Dallas Mantel Clocks

Make a striking statement on a mantel, console, or buffet with this important antique fruitwood clock, crafted in Switzerland circa 1860. The exceptional timepiece is richly hand carved throughout, centered by two seated cherubs poised above the dial, engaged in a lively scene with a woven grape basket...

Striking in scale and richly ornamented, this tall Louis XV–style mantel clock reflects the opulence of traditional French Boulle craftsmanship. Crafted in France circa 1950, the sha...

This listing features a French Empire style mantel clock along with two matching urns. Also known as Neoclassical style, French empire style was a widespread and influential movement...

PRESENTING A STUNNING Mid 19th Century French Slate & Bronze Mantel Clock by Marti with pair of slate and bronze candelabra’s as garnitures. This ‘large’ mantle clock, was made circ...

a very fine Charles X malachite and ormolu mounted mantle clock, depicting a seated Psyche, in patinated bronze, opening the golden box. France, circa 1830 21" H x 16" W x 6.5" D...

A very fine 19th century French Louis XVI gilt bronze mantle clock . Signed by the clockmaker

This elegant antique clock would make an wonderful addition to a mantel, console, desk, or side table. Crafted in Rouen, France, circa 1920, the colorful mantel clock features a rich...

A very fine 19th century French Louis XV gilt bronze and patinated bronze clock by Raingo Fres Paris.

Beautiful Victorian French marble mantel clock circa 1880 with jet black nero belgio marble. This piece is in fabulous condition and include...

A fine 19th century Empire gilt bronze figural mantle clock. Patinated bronze and gilt bronze fine details. Working condition.

A very fine and rare late 19th century French or Russian malachite and mercury gilt bronze mantle clock

The "Period French Empire Malachite and Ormoro Figural Clock" is a stunning decorative collectible with a timeless design. This elegant clock features intricate detailing and craftsm...

PRESENTING A STUNNING mid to late 19C French Japy Freres & Red/Magenta Sevres Porcelain Mantle Clock with Garniture Candlestick Ewers. The clock movement is by the famous Parisienne Clockmaker … ‘Japy Freres’ and the clock dial has the marks for “JAY” (short for Japy Freres) & “Paris” on the dial face. The clock mechanism and clock face/dial have matching serial numbers of “7225”. The movement also has the numbers: “5 – 2”. The clock face/dial also has the initials: “D.H.”. The gilt ormolu clock case is gilt spelter and is signed on the rear base, for having been made by “P.H. Mourey” of Paris, who worked with and for ‘Japy Freres’, towards the end of the 19th Century. The signature of ‘Mourey’ also bears the numbers “85” … probably for 1885, but could also be the serial number. Taking into account Mourey’s historical association with Japy, being late 19th Century, we are leaning heavily towards this being the date of manufacture i.e. 1885. The Clock has RARE red/magenta Sevres hand-painted porcelain paintings/additions, to include:- (i) a 2 handled and lidded urn on the crown with pointed flame finial, (ii) a pair of bulbous urns either side of the main body and clock face, (iii) the clock face and dial itself and (iv) a flat rectangular medallion on the front base. The crown urn and the base medallion both have similar themes, but different painted scenes, depicting French rural countryside scenes with cottages, rivers and bridges. The porcelain urns on the sides, likewise have hand-painted images of a young boy, in rustic period attire on the right and a young girl on the left. None of these paintings appear to be signed. The clock case has GLORIOUS detail to it, with scrolls, ribbons, vines, grapes and Corinthian columns. The clock sits on a custom made gilt wood and burgundy velvet plinth, that is original to the piece and was a common accent with ‘Japy Freres Clocks’, when originally retailed in their Paris shop. The rear of the clock is plain and the perspex/clear resin plate insert, is a new addition, but a nice addition, in that it allows one, to view the movement and pendulum works. The clock is an 8 day movement with a strike on the hour and half hour. The clock face has 2 winding holes … one for the pendulum movement and the other for the striking chime/ring. Unlike British clocks this clock does not have a long musical chime … it is a simple ‘single strike’ on the half hour. The red/magenta Sevres porcelain clock face/dial is in SUPERB condition. Roman numerals with gilt accents and a hand-painted circular wreath/bouquet of spring flowers on the center section. To complete the set, we have a matching pair of gilt ormolu spelter and hand-painted red/magenta Sevres porcelain Ewers … which can hold a single candle each. The porcelain urns on the central section, have hand-painted images of a young lady in rustic period attire … fishing on the riverbank on the right and a young man playing the flute in the countryside on the left. The front base medallions on each ewer have hand-painted wreaths/bouquets of spring flowers. The clock facing side of the porcelain urn on each Ewer, has a brass ormolu applique head, of the Greek god of wine-making, orchards and fruit, vegetation, fertility, festivity, insanity, ritual madness, religious ecstasy, and theatre, namely, Dionysus. The plinths are signed on the rear top left corner, and we think they read: “R.P. Unfaut”. They also bear the numbers “61” and “69”, Again, possibly for 1861 and 1869, but here we think it is more likely they are serial numbers, as it is highly unlikely that a matching pair were made 8 years apart! Whilst we cannot find any information on ‘R.P. Unfaut’, we can only guess that he/she/they worked with, or for, ‘Japy Freres’, as these ewers are unmistakably, a ‘superb’ match for the clock! The style, subject matter, gold banding and edging, around the paintings, are virtually ‘identical’ to the same decorations on the clock’s porcelain paintings. The Ewer on the left (with the boy playing the flute) appears to have a faded signature on the gold border of the painting towards the base and we think it is the signature of ‘Alexandre Evariste Fragonard’ …. one of the best known artists attached to Sevres in the mid 19th Century … meaning, that these Ewers were probably made circa 1845-50. The quality and detail to these 2 paintings is classic Fragonard! We are of the opinion, therefore that these garnitures, were made circa 35/40 years before the clock, as Mourey was prevalent with Japy around 1880 – 1900. The clock paintings are of a very similar, rustic ‘Fragonard Style’ subject matter and although unsigned, could possibly have been painted by a Sevres artist, to replicate the Fragonard paintings...

A fine 19th century Louis Philippe fire gilt large mantel clock. Depicting Louis XV and his wife Marie Leszczynska

French Louis XVI style marble mantel clock, late 19th century; marble columns above the platform base, on toupie feet; gilt metal finial shaped like a basket of flowers; enamel fancy...

Avery fine 19th century French large mantel clock by Vannier Paris. This clock has very fine gilt bronze details with a large patinated bronze cherub in the center . Signed on the p...

A fine 19th century French Louis XV Empire marble and gilt bronze clock set . Louis XV gilt bronze candelabrum 27''h . Fine casting . ...

19th century onyx and bronze travail par kossowsk mantel clock with petite bronze figure of industry and painted porcelain face.

A fine 19th century French Carrera marble and gilt bronze cherub clock set. Three piece set with a pair of candelabra and a clock. The clock has a patinated bronze cherub holding a r...

Handsome 19th century Swedish large scale parcel gilt mantel clock. Beautiful details including lions with wings on the sides. Very rare and so elegant!

An impressive Charles X gilt and silver clock in the gothic taste, France. Circa 1825

a Charles X gilt bronze mantel clock with Cupid and a dog on its hind legs barking / jumping / or begging, the figures flank the rectangular clock, t...