Continental US - Mixed Media

"OMG" is an original wall-hanging sculpture by Charles Clary as part of the artist's popular "Text-i-monial" series. To create the artwork, Clary hand cuts a series of individual she...

In this original acrylic paint and vinyl on paper from Art Angler Gallery, Jose Palacios depicts an abstract pop art style. He uses vibrant pink, white, green, blue, black and red sh...

Collagraph layered with mulberry paper by Patricia A. Pearce (American, b. 1948). Numbered, dated, titled, and signed along the bottom edge ("AP 1980 Kimono 11 Patricia A Pearce...

Amber Goldhammer’s vibrant heart-filled contemporary paintings invite you to color your love and let the joy flow. Known for her dramatic abstract compositions in acrylic on canvas, ...

"Azul"- From the Small Pops Collection "Azul" is a minimalist and modernist solid wood wall sculpture that brings bold statement to wherever it is placed. The piece was inspired by ...

MIXED MEDIA PAINTING signed by the artist. Ask us for custom framing options for this piece. This original mixed media painting by Craig Alan belongs to his acclaimed work that blur...

Alexander Eulert's original mixed media paintings on wood panels are abstract propositions of worlds where divergent forces coalesce into harmonious geometric interactions. He draws ...

Exhibited in "Benji Stiles: A Human Day" at Reeves Art + Design. In “A Human Day,” a solo show dedicated to the work of contemporary multidisciplinary artist Benji Stiles, we explor...

Paris: 1862. Cliché-verre on lightweight photosensitive wove paper, 8 3/4 x 7 1/8 inches (220 x 180 mm) (sheet), full margins. Signed in the plate, lower right. Because this impressi...

Feeling Blue, an original artwork, through the use of watercolor, ink, oil pastels, and acrylic paint, portrays a minimalistic female portrait with grapes on one side of her head and...

Jamie Nares When the Language was Young, 2010 Lithograph in red on polymer Pencil signed, dated and numbered 13/50 lower front Lithograph in red on acrylic Pencil signed, dated and ...

MICHAELE VOLLBRECHT – "TDE LEMPICKA" ⚜ Mixed Media Collage ⚜ Artist’s Signature Incorporated on Pencil ⚜ Shadow Box Frame A BOLD JUXTAPOSITION OF EROTICISM, OBJECTS, AND ART HISTORI...

Mireia Serra creates sensuous bronze and iron sculptures showing the beauty of snapshots caught in life, which are full of emotions and feelings along the life journey. Her metal artworks capture the beauty of moments: A young lady challenged by the adventure of a new trip, a young man pondering about his dreams, a lost girl thinking about different options to know more about herself…Mireia vividly demonstrates how a piece of fine art sculpture could be incorporated into our daily life, linking us with art that inspires and triggers us to contemplate life and relationship. Serra describes her artistic vision as “Figurative sculptures depicting contemporary everyday scenes. Reflect my inner world thus expressing moods and desires, feelings, joys and concerns stemming from my relationship with the world". This wall-mounted iron and bronze sculpture measures 5 inches tall, 9.5 inches wide, and 1 inch deep. This artwork is edition 14 of 18. A certificate of authenticity issued by the gallery is included. Convenient local Los Angeles delivery. Affordable Continental U.S. and international shipping are available. Born in Barcelona in 1973, Mireia Serra's lifelong passion for sculpting was temporarily diverted by her parents' persuasion to pursue a career in fashion design. However, in 1998, she abandoned a lucrative role as a lingerie designer to follow her artistic calling and seek true fulfillment within the realm of fine arts. It was a transformative decision, allowing her to rediscover her true purpose and embark on a creative odyssey that continues to unfold to this day. In some of her present sculptures, the presence of elements from the fashion world such as cameras, texture, and detailed finishing of the clothes, and shoes are apparent. She graduated in 2002 from the Llotja School of Arts in Barcelona (the same school that took under its wing Antoni Gaudí, Pablo Picasso, and Joan Miró), specializing in iron and bronze. Later she took an advanced sculpture portrait course taught by sculptor Jorge Egea at MEAM (Museo European d'Art Modern) in order to master her technique. Working as a full-time sculptor since 2003, Serra started to exhibit with galleries throughout Spain and landed her first solo shows and her first international art fair in Madrid in 2013. Her works have been represented by Artspace Warehouse since 2017. Since 2016 Mireia Serra has been exhibited in galleries and art fairs in Germany, Austria, France, Luxembourg, Sweden, Belgium, Italy, and Hong Kong. Artspace Warehouse has been representing and exhibiting Mireia Serra's original artworks since 2017. The gallery has been a 1stdibs partner since 2014 with consistently excellent reviews from clients worldwide. The gallery exhibits a large selection of affordable original artworks from established and emerging international artists with diverse backgrounds at high standards. Artspace Warehouse is known to provide accurate descriptions, images, reliable services, communication, and delivery. REPRESENTATION Artspace Warehouse, Los Angeles, USA EXHIBITIONS 2022 "Shifting Dimensions", Artspace Warehouse Gallery, Los Angeles, USA. “9 sculptors”, collective exhibition with Winegates Gallery, Leicester, UK. 2021 "The Real Presence", Artspace Warehouse Gallery, Los Angeles, USA. "Tierra desconocida", Galería Montsequi, Madrid. “The art of adventure”, solo exhibition with Eye Contemporary Art Gallery, Stockholm, Sweden. 2020 "Independent artist’s day", collective exhibition, Wingates Gallery, United Kingdom. “Inner world”, online solo exhibition, Eye Contemporary Art Gallery, Italy/Hong Kong. “The G project 21...

Los Angeles artist Amber Goldhammer paints dramatic abstract compositions in acrylic on canvas featuring energetic brushstrokes. Goldhammer uses her contemporary paintings to express...

Drawing inspiration from an immersive and impressionistic interpretation of nature, Canadian artist Vé Boisvert paints textural original artworks that capture the fleeting effects of...

Pop Art Portrait of Bob Dylan on vintage Rolling Stones magazine pages glued to wood. Acrylic on 1/4 inch thick plywood. All my works are professional finished and varnished. Signatu...

Detailed abstract geometric painting inspired by city grids in light grey and blue, with accents of black and white "Superman", made by Hudson Valley based artist, Donise English, in...

The Lapis III Irene Rice Pereira, American (1902-1971) 1954 Watercolor and Ink on Paper, signed, dated and titled Size: 12 x 15 in. (30.48 x 38.1 cm) Frame Size: 14 x 17 inches

Edition 2 of 3, 2APs Large Size: 24 x 36 inches STATEMENT: e2, a collaboration between New Orleans artists Elizabeth Kleinveld and Epaul Julien, re-imagines iconic images from the h...

Melanie Tiongson invites viewers into a world of fun and whimsy with her captivating artwork. Inspired by Filipino folklore and the boundless imaginations of her children, Tiongson's...

Frog and Spider Basket, Panama Rain Forest, Wounaan Tribe, handwoven, white, red

David Hockney Rake's Progress Bedlam Cufflinks, 2020 Hand painted using special enamel paints and finished with 18ct gold plate for a luxury finish in bespoke box 1 in diameter Original David Hockney designs from the 1975 production of opera The Rake's Progress. Makes a superb gift! Inspired by an original recording conducted by Igor Stravinsky and William Hogarth's series of eight paintings and engravings of the same name, Hockney began designing the set and costumes production of The Rake's Progress. Through his designs and the use of his now iconic cross-hatched etchings, he wanted to create a 20th century response to the opera and to Hogarth's 18th century idea. These cufflinks are based upon those Hockney etchings...

MICHAELE VOLLBRECHT – "PINUPS" ⚜ Mixed Media Collage ⚜ Signed Lower Left ⚜ Red Shadow Box Frame A SENSUAL, SATIRICAL COLLAGE FROM A FASHION WORLD INSIDER This seductive, layered mix...

"Pop Wall" silkscreen and mixed media on canvas artwork with paint-splashed frame by Mr. Brainwash. Fingerprint, Mr. Brainwash signature, numbered No 430581846A and dated 2024 on bac...

Katrina Revenaugh Stai Fuori dal Mio Giardino Numero 3 Archival Pigment Ink, Acrylic, Spray Paint and Gold Leaf on Birch Panel Year: 2024 Size: 10 x 8 x 1.75 inches Signed: On Verso ...

This piece titled "I Give Myself Grace Now" is an original painting by Sarah Detweiler and is made from oil paint, recycled fiber packing material, crochet thread, acrylic mirror tiles on canvas with acrylic painted edges. This piece measures 48”h x 36”w and ships with a gallery-issued Certificate of Authenticity. In Unmasquerade, Detweiler positively redefines the ADHD term of masking as a purposeful and playful act, as her figures wear novelty sunglasses, fur suits...

"Adjusted Light (Violet)" is a testament to Andy Harwood's mastery of elegant shades of colors and composition that delicately interplays the subtle hues ...

Erin Vincent is a Toronto based-artist whose work draws on a variety of repetitive and labor intensive processes and materials. Things and common objects have always fascinated Vinc...

Los Angeles street artist Gary John exploded onto the international art scene first during Art Basel Miami in 2013. John’s playfully bold work quickly gained attention and he was nam...

Basket, Panama, Darien, Rainforest, Butterfly, Flower, white, red, yellow, green unique hand woven extremely finely woven

Beautiful collage painting by unknown artist. Acrylic on torn paper segments, reassembled as collage. Art object assempled on rectangular sheet of hand made rag paper measures 12.5...

"Tree Bark" is a nature inspired abstract circular 3-D paper work by Bianca Severijns. Severijns paints and hand-tears paper to create her unique and one of a kind works. This work c...

Yves Klein La Conférence à la Sorbonne, 3 Juin, 1959, 1959-1963 Two 12-inch vinyl records held in gatefold sleeve with silkscreen cover jacket in IKB International Klein Blue...

Pair of abstract geometric graphite drawings inspired by the moon in white frames "Oculus I and III" by David Dew Bruner made in 2024 graphite on paper Each individual drawing measur...

Atticus Adams' organically composed modern metal sculptures embody the transformative power of art, illustrating the creation of beauty, meaning, and emotional impact from industrial...

Belgian artist Greet Helsen masterfully layers acrylic paint with the effervescent transparency of watercolors in her large mixed-media abstract paintings. Reminiscent of abstract ex...

"Congrajulicia" is an original piece made by Shawn Theodore from hand-crafted paper collage and acrylic and archival ink on Epson Hot Press Natural paper on wood panel. Using a blend...

Columbus, Georgia (USA) based artist Kellie Newsome specializes in dynamic and abstracted still-life artworks. Her expressive style emphasizes line structure, creating vibrant painti...

This large abstract contemporary statement painting by Roger Mudre features many light circle shapes, layered over one another in a concentric fashion and a cool blue and silver pale...

Columbus, Georgia-based artist Kellie Newsome specializes in dynamic and expressive animal portraits that radiate vitality and personality. Her unique style combines abstracted forms...

A superb expression of a triumphant free spirit, and the balancing act required to maintain it, this watercolor was created by a woman who embodied female independence—especially rem...

Kim Frohsin, Third generation Bay Area Figurative artist began exhibiting in the San Francisco Bay Area in the early 1990s, and in 1993 was included with Nathan Olivera, Manuel Neri...

Lesley Richmond was born in Cornwall, England. Lesley now lives in Vancouver, BC, Canada. She received her art teachers training in London, England and her MEd in the USA. She taught...

Ricky Hunt’s mixed media minimalist wall art is influenced by his tumultuous past that led to a paradigm shift in creativity and life. He covers the wood panel with layers of acrylic...

​"My passion for the vestiges of aged surfaces that inspires my painting has been influenced by my travels in Finland, France, Germany, Greece, Italy, Mexico, Russia, and Sweden." --...

GREG MILLER "Defender" Acrylic, Collage, Resin on Surfboard 132 x 25 in. Drawing from the diverse cultural and geographic makeup of his Californian roots, Greg Miller explores his ...

Limited Edition Jean-Michel Basquiat spray paint published circa 2017 featuring the Estate trademark of Jean-Michel Basquiat. a unique Basquiat collectible that makes for a fantastic...

Columbus, Georgia (USA) based artist Kellie Newsome specializes in dynamic and abstracted still-life artworks. Her expressive style emphasizes line structure, creating vibrant painti...

Spring Break Afternoon #2 is a 60 x 48-inch acrylic and collage work on canvas. The primary colors are yellow and blue, with an orange accent. The image is playful, with hundreds of ...

Ricky Hunt’s mixed media minimalist wall art is influenced by his tumultuous past that led to a paradigm shift in creativity and life. He covers the wood panel with layers of acrylic...

Lively abstract expressionist oil painting/collage of what resembles a corridor as the focal point, with imported cigar cut outs and pops of vibrant color by...

Magical Basquiat

This artwork titled "Mini Burst Purple" 2015 is a original mixed media on Aluminum by American artist Chris DeRubeis, b.1978. It is hand signed with pig...

Loren Munk (American, b. 1951), mixed media painting "Romulus & Remus", signed "Munk '89", 13" x 19" inches sheet, framed 20.25" x 26" inches. This one is African American kids in a park at the water fountain. The artist Loren Munk (born 1951) is primarily known for his YouTube nickname James Kalm as an uploader of videos about New York exhibitions, amongst others. He presents himself as a maker of contemporary paintings for several decades and of cubist paintings of urban imagery. Munk has received accolades for his drawings and mosaics. He differs from traditional mosaic artists by the manner in which he incorporates glass into his decorative paintings. His unique and innovative use of materials such as mirror, gold-leaf and glass mosaic affirmed him as a founding force of Kitsch Art and a leading member of New York Neo-Expressionism. Munk's work debuted in SoHo in 1981 with a double show at J. Fields Gallery and Gabrielle Bryers. Since then, he has overseen an international career. In addition to exhibiting in Brazil, France, Germany and the United States, Munk has received national and overseas, public and private commissions. He is well represented in important collections throughout Europe, South and North America and the Middle East. Most recently, Munk has been producing a series of paintings which tackle the subject of art itself through a historical and diagrammatic lens. Munk documents the New York art world in YouTube videos, using the name James Kalm. Timeline: 1979 Attended Art Students League, New York 1973-75 Attended University of Maryland at Ramstein, Germany while in US Army 1969-72 Attended Idaho State University, Pocatello, Idaho 1951 Born, Salt Lake City, Utah Select Group Exhibitions 2018 “Under Erasure” curated by Heather and Raphael Rubinstein at Pierogi Gallery New York 2016 "It Was Never Linear: Recent Painting" at the Sheldon Museum of Art Lincoln Neb. with: Robert Bordo, Dawn Clements, Lois Dodd, Michelle Grabner, Colin Prahl, Peter Saul, Barbara Takenaga, and Stanley Whitney 2014 "Some Artists" curated by Matthew Deleget at Minus Space. David Diao, Mary Beth Edelson, Alfred Jensen, George Maciunas, Loren Munk, Ward Shelley, John Zinsser 2013 "Coming Together: Surviving Sandy Year 1" curated by Phong Bui for the Dedalus Foundation, "The Decline and Fall of the Art World: Part I" curated by Nick Lawrence at Freight+Volume, N.Y. "Reticulate" at McKenzie Fine Art Inc., N.Y. "The Pyramids Along the Nile" at English Kills Gallery 2012 "When We Were Ancient" organized by Ethan Petitt at Teddy's Bar, Williamsburg "Heroes" curated by Julie Torres at Small Black Door, Ridgewood Queens, N.Y. 2011 "ABC123" curated by Janet Goleas at Eric Firestone Gallery, East Hampton, N.Y. "6 Who Paint" curated by Fred Valentine at Big & Small/Casual, Long Island City, N.Y. "It's All Good: Apocalypse Now" curated by Richard Timperio, Side Show Gallery, Brooklyn, N.Y. "Paper 2011" at Janet Kurnatowski Gallery, Brooklyn. "NEW year NEW work NEW faces" by Jason Andrew and Deborah Brown at Storefront Gallery. "Unfinished Pictures" curated by Kristin Calabrese...

"I throw myself into the water almost every day- it grounds me, the body floats and the mind drifts. The "Swimmer series" has followed me over the years, resurfacing and evolving. Pr...

Sam Gilliam Buoy Landscape IV, 1982 Color relief print, etching, screenprint, drypoint, aquatint and roulette all from deeply etched copper plates, on handmade wove paper 31 1/2 × 24 inches Hand signed and numbered 3/25 in graphite pencil Hand-signed by artist, Signed by artist, numbered, and dated in pencil and blind-stamped by printer-publisher on lower right, titled in pencil on lower left, recto Unframed with elegant deckled edges Rare vintage intaglio and relief, all from deeply etched copper plates. Other works from this series are in the permanent collections of major museums & institutions like the Smithsonian, so they are quite scarce on the open market. Steven M. Andersen (Printer) Philip Barber (Printer) Hang Nguyen (Printer) Stephanie Nowack (Printer) Michael Reid (Printer) Daniel Rounds (Printer) Vermillion Editions Limited (Publisher) Sam Gilliam Biography: Sam Gilliam was one of the great innovators in postwar American painting. He emerged from the Washington, D.C. scene in the mid 1960s with works that elaborated upon and disrupted the ethos of Color School painting. A series of formal breakthroughs would soon result in his canonical Drape paintings, which expanded upon the tenets of Abstract Expressionism in entirely new ways. Suspending stretcherless lengths of painted canvas from the walls or ceilings of exhibition spaces, Gilliam transformed his medium and the contexts in which it was viewed. As an artist in the nation’s capital at the height of the Civil Rights Movement, this was not merely an aesthetic proposition; it was a way of defining art’s role in a society undergoing dramatic change. Gilliam pursued a pioneering course in which experimentation was the only constant. Inspired by the improvisatory ethos of jazz, his lyrical abstractions took on an increasing variety of forms, moods, and materials. In addition to a traveling retrospective organized by the Corcoran Gallery of Art, Washington, D.C. in 2005, Sam Gilliam was the subject of solo exhibitions at the Museum of Modern Art, New York (1971); The Studio Museum in Harlem, New York (1982); Whitney Museum of American Art, Philip Morris Branch, New York (1993); J.B. Speed Memorial Museum, Louisville, Kentucky (1996); Phillips Collection, Washington, D.C. (2011); and Kunstmuseum Basel, Switzerland (2018), among many other institutions. A semi-permanent installation of Gilliam’s paintings opened at Dia:Beacon in August 2019. His work is included in over fifty public collections, including those of the Musée d’Art Moderne de la Ville de Paris; Tate Modern, London; the Museum of Modern Art, New York; the Metropolitan Museum of Art, New York; and the Art Institute of Chicago. Sam Gilliam, Green April, 1969, acrylic on canvas, 98 x 271 x 3 7/8 inches (248.9 x 688.3 x 9.8 cm), Collection of Kunstmuseum Basel, Basel, Switzerland, Courtesy of David Kordansky Gallery, Los Angeles, photography by Lee Thompson...

This dynamic table sized sculpture is created from sheets of steel, welded together in an abstract geometric pattern bright blue, orange, purple and yellow dominate and are balanced ...

“Simpatico” is an original, handmade oil and encaustic painting on wood panel by Carrie Goller, completed in 2024. Measuring 14 x 11 x 1.50 inches (35.56 x 27.94 x 3.81 cm), it is fr...

The Redpath Mansion was built in 1886 for members of the Redpath family – wealthy industrialists who constructed the Lachine Canal and founded the sugar refinery that bears their name. This majestic house was erected in the fabled Golden Square Mile of Montreal. By the mid-20th century, it was one of the few remaining Queen Anne style homes in this city. The Sochaczevski family, purchased it in 1986 and within that year, obtained a license to demolish the building. Approximately 40% of the property was leveled. Organizations such as Heritage Montreal and Save Montreal obtained an injunction to suspend the execution of the license and the destruction of the mansion. It was temporarily saved. In 2014, the Mayor of Montreal, Denis Coderre, sided in favour of the Sochaczevski family, granting them the license to level the Redpath Mansion. In a statement to the media, when substantiating his reasoning, Denis Coderre said, “It was too dangerous, so I asked that we demolish the building.” The disappearance of the Redpath Mansion represented a great loss to Montreal’s architectural landscape. Organizations such as Heritage Montreal and Save Montreal, contended that it possessed immense cultural value; and during the course of almost three decades – 1986 to 2014 - struggled to save this rare Queen Anne style home from the wrecking ball. Albeit, the Sochaczevski family argued that it was old and unsafe, and that a restoration of the once stately home would be very costly. During the span marked by the first attempt at a demolition and the final decision by the mayor of Montreal (i.e. 1986 – 2014), The Redpath Mansion’s already dire condition worsened. It stood vacant and exposed to the elements. Nothing to upkeep the house was implemented, neither by the owners, or the city of Montreal; which ultimately compromised its structural viability. The events surrounding the Redpath Mansion, came to my attention in the summer of 2010. It was during a visit to Mount Sinai Hospital, in Montreal, where my father lay stricken by a terminal disease known as pulmonary fibrosis. I came upon a newspaper article in the Montreal Gazette. It described the Redpath Mansion case. I likened the decaying building with the final stages of my father’s life. The Redpath Mansion gained even greater significance for me when I went in person to the Golden Square Mile - in the city centre – and stood before it along Du Musée Street. I experienced it as a powerful metaphor for the transient nature of life. It also inspired thoughts related to generational ties, and how familial bonds act to influence and shape a person’s identity. The program of work I plan to undertake aims at building a scale model of the Redpath Mansion, as it appeared just before its demolition, in 2014. The physical height of this scale model is set at approximately 1 metre. I wish to place emphasis on the craft aspect, by creating a visual idiom based on details and decaying forms that allude to our connection to the past. For example, old pictures found among the rubble, scattered clothing and shoes, all of which are suggestive of a past ethos. I steer clear of political and social issues and aim to view this project with a more poetic lens, hoping to move the focus from societal problems to problems we face inside ourselves. The end result, or the finished piece would make a statement in a more introspective and emotional way, and show that the past weighs on the present, almost to the point of haunting. The viewer of the finished scale model will view it in the round, and in so doing perceive a definite narrative that addresses questions of identity, memory and loss. Ivan Markovic The Redpath Mansion, 2019 mixed media 37h x 20w x 24d in 93.98h x 50.80w x 60.96d cm IVM007 IVAN MARKOVIC was born in Montreal, Quebec in 1970. At an early age, he showed a natural propensity for drawing. At 15 years of age, he went to Paris, France to attend the Fine Arts school Creatione et Future. This experience allowed him to become a better draftsman and encouraged him to take his first steps in the art of oil painting. In 1994, he received a Bachelor of Fine Arts degree from Concordia University in Montreal. During his undergraduate degree he developed an interest for Art History and life drawing. After graduation, Ivan Markovic moved to Madrid, Spain to work at the Prado museum, where he made copies of Old Masters’ paintings, and developed an understanding for the materials and techniques of Spanish, Italian and Flemish art. He received a Master of Fine Arts degree from Bretton Hall College, University of Leeds, in the U.K. in 1997. His graduate work focused on large-scale paintings that alluded to baroque and neoclassical painting. In parallel, he pursued his other passion, teaching, by instructing a figure drawing course. Upon completing his MFA, he returned to Madrid to work as a practicing artist and art teacher for 13 years. During this time, he experimented with a diverse range of media. Of these, he was most captivated by sculpture. In 2010, he came back to his native Montreal, thus completing a formative cycle that has lasted 25 years. Currently, Ivan Markovic lives and works between Montreal, Chicago, and Madrid. He creates three-dimensional renditions of people facing situations of adversity, especially those that live on the fringe of society. His work has been featured in solo exhibitions in Canada, the United States and Europe, and is also on permanent display in privately owned collections of art. Ivan Markovic b. 1970, Montreal, Quebec Education 1997 Master of Fine Arts, Bretton Hall College, University of Leeds, England. 1994 Bachelor of Fine Arts, Concordia University, Montreal, Canada. 1986 Studies at the Fine Arts School, Création et Future, Paris, France. Selected Exhibitions 2020 Double Feature: Art Shay and Ivan Markovic, 2019, Gallery Victor Armendariz, Chicago, IL 2019 SOFA Chicago 2019, Navy Pier, Gallery Victor Armendariz, Chicago, IL 2018 SOFA Chicago 2018, Navy Pier, Gallery Victor Armendariz, Chicago, IL Art Market Hamptons, Gallery Victor Armendariz, Bridgehampton, NY Art On Paper, Gallery Victor Armendariz, New York, NY 2017 Art Toronto, Galerie D’Este, Toronto, Canada. SOFA Chicago, Navy Pier, Option Art, Chicago, IL Papier/10th Edition, Contemporary Art Fair of Works on Paper, Galerie D’Este, Mlt., Canada. 2016 SOFA Chicago, Navy Pier, Option Art, Chicago, U.S.A. 2016 Toronto International Art Fair, Galerie D’Este, Toronto, Canada. 2016 Beyond the Pale, Galerie D’Este, Montreal, Canada. 2014 On the Fringe, Galerie D’Este, Montreal, Canada. Love Art, Galerie D’Este, Toronto, Canada. Papier 14, Contemporary Art Fair of Works on Paper, Galerie D’Este, Montreal, Canada. 2013 Shades of Isolation, Galerie D’Este, Montreal, Canada. 2013 Toronto International Art Fair, Galerie D’Este, Toronto, Canada. Papier 13, Contemporary Art Fair of Works on Paper, Galerie D’Este, Montreal, Canada. 2012 Papier 12, Contemporary Art Fair of Works on Paper, Galerie D’Este, Montreal, Canada. 2011 Papier 11, Contemporary Art Fair of Works on Paper, Galerie D’Este, Montreal, Canada 2004 Galería Francisco Duayer, Madrid, Spain. 2004 Fundación Cultural Mapfre Vida (Premio Penagos de Dibujo), Madrid, Spain. 2003 Centro Intergrado Arganzuela (Ayuntamento de Madrid), Madrid, Spain. 2003 Galería Francisco Duayer, Madrid, Spain. 2001 Galería Francisco Duayer, Madrid, Spain. 2000 Sala Goya, Círculo de Bellas Artes, Madrid, Spain. 1998 Instituto Cervantes, John Hancock Center...

Katrina Revenaugh Stai Fuori dal Mio Giardino Numero 1 Archival Pigment Ink, Acrylic, Spray Paint and Gold Leaf on Birch Panel Year: 2024 Size: 10 x 8 x 1.75 inches Signed: On Verso ...