Dallas - Decorative Objects

A large and impressive abstract walnut floor standing sculpture mounted on a travertine base. Signed and dated 1966.

Created during the height of Europe’s fascination with richly mounted decorative porcelain, this exceptional pair combines the celebrated ceramic artistry of Royal Bonn with the refi...

Decorate a garden, courtyard, terrace, or entryway with this impressive vintage cast stone eagle statue on pedestal. Crafted circa 1950, the outdoor sculpture is made of pierre recon...

Introducing the exquisite Leaf & Blossom Vine Sculpture, elegantly mounted on acrylic and finished in a timeless Aged Gold hue. This enchanting piece of art seamlessly blends natural...

More information coming soon… This painted demi john bottle is quite a find, as the vessel is still nestled in its original wood crate (see detail p...

Play up your flirty, fluttery side with this butterfly decorative accessory. Each flutter, mounted on acrylic, adds movement and joy wherever it lands. Build a space where you can bl...

More information coming soon… A beautiful Dutch table box, dating to circa 1850, hand-painted on all sides in the traditional cobalt blue and white of Delft pieces. All sides and t...

Beautiful and early, hand-blown glass decanter by Blinko from 1958. The decanter is in excellent condition and has the acid stamp signature on the bottom.

Play up your flirty, fluttery side with this butterfly decorative accessory. Each flutter, mounted on acrylic, adds movement and joy wherever it lands. Build a space where you can b...

The naturalistic foliate and floral motifs of this large giltwood frame are hallmarks of the Barbizon style of the late 19th century. Although Barbizon is associated with France (it ...

PRESENTING a GORGEOUS PAIR of extremely rare and important Lladro, long retired porcelain figurine sculptures. Known as the ‘Chinese Farmer’ and the ‘Chinese Farmer with Staff’. Th...

A festive polychrome trunk from Normandy, France, celebrating the importance of floriculture in the region. The vibrant trunk, which was hand-carved and hand-painted in the 1800s, de...

A beautiful Victorian tea caddy clad in luminous mother of pearl with exceptional iridescence and elegant proportions. Rich in character and craftsmanship, this exquisite box reflect...

Make a striking statement on a mantel, console, or buffet with this important antique fruitwood clock, crafted in Switzerland circa 1860. The exceptional timepiece is richly hand carved throughout, centered by two seated cherubs poised above the dial, engaged in a lively scene with a woven grape basket...

PRESENTING A STUNNING Mid 19th Century French Slate & Bronze Mantel Clock by Marti with pair of slate and bronze candelabra’s as garnitures. This ‘large’ mantle clock, was made circ...

19C Anglo Indian solid silver perfume bottle case. Lovely 19th century Anglo-Indian solid silver perfume bottle case with profuse repousse work. Not hallmarked because it was m...

PRESENTING A ‘FANTASTICALLY’ RARE, EXCEPTIONAL QUALITY and MUSEUM QUALITY Pair of Regency Shell Art Floral Bouquets under Glass Domes. Made in Englan...

PRESENTING AN ABSOLUTELY STUNNING Large ‘Huntsman/Valet with his Hounds’ Bronze Sculpture by PJ Mene – 1869. This is a LARGE sculpture, weighing over 175 lbs....

This is a bronze statue Auguste Rodin Eternal Springtime reproduction. It is based on the couple, Paolo and Francesca, the passionate lovers from the fifth canto of Dante's Inferno. ...

More information coming soon… After the original Alfred Jacquemart hunting dogs from the 1800s, this pair of French cast iron sculptures dates to circa 1900. Both dogs are depicted...

Presenting a stunning pair of mid to late 19th century French Limoges Bisque porcelain figurines from circa 1870. One is of a lady in period dress/attire cradling a Dove. All hand-painted and decorated to the finest quality. The base is marked with the makers initials “C.H.”. She is made of fine bisque porcelain in the Old Paris porcelain style. The other is of a gentleman set...

This ceramic 'watering can' by American ceramicist Piero Fenci (b.1944) is Inspired by his love of practical, everyday objects from various cultures from various times.

The monumental size of this pair of hand-carved limestone lions is quite impressive, and their stature has been embellished by positioning them on classic, rectangular pedestals. Florence, Italy, is known for its artistic depictions of lions, ranging from the city’s coat of arms to the famous Marzocco lion that is currently part of Piazza della Signoria, and of course, the Medici lions, which inspired this pair. Just like the original Medici, these lions mirror...

Hailing from Gueux, in the northeast of France, this incombustible cast iron safe was constructed by the French company, Bauche, circa 1870, as indicated by the foliate placard on th...

An exceptional circa 1860 Russian decorative box crafted in carved bone and richly embellished with stained green bone panels, intricate etched decoration, and finely detailed hand p...

Emile Galle Art Nouveau Cameo Glass Vase Water Lily Vase Circa 1900, France Cameo glass Height: 15.75 inches (40.0 cm) Marks: Gallé PROVENANCE: Morphy Auctions, Denver, Pennsylvan...

PRESENTING A GORGEOUS 19C Anglo Indian Highly Carved Sadeli Mosaic Sarcophagus Sewing Box. Made in Bombay, India circa 1860-80. Box made of sandalwood with highly carved teak wood reliefs and panels on all sides. Edged with bone and ebony veneers and glorious sadeli mosaic, made from tiny pieces of faux ivory, pewter, green semi-precious stone. The box is in a sarcophagus form with domed lid. The original brass carry handles are on the sides. The interior is in great condition and consists of a removeable mirror under the lid portion, with the original red velvet lining behind it. The base is removeable and contains a number of lidded compartments. 6 of the interior lids on the base, are each inlaid with sadeli mosaic banding. The rest are also carved and chased. The interior is fully complete with 7 lidded faux ivory/bone, thread canisters with sadeli domes and the original bone thimble. The box sits on 4 brass ball or bun feet with the original velvet lining on the base. Some minor repairs and losses, but this box is fully complete. This is ‘rare’ as many of these boxes have not survived in such condition! Included in the sale are 2 photos that were in the box (under the base tray). Interestingly, one of them is a view of downtown Nassau, New Providence (Bermuda) from the early 20C and stamped on the rear. What a ‘journey’ this piece has made! Made in India … travelled to Bermuda, probably via Britain … back to Ireland (where we bought it) …. then to Texas! These boxes were made by superb Indian craftsmen, specifically for sale to the ruling British elite. These types of boxes, carved padouk and sandalwood, (whilst beautiful and superbly crafted) were of a lesser quality, than the more profusely and intricately mosaic inlay, tortoiseshell and ivory boxes, made for the British ‘Upper Classes’ in the areas of Bombay and Vizagapatam. These type of boxes were much more affordable back in 1880 (and indeed today) and would probably have been bought by mid-level diplomats, civil servants or visitors. Sewing boxes (in general), were in EVERY Victorian home in Britain in the 19th Century and like other boxes etc were ‘status symbols’ of your place in society! The more ornate the box, the more ‘Upper Class’ you were! Of it’s type, this one, is one of the very higher quality one’s, than the norm! SADELI MOSAIC: “Anglo Indian boxes were made in India for the English residents from the early part of the 18th century. They were brought back or sent back to England usually by the people who had commissioned them. From the beginning of the nineteenth century they were imported more commercially, although not in any significant numbers until the middle decades. They were very highly valued, especially the early ones, to the extent that the designs were copied on late 19th and early 20th century tins. The ancient art of Sadeli Mosaic is said to have been introduced from Shiraz in Persia via Sind to Bombay, a long time before the Anglo Indian boxes were made. It was a technique, which required a high degree of skill and patience. It was executed very lavishly, in that the frequent cuts wasted a great amount of the precious materials used. The workmanship was however more than commensurable to the value of the materials. Ivory, silver, pewter (or other metals), wood and horn were cut into faceted rods which were bound together to form geometric patterns. When the glue has set, the rods were sliced in transverse sections. This gave the maker a number of angled circular pieces in the original pattern. Several variations of patterns could be achieved by combining the materials in different ways. The ivory was sometimes dyed green to give an extra color. The mosaic pieces in a combination of patterns, often separated by ivory, ebony, horn or silver stringing were used to veneer sandalwood boxes. In the early boxes, which date from the turn of the 18th to the 19th century, there are large panels of mosaic covering tops and sides of boxes. It took incredible skill to cover such large areas without any shakes or wavering of the pattern. The corners and joins on these boxes are impeccably matched. The makers (reputed to be Persian) of Sadeli mosaic made in the first two decades of the 19th century displayed a total understanding of the qualities of the different materials they used. They combined substances, which can expand and contract according to atmospheric conditions with others, which are hard and unyielding. The result was a sharp definition of the lines and patterns, which made up the whole design. On the early boxes the designs look deceptively simple. The fact is, they emerged from a culture, which had mastered geometry and understood how to generate a pattern from a set number of points. The patterns are so harmoniously combined that their incredible complexity is not immediately apparent. The earliest Sadeli boxes...

A studio-made modernist mobile; mustard yellow, blue, opium red. This innovative art form, rooted in the principles of modernism, emphasizes minimalism, abstraction, and the intrinsi...

Hand-carved in Italy, this limestone plaque depicts a bas-relief display of grape clusters hanging from a vine with large leaves. Presented horizontally, the vine stretches almost the entire length of the rectangular plaque. The gray limestone has developed a wonderful, mottled patina with elements of black, white, and gold. Our bas relief plaque...

More information coming soon… Signed by the renowned French animalier sculptor, Paul-Edouard Delabrierre, this sculptural grouping depicts a pointer and a spaniel on point as a grou...

Emile Galle Mold Blown Blue Clematis Glase Vase. Circa: 1910 Nancy, France A fine Galle blown-out glass vase, Clematis pattern, in strong blue colors. Signed in cameo, Galle. Heigh...

PRESENTING A LOVELY 19C Anglo Indian Vizagapatam Bone and Shell Domed Stationery Box – ‘Alice’s Box’. Made in Vizagapatam, India, circa 1860-80. We call this one: “Alice’s Box”! It has lived ‘a hard, well used and traveled life’, as is evident from the number of losses and repairs, as is obvious from the photos, especially to the faux ivory panels and bands to the top. The bonus to the loss of the frieze panels to the dome has a ‘bonus’, however, as their loss has revealed the most GORGEOUS faux blonde tortoiseshell underneath! The box is dome/casket shaped. The top has 3 bands, with the center one being the original. The 2 side bands are later ivorine. The faux ivory and hand-painted medallions on the domed lid, have been saved and they depict Hindu Gods, Vishnu and Shiva. The front and side panels are still in pretty good shape and are decorated with lac ink (indelible ink made from crushed beetles) depicting lovely floral designs. The domed lid open to reveal a series of open compartments for envelopes, writing paper etc. and one lidded panel for stamps. Inside the box are 2 paper labels: one probably being the original item ticket and the other with: ” Alice’s address is 272 Ashworth Ave, Toronto 4, Ontario”. Probably, the original owner? Hence, we call it ‘Alice’s Box’. What a journey/life this box has had! Made in India, made its way to Canada, back to Ireland and then to Texas! This is why, WE LOVE ANTIQUES...

Loetz For Boudon And Klur Gilt Metal Monted Glass Vase. A highly sought after vase culminating the zenith of Loetz and the Art Nouveau design. Czech Republic Circa 1900 Rubin Ruby Papillon Decor Metal mount with indistinct impressed marks for Boudon and Klur Height: 10.5 Inches x 8 Inches wide x 5 Inches deep Condition: Very good with wear commensurate of age and use with some loss to gilt, The Loetz glassworks existed in Klostermuhle, Austria, for just over a hundred years, starting from 1840. But its heyday was during the life-time of Max Ritter Von Spaun, grandson of the original Johann Loetz who had founded the company. Von Spaun took over the company in 1879 and ran it until 1908, a year before his death. He was assisted by Eduard Prochaska, his technical specialist, and together they invented, designed and produced a whole series of wonderful new types of glass, taking out several patents and winning awards at all the major world exhibitions during the 1890's and the first years of the new century. The Loetz company were amongst the leaders in Art Nouveau design and expecially in irridescent art glass. "Papillon" glass, like the vase on the left, is sometimes known today as "oil spot" glass. Another favourite Loetz colouring was irridized glass with pulled trails called "Phenomenon" glass. There were irridized vases with ribbons of metallic colours winding over the surface, and many spectacular designs with applied trails of beautiful colours, or simply pulled out of the body of the glass to form handles or decoration. About 1900 the company started collaborating with outside designers, and some great artists designed pieces for Lotz, notably Joseph Hofmann, Koloman Moser, Maria Kirchner, and Hofstatter. In 1908 Loetz was taken over by Max Von Spaun's son, also called Max, and although it struggled financially (going through bankruptcy in 1911 and again in 1931) there were several great designers whose work was produced by Loetz during those years and through the art deco period. These included Adolf Beckert...

Presenting a beautiful large vintage Japanese bronzed sculpture of Toba on his Mule. Some might say ‘Monumental’ .. being 34 inches tall ...

Add a vibrant decorative touch to your interior with this antique majolica cache pot. Crafted in France, circa 1880, the oval jardinière is richly modeled in high relief with a natur...

19th Century French Chinoiserie Bronze Jardiniere ~ Planter was cast from solid bronze to last for a millennium! The intricate design extends around all four faces, including elepha...

Bring stately elegance and classical refinement to a mantel, buffet, or console with this striking pair of French Empire candelabra, crafted in France circa 1880 from finely chased g...

Make a bold statement with this large 19th-century French sculpture signed by Pierre-Jules Mêne (1810–1879), one of the most celebrated animalier sculptors of his era. Cast in spelte...

A fine Han dynasty polychrome painted terracotta horse and rider. The warrior is dressed in orange and black on a black horse. Measures: Height 14 inches (35 cm) Width 12.5 inches (32 cm). Condition: Excellent with tastefully undetectable repairs. During the unification of China under the Han dynasty, bands of mounted nomadic warriors from the north threatened the country. In order to thwart their attacks, the Chinese sought to import stronger, faster steeds from Central Asia (as opposed to the Mongol ponies used by the invaders), eventually leading to the creation of the Silk Road. This small sculpture of a mounted soldier reveals the crucial military role of the horse. When compared to the diminutive stature of the rider, the importance of the horse becomes readily apparent. This creature provided security and strength, allowing the empire to secure its borders and expand its influences across Central Asia. The magnificent regalia of the horse, including a brilliantly painted saddle in red and green/gold, reflect the respect this animal received. The warrior as well is gorgeously decorated with a painted red tunic and gray chest...

Decorate an outside front door or a backyard with this elegant pair of Lévriers (French for greyhound). Crafted in southern France and carved from stone, each tall greyhound sits pro...

This fantastic faience jardiniere and pedestal were hand-painted in Boulogne, France (formally “Boulogne-sur-Mer”) in the late 1800’s. The vibrant set features heraldic displays set among foliate and floral illustrations. Both the pedestal and the jardiniere have white backgrounds festooned with green leaves and blue, yellow, orange, and purple flowers. The opening of the jardiniere has asymmetrical edges dotted by small piercings, with flowering vines painted along the inner rim. Exquisite handles, comprised of curled leaves and C-scrolls, are affixed to the sides of the lobed body. Numerous painted motifs grace the area between the handles, including drapery, scrolls, and floral baskets hanging from an arabesque border. Equally impressive décor can be seen on the tetrapartite stand with a molded top. Each layer of the molding has a different color scheme, ranging from yellow with volute embellishments to solid green. The neck of the stand has been adorned with floral displays above multi-colored scrolls, shells, and scalloped leaves. In the center of each scalloped leaf is a distinct heraldic shield: on one side is a French style shield representing the city of Boulogne, with a swan that symbolizes perfection. On the opposite side is coat of arms topped by a closed crown, emblazoned with a five-fold cross over three roundels, which is the coat of arms for Godfrey of Bouillon, the first ruler of Jerusalem, who was born in Boulogne. Beneath the coat of arms are a pair of scrolled feet adorned with scalloped leaves and scrolls. There are two more feet to the sides that have pierced elements with floral vines beneath. Our 19th century hand-painted faience jardiniere on pedestal...

Lovely little sterling silver snuffbox, fully hallmarked with gold plated interior. Lovely chasing on lid and sides, classic high Victorian repousse w...

Very large blue translucent Mid Century Modern Murano glass vase. Attributed to Simone Cenedese, Murano, Italy, 1980s. The blue Murano glass is thick and heavy. The Murano glass is f...

Micheal Steiner's 1989 bronze, 'Big Wheels', is a study in tumbled playfulness. At 24 inches high it's low profile allows the viewer the rare opportunity of appreciating a sculpture...

A fantastical pair of early 20th Century French Art Deco patinated bronze flame finial sculptures on marble bases.

This piece of nineteenth-century French elegance is sure to be the envy of any collector. The Napoleon III gilt bronze inkwell is a prized find, crafted in circa 1840 France with int...

Monumental Pottery Watch Tower in Green Glaze; Han Dynasty (2016 BC -AD 220) Earthenware three-storied pavilion from the Eastern Han Dynasty. Each of the...

A Tall Le Verre Francaise Schneider Art Nouveau Two Handled Cameo Vase with Bell Flowers in Orange, Red and Yellow. France Circa. 1925, Incised mark "Le Verre Francais," Height: 1...

This large antique "Tian" (Provencal term for serving bowl), was crafted in Provence, southern France circa 1780. Round in shape, the handmade terracotta bowl has a subtle yellow gla...

This Maitland Smith hommage to Paul Frankl's "Skyscraper Furniture" Features 18 Drawers two drawers and a pull-out shelf. It is a post-modern mast...

Add character and charm to a front entry, garden, or terrace with this delightful pair of antique French “Pingouins” (penguins). Crafted in France from heavy cast stone, each sculptu...

Imposing yet refined, this pair of mid-century French lion sculptures brings classical strength and architectural charm to any outdoor setting. Crafted in France circa 1950, each lio...

Place this large bronze bull sculpture in an office or a desk. Crafted in France, circa 1860 and beautifully executed, the patinated bovine...

These Renaissance style antique French patinated bronze ewers depict very busy and mischievous Bacchanalian putti at play. A cherub sits atop the handle holding an item in his hands....

This impressive pair of French Anduze terracotta garden vases originates from Anduze, a historic pottery center celebrated since the 17th century for its iconic garden urns and planters...

Pair Antique Cloissone vases is an extraordinary example of the breed, displaying its well-preserved, rich coloration and exhibiting a large format d...

A signed wheel-thrown glazed porcelain oxblood glazed vase by Korean/American artist John Takehara. The piece is titled Akebono and was produced in the 1...

PRESENTING A GORGEOUS 19C Gustav Becker Vienna Wall Clock. Made by the famous clockmaker, Gustav Becker circa 1880 in Germany. Th...

Hand-carved in the 1600s, this wooden coat of arms cartouche depicts an ornate crest atop a shaped console with several charges. The cartouche is Dutch, considerably predating the fo...

PRESENTING A STUNNING Early 19C French Gold Box with Enamel and Miniature Portrait. Box made with brass but has been plated with 18ct Gold with beau...