's turning towards Judas. Despite the fact that the sitter withdraws from the viewer by turning away, it was necessary to artistically elaborate the motivation for the purchase of one of Christ's disciples, which is why the drawing focuses on the expression of the face, while the 'accessories' are treated in a more summary manner. In characterising the face, Hermann Prell performs a balancing act: since the Pharisee, despite his destructive actions, is an actor in the history of salvation, the head must show a dignity appropriate to the event, but at the same time the physiognomy must also bear witness to the scheming attitude that led to the betrayal. To solve this dilemma, Prell draws on the traditional depictions of the heads of the apostles, shading the face to indicate the obdurate darkness of the spirit and moving the base of the nose slightly upwards while the mouth falls away, thus giving a physiognomic expression to the motivation of the action. The fatal drama of the betrayal is expressed in the monumentalisation of the head and in the thunderous white highlights that contrast with the darkness of the chalk. As a study, considered by the artist to be a work in itself, this drawing reveals the pictorial problems and brainstorming of monumental painting. About the artist In 1872 Prell, who was one of the most important exponents of monumental painting of his time, began studying painting with Theodor Grosse at the Dresden Academy of Art and continued with Carl Gussow at the Berlin Academy in 1876. Hans von Marées taught him in Rome in 1878. More influential on his work, however, were Arnold Böcklin and Max Klinger, with whom Prell had been friends since his student days and with whom he worked together on several occasions. Prell's first major work, which established his reputation as a monumental painter, were the frescoes in the banqueting hall of the Architektenhaus in Berlin in 1881/82, commissioned by the state and depicting the different periods of architecture. Prell then went to Italy for two years to study fresco painting. Other major commissions followed. These included monumental frescoes in the town halls of Worms (1884), Hildesheim (1882-92), Gdansk (1895) and Dresden, the staircase of the Silesian Museum of Fine Arts in Breslau (1893/94), the throne room of the German Embassy in Rome (1896-99) and the staircase of the Albertinum in Dresden (1900-1904). From 1886 Prell taught at the academy of arts in Berlin and in 1892 he was appointed professor at the academy of arts in Dresden. His students included Osmar Schindler and Hans Unger...

Bronze 67,5 cm signed restored Partina original Émile Louis Picault (1833–1915) was a French sculptor known for his dynamic bronze works, often depicting mythological, allegorical,...

shipped in roll “Spring Flowers” is built around a memory of early spring days, when the grass turns vivid and saturated, full of life. It captures that moment when everything begins...

"Lion" depicts the majestic presence and serene strength of the lion, a symbol of power and dignity. An expressive palette and textural brushstrokes...

Lovis Corinth (1858 Tapiau - 1925 Zandvoort), In bed, 1909. Drypoint on laid paper with watermark, 14.3 cm x 19 cm (image), 29 cm x 39.3 cm (sheet size), signed “Lovis Corinth” in pe...

This piece is created using the fluid acrylic technique, which produces elongated vertical streams of color that flow smoothly into one another. Against a light turquoise background,...

Simply Precious from the series Reflections Simply Precious is the emotional heart of the series — a clear and intimate hymn to feminine value. It speaks of a woman as precious not t...

Dubucand Alfred 1828-1894 Two Hunting Dogs, Bronze on a Marble Base The Bronze with the monogram 'E.V.' and the number '2958' Two Hunting Dogs, Group Signed Alfred Dubucand, Fren...

Wilhelm Gross (1883 Schlawe - 1974 Oranienburg-Eden), The Prophet, c. 1955. Woodcut on thin laid paper, 43 cm x 23 cm (depiction), 61 cm x 43 cm (sheet size), signed “Dr. Wilh.[elm] Gross” in pencil lower right, inscribed “Orig.[inal] Holzschnitt (Handabdruck)” lower left and inscribed “Aus der ”Ecce homo“ Folge” in the center. - The wide margin with traces of pressing due to the impression, the sitter's left foot with a small purple stain, otherwise in vibrant condition. - The Burden of the Prophet - The large-format woodcut shows a prophet figure that takes up almost the entire height of the sheet. However, instead of seeing something in the distance that is still hidden from our eyes - as is usual in depictions of prophets - the figure has raised his hands in a defensive gesture, as if the prophet is trying to ward off what he has seen. At the same time, however, the position of the arms is an acceptance of the inevitable, which only those who recognize what is to come will have to bear for the time being, which is why the figure in the painting - despite its size - appears almost solitary, alone and exposed to the burden of suffering. In a manner reminiscent of the folds of medieval wooden sculptures...

This artwork is part of the series Return to Herself, dedicated to a woman and her body as a place of return to oneself, to an inner rhythm, rest, and silence. It explores a state in...

shipped in roll 33 Degrees is an ode to male sensuality and corporeality, liberated from conventional cultural clichés and stereotypes. The male figure is captured in a moment of ph...

An abstract canvas created with fluid acrylics, built around the rhythm of spirals and circular currents. Against a warm sand-gold ground, large swirling forms unfold in layers of tu...

Delulu Blooms "Delulu is the solulu" — a phrase born in the digital era, both humorous and daring, becomes the conceptual root of this painting. Beneath its playful surface lies a de...

This artwork is created with acrylic on canvas and enriched with gold leaf. On a deep burgundy background, stylized irises are depicted. Their petals and leaves are rendered in gold...

This painting invites the viewer to rise above the noise of everyday life and see the world from a higher perspective. From above, the scene unfolds in serene contrast — the vast, te...

Quiet Elegance from the series Reflections Quiet Elegance is a visual hymn to womanhood — to feminine beauty understood as inner balance, dignity, and calm self-confidence. As part o...

George Morland (1763 London - 1804 Brighton). Sheltering from the Storm. Oil on canvas, relined, 37.5 x 29.5 cm (visible size), 53.5 x 45.5 cm (...

An abstract painting created using the fluid acrylic technique (fluid art). The composition is built around a strong diagonal movement that runs across the canvas. A light turquoise...

An abstract composition is presented on the canvas, created using the fluid acrylic technique. The work is filled with a sense of movement and layered flow, where streams of paint fo...

An abstract composition is presented on the canvas, created using the fluid acrylic technique. The work is filled with a sense of movement and layered flow, where streams of paint fo...

The painting is created using fluid acrylic (acrylic pouring): layers of paint flow freely and form natural gradients, veins, and “cells,” giving a sense of depth and movement. In th...

An abstract fluid-acrylic painting on canvas that resembles a cross-section of living matter or a cosmic nebula. The main surface is built on deep graphite-black tones, over which a ...

An abstract fluid-acrylic painting on canvas that resembles a cross-section of living matter or a cosmic nebula. The main surface is built on deep graphite-black tones, over which a ...

Patterns 150.0 x 100.0 x 1.0, 1.0 lbs Acrylic Hand signed by artist Artist's Commentary: "Patterns (2010) The collection reveals patterns that we select and follow, either consciously or subconsciously, in our life. patterns which may affect significant aspects of our life." About the Artist: "Leila Rezvani...

This work was exhibited on Algarve Art Fair 2025 shipped in roll The artist's most authentic responses, his own works. In them, as in an open book, you c...

An abstract work created in a fluid acrylic technique, built on a contrast of depth and light. Around a central sand-gold rectangle, a dynamic flow of blue-turquoise, graphite, and w...

SOUND AND VISION – You called me mellow yellow is a unique oil on vinyl installation by German contemporary artist Doris Marten, dimensions are 135 × 135 cm (53.1 × 53.1 in). Every p...

This painting embodies the dynamics and natural grace of a horse, symbolizing the strength, freedom and pristine beauty of the animal world. The animal's gaze attracts attention - it...

“Astra” is created on a round canvas using the acrylic pouring technique. The composition is built on the interplay of deep black, white, blue, and brown tones, enriched by two shad...

shipped in roll “Spring Bloom II” captures a quiet moment of connection between two young women surrounded by blooming spring trees. Soft dresses, fresh greens, and gentle light crea...

shipped in roll A New Adventure She knows how to draw attention — red dress, stockings, veil. Too bold? Exactly as planned. Naivety is a carefully staged role, and mystery is part ...

Bronze 72 cm signed Height: 72 cm. Base diameter: approx. 22 cm. Signed "E. Drouot". Stamped "BD Fondeur, Paris". Plaque engraved "Hebe Par Drouot (Hors Concours)". Bronze, cast, ...