Brussels - Decorative Objects

niche in gilded wood from the 17th century from Italy Lovely niche with a carved wood in its center from the Italian Renaissance Beautiful original gild wood Dimensions excluding ba...

Mid-Century Modern Bronze Sculpture

Carved oak sculptural head Monogrammed Dated 1973

At its core, my work rejects the idea of perfection. Being free of flaws and defects directly contradicts my idea of freedom of expression, and I see my work as a vehicle for communi...

Cercle of Juan Martinez Montañés (1568-1649) Infant St John the Baptist Spanish, 17th century H 74 cm Saint John the Baptist is here represented naked, sitting on a rock, with...

A. Riecke cylindrical vase in black engraved glass signed and dated, 20th century.

Chérubin en bois polychrome et doré à la feuille. Cet angelot baroque date du XVIIIème siècle.

Lovely 19th century burl walnut tea box from England. Very beautiful box with a beautiful brass decoration on its front and top. Superb pati...

Followers of Jean de la Huerta, Jean de Blany ? Saint Jerome Limestone Burgundy, second half of the15th century 60,5 cm ALR Ref : S00248050 This exquisite sculpture of Saint Jerome, carved from soft, nearly white limestone typical of eastern France, exemplifies the exceptional craftsmanship of 15th-century Burgundian art. The figure of Saint Jerome, a key figure in Christian history renowned for translating the Bible into Latin, is depicted wearing a cardinal’s hat and holding the Vulgate Bible...

Lacquer, commonly used as a finishing material for forms made of wood, metal, ceramics, leather, glass, or clay, has a clear limitation when it comes to being used as a material in i...

Magnificent and huge vase made of shades of blue glass, a gradient from clear to soft with bubbles and exaggerated shapes. Designed and made by the Dutch glass artist Bernard Heesen,...

Lacquer, commonly used as a finishing material for forms made of wood, metal, ceramics, leather, glass, or clay, has a clear limitation when it comes to being used as a material in i...

Ornamentation is a playful visual means to pursue primitive and sensual pleasure. The object’s thin wall is filled with bumpy patterns, in the hope that the record of hand movements ...

Ercole Barovier "Porpora" vase for Barovier & Toso, circa 1954.

At its core, my work rejects the idea of perfection. Being free of flaws and defects directly contradicts my idea of freedom of expression, and I see my work as a vehicle for communi...

Exceptional pair of aigles of the 16th century of Italy Superbe pair of wooden sculpted aigles from the Italian Renaissance. Very Fine and delicate sculpture The pair of eagles se...

Small Art Deco brass cat box Karl hagenauer, Brass, Austria.   

Gothic canopy France, 15th century Alabaster, some traces of polychromy 33 x 23 x 20 cm Provenance: - Private collection Genève, Switzerland ...

High Travertino Light Vase Dimensions: Diameter 21cm x height 16cm Materials: Travertino marble. Light Vein. Technique: Hand-crafted, natural finished. Designer's Biography: Bicci de’ Medici...

At its core, my work rejects the idea of perfection. Being free of flaws and defects directly contradicts my idea of freedom of expression, and I see my work as a vehicle for communi...

At its core, my work rejects the idea of perfection. Being free of flaws and defects directly contradicts my idea of freedom of expression, and I see my work as a vehicle for communi...

Flint VIII Sculpture by Pol Quadens Unique Piece. Dimensions: Ø 20 x H 40 cm. Materials: Polished stainless steel. Dimensions may vary. Please contact us. Pol Quadens was born in ...

Flint Sculpture by Pol Quadens Unique Piece. Dimensions: D 100 x W 140 x H 600 cm. Materials: Polished stainless steel. Pol Quadens was born in Brussels....

At its core, my work rejects the idea of perfection. Being free of flaws and defects directly contradicts my idea of freedom of expression, and I see my work as a vehicle for communi...

At its core, my work rejects the idea of perfection. Being free of flaws and defects directly contradicts my idea of freedom of expression, and I see my work as a vehicle for communi...

At its core, my work rejects the idea of perfection. Being free of flaws and defects directly contradicts my idea of freedom of expression, and I see my work as a vehicle for communi...

Head of a Holy Woman 
Burgundy, c. 15th century
 Stone (limestone) H 21 x L 16,5 x P 14 This fragmentary head is a poignant testament to Burgundian sculpture of the fifteenth centur...

At its core, my work rejects the idea of perfection. Being free of flaws and defects directly contradicts my idea of freedom of expression, and I see my work as a vehicle for communi...

At its core, my work rejects the idea of perfection. Being free of flaws and defects directly contradicts my idea of freedom of expression, and I see my work as a vehicle for communi...

Elegant pair of bronze candlesticks from the end of the 17th century from Italy Beautiful turning and fine quality little difference of the pikes (see pictures) Delivery in Belgiu...

Rare Monk of the 18th century-Ayutthaya-Thailand Superb large lacquered and gilded bronze monks of large size Very beautiful face In superb condition an...

Silver-plated paperweight "Jardin d'Eden" collection by Marcel Wanders for Christofle, 2010

Murano glass vase by Seguso Viro, 1990s.   

Mid-Century Modern Murano glass vase by Seguso, Vetri d'Arte, 1960s.

Bronze Sculpture by Johan Vierthaler, Germany, 1900s

Sleeping Eros Rome, 16th century
 Carrara marble, on a wooden base
 of an ancient collection 31 × 44 x 17 cm Carved from a fine block of Carrara marble, this sculpture depicts Eros ...

A refined exploration of geometry, material contrast, and collectible decorative design, the Pianeta Candle Holder by transforms two of the purest geometric forms into a sculptural c...

Large german ceramic Vase with 4 holes above. It's shape is squared and slightly organic as diformed. Top mint condition. For any questions feel free to contact us, we will be m...

Study of a Satyr Bronze, cast using the lost-wax (cire perdue) method Italy, early 19th century 14 x 7 x 10 cm This evocative bronze sculpture represents a satyr, the half-human, h...

Grotesque Mask (Griffin Head)
Central Italy, 16th century
Carved stone
20 × 29 × 21 cm (excluding the stand) This carved stone mask depicts a stylis...

Superb horseman from the 18th century - France Very beautiful rare subject which probably represents a horseman during a hunt Very good quality of sculpture Superb original polych...

Nice decorative post-modern vase, circa 1980, Italy. Round black glazed ceramic, three nickeled metal tubes. Dimensions: 43 cm H, 18 cm diameter. Good original condition. All purchas...

Saint Crispin
Loire Valley, 16th century
tuffeau stone Height: 67 cm Provenance: Private French collection since the 1960s This fragmentary limestone sculpture represents Saint Cris...

Mid-Century Modern ceramic by Knud Kyhn - Denmark 1950s.

Superb pair of rams in polychrome carved wood from Scotland-19th century Very elegant and unique pair of rams which are almost carved at life size which come from a Manor in Scotl...

Butter plate by Marta Bonilla Dimensions: D9 x H9 cm Materials: Metal Butter plate: Piece modelled by hand, enamelled with matte white enamel and de...

Superb polychrome carved wooden ram from Scotland-19th century Very elegant and surprising ram which is almost carved at life size which comes from a Manor in Scotland. Uncommon ...

Brutalist set composed of an ashtray, a paper press and a candleholder in cast aluminium.

Carlo Marcellini (Florence 1644 – 1713) Putto White and green marble 41.5 x 73.5 cm This marble putto carved in high relief, almost a tutto tondo, and set on an elegant green marble background, appears almost naked, sitting on a cloud. His peculiar pose, in adoration, suggests that the work was a part of a larger composition including other figures in devotion. Published in 2007 by Sandro Bellesi in the monograph dedicated to Gioacchino Fortini (pg.155), this beautiful marble putto was included in the catalog of Carlo Marcellini, a prominent figure in the baroque renewal of Florentine art. Born in Florence in 1644, Carlo Marcellini received his artistic education in the city of the lily, specializing in stone sculpture and stucco modeling under the guidance of Bartolomeo Cennini before continuing his studies in Rome in the Accademia Medicea founded by the Grand Duke Cosimo III in order to familiarize some more promising artists with the essential “ taste of Rome ”. Under the guidance of Ercole Ferrata and Ciro Ferri, Giovan Battista Foggini...

Small amphora in terracotta by Marta Bonilla Dimensions: D20 x H25 cm Materials: Terracotta, clay Small amphora in terracotta: Low temperature hand modeled piece. Enameled insid...

1950's Vallauris ceramic "Vide poche " By Emile Masson In the Africanist style

Mid-Century Modern Horse Ceramic Sculpture by Aldo Londi, Italy, 1960

Bear ceramic by Knud Kyhn, Denmark, 1950s.

Low Travertino light vases Dimensions: Diameter 15cm x height 16cm Materials: Travertino marble. Light vein. Technique: Hand-crafted, natural finished. About: Bicci de’ M...

Paul Chambost egg shell ceramic vase, circa 1950, France. Dimensions: Height 20 cm, diameter 14 cm. Good original condition. We ship worldwide  All purch...

Very nice Murano sculpture Signed Perfect condition.

Contemporary White Marble Sculpture by Piet Van Loocke, Belgium

Large cup (bowl) by Jean Marais, in ceramic and signed, 1960s.

Renaissance Winged Cherub Relief
Florence, Second Half of the 15th Century
Stone with traces of polychromy Provenance: Important private collection, Northern Italy This exceptional...

Flint X Sculpture by Pol Quadens Unique Piece. Dimensions: Ø 20 x H 110 cm. Materials: Polished stainless steel. Dimensions may vary. Please contact us. Pol Quadens was born in Br...