Florida - Art

Pablo Picasso A.R. 540 Personnage et Cavaliers 1968 3.9” x 6.3” Edition of 500 Plein Feu/Empreinte originale de Picasso, Partially glazed terracotta plaque. Ramie 540 is a Madoura ceramic that one rarely sees come on the market. The photo you see here is the actual piece that you will receive. Most sellers online post using stock photos that don’t necessarily match exactly to the piece you receive. This particular piece is pristine: there are no nicks, bruises or scratches of any kind. Be careful when buying from others – the pieces sometimes have nicks or scratches. The Certificate of Authenticity comes with this piece. We have sold over 3300 pieces with all positive reviews. We are located in the USA. When you buy from a foreign seller on 1stdibs, you have to consider the problems of getting the piece through Customs. There are often delays and considerable fees to pay in order to import the item. When purchasing from us, we ship the same day and you receive it via FedEx the next day, no problems or hassles. When you purchase from an auction house, you pay a buyer’s premium of anywhere from 23% to 28% over the “hammer price”. So when you “win” an auction for $20,000, the actual price paid is more like $25,000. By contrast, when purchasing from us, the price agreed to is the price paid by the buyer, no hidden fees. When you purchase from an auction house, you pay the packing and shipping fees, which are usually exorbitant. By contrast, when purchasing from us, the price includes packing and shipping. When you purchase from an auction house, the sale is final. If you receive the piece and are not 100% satisfied with it, there is nothing you can do about it. You are stuck with it. By contrast, when purchasing from us, the buyer can determine if they want to keep it. If not, the buyer returns to piece to us for full refund, and we pay the shipping both ways! The prices of Picasso Madoura Ceramics have been on fire lately (no pun intended). The major auction houses – Sotheby’s, Christie’s and Phillips – have now been regularly holding Picasso Madoura Ceramic auctions...

Edition of 5

A lively seaside scene unfolds along a sunlit promenade overlooking brilliant blue waters, sailboats drifting in the distance, and a horse-drawn carriage making its way along a curve...

27 x 44 in Edition of 9 EUR 3.500 35 x 57 in Edition of 9 EUR 5.500 48 x 71 in Edition of 9 EUR 7.100 Dye Sublimation on Aluminum 48 x 77 in Edition of 9 EUR 9.100 Dye Sublimation...

"Voices IX" Aquatint Etching • Image: 12”x 14” • Paper: 30”x 22” • 2001 Hand signed and numbered 2/2 on BFK Rives paper. Joe Novak (1930-2019) California Contemporary Minimalist. His work is about the exploration of color and light through abstraction, with tonal gradations that infuse them with a meditative quality. During the eighties and nineties, he painted large monochromatic color field canvases with tonal gradations and soft edges that infuse them with a meditative quality and a sense of movement. When illuminated they become glowing surfaces of color and light. His artistic background and work link him closely with the first generation abstract expressionists of the New York School. Major influences include Jackson Pollock and Mark Rothko, and his mentors, Peter Busa and Esteban Vicente, whom he met and befriended during the eighties while living and painting in East Hampton. During the nineties, while living and working in Santa Fe, New Mexico, Novak initiated a project called "Light Emanations", in which he created digital computerized programs of changing light levels and configurations on a selection of his large paintings, dramatically illustrating the effect of light changes on color perception. Novak's body of work is extensive and include painting on canvas, panel and paper as well as monotypes, drawings, assemblages, mixed media and prints. He has often worked in series, focusing on a particular medium for years. Among these are "Meditations" (color pencil drawings), "Voices" and "Voices 2" (color aquatint etchings), "Echoes" (painting assemblage with minerals) and "Colors" (350 miniature panel paintings). In recent years his paintings have become more gestural, often with musical allusions. His work bears a relationship to the Light & Space Movement and Minimalism artists James Turrell, Larry Bell, Craig Kauffman, Billy Al Bengston, Peter Alexander, Laddie John Dill, Lita Albuquerque. these are also anticipative of the aquatint etching works by Anish Kapoor. Color Gradient, Abstract Art, Land Art. During the eighties and nineties, he painted large monochromatic color field canvases with tonal gradations and soft edges that infuse them with a meditative quality and a sense of movement. When illuminated they become glowing surfaces of color and light. Critic Christopher Knight wrote, Novak is an unabashed Color Field painter. His paintings and aquatints at Bert Green Fine Arts — the Santa Fe artist's third show there — feature works that will call to mind abstractions as diverse as those by Helen Frankenthaler, Mark Rothko and Morris Louis and the landscape abstractions of Joe Goode. Novak's work is in many public and private collections, including numerous museum collections. He spent his last years living in Palm Springs. Selected Group Exhibitions Bert Green Fine Art, Chicago, Illinois "Joe Novak/Huck Lewis-Bennett: A Collaboration", Stephen Archdeacon Gallery, Palm Springs Melissa Morgan Fine Art...

This vibrant and texturally rich acrylic mixed media painting titled "Arizona Grand Canyon Adventures" by Serg Graff captures the wild spirit of the American Southwest in a uniquely ...

Step into the provocative world of Ben Frost with his sold-out rare 3-print set, featuring the captivating titles "MDMA," "Just One More Bump," and "Oxybunny." Each print, meticulous...

Edward Avedisian (American, 1936-2007) Abstract Large Painting Acrylic on panel heavily textured with a 3D effect. Dimensions: 48"h x 75"w Circa late 1970s, early 1980s Provenance: ...

ARTIST: Salvador Dali TITLE: Dawn of Port Lligat MEDIUM: Lithograph SIGNED: Hand Signed by Salvador Dali EDITION NUMBER: 208/250 MEASUREMENTS: 35.37" x 24.62" Frames: 43" x 36" ...

Abstract Mixed Media Painting in acrylic and oils. Painted on a gallery wrapped canvas with painting continued onto sides. Wired and ready to hang. :: Painting :: Abstract :: This p...

Whimsical mid century oil painting on canvas of a fancy dressed monkey and a dog in a classical garden setting, executed in a tongue in cheek Victorian parlor painting style an allur...

Fernando Botero To Amnesty International, 1976 Lithograph Ed. 12 of 100 31 x 24 in Signed, numbered, and dated by the artist.

In this early photographic series, Dubravka Lazić turns her lens toward a subject rarely treated with such a quiet dignity: domestic cats. Shot in 2005, these portraits mimic the fo...

In the year 1976, the United States celebrated its Bicentennial of Independence.View of the World from 9th Avenue (sometimes A Parochial New Yorker's View of the World, A New Yorker'...

Yuri Larin (1936-2014). Landscape, 1986. Watercolor on paper, 16.5 x 18.25 inches. Mounted on cardboard sheet measuring 24 x 28 inches. Signed and dated lower left. Excellent condition. Image is painted on verso side of block print wallpaper sheet of Russian manufacture. Sheet is carefully hinged at corners and can be removed from cardboard backing with relative ease. Estate of Giovanni and Dagmar Migliuolo, NYC. Giovanni Migliuolo is the former Italian Ambassador to the United Nations, USSR and Egypt. Yuri Larin, also Yuriy Larin (1936–2014) is a Russian painter and graphic artist, a member of the Union of Artists of the USSR since 1977. Larin was born in Moscow to the family of a key Soviet political leader, Nikolay Bukharin, and Anna Larina. Following the arrests of his parents in 1938 and until 1946, he lived with his relatives, and following the arrest of his step-father, he was taken to an orphanage near Stalingrad. A hydraulic engineer by training, he worked at the construction of the Saratov Hydro-Electric Plant and at design institutions. In 1960, he began his studies at the department of drawing and painting of the Krupskaya People’s University of Arts, and then, from 1965 until 1970, he studied at the department of art design at the Moscow State Higher School of Arts and Industry (the former Stroganov Institution). His career as a professional artist began in the early 1970s. From 1970 until 1986, he taught at the Moscow 1905 Memorial Arts School. His letter to prof. Vittorio Strada sent in 1980 contained the first statement of his artistic method he would later dub the “concept of the limit state”. He quit teaching after a serious illness, when he lost the ability to use his right hand. He only worked with his left hand since 1986. He died and was buried in Moscow. Exhibitions: 1981 The sixth All-Union watercolor exhibition. Moscow 1982 Personal exhibition in Moscow Drama Theater after M.N.Ermolova (together with Ye.Kravchenko). Moscow. 1985 The eighth All-Union watercolor exhibition. Moscow 1987 The ninth All-Union watercolor exhibition. Moscow. 1989 Personal watercolor exhibition. Gallery “Books&Company Art”, NY, USA Personal exhibition. The Central House of the Artist on Krymskiy Val, Moscow. 13 Biennale of the countries of the Baltic Region in Rostock, Germany. 1992 Personal exhibition of Russian and German landscapes. Duren, Germany. The exhibition of the Russian graphics. Gallery «Raissa». Erfurt, Germany. 1993 Personal exhibition in exhibition hall of magazine “Nashe Nasledie” (Russian Cultural Foundation), Moscow 1994 Personal watercolor exhibition. Gallery “The Art of the XX century”. Bonn, Germany 1996 Personal exhibition of portraits and landscapes. World Bank Moscow Office 1997 Personal exhibition “From Italian cycle”. The State Institute of Art Studies. Moscow Exhibition “THe Russian Art of the second half of the XX century. Harmony of Contrasts”. The Academy of Arts of the Russian Federation. Moscow. 1998 Personal exhibition “The seasons of Yuriy Larin. From the Russian cycle”. Moscow State Museum of Vadim Sidur. Exhibition of new collections and gifts. Historical-Architectural and Art Museum “New Jerusalem”. Istra. Moscow region. 2000 Exhibition “Image and transformation in art”. The Ministry of Cultural Affairs of the Russian Federation, Russian Cultural Foundation. Moscow Personal exhibition “German landscapes in the eyes of the Russian artist”. Gallery “Yunge”, Dortmund, Germany. 2001 Exhibition “East and West”. Historical-Architectural and Art Museum “New Jerusalem”. Istra. Moscow region. Exhibition devoted to nudes. Gallery on Peschanaya. Moscow. 2002 Personal exhibition “Yuriy Larin. The works of different years”. Bulgarian Cultural Center, Art-studio “TAGRY”. Moscow. 2004 Personal exhibition “YURIY LARIN. Harmony and plasticity”. Radischev Saratov State Art Museum. 2006 Personal exhibition “Saint-Pol-de-Mar”. Exhibition hall of Magazine “Nashe Nasledie”. Moscow. 2011 Personal exhibition “Harmony and plasticity. The artist Yuriy Larin’s works”. Museum-reserve Tsaritsyno. Moscow. 2013 Personal exhibition and album presentation. Yuriy Larin “Selected”. Gallery “Kino”. 9-18 October, 2013 Personal exhibition “Yuriy Larin’s space”. State Literature Museum. January, 29 - February, 23 2015 Personal exhibition “The reality of the space lighting” The gallery of Nazarov. Lipetsk. March, 14- April, 11. Personal exhibition “Yuriy Larin. Monolog of a happy person” State Museum of St.Petersburg’s History. Petropavlovskaya fortress, Nevskaya courtina.July, 30 - September, 13 2016 Personal exhibition “Yuriy Larin. Art- timeless plot. Yaroslavl Art Museum. December, 12, 2015 - February, 18, 2016 2016 Personal exhibition “The geography of light. Art and graphic of Yuriy Larin”. Moscow. Noviy Manej. April. 1 - April, 24, 2016 Museum Collections: The State Russian Museum Saint Petersburg The State Tretyakov Gallery Moscow The State Museum of Oriental Art Moscow Radischev Art Museum in Saratov Saratov Historical-Architectural and Art Museum “New Jerusalem” Istra (Moscow Region) Branch of the State Museum of People’s Art in Armenia Dilijan The Union of Art Museums and the centers of aesthetic education of the republic Udmurtiya Ijevsk Volgograd Museum of Fine Arts Volgograd Tomsk Regional Art Museum Tomsk Eastern-Kazakhstan Art Museum Semey Moscow State Museum of Vadim Sidur Moscow Andrey Sakharov Museum Moscow State Literature Museum Moscow The collection of the magazine “Nashe Nasledie” Moscow The collection of the Heinrich Boell Foundation Berlin Chronology: May, 8, 1936 Yuriy Larin was born in Moscow in a family of a prominent statesman Nikolay Ivanovich Bukharin and Anna Mikhaylovna Larina; 1938–1946 years After his parents’ arrest the artist was brought up by his relatives- Boris Izrailevich and Ida Grigorievna Gusman 1946 After B.I.Gusman’s arrest was raised in an orphanage from the age of 10 near Stalingrad (Volgograd); Since the childhood the artist demonstrated his turn for arts that he inherited from his father (it’s known that N.I.Bukharin was a gifted artist-amateur). 1949 Sent to the camp. 1956 At the age of twenty when A.M.Larina returned from the Stalinist camp, learned for the first time his father’s name which was N.I.Bukharin; 1958 Graduated Novocherkassk Engineering-Melioration Institute, which he was enrolled into under the influence of his farther B.I.Gusman. 1958-60 Work as hydraulics civil engineer on the construction of Hydroelectric Power Station in Saratov and in project organizations; Underwent tuberculosis 1960 With his mother A.M.Larina got permission to come back to Moscow; Started distance education at People’s University of Arts after N.K.Krupskaya at the department of drawing and painting (professor A.S. Trofimov) 1970 Yuriy Larin graduated from Moscow State Higher Art-Industry School ( Stragonovka), faculty of artwork development (industrial design), enrolled in 1965; Starts his career of a professional artist; from 1970 to 1986 teaches at Moscow Academy of Art in remembrance of 1905; here starts long creative cooperation with V.A.Volkov, the son of the prominent Soviet artist A.N.Volkov. Gets married. The wife - Inga Yakovlevna Ballod, an architect by training, writer and journalist. 1970-1974 Worked from life on landscapes (watercolor and oil). Works in traditional realistic direction, the main aim is to deliver different conditions of the nature (landscape conditions) 1972 Welcomes his son Nikolay from 1972 Takes part in Moscow, Russian and All-Union exhibitions; the second half of the 1970s Works on portraits, still-lifes, nude, continuing working on landscapes 1974 Trip to Kuban as a part of the group of the Union of Artist of RSFSR, the creation of watercolor landscapes of local nature, which set the beginning of the cycle “Caucasus”; Yuriy Larin works harder on the creation of his own formal signature, and on his own theory of art (for details see the letter of Y.Larin to V.Strada) 1975 First trip to the House of Creativity of the Union of Artists “Goryachiy Klyuch”, creation of new watercolors of Caucasus cycle. 1976 The end of the nature period. As a turning point in the artist’s career was a period when he worked at the House of Creativity “Cheluskinskaya” near Moscow. Starting from this period landscapes, portraits and still-lifes are drawn from memory. Using only some pencil sketches that are done from real life. Long walks around the neighborhoods of Cheluskinskaya, trips to Abramtsevo, Klazma served as a strong impetus to the development of cycle of Moscow region landscapes. 1977 Became part of Moscow Union of Artists in USSR. “Watercolors of Y.B.Larin are the world of senciar relationships between the artist and nature. The plots of his works are extremely simple, unsophisticated, but behind all that there is a whole concept: the living nature is shaped by the eyes of the artist into one-piece space masses, human creations as ships, cranes, bridges get soft, kind forms; dissolved they become part of complete, modern and artistically convincing form” (V.A.Volkov. From the reference given to Y.Larin to become part of Moscow Union of Artists in 1975) “Yuriy Borisovich Larin appears to me as a serious and deep artist,... mature artist. His watercolors are of proof of having coloristic gift, high culture and material understanding” (M.P.Miturich. From the reference given to Y.Larin to become part of Moscow Union of Artists in 1975) 1977 Yuriy Larin directs a group of young Moscow artists in their trip to Olskiy area of Magadan region. Creates a series of landscapes of Magadan nature. 1980 In the letter to V.Strada finally justifies the theoretical part of his artistic method, later calls it the concept of limit state. The end of the 1970s - the beginning of the 1980s Devoted four years to the translation of the book of S.Cohen, professor of Princeton University, about N.I.Bukharin. Ye.A.Gnedin was helping him to translate the book, they were meeting every Thursday. Afterwards, while publishing the Russian version of the book in the USA the translators Y.LArin and Ye.Gnedin were credited under pseudonyms Ye. and Y. Chetvergovy. Yevgeniy Alexandrovich Gnedin is a prominent Soviet diplomat, staff member of M.M. Litvinov, died in 1983. Y.Larin considers him to be one of the most incredible people of the XX century. Meets famous collectionner from Moscow Ya.Ye. Rubinshtein, who buys six works of the artist (oil and watercolor); Fall, 1981–1982 Again works at the House of Creativity “Goryachiy Klyuch”. As a result the Caucasus series are enlarged with first oil works. The long contact with the nature of Caucasus influenced greatly the creative development of the artist. 1980 The artist creates the cycle of the watercolors of Moscow region in winter, the part of which will be purchased by Ya.Ye. Rubinstein and the Russian Museum; V.Volkov indicated in the works “a new approach to the light” Fall, 1981–1982 Again works at the House of Creativity “Goryachiy Klyuch”. As a result the Caucasus series are enlarged with first oil works. The long contact with the nature of Caucasus influenced greatly the creative development of the artist. 1982 First own exhibition in Moscow Drama Theatre after M.N.Yermolova (together with Ye.N.Kravchenko). Mostly presented the paintings of the last decade that were painted in the central Russia, Krasnodar and Magadan regions. The exhibition and the discussion that took place afterwards helped to open up Y.Larin. He met the ambassador of Italy to USSR Giovanni Migliuolo and became friends for a long period of time. 1979-1985 Within a few years during summer vacations Yuriy Larin works in Baltic. Creates a cycle of graphic watercolors on German paperboard. The landscapes on the constructive base greatly differ from Moscow and Caucasus cycles. Fall, 1983 Trip to Armenia with his close friend Yu.M. Garushyants, historian. The result of that trip were thirty watercolor papers that continued the Caucasus cycle. 1985 In the almanac “Soviet Graphic” there is a publication about the watercolors of the artist that was written by G. Yelshevskaya. December, 1985 Underwent the neurosurgery; as a consequence the loss of strength and skill in his right hand. 1987 Death of his wife Inga Ballod  First personal exhibition overseas: exhibition of watercolors in the gallery Books&Company Art, NY, USA. Since then takes part in different foreign exhibitions. 1988 N.I.Bukharin’s rehabilitation, after that Yuriy Larin was able to change his patronymic “Borisovich” to “Nikolayevich” 1989 Gets married. The wife - Olga Arsenyevna Maksakova, doctor, Lead researcher at the Institute of neurosurgery named after Burdenko. Personal exhibition in Central House of Artists in Krymskiy Val. Displayed over two hundred of watercolor and oil paintings...

Original Painting on Canvas. One-of-a-kind Pop Art Original Painting on Canvas by Gardani available for you. Hand signed by the Artist front and back, comes with official Gardani ...

These are the detectives of the Belgian comic book Tintin created by Herge. FER SUCRE is a Venezuelan-born artist now in Wynwood Miami, Florida. He studied graphic design and paintin...

Leonora Carrington The Transparent Hen, 1969 Watercolor and ink on paper 11 x 4 in Provenance: Private Collection, Dr. Salomon Grimberg (Gift from the artist). Private Collection, T...

The painter, graphic artist, production and set designer, Josef Fenneker, is one of the most important representatives of artistic film posters of the 1910s and 1920s. He was commissioned primarily by Berlin’s Marmorhaus cinema, which was located on Kurfürstendamm and known for its first releases, as well as by Berlin film production...

Artist: Dennis Oppenheim, American (1938 - 2011) Title: Information Lines, 1981. Medium: Lithograph, signed and numbered in pencil A/P 1/30. Artist's Proof. Size: 41.25 in. x 29.7...

Artist: Andy Warhol. Title: 'Mick Jagger' FS II.139 Framed Announcement card. Medium: Lithograph Size: Image size: 6" x 4" Framed: 10" x 8" Year: 1975 Description: Signed and numbere...

Conceptually, Kerstens' photographs play with the dialog between the mediums of painting and photography, with seriality, and time. On a more emotional level, they address everyday r...

In this print (ed.56 out of 100) by the artist Tully Filmus a group of rabbis that gather around to dance "To Life". Tully Filmus was an American realist painter. He was born Naftul...

Robert Rauschenberg (1925-2008). "Arts for Act (1994)." Original offset lithograph poster created for the "Arts for Act." 1994. Signed in the plate (Bold Yellow), Additionally si...

BALAGUER , Alex ( Barcelona 1968 ) During early childhood, Àlex Balaguer began to sketch motorcars symbolic of Maranello’s trademark vehicle. Self-taught in the art world, Balaguer ...

This does not appear to be signed but was framed with her biography verso. Irene Hodes Newman, an Impressionist painter, was known for her watercolors of black people, African Americ...

From space, error is projected onto the focal point, error for man. From within, we modify the language of the elements to compose a reuse of the ordinary and bring it into play in a...

Still life green apples original impressionist oil canvas painting. Sola PUIG, Joan (Barcelona 1950 ) Joan SOLÁ paints in a natural way, which reflects the Old Masters, soaking u...

VICTOR VASARELY – "STRI-ARCT-2" ⚜ Serigraph ⚜ Hand Signed and Numbered ⚜ Edition of 250 (Total 300) ⚜ Conservation Framed GEOMETRIC VIBRATIONS IN COLOR Created in 1975, “Stri-Arct-2...

A signed oil on canvas by French painter Antoine Blanchard (1921–1988), depicting the bustling Boulevard Madeleine in Paris. The composition captures a lively city street animated by pedestrians, illuminated shopfronts, horse-drawn and electric traffic, and reflections shimmering across rain-soaked pavement. Blanchard is known for his atmospheric views of Paris inspired by the Belle Époque. In this work, loose yet confident brushwork creates a sense of movement and energy while warm shop lights and street lamps contrast against the cool tones of the city architecture. The wet boulevard reflects the surrounding activity, adding depth and luminosity to the scene. Paris street scenes by Blanchard remain among his most sought-after subjects, celebrated for their romantic depiction of the French capital and their strong decorative appeal. Signed lower right. Provenance: John Noott Fine Paintings, Broadway. Accompanied by a letter of authenticity from Rehs Galleries Inc...

Alberto Ulloa Burgos (1 January 1950 – 1 October 2011). Street After Rain (Santiago de Chile), 1970. Oil on masonite panel measuring 20 x 24 inches; 26 x 30 inches framed. Signed and dated lower right. Original frame with export label stamp. Alberto Ulloa Burgos was a painter, sculptor, and poet from Altamira, Dominican Republic. He was a student of the distinguished Latin American painter Jaime Colson...

Larry Rivers Modernist mixed media "Brandeis Show Collage" work on cut paper. (this appears to be a vintage lithograph. It has a label that describes it as watercolor and charcoal...

Up for sale Original Abstract Acrylic Painting on canvas in a fantasy abstract style. A unique technique, very colorful. An unusual combination of colors, a flow from sharp to soft s...

Bernard Segal (1907-1986). Cubist painting, ca. 1960. Gouache and watercolor on paper, sheet measures 9 x 12.25 inches. Unsigned. Estate stamp on verso side. Excellent condition. N...

Artist: Lee Krasner (American, 1908-1984) Title: "Ashawagh Hall: The Springs Artists' Exhibition" Series: Ashawagh Hall Posters *Signed by Krasner in the...

“ Dream of Saint Sebastian “ giclee print On Hahnemuhle paper, edition 3 of 20 Artist Statement "I started by painting interiors, being interested in space and perspective through m...

After Gustav Klimt, Max Eisler Plate #2, Dame mit Blumenhut (aka The Violet Hat); sepia monochrome collotype after the 1909 painting in oil on canvas. ...

ANDY WARHOL (1928-1987) Marilyn (Invitation), is an offset lithograph in color, signed in marker pen on the front and back. Printed by Colour Editions INC, it served as an invitatio...

Theo Tobiasse Suite: Shavuot Festival Year: 1984 Medium: Original carborundum embossed etching lithograph in colors on Arches paper (deckle edged paper) Signature: Hand signed by the artist Publisher Nahan Gallery, New Orleans Theo Tobiasse, born Tobias Eidesas, 1927 in Jaffa then in British Mandate Palestine, died 2012 in Cagnes-sur-Mer in France. Well known painter, engraver, draftsman and sculptor. French Jewish artist. The youngest son of Chaim (Charles) Eidesas and Brocha (Berthe) Slonimsky from Kaunas, Lithuania, Théo Tobiasse was born in Mandatory Palestine in 1927, where his Jewish parents lived since 1925, far from the threat of pogroms and upheavals of East European policies. The family encountered material difficulties and decided to return to Lithuania, ultimately leaving for Paris in 1931 where his father typographer finds work in a Russian printing press. Theodore Tobiasse...

This impressive original vintage poster was created by Leonetto Cappiello for Persil, one of the world's earliest self-acting laundry detergents. Measuring 51.25 x 78.75 inches, this...

Exotic Magical Birds Perched on Tree Limbs, ca. 1950. Oil on canvas, 14 x 18 inches. Unsigned, artist unknown.

Itamar Siani, Yemenite Israeli (Born 1941) Oil on Canvas "Portrait of a Seated Woman" Hand signed lower left Dimensions: 26.25" x 17.75". Frame measures 38.25" x 30" Itamar Sian...

Plate 13 from La Suite Vollard. Bloch 229. Baer 444. Etching on Montval paper. Signed in pencil, from the edition of 260 (there was also an edition of 50 with larger margins). Printe...

Bettie Page Two-Piece Leopard Print Suit, Key Biscayne, FL, 1954 by Bunny Yeager Vintage Gelatin Silver Print Image size: 20 in. H x 16 in. W Frame ...

Salvador Dali (1904-1989) - Révérence du groseillier (Curtsying Gooseberry Bush) Lithograph with drypoint etching from 1969. The edition XXXIII/XXXV on Japan paper. Dimensions of ...

Alexander Calder (American, 1898-1976) The Red Sun (Soleil Rouge), 1965 Lithograph in Colors Sheet Size: 22” x 32” Printed by Maeght Editeur, Paris Edition: 10/90 Alexander Calder w...

Artist: Tom Wesselmann (American, 1931-2004) Title: "Still Life with Pear and Oranges" *Signed and numbered by Wesselmann in pencil lower left Year: 1998 Medium: Original Screenprint...

OLY.B Chris, 2026 Mixed Media 48 x 72 in (121.92 x 182.88 cm) Framed 50 x 74 in

Joseph Kardonne (1911-1985). Brattleboro, VT., 1969. Watercolor on paper, sheet measures 18 x 22 inches. Measures 22.5 x 26.5 inches in custom float fr...

Large impressive British colonial style sailors valentine handcrafted in exotic seashells ambitiously arranged around a heart with an anchor and a message of hope. Presented under gl...

Susan "Corrie" Lee Crook Ingersoll (b. 1908) Still Life w/ Doll and Stuffed Toy, ca. 1950. Oil on composite Board, 18 x 19 inches. Measuring 19 x 20 inches in original frame. Co...

Artist: Josef Albers (German-American, 1888-1976) Title: "Arrived" Portfolio: Soft Edge - Hard Edge *Signed and dated by Albers in pencil lower right Year: 1965 Medium: Original Scre...

Untitled Diptych, painting by Suzanne Law. Framed Overall size: Image size: 12.6 in. H x 34.2 in W Frame size: 18.1 in. H x 44.8 in W x 1 in D Individual size: Image size: 12.6 in. ...

Karl Drerup (1904-2000). Italian City, c.1930. Oil on masonite panel, 24 x 32 inches; 34 x 42 in custom frame. Signed lower right. Minor conservation to loss in margins. Price on request Biography: Born in Borghorst, Germany in 1904, Karl Drerup earned a Master’s Degree in graphic arts working under Hans Meid...

The first encounter I had with the abyss, was arriving to a place that does not exist, a point suspended in time where I am without being. An unreal world expands in front of me, eve...

Artist: Dan May (American, 1955-) Title: "A Woman and Her Pets" *Signed and numbered by May in pencil lower left Year: 1991 Medium: Original Screenprint on unbranded white wove paper...

Artist: William Curtis (English, 1746-1799) Title: Set of Six Hand-Colored Engravings Portfolio: The Botanical Magazine; or, Flower-Garden Displayed Year: 1803-1819 (Second series) M...

Nice American Modernist Oil Painting. with old label verso. not dated but estimating it to the 70s. Not sure which Doris turner this is. reminiscent to many of the French artists sho...

on Hahnemuhle paper, hand signed and numbered. poster is not included. These depict synagogue interiors, Rabbis at prayer etc. Judaic religious events. Mauritz Lennart Rosensohn , bo...

This serene coastal landscape of an overcast surfing day is quintessential Encinitas, CA. Surfers dot the distance under cool gray skies. A mix of blues and greens create the stage ...