Florida - Art

Tim Doud (b.1971) Casey (Burberry) 2001-02 Oil on linen, 22 x 22 inches. Original gallery label on verso. Excellent condition. Tim Doud’s paintings and drawings address two se...

The Virgins, no. 2 from the fifth installment of Das Werk Gustav Klimts The Virgins speaks to a new chapter of Klimt’s artistic development. That it was sel...

Artist: John James Audubon (American, 1785-1851) Title: "Snowy Heron" (Plate 374, No. 75) Portfolio: The Birds of America (First Royal Octavo Edition) Year: 1840-1844 Medium: Origina...

Pablo Picasso Vase Aztèque aux Quatre Visages (Aztec Vase with Four Faces) enchants from all angles. Using a calming blue color and thick brushstrokes, Picasso has encircled this va...

Flow is the ability of liquids to continually move from one place to another. Also, It means accepting each situation as it is. The movement of the liquid comes from life, it is natu...

Beautiful original watercolor and gouache on archival paper by the famous American marine artist, Gordon Grant. The artwork depicts two rugged lobstermen bringing their catch ashore...

Title: Theatre du Soleil Lithograph in colors on cream wove paper Edition: 17/125 Signed and numbered in pencil near the lower edge: Calder; titled in pencil verso Image: 19.25" H x ...

Katarzyna LIBROWICZ Polish French painter studied at the Academy of Fine Arts in Warsaw and arrived in France in 1937 . She studied with André Lhote in Montparnasse Paris and exhibi...

Pablo Picasso (1881-1973) - Peintre et modèle aux cheveux longs Etching and aquatint on Auvergne paper from 1966. With Pablo Picasso watermark. The edition of III/X. Dimensions o...

James Earl Ray (1928-1998). Landscape with Orange Sky. ca. 1975. Oil on masonite panel measures 6.5 x 8.5 inches, 10.5 x 12.5 inches framed. Signed lowe...

Georges Lambert (French, 1919-1998) Homes Along the Water, Oil on canvas, hand signed lower right, Dimensions: overall (with frame): 24.5"h x 28"w (canvas measures about 18 X 21) ...

Artist: Jack Graves III (American, 1988-) Title: "Dying Achilles" Series: Sculpture *Signed, titled, and dated by Graves on bottom Year: 2026 Medium: Original Acrylic and Enamel Pain...

This textured abstract acrylic painting on canvas, titled "Cool Monsters," is a vibrant and imaginative composition filled with dynamic forms, bold colors, and intricate details. The...

James Rosenquist (1933-2017) THE GLASS WISHES (Glenn 161) Color lithograph, 1978-1986, on wove paper, hand signed, dated, titled, dedicated for Jack Martin from a partner in crime. 1...

This appears to be dated 1927. It came in with a piece dated 1929. A very early, rare work. Framed 22.5 x 18. Image 14.5 x 9 A great New York city street scene with an El train (elev...

David Kimball Anderson’s work is bold and graceful, respectful and spiritual. A practicing Buddhist and avid surfer as well as a sculptor, Anderson has given way to 4 decades of work...

Beautifully executed oil pastel on archival paper by the renowned American artist Louis Kronberg. Signed lower left with the artist’s trademark Star of David symbol after his signat...

"Steve Jobs had just returned to the struggling company, Apple Computer in 1997. Jobs and Lee Clow had collaborated back in 1984 to launch the MacIntosh. Now was the time to recover ...

Original oil paint on heavy card stock of a european thatched cottage near a stream by the American impressionist artist, Bird Lefever. Signed lower right. Condition is very good; n...

Screenprint in colors on Lenox Museum Board. Hand signed, dated and numbered by Keith Haring. Image size 38.75 x 28.5 inches. Edition 21/100 (there were also 15 artist's proofs). P...

Werner Bronkhorst is a contemporary artist based in Australia. He is recognised for his two distinctive styles, with the first involving abstract sculptural backgrounds with hyper-re...

Fonfria's work explores human behavior and social rules with a critical eye and humor, touching on personal themes such as dreams, fears, and memories. The images come from old magaz...

This striking black-and-white photograph captures Carmen in NY enveloped in a flowing, white gown, creating a graceful, sculptural form. Her head is elegantly tilted to the side, fra...

"Magic Circus" lithograph by Michel Delacroix. Hand-signed MIchel Delacroix. Hand-numbered XX/C. Depicts a circus, complete with elephant and horses, traveling through a French city...

ANDRE LANSKOY (French / Russian 1902-1976) 1966 Original color lithograph on watermarked Arches paper The title sheet was hand signed in pencil on the justification page by the arti...

Born in Havana, Cuba, in the late 70s during a well-documented time of religious and political oppression, abstract expressionist artist Mirtha Moreno, immigrated to the United State...

Artist: Jack Graves III (American, 1988-) Title: "Venus de Milo (Aphrodite) Bust" Series: Sculpture *Signed, titled, and dated by Graves on bottom Year: 2026 Medium: Original Acrylic...

Susan "Corrie" Lee Crook Ingersoll (b. 1908) Still Life w/ Doll and Stuffed Toy, ca. 1950. Oil on composite Board, 18 x 19 inches. Measuring 19 x 20 inches in original frame. Co...

An evocative antique oil on canvas depicting an intimate interior genre scene of an elderly man seated with a young child at his side. The elder figure, absorbed in quiet reflection ...

The infamous Rolling Stones tongue and lips are featured in this later unique hand-painted version by the artist based on his iconic 1970s design. In 1970, at the age of 25, John Pas...

MAJORCA. LANDSCAPE- original acrylic wodd painting. This Catalan painter, settled for years in Mallorca, offers a series of landscapes in which the natural is treated in the impress...

“Apocalypse: Lost Soul Catcher” – Original Painting by Serg Graff (2022) Step into the blazing vision of the apocalypse with this powerful and surreal original acrylic painting by Bo...

Original colored crayons and pastel drawing on paper. Hand signed and dated on front by David Hockney. Artwork size 16.75 x 14inches. Frame size approx 27 x 24 inches. Provenance: Annely Juda Fine Art; Richard Gray Gallery. Artwork in excellent condition. All reasonable offers will be considered. About the Artist: David Hockney is one of the most influential British artists of the 20th century. Perhaps best known for his serial paintings of swimming pools, portraits of friends, and verdant landscapes, the artist’s oeuvre ranges from collaged photography and opera posters to Cubist-inspired abstractions and plein-air paintings of the English countryside. Often returning to a certain motif again and again, he probes the manifold ways one can see an image or a space. Hockney’s exploration of photography’s effect on painting and everyday life is evinced in his hallmark work A Bigger Splash (1967). “In art, new ways of seeing mean new ways of feeling; you can't divorce the two, as, we are now aware, you cannot have time without space and space without time,” he has explained. Born on July 9, 1937 in Bradford, United Kingdom, Hockney attended the Royal College of Art in London alongside R.B. Kitaj. At school, he studied under both Francis Bacon and Peter Blake, but also credits Pablo Picasso and Henri Matisse for influencing his distinctive and varied style. In 1963, the artist traveled to Southern California for the first time and fell in love with the bright sunshine and easygoing lifestyle. Since then, he has alternated living and working between Yorkshire, United Kingdom, and Los Angeles, CA. In November 2018, his 1972 painting...

Artist: William Curtis (English, 1746-1799) Title: Set of Six Hand-Colored Engravings Portfolio: The Botanical Magazine; or, Flower-Garden Displayed Year: 1794-1812 (First-second ser...

Artist: Shepard Fairey Title: Power - Lenticular Print Medium: 2-Phase flip Lenticular Print Signed: Hand Signed by Shepard Fairey on the Certificate of Authenticity Edition Numb...

A charming vintage original oil painting on canvas by Patsy D’Angelo, dated 1982, depicting an elegant romantic Rococo-inspired scene with a seated young woman and gentleman beside a...

“ Dream of Saint Sebastian “ giclee print On Hahnemuhle paper, edition 3 of 20 Artist Statement "I started by painting interiors, being interested in space and perspective through m...

Edition of 5

Ya'acov Kaszemacher, well-known artist and photographer whose unique images of Hassidic festivities are fascinating to view, and offer one an opportunity to peek into the community...

Signed, dated, and titled in pencil with artist's copyright stamp on verso, blind-stamped on recto. Includes black frame. Taken on August 11, 1939, this is Horst's most recognizable...

Pablo Picasso’s Chouette aux taches (Owl with Spots), 1951 (A.R. 120), beautifully captures the charm, imagination, and innovation that define the artist’s celebrated ceramic works c...

From space, error is projected onto the focal point, error for man. From within, we modify the language of the elements to compose a reuse of the ordinary and bring it into play in a...

In America during WWII, every resource was poured into the war effort. With over 12 million Americans - 11% of the total population - serving in the armed forces, everything from food to labor was tight on the Home Front. This poster depicts those who weren't drafted - a young woman and two older men - hard at work on an airplane engine. The text encourages the viewer to pitch in however they can at home, from working in production plants to buying war bonds. The artwork includes a logo for the 6th War Loan, which is of a bomb dropping over the flag of Japan. The 6th War Loan began in November, 1944 with a goal of 16 billion dollars. The previous war bond drives raised in total 355 billion dollars, including 38 billion from individuals. Courtney Allen...

The first encounter I had with the abyss, was arriving to a place that does not exist, a point suspended in time where I am without being. An unreal world expands in front of me, eve...

From Polidori's ongoing Versailles series, started in 1985

Gilbert Lewis (b.1945). Influence of Red (male portrait), ca. 1990s. Oil on masonite panel, 16 x 20 inches. Signed upper right. Excellent condition. Measures 18 x 22 inches in custom gold leaf float frame. Original gallery labels affixed on verso. Provenance: estate of the artist. Artist statement: Figurative art is a vital active process. The image has its own meaning; not storytelling, not just a picture of a face or a flower. Neither is it simply an exercise in the arrangement of shapes or colors. I want to translate my immediate impression into paint to present the image of an outstretched branch of flowers or a face – direct and simple. My art reflects human concerns expressed symbolically, through fantasy and in a more concrete manner in the process of making the representation itself. Art is my response to the image, the end result of an active process of exploration of the limits of the paint on paper within the confines of representation. The painting of a face is not just a face. My feelings are expressed through these images. My paintings speak to anyone in touch with their own humanity; to anyone else my art may be dismissed as “to personal”. Biography: Gilbert Braddy Lewis born September 25, 1945 in Hampton, Va. Son of David Blake Lewis (born in Atlanta, Ga.) and Gladys Louise Braddy [Lewis] (of Sanford, Fl.); brother of David Blake Lewis (Jr.) and Linda Lewis [Hunter]. The family resides at 3 South Linden Street, Hampton, Va. 1953 until 1962 “I studied from the age of seven, in Virginia, with two well-known Tidewater artists, Jean Craig and the late Allan Jones. The teaching methods of carefully observed studies from nature in charcoal or tempra paint, derived, of course, from the original French academic model, conveyed its impact on my early development; however, my eye and consciousness were mostly activated by the reproductions on the studio wall of works by Botticelli, Da Vinci, and Michelangelo.” Gilbert Lewis in Contemporary Philadelphia Artists: A Juried Exhibition, (Philadelphia Museum of Art 2000), p. 145 1963-68 Studies at Pennsylvania Academy of the Fine Arts with Franklin Watkins, Hobson Pittman, Morris Blackburn, and Walter Stuempfig. While a student at PAFA he shares apartment [261 South 21st Street] with PAFA students, Jody Pinto and Barbara Sosson. In 1967 he receives PAFA’s: Bergman Prize in Painting; M. Herbert Syme Prize; and Samuel Cresson Memorial Travelling Scholarship. The latter award enables Lewis to travel to Europe during the summer of 1967 where he visits museums. “In 1967, after having seen the Italian master’s work while on scholarship from the Pennsylvania Academy, I was to realize my great influences and to discover the earlier Sienese masters whose clarity and energy still move me.” Gilbert Lewis in Contemporary Philadelphia Artists: A Juried Exhibition, (Philadelphia Museum of Art 2000), p. 145 1968 Horizontal painting [of an interior with a seated woman and cat by a large window] reproduced in black and white in school catalog for Pennsylvania Academy of the Fine Arts 1968-1969, p. 24. Other students whose works are reproduced include Clayton Anderson, Barkley...

Screen print on Lenox Museum Board. From the Space Fruit portfolio. Unsigned and outside the published edition. Stamped with hand written identification number on verso by the Andy Warhol Authentication Board and accompanied with the original letter of authenticity issued by the Estate of Andy Warhol. Artwork size: 32.25 x 40.12 inches. Frame size: 37.75 x 45.75 inches. Artwork is in excellent condition. Andy Warhol’s Space Fruit...

Roland Ayers (1932-2014). Anthem, 1972. Ink on Paper, 4.75 × 7 inches. Signed and dated. Measuring 12 × 16 inches in acid-free matting. Artist and art educator, Roland Ayers...

This exceptionally charming antique Continental oil painting depicts an intimate and tender scene of a mother with her young child, re...

(after) Alexander Calder "Calder's Circus" offset lithograph on wove paper after drawings by the artist Published by Art in America and Perls gallery in 1964 (from drawings done in the 1930's) these range slightly in size but they are all about 13 X 17 inches (with minor variations in size as issued.) These have never been framed. The outer folio is not included just the one lithograph. James Sweeny from the introduction “The fame of Calder’s circus spread quickly between the years 1927 and 1930. All the Paris art world came to know it. It brought him his first great personal success. But what was more important, the circus also provided the first steps in Calder’s development as an original sculptor” Clive Gray wrote ”A visit to the studio of Alexander Calder led to the chance discovery of some hundred masterful circus drawings completed over thirty years ago. We publish, for the first time, a choice of sixteen from that group.” With signed introduction by Miro. These whimsical drawings, done in the style of wire sculpture, include acrobats, clowns, jugglers, trapeeze artists, an elephant, dog and lion. they are great. Alexander Calder is widely considered to be one of the most important American sculptors of the 20th century. He is best known for his colorful, whimsical abstract public sculptures and his innovative mobiles, kinetic sculptures powered by motors or air currents, which embraced chance in their aesthetic. Born into a family of accomplished artists, Calder's work first gained attention in Paris in the 1930s and was soon championed by the Museum of Modern Art in New York, resulting in a retrospective exhibition in 1943. Major retrospectives were also held at the Solomon R. Guggenheim Museum (1964) and the Museum of Contemporary Art, Chicago (1974). Calder’s work is in many permanent collections, most notably in the Whitney Museum of American Art, but also the Guggenheim Museum; the Museum of Modern Art; the National Gallery of Art, Washington, D.C.; and the Centre Georges Pompidou. He produced many large public works, including .125 (at JFK Airport, 1957), Pittsburgh (Carnegie International prize winner 1958, Pittsburgh International Airport) Spirale (UNESCO in Paris, 1958), Flamingo and Universe (both in Chicago, 1974), and Mountains and Clouds (Hart Senate Office Building, Washington, D.C., 1976). Although primarily known for his sculpture, Calder was a prodigious artist with a restless creative spirit, whose diverse practice included painting and printmaking, miniatures (such as his famous Cirque Calder), children’s book illustrations, theater set design, jewelry design, tapestry and rug works, and political posters. Calder was honored by the US Postal Service with a set of five 32-cent stamps in 1998, and received the Presidential Medal of Freedom, posthumously in 1977, after refusing to receive it from Gerald Ford one year earlier in protest of the Vietnam War. Calder moved to New York and enrolled at the Art Students League, studying briefly with Thomas Hart Benton, George Luks, Kenneth Hayes Miller, and John Sloan. While a student, he worked for the National Police Gazette where, in 1925, one of his assignments was sketching the Ringling Bros. and Barnum & Bailey Circus. Calder became fascinated with the action of the circus, a theme that would reappear in his later work. In 1926, Calder moved to Paris, enrolled in the Académie de la Grande Chaumière, and established a studio at 22 rue Daguerre in the Montparnasse Quarter. In June 1929, while traveling by boat from Paris to New York, Calder met his future wife, Louisa James (1905-1996), grandniece of author Henry James and philosopher William James. They married in 1931. While in Paris, Calder met and became friends with a number of avant-garde artists, including Fernand Léger, Jean Arp, and Marcel Duchamp. Cirque Calder (on view at the Whitney Museum of American Art at present) became popular with the Parisian avant-garde. He also invented wire sculpture, or "drawing in space," and in 1929 he had his first solo show of these sculptures in Paris at Galerie Billiet. Hi! (Two Acrobats) in the collection of the Honolulu Museum of Art is an early example of the artist's wire sculpture. The painter Jules Pascin, a friend of Calder's from the cafes of Montparnasse, wrote the preface to the catalog. A visit to Piet Mondrian's studio in 1930, where he was impressed by the environment-as-installation, "shocked" him into fully embracing abstract art, toward which he had already been tending. Dating from 1931, Calder’s sculptures of discrete movable parts powered by motors were christened “mobiles” by Marcel Duchamp, a French pun meaning both "motion" and "motive." At the same time, Calder was also experimenting with self-supporting, static, abstract sculptures, dubbed "stabiles" by Jean Arp in 1932 to differentiate them from mobiles. Public commissions increasingly came his way in the 1960s. Notable examples are .125 for JFK Airport in 1957, Spirale for UNESCO in Paris 1958 and Trois disques, commissioned for Expo 67 in Montreal, Quebec, Canada. Calder's largest sculpture at 25.7 meters high was El Sol Rojo, constructed outside the Aztec Stadium for the 1968 Summer Olympics "Cultural Olympiad" events in Mexico City. Many of his public works were commissioned by renowned architects; I.M. Pei commissioned his La Grande Voile (1966), a 25-ton, 40-foot high stabile for the Massachusetts Institute of Technology. Part of Calder's repertoire includes pivotal stage sets for more than a dozen theatrical productions, including Nucléa, Horizon, and most notably, Martha Graham’s Panorama (1935), a production of the Erik Satie symphonic drama Socrate (1936), and later, Works in Progress (1968). In addition to sculptures, Calder painted throughout his career, beginning in the early 1920s. He picked up his study of printmaking in 1925, and continued to produce illustrations for books and journals.As Calder’s professional reputation expanded in the late 1940s and 1950s, so did his production of prints. Masses of lithographs based on his gouache paintings hit the market, and deluxe editions of plays, poems, and short stories illustrated with fine art prints by Calder became available for sale. One of Calder's most celebrated and unconventional undertakings was a commission from Dallas-based Braniff International Airways to paint a full-size Douglas DC-8-62 four-engined jet as a "flying canvas." Calder created over 2,000 pieces of jewelry over the course of his career, many of them as gifts for friends and relatives. For his lifelong friend Joan Miró, he set a shard of a broken porcelain vessel in a brass ring. Peggy Guggenheim received enormous silver mobile earrings and later commissioned a hammered silver headboard...

Synthetic polymer drawing on paper. Unsigned. Warhol Foundation stamp on verso. Sheet size 31.5 x 23.5 inches. Custom framed as pictured. Artwork is in excellent condition. Cert...

Oil and pencil on board. Signed "Boleslaw Biegas" Note: We do not ship uninsured. We require shipping through 1stDibs, for its cost effectiveness, full insurance coverage, and relia...

John Rozelle (American, 1944-) Grant Series II #5, Collage, 1988 Hand signed, dated and titled in pencil Provenance: Isobel Neal Gallery, Chicago, Measurements Matted to approximately 20 by 16 Sight: 11 by 9 inches Layers of torn ripped, and painted paper with music notes are overlaid on top of each other in this contemporary collage assemblage composition with a jazz sensibility. The pieces of paper have been arbitrarily arranged while in contrast, the artist has applied color in this piece in a very thoughtful way. John Everette Rozelle is an internationally renowned artist from St. Louis, Missouri now living in Banyoles, Girona. He is a masterful collagist, painter and sculptor included in museums and private collections worldwide. John Rozelle was born in St. Louis, Missouri and holds a B.F.A with a major in painting and a minor in sculpture from Washington University and a M.F.A from Fontbonne College. John Rozelle is currently tenured Associate Professor in the Drawing and Painting Department at The School of the Art Institute of Chicago. Prior to joining the Art Institute faculty he taught drawing, design, painting, and sculpture as an Adjunct Assistant Professor at Fontbonne College. Rozelle has served on numerous occasions as curator, juror, and artist-in-residence for several exhibitions. His twenty years of solo and group shows have included those in New York, Philadelphia, Chicago, St. Louis, Atlanta, and Los Angeles. His work is housed among various corporate collections some of which include: Anheuser Busch, Citibank Corp., AT&T, Borg-Warner, Price Waterhouse, Saks Fifth Avenue, the Seven-Up Company, Ralston Purina, the Westin Hotels and ARCO. Rozelle is currently tenured Associate Professor in the Drawing and Painting Department at The School of the Art Institute of Chicago. His art can be found in over 20 public collections and in over 50 private collections throughout the United States. He has been in many important exhibitions including Pennsylvania Academy of Fine Arts. Layers of Meaning: Collage and Abstraction in the Late 20th Century. Included: Romare Bearden, Moe Brooker...

27 x 44 in Edition of 9 EUR 3.500 35 x 57 in Edition of 9 EUR 5.500 48 x 71 in Edition of 9 EUR 7.100 Dye Sublimation on Aluminum 48 x 77 in Edition of 9 EUR 9.100 Dye Sublimation...

wood assemblage by artist William Finlayson Born in Tallahasee Fl, William started his artistic career as a color consultant for his family's Design and Painting company that took ...

Archival pigment print in colors on Innova Etching Cotton Rag paper from White Shirt portfolio. Hand signed by Alex Katz lower left. Hand numbered 49/50 lower right (there were als...

Zvi Mairovich (1911-1974) was one of the most important Israeli abstract painters. Born in Krosno Poland, he moved to Berlin in 1929, studying painting with Karl Hofer at the Academy...

By removing parts of the image, he explores the tension between what is present and what is omitted, focusing on the reasons behind these choices and their implications. The cutouts ...

Surrounded by limestone cliffs sunbathers take in the midday sun along the Portugal coast. An elevated view of one of the country's most iconic beaches – The Praia de Marinha where ...

Zaida del Rio (Cuba, 1954) 'Hojas' (Portrait of a woman #3), 2016 A/P (Artist Proof) Digital print on paper 11.1 x 8.3 in. (28 x 21 cm.) Hand signed in pencil. Unframed Ref: DER-203 ...