Florida - Art

From Interior Series. Woodcut and screen print in colors on Museum Board. Hand signed, dated and numbered by Roy Lichtenstein. Published by Gemini G.E.L., Los Angeles.. Corlett 247...

Little Madeline is at it again, but this time with a big magician cloaked in a commanding red gown. In the Christmas spirit of giving, Madeline reaches up and offers him a plate of n...

From space, error is projected onto the focal point, error for man. From within, we modify the language of the elements to compose a reuse of the ordinary and bring it into play in a...

original abstract acrylic canvas painting Original work by the Spanish painter Rafael RUZ. Acrylic on canvas . Perfect condition. RUZ, Rafael (Barcelona 1956) While contemplating th...

Cottage With A Garden Landscape Canvas 36x30 Colin Maxwell Parsons was born in Birmingham, England in 1936 and became a professional artist in 1969. Prior to devoting all of his eff...

Original artwork by Spanish artist Rafael Ruz. Acrylic on canvas in perfect condition. While contemplating the painting of Ruz, we are inclined to talk about real ‘psychodrama’, in ...

Artist: SSUR Manufacturer: Medicom Toy Type: Bust Color: Hot Pink. (this also came in bronze and a glow in the dark fluorescent neon green) Signed in the mold Material: Vinyl sculpture There is no box or bag. Founded by visual and conceptual artist Ruslan Karablin...

KAWS (Brian Donnelly) Ceramic Plate Set (Red/White) — Set of Four KAWS × Qatar Museums Doha Fire Station Exclusive, 2019 A pristine, complete set of four limited edition ceramic pl...

This is a poster by Georges Dola for an operetta called “Le Danse De Libellules” which translates to The Dance of the Fireflies in English. This poster is full of vibrant pink and bl...

Alois Heinrich Priechenfried Hand signed upper left Dimensions: 5 X 4 without frame 4 X 3 This evocative portrait by Alois Heinrich Priechenfried, likely created in the late 19th or...

wood assemblage by artist William Finlayson Born in Tallahasee Fl, William started his artistic career as a color consultant for his family's Design and Painting company that took ...

Actual Lithograph without matte is 16" X 12". BENJAMIN KOPMAN (1887 - 1965) Painter, Illustrator and printmaker Benjamin Kopman was born in Vitebsk, Russia and emigrated to the Unit...

Moises Zabludovsky (Mexican, 1959-) Bull Fight Mixed Media Work on paper, watercolor; ink and pastel on paper 1979 Hand signed and dated. Dimensions: Frame: 28.5 X 36.5. Image: 22.5 X 30 Abstract Modernist Mexican bullfighting image. Born in Mexico City. His first training in art was in 1969 when he started working with Silvia Gonzalez and later on in the Arcai Atelier in Paris. At 18, he held his first exhibition at the Museo de Arte Moderno of Mexico City and he went on to display his work at the International Biennale of the Bronx Museum in New York City. He grew up around the Mer Kup Gallery, run by his maternal grandmother, Merl de Kuper, where he presented his work in several group exhibitions and three solo shows (1979, 1981, and 1985). She was a champion of many important mexican modernist artists including artists like Pedro friedeberg, Feliciano Bejar, Mathias Goeritz, Diego Rivera, Sebastián, and José Luis Cuevas.Moises Zabludovsky exhibited at the National Center for the Arts in 2011 and at the Museo El Eco of the National Autonomous University of Mexico. He has exhibited paintings and sculptures at the Museum of Modern Art, the Jose Luis Cuevas Museum, Metropolitana in Mexico City. He has successful shows at prominent art galleries like the Miro Gallery in Monterrey, Palacio de Bellas Artes and Museo Carrillo Gil in Mexico City. He also had some international shows in Florida and Latin America. In 1982 he was awarded a degree in graphic design from Parsons University. He has received numerous awards and exhibited widely since the early 1990's. He is known both for his oil painting as well as for his ceramic and bronze bullfighting sculpture. In 1978, he received an honorable mention at the First Ibero-American Painting Biennial, where Carlos Merida and Rufino Tamayo were on the jury. He was part of the Emerging Decade generation whose members participated in the exhibitions bearing that name at the Museo Universitario del Chopo in 1984 and 1994, the latter titled An Emerging Decade, a Decade Later . He also participated in the Salón dès Aztecs, a renowned alternative space for Mexican art In the show Nuevas tendencias (New Trends) at the Museum of Modern Art in Mexico City. That same year, he also exhibited at the International Biennial at the Bronx Museum in New York. He continued his studies at the Metropolitan University of Mexico City and simultaneously exhibited at various galleries and museums: the Mer-Kup Gallery and the Miró Gallery in Monterrey, Nuevo León; the Palacio de Bellas Artes; the Carrillo Gil Art Museum; and, outside the country, in Florida and at the Traveling Young Art Exhibition organized by the Mexican Ministry of Foreign Affairs. as well as in art galleries in Mexico and the United States. His father was the famous professor and architect Abraham Zabludovsky known for his brutalist architecture masterpieces among them the iconic Museo Rufino Tamayo. His work is featured in two buildings designed by his father, Abraham Zabludovsky (1924-2003): the Byzantine mosaic mural 'The Applause' in the Guanajuato State Auditorium (1990) and the sculpture 'The Caravan' in the Poliforum, Auditorium and Convention Center in Tuxtla Gutiérrez, Chiapas (1993). Moises Zabludovsky has shown with Antonio Galvan Duque, Jose Sacal, Tomas Gomez Robledo, Renato Gonzalez, Fitzia, Luis Argudin, Luis Granda, Jose Antonio Gurtubay, Heriberto Mendez, Vlady, Omar Manueco, Jesus Urbieta, Miguel Angel Garrido, Carlos Nakatani, Miguel Castro Lenero, Jose Luis Serrano, Humberto Oramas, Gabriel Macotela, Nicolas Moreno, Luis Nishizawa, Gilberto Navarro, Fernando Castro Pacheco...

SAINCILUS ISMAEL Petite Rivière de l'Artibonite, Haiti, b. 1940, d. 2000 Saincilus Ismael was born in Petite Riviere de l’Artibonite, Haiti. He began to paint in 1958, after visitin...

Musee Grevin Avant La Lettre (Before Text), created in 1900, is one of the best known images by the great French artist, Jules Chéret. The poster advertises a show performance at the...

Beautiful late 15th-century Burgundian Netherlandish portrait of a woman. Carved walnut. Original polychrome has been removed with traces at base and lower portions of figure. Minor ...

Acrylic on masonite. This is a pivotal work in deep and radiant cobalt blue from 1950. It dipicts calligraphic and hieroglyph structures over a grid and pyramidal base by the first generation abstract expressionist. Provenance: Skinner: November 13, 1992 [Lot 00219}, The entry in the Skinner catalog indicates that the painting came directly from the artist to the family of the consignor to Skinner. Kaminsky Auctions. There is an unbroken paper trail that traces the ownership of the painting from the current owner, through two auction houses to the artist. Perfect unbroken provenance. Pousette-Dart was among the most inventive of the Abstract Expressionist generation, His uncanny talent was to expand the nature of abstraction and still make each mark each element very much his own; a reflection of what he called   "the concealed power of the spirit," he said, “not of the brute physical form."   His was not aiming for a singular, realized aesthetic formula but to expand the possibilities of painting; the transcendental in painting. Typical of such invention and exploration is this  painting  Untitled 1950 when the artist was only 34 years old and represented by one of the champions of the new American painting, Betty Parsons.  
A banner year for Pousette-Dart, the Museum of Modern Art acquired their first painting by the Minnesota born artist.  He worked on easel size works such as this painting an oil on masonite. At the same time Pousette-Dart was also working on larger scale works such as Path of the Hero, running over ten feet in length now in the collection of the Metropolitan Museum of Art.  Both contain fields of color articulated by a highly sophisticated white hieroglyphic vocabulary. Rather than demonstrate an expressionist sensibility, Pousette-Dart harnesses his more cerebral ideas transforming thick areas of paint into a more refined composition of geometric forms akin to the pattern and forms of say a stained glass window. In a way he is looking back at Fugue, 1940 a black and white composition which makes use of a similar format of painting albeit smaller. Color and form are minimal, but what Pousette-Dart has maximized is the rhythmic and syncopated character of painting casting his ideas into purely symbolic terms that one might link to the pictograms of Adolph Gottlieb. Nonetheless, nature is always at the core of Pousette-Dart’s thinking and dreaming. Here he has transformed the local Ramapo Mountains—where he will eventually move with his family to live and work— into a complex series of articulated fragments linked by style, scale and color.  The painting’s imagery built on two large triangles and reduced to just two colors, cobalt blue and white all outlined in black.  Pousette-Dart symbols stacked in horizontal and vertical rows:  blue is ground, white is language, symbolic of light, consciousness and awareness . The painting maintains a mystical character images compounded that formulate a secret code and linked to the series of white paintings Pousette-Dart authored in the first half of the 1950s. Get up close to the picture and you discover images within images a kind of picture puzzle...

Paul Aizpiri was a painter and sculptor born in 1919 in Paris, France to an Italian mother and a father from the Basque Country, Spain. Aizpiri was an optimistic person since birth, ...

MELISSA MEYER (American, b. 1946), 'Chance' Oil on Canvas 2006 Hand signed, dated and titled, verso Height: 30 inches, Width: 28 inches Provenance: Rebecca Ibel Gallery, Columb...

Victor Vasarely (1908-1997) Axo This piece is hand signed and numbered circa 1972-1977 I have seen it described as enamel on steel and enamel on aluminium. it is a serigraph on meta...

A lively seaside scene unfolds along a sunlit promenade overlooking brilliant blue waters, sailboats drifting in the distance, and a horse-drawn carriage making its way along a curve...

PABLO PICASSO (1881-1973) Visage No. 111 (A. R. 476) Terre de faïence plate, 1963, numbered 422/500, with the workshop numbering, inscribed 'Edition Picasso' and 'Madoura', glazed...

Marc Chagall (1887-1985) - Esther Lithograph from 1960. Dimensions of work: 35 x 26 cm Publisher: Tériade, Paris. The work is in Excellent condition. Fast and secure shipment.

An original signed drypoint etching with color pochoir by Spanish artist Salvador Dali titled "La Cerf Malade", depicting a stag deer, from the Portfolio: Le Bestiaire de la Fontaine...

Ya'acov Kaszemacher, well-known artist and photographer whose unique images of Hassidic festivities are fascinating to view, and offer one an opportunity to peek into the community...

Artist: Keith Haring Title: Untitled (Plate 1) Size: 24 x 36 in. (61 x 91.4 cm) Medium: Lithograph of Arches Paper Edition: 23 of 40 Year: 1982 Notes: From a suite of six prints. S...

This is a one-of-a-kind original acrylic painting on canvas board in a fantasy abstract style. This piece has a wonderful color scheme with a modern contemporary feel. Presented in...

Sergio Hernández (Mexico, 1957) 'Untitled', 2015 engraving on paper Velin Arches 300 g. 29 x 33.9 in. (73.5 x 86 cm.) Edition of 30 Unframed

Margaret Koscielny (b.1940). Floating Images, 1974. Plexiglass sculpture. !0 x 10 x 10 images. Light base is new. Margaret Koscielny's work has been recognized in Who's Who in American Art; International Who's Who; Contemporary American Sculptors: An Illustrated Bio-Bibliographical Dictionary; Dictionary of American Women Sculptors; with articles in Kalliope (interview, photographs), The Florida Times-Union, Jacksonville Journal, Jacksonville Magazine; St. Petersburg Times; Atlanta Constitution and Journal; essays, by Joseph Jeffers Dodge, Drawings in Light and Space ; and Elihu Edelson, Arts Assembler; and reviewed in various newspapers, including a general review by John Canady, for The New York Times, of the American Drawing Competition, Moore College of Art, Philadelphia, (in which Koscielny was a participant). Influences and Early Background A native of Florida, Margaret Koscielny grew up in a family of classical musicians. Her mother, a violinist, was a descendent of an American Revolutionary war hero who, according to family legend, was related to William Pitt, the Elder, Prime Minister of Great Britain. Her father, a violist, was a graduate of the Leipzig Conservatory, emigrating to the US in 1929, where he became a music pioneer in Florida, teaching, directing bands and orchestras, and developing music education for string ensembles in the public schools. Her sister, Anne Koscielny, a concert pianist, was also a professor of piano for over 4 decades. Her step-brother, Gordon Epperson, was a prominent cellist, writer and college professor. Her niece, Cécile Audette, is a singer and choral conductor, and her grandniece, Renée, a violinist. Both sets of grandparents were musical, as well. This has influenced Koscielny's work the most, as it has provided inspiration and a sense of layers and the element of time in the construction and architecture of her work. Early Education and Career, 1960's Margaret Koscielny began her art studies at Texas Woman's University with Toni La Salle, (a student of Hans Hoffman). La Salle was the first, and most important influence on Koscielny's approach to drawing and art. Ms. La Salle's paintings reflected the ideas she developed under Hoffman's instruction, and she was Koscielny's first encounter with an Abstract Expressionist painter. Koscielny then attended the University of Georgia, where she earned the degrees of Bachelor of Arts in Art History and Master of Fine Arts in Art. Printmaking and drawing were the primary interests of her graduate work while studying with Charles Morgan, (a student of Jimmy Ernst, son of Max Ernst, the Surrealist). German Expressionism, surrealism and Abstract Expressionism were important influences during this time. The painters, Howard Thomas, James Herbert, and a fellow student, Jim Sitton were important mentors. She began, independently, the exploration of a technique evolved from printmaking combined with transparent media, and created her first "three-dimensional drawing-sculpture" in 1966. During the next two decades, Plexiglas was to be her primary format for drawings engraved, lighted and formed into assemblages. Teacher, Museum Curator, Artist, 1970's After a brief career teaching in public and private schools as well as Jacksonville University, she became Assistant to the Director of the Cummer Museum of Art and Gardens, (then called Ninah M. H. Cummer Gallery of Art). Margaret Koscielny was responsible for the organization and installation of exhibitions, publications, the training of Docents, and lectures on art history. During that time she also appeared regularly on television to discuss works of art in the museum's permanent collection. In December of 1973, Koscielny made a solo month-long tour of 9 major artistic capitals of Russia and the Ukraine in the former Soviet Union. This journey became the subject of nine lectures to capacity audiences at the Cummer Museum. She left the museum in 1974 to focus her activities primarily on her artwork. The 1970's were a time of numerous commissions, private and corporate for Koscielny, and she won the first National Endowment for the Arts grant in conjunction with the Florida Arts Council in 1975. This allowed her to execute three large sculptures in plexiglas which were exhibited at the Cummer Museum in 1976. Numerous other exhibitions throughout the Southeast followed. She also founded an independent group of 10 artists, Art Celebration! in 1973, because of the lack of galleries in Jacksonville.The success of the group's exhibition over a 5 year period precipitated new galleries to be established. Koscielny finished the decade with an invitation for a One Person Show at Vanderbilt University, also winning an international competition for the new Atlanta Hartsfield International Airport in 1979-80. She was one of only 3 women out of 13 artists, chosen from 500 competitors.The resulting three-dimensional assemblage, "Whole Sight," was in four parts, each 9 x 13 feet. They were installed on four walls over a descending 40 foot escalator. In late 1979, she was invited to produce and design an original ballet...

Romero Britto "Hollywood Romance" mixed media digital giclee painting print on canvas, featuring a dancing couple in a the artist's characteristic whimsical theme. Measurements: V...

Serenity with Fuchsite and Amethyst stones this painting is 48 X 48. Amethyst is known for having healing properties. Nancy Seibert began her art stu...

ED BAYNARD (American, 1940-2016) Flowers, Flowers in a Vase, Etching. 1979/1980, Hand signed, dated l.r., Hand numbered from small edition 12/24, Dimensions: 23 by 19 in. Framed 25 by 21 in Born in Washington, D.C. in 1940. Raised in Washington, D.C. and newly graduated from high school, he flew to Europe living off and on in Paris and London. During this time, he designed costumes for Jimi Hendrix, worked as a graphic designer for the Beatles as well as Elizabeth Taylor and Richard Burton. Returning to New York, he dedicated his life to art after a surprise success with his first show in 1971 at the Willard Gallery in NYC. Ed's images are Zen-like in their simplicity and grace rendered in a flat, graphic style that recalls Japanese Ukiyo-e prints. His watercolors are luminous, like the rest of his representations regardless of the medium. The Japanese inspired ukiyo-e style woodblock prints and lithograph works he created at Tyler Graphics in 1980 contain a 20th century "floating world" sensibility. Ed's wish was to bring harmony, color, and a meditative stillness to this chaotic planet. He did so in a gentle and powerful way, always as an expression of his deep gratitude for the love and beauty, friendship, and concerns he held dearest. His first solo exhibition was in 1971 at New York's legendary Willard Gallery on the recommendation of Agnes Martin. Baynard went on to have exhibitions at galleries including Betty Parsons Gallery, New York (1973); Marian Goodman Gallery, New York (1977); John Berggruen Gallery, San Francisco (1980); and Barbara Gladstone Gallery, New York (1980/81).. Baynard manages to retain a simplicity of form inspired by a love of Japanese Woodblock prints. His new works reflect the same poetry of his earlier paintings, retaining his stylized compositions with their Zen like minimalism and Oriental calm, along with a new sense of rhythm and movement. Baynard uses familiar themes such as flowers, plants, pots, and vases, incorporating them into his delicate watercolor still lifes, thus creating stunning visual feasts. He was included in the 1972 Landscape exhibition at MoMA NY alone with other luminaries James Boynton, Christo, Jan Dibbets, Minnie Evans...

ANDY WARHOL (1928-1987) Marilyn (Invitation), is an offset lithograph in color, signed in marker pen on the front and back. Printed by Colour Editions INC, it served as an invitatio...

Here for your consideration is a very well executed early abstract painting by the well known American artist, Syd Solomon. Oil paint on birch ply panel. Signed middle bottom. Signed, titled and dated 1966 verso. The painting was done in East Hampton, New York where Syd Solomon spent his summers. Condition is excellent. Overall framed measurements are 26 by 31.5 inches. Provenance: A Sarasota, Florida collector. Syd Solomon was born near Uniontown, Pennsylvania, in 1917. He began painting in high school in Wilkes-Barre, where he was also a star football player. After high school, he worked in advertising and took classes at the Art Institute of Chicago. Before the attack on Pearl Harbor, he joined the war effort and was assigned to the First Camouflage Battalion, the 924th Engineer Aviation Regiment of the US Army. He used his artistic skills to create camouflage instruction manuals utilized throughout the Army. He married Ann Francine Cohen in late 1941. Soon thereafter, in early 1942, the couple moved to Fort Ord in California where he was sent to camouflage the coast to protect it from possible aerial bombings. Sent overseas in 1943, Solomon did aerial reconnaissance over Holland. Solomon was sent to Normandy early in the invasion where his camouflage designs provided protective concealment for the transport of supplies for men who had broken through the enemy line. Solomon was considered one of the best camoufleurs in the Army, receiving among other commendations, five bronze stars. Solomon often remarked that his camouflage experience during World War II influenced his ideas about abstract art. At the end of the War, he attended the École des Beaux-Arts in Paris. Because Solomon suffered frostbite during the Battle of the Bulge, he could not live in cold climates, so he and Annie chose to settle in Sarasota, Florida, after the War. Sarasota was home to the John and Mable Ringling Museum of Art, and soon Solomon became friends with Arthur Everett “Chick” Austin, Jr., the museum’s first Director. In the late 1940s, Solomon experimented with new synthetic media, the precursors to acrylic paints provided to him by chemist Guy Pascal, who was developing them. Victor D’Amico, the first Director of Education for the Museum of Modern Art, recognized Solomon as the first artist to use acrylic paint. His early experimentation with this medium as well as other media put him at the forefront of technical innovations in his generation. He was also one of the first artists to use aerosol sprays and combined them with resists, an innovation influenced by his camouflage experience. Solomon’s work began to be acknowledged nationally in 1952. He was included in American Watercolors, Drawings and Prints at the Metropolitan Museum of Art, New York. From 1952–1962, Solomon’s work was discovered by the cognoscenti of the art world, including the Museum of Modern Art Curators, Dorothy C. Miller and Peter Selz, and the Whitney Museum of American Art’s Director, John I. H. Baur. He had his first solo show in New York at the Associated American Artists Gallery in 1955 with “Chick” Austin, Jr. writing the essay for the exhibition. In the summer of 1955, the Solomons visited East Hampton, New York, for the first time at the invitation of fellow artist David Budd...

Capelán's work stands out for its rigorous handling of diverse artistic techniques and procedures, ranging from drawing to installation, including painting, printmaking, photography,...

Oil on artist board painting by the American artist, Marion Gray Traver. Signed lower left. Composition is done completely with a palette knife. Good condition. In original gold le...

Tim Berg & Rebekah Myers Things disappear. Sometimes things disappear as the result of an accident. Sometimes neglect causes things to disappear. Sometimes things are intentiona...

Linoleum cut printed in colors on wove paper. Duthuit-Matisse 702. Hand signed and numbered 7/25 by the artist. Image size 7.5 x 6.75 inches. Sheet size 16 x 11.75 inches. Custo...

Striking pair of Chinese cloisonne or enamel on brass horses crafted in classic form featuring colorful Symbolic, floral and geometric designs on an alluring blue background. Left: ...

John Hanlen (1922-2003). Beach Snack Shack, ca. 1950. Tempera on paper, sheet measures 18 x 23 inches. Measurement with matting: 26 x 31 inches. The piece is unframed. There is ...

1982-84 Hunter College, New York (M.F.A.) 1978-80 School of Visual Arts, New York 1973-77 Bezalel Academy of Art, Jerusalem (B.F.A.) American, born...

This photograph by Araquém Alcântara offers a luminous testament to Brazil's untamed beauty, rendered with the masterful clarity and profound sensitivity that define his celebrated b...

Eduardo Chillida (Spain, 1924-2002) 'Korapillo II', 1982 chine colle, dry point on japanese paper 25.6 x 19.7 in. (65 x 50 cm.) Edition of 50. Original 63 of which 50 belong to the regular edition. P/A: 8, H.C.: 5 Unframed ID: CHI1038-013 Hand-signed by author It is documented in Chillida, E. (1999). Eduardo Chillida – Opus P. II 1973-1985. Chorus – Verlag, pp 290 – 291. Nr 82003. ____________________________________________________ He began his career in 1943 studying architecture at the University of Madrid, but in 1947 he dedicated himself to drawing and sculpture, and in 1948 he moved to Paris, then the world capital of the arts. Although he abandoned his studies, his work betrays his architectural training, showing an underlying sense of structural organization, as well as discipline in materials, planning of spatial relationships, and scale of elements. Over the years, the artist turned to materials that showed his investigations into conceptual questions and metaphysical concerns. Chillida's first stone and plaster creations oscillated between the human world and the natural world using figures and images of landscapes. Consistently guided by the quality of space, density and rhythm, his works consider ways in which mass and volume contain space. His public works, which exist on a more massive scale, not only inhabit the space but also determine a qualifying space of their own. His monumental sculptures, designed for both urban and more secluded spaces, are permanently installed internationally and constitute an important facet of his artistic production. The main retrospectives of Chillida's graphic and sculptural work have been mounted by the Museum of Fine Arts in Houston (1966); Carnegie Institute, Pittsburgh (1979); National Gallery of Art, Washington, DC (1979); Guggenheim Museum (1980); Miramar Palace, San Sebastián (1992); and Museo Nacional Centro de Arte Reina Sofía, Madrid (1999). Chillida received numerous awards, including the Grand International Prize for Sculpture at the Venice Biennale (1958), the Kandinsky Prize (1960), the Carnegie Prize for Sculpture (1964), the Andrew Mellon...

This photograph by Araquém Alcântara offers a luminous testament to Brazil's untamed beauty, rendered with the masterful clarity and profound sensitivity that define his celebrated b...

This photograph by Araquém Alcântara offers a luminous testament to Brazil's untamed beauty, rendered with the masterful clarity and profound sensitivity that define his celebrated b...

This photograph by Araquém Alcântara offers a luminous testament to Brazil's untamed beauty, rendered with the masterful clarity and profound sensitivity that define his celebrated b...

This photograph by Araquém Alcântara offers a luminous testament to Brazil's untamed beauty, rendered with the masterful clarity and profound sensitivity that define his celebrated b...

original impressionist acrylic painting. SOLÁ paints in a natural way, which reflects the Old Masters, soaking up the colour, air, smell and the pure scent of his environment. He d...

Set of Four Antique Marine engravings plates hand colored. Each measure 18x21x1 framed. Benard Direxit is a French 19Th Century artist, engraver. Benar...

Icarus 2025 Aluminum, car paint, edition 2/10, artist signed base, with round or square base for outdoor or indoor. The sculpture is in three seperate parts dismounted for shipping....

Artist: Georges Henri Manesse (French, 1854-1940) Title: "La Reine Marie d'Angleterre (Queen Mary of England)" Portfolio: Gazette des Beaux-Arts Year: 1893 Medium: Original Etching on cream laid paper Limited edition: approx. 1,500 Printer: Chardon Wittman, Paris, France Publisher: Gazette des Beaux-Arts, Paris, France Sheet size: 10.69" x 7.13" Image size: 7" x 5.25" Reference: Sanchez/Seydoux 1893-7 Condition: Light discoloration at edges. It is otherwise a strong impression in excellent condition Notes: This etching is after a painting from 1554 by Dutch artist Anthonis Mor (c. 1517-1577). Comes with its original tissue cover sleeve. This etching was published by Gazette des Beaux-Arts. The Gazette des Beaux-Arts was a French art review, found in 1859 by Édouard Houssaye, with Charles Blanc as its first chief editor. Assia Visson Rubinstein was chief editor under the direction of George Wildenstein from 1928 until 1960. Her papers, which include all editions of the Gazette from this period, are intact at the Cantonal and University Library of Lausanne in Dorigny. The Gazette was a world reference work on art history for nearly 100 years - one other editor in chief, from 1955 to 1987, was Jean Adhémar. It was bought in 1928 by the Wildenstein family, whose last representative was Daniel Wildenstein, its director from 1963 until his death in 2001. The review closed in 2002. Mary I...

Biomorphic Surrealism. Signed Luigi, Enamel on metal (probably copper). Mounted to a plexi or acrylic purple mounting. I am assuming it is Italian as it is signed Luigi but it might ...

Artist: Margaux Halloran (American, 1999-) Title: "The Machine" *Monogram signed by Halloran lower right. It is also signed, dated, and titled on verso Year: 2021 Medium: Original Oi...

Alexander Sharpe Ross - or Alex Ross. This mid-century masterpiece is a perfect artistic statement with every formal element in perfect harmo...

David Rankin, American (b. 1946) Rocky Hillside, (1990) Oil on paper Hand signed lower right, signed and titled verso. 30 x 22 1/2 inches David Rankin is a New York-based, British-b...

Charming mid century or possibly earlier folk painting. It is an oil on board measuring 12 inches wide by 10 inches high. The frame measures 14 inches wide by 12 inches high.

This photograph by Araquém Alcântara offers a luminous testament to Brazil's untamed beauty, rendered with the masterful clarity and profound sensitivity that define his celebrated b...

Yellow Abstract Mixed Media On Canvas Maximo Caminero (Dominican, Born 1962). An original mixed media painting on canvas. Oil and other elements. Titled, "Yang." An Industrial art...

Louis Russomanno (b.1948). Still Life, ca. 1975. Oil on canvas, 16 x 24 inches; 20 x 28 inches framed. Signed upper right. Excellent condition. Detail is simply amazing in this photorealistic original painting. Gallery label affixed on verso. Contact number with no area code suggests a mid-1970's range in which to date the piece. A native of New York, Russomanno has exhibited widely and with success and is the recipient of numerous prizes and juried awards including from the Phillips Mill...

John Zinsser (American, b. 1961) Iron City, 1997 oil on canvas signed John Zinsser, titled and dated (verso) 72 x 60 inches Done in bright vibrant shades of red. American artist John Zinsser was born in New York City in 1961 and studied art, art history and literature at Yale University (where he did his senior thesis on Andy Warhol). He co-founded Journal of Contemporary Art in 1987 and lectures at The New School. He has had over 40 solo shows in the U.S. and Europe, and is known in Europe for his association with monochrome painters of a previous generation. Zinsser has been a devotee of postwar Abstract Expressionism and Minimalism for decades. A native New Yorker, he came of age as an artist during the late 1980s and early 1990s alongside other now established abstract painters, including Richmond Burton, Gail Fitzgerald, Daniel Levine, Carl Ostendarp, Kate Shepherd, Cary Smith, Dan Walsh, Mary...