Florida - Art

Ole Ole. Fiberglass and resin carpaint New construction and Perfect condition Limited Edition 8 copies + 4 H.C. Bernard Rives was born 1947 in Carcassonne (France). He studied in ...

Circule I 24" x 24" Digital Art Print in aluminum Marianella Blasini, a relevant emerging artist born in Caracas, Venezuela, resides in Miami, Florida, since the ye...

Rabbis, Jewish Scholars over collaged Hebrew text Dimensions: framed 37.5 X 25.25 canvas 24 X 36 inches Moshe Katz ( Romanian, Israeli ) Moshe Katz was born March 2 1937 in Buchar...

Multidisciplinary painter who explores his art in multiple contexts and through various forms of expression, such as painting, printmaking, video, and photography. His work spans fro...

Archival Pigment Print Mounted and Framed Museum Standards Available sizes: 40 x 60 inches edition of 7 48 x 72 inches edition of 7

Landscape original expressionist painting. frame Work of the Spanish artist BENAVENTE SOLIS. Perfect state . During its first exhibition in Paris, the French press catalogs it lik...

Juan Alcalde Alonso (Spain, 1918-2020) 'Biarritz', 2000 silkscreen on paper 28.8 x 21.3 in. (73 x 54 cm.) Edition of 75 ID: ALC1002-005-075 Hand-si...

Alfonso Fraile (Spain, 1930-1988) 'Hombres', 1985 engraving on paper 18.2 x 13.8 in. (46 x 35 cm.) Edition of 10 ID: FRA1262-002-010 Hand-signed by author ___________________________...

Dreams and fantasies from the past and present are portrayed by Léa Bon’s subjects, which she uses as her own personal dolls. Léa Bon work is a profound exploration of dreams and fa...

The bodegones are a pictorial interpretation based on a research project of the famous chef Juan Carlos Franco, on old food recipes of different periods ...

Emigrating to Boston in 1913 from Poland with his Russian-Jewish parents, Presser was admitted in 1921 at age 12 to the Boston Museum School of Art with a full four-year scholarship,...

Artist: Slonem, Hunt Title: Divine Date: 2025 Medium: Oil on wood Unframed Dimensions: 10" x 8" Framed Dimensions: 14.5" x 12.5" Signature: Signed by Artist on Verso Edition: ...

Spirals 2021 Jerzy Kubina Polish/American Artist: Jerzy was born in Zamosc, Poland, 1956. Studied at the Academy Of Fine Arts in Krakow 1981/1986 in the painting department under individual instructions of prof. Jan Szancenbach. He decided to immigrate to New York in 1986. Jerzy constructs large scale images on silk using technologies to create layers, textures, translucency. He is searching for a language that expresses the ideas inside. Sometimes the paintings are quiet and translucent, and then suddenly become very dramatic. There is a symbiotic relationship between him and the materials. Jerzy Kubina has exhibited his work widely in the US, including at Soho New York's first-ever gallery, the esteemed O. K. Harris. He has also shown internationally, in Paris, Poland and Mexico. Kubina graduated Magna Cum Laude from the M. A. program of The Academy of Fine Arts, Cracow, Poland. Artist Statement. "I do not limit myself to a classical representation of an image. I'm in constant search of new media which not only enriches the subject but also inspires me to new forms of expression. Visual appreciation is a creative exercise performed in a specified time and a specific emotional state. The subject must be individual and unique. I do not attempt to keep a tight rein on my art’s framework, but give myself the opportunity to individualize each of the works. My present concerns are of the sacred and the profane, always longing for harmony, accompanied by destruction and devastation, my inner world translates that pulse into color images. My new works are a continuation of the process of creating art for art's sake. Selected Exhibitions: 2016 Square Peg Gallery, Hasting on Hudson, NY 2015 Roshkowska Gallery...

Original recent acrylic on artist board painting of American flags flying on Fifth Avenue in New York City by the well known Hampton’s artist John Crimmins. Signed by the artist lowe...

Fonfria's work explores human behavior and social rules with a critical eye and humor, touching on personal themes such as dreams, fears, and memories. The images come from old magazines...

Grevy's Zebra, from Endangered Species. Screen print in colors on Lennox Museum Board. Hand signed and numbered by Andy Warhol. Edition 61/150 (there were also 30 AP's, 5 PP's, 5 EP's, 3 HC's, 10 numbered in Roman numerals, 1 BAT, and 30 TP's). Printed By Rupert Jansen Smith, Ny. Published By Ronald Feldman Fine Art Inc., NY. Artwork is in excellent condition. All reasonable offers will be considered. From the Endangered Species portfolio, which premiered in 1983. Warhol was commissioned by environmentalists and gallerists Ronald and Frayda Feldman to depict 10 endangered animals, bringing attention to their fragility. The US federal government had passed the Endangered Species Act (ESA) in 1973, making clear criteria for assigning the status of “endangered” to animals that had seen massive attrition of their populations. This designation has been adopted internationally and Warhol’s Endangered...

Bronze sculpture with marble base. Incised artist signature and date. Sculpture size 13.5 x 7 x 6 inches (including base). Sculpture is in excellent condition (marble base has a c...

This series of portraits that at first glance appear to us as extraterrestrial beings, once we understand the images they become more familiar than they appear, “humans too human” pe...

Arthur M Cook better known as Art was born in 1931. Mostly associated with Minnesota. He is well known for his watercolors of birds, especially geese. He is also an artist for wildli...

. Here for your consideration is an original signed lithograph by Adolf Arthur Dehn done in 1922 titled 5 O’Clock. The condition of the lithograph is excellent. Signed in the p...

ROBERT KENNETH WHITE (b. 1950) – "MAJESTIC GAZE" Oil on Canvas ⚜ Hand Signed Lower Right ⚜ Frameless Display A POWERFUL HORSE PAINTING WITH QUIET PRESENCE In "Majestic Gaze," Robert...

Signed, dated, and titled to verso. Born in Havana, Cuba, in the late 70s during a well-documented time of religious and political oppression, abstract expressionist artist Mirtha ...

Matiz managed to create intimate portraits, in which Frida seemed happy to surrender to her lens. The result was dynamic portraits of Khalo, a wonderful example of both the photograp...

A rare Judaic memorial piece for mother.

Fonfria's work explores human behavior and social rules with a critical eye and humor, touching on personal themes such as dreams, fears, and memories. The images come from old magaz...

SGenre: Contemporary Subject: Abstract Medium: Oil Surface: Canvas Country: France Dimensions: 23 3/4" x 19 3/4" x 1/2" Dimensions w/Frame: 24" x 20 1/2" A bright and colorful abstr...

The “Welcome Visitor” diptych is a thought-provoking exploration of the contradictions inherent in America's tourism industry and its immigration policies. Through this striking artwork, Shepard Fairey delves into the uncomfortable collision of economic opportunism and xenophobia. The piece reflects on the historical context of America as a melting pot, symbolized by the Ellis Island narrative and the hope of embracing diversity. However, it also draws attention to the contemporary climate of fear and scapegoating faced by Latino and Muslim communities. The diptych specifically highlights past events like the immigration ban and internment of Japanese individuals, including Japanese-American citizens during World War II, when unfounded fear led to prejudiced policies against them. Shepard Fairey skillfully uses this historical reference to shed light on the irrational and disproportionate fear. By contrasting the past with the present, Fairey aims to inspire contemplation and empathy, urging viewers to consider the humanity and dignity of all people as a paramount factor in shaping immigration and tourism policies. Shepard Fairey is a renowned contemporary artist and graphic designer whose work often explores political and social themes. Born on February 15, 1970, in Charleston, South Carolina, Fairey gained widespread recognition for his iconic "Hope" poster created during Barack Obama's 2008 presidential campaign. His art has since become synonymous with activism and social commentary. Fairey's unique style combines elements of street art, pop culture, and political messaging, earning him a prominent place in the world of contemporary art. In addition to his prolific career as a visual artist, Shepard Fairey co-founded the design studio Studio Number One and the art collective BLK/MRKT Inc. He has exhibited his work in galleries and museums around the globe, leaving a lasting impact on the art world and beyond. Fairey's art continues to inspire dialogue and challenge societal norms, urging viewers to question and engage with the issues he addresses. Shepard Fairey's art is influenced by various sources, including street art, punk rock aesthetics, propaganda imagery, and political movements. He credits the DIY ethos of punk culture and the rebellious spirit of street art for shaping his artistic vision. Fairey's fascination with propaganda and political art from historical movements, such as Soviet Constructivism and Chinese Cultural Revolution...

ED BAYNARD (American, 1940-2016) Flowers, Flowers in a Vase, Etching. 1979/1980, Hand signed, dated l.r., Hand numbered from small edition 12/24, Dimensions: 23 by 19 in. Framed 25 by 21 in Born in Washington, D.C. in 1940. Raised in Washington, D.C. and newly graduated from high school, he flew to Europe living off and on in Paris and London. During this time, he designed costumes for Jimi Hendrix, worked as a graphic designer for the Beatles as well as Elizabeth Taylor and Richard Burton. Returning to New York, he dedicated his life to art after a surprise success with his first show in 1971 at the Willard Gallery in NYC. Ed's images are Zen-like in their simplicity and grace rendered in a flat, graphic style that recalls Japanese Ukiyo-e prints. His watercolors are luminous, like the rest of his representations regardless of the medium. The Japanese inspired ukiyo-e style woodblock prints and lithograph works he created at Tyler Graphics in 1980 contain a 20th century "floating world" sensibility. Ed's wish was to bring harmony, color, and a meditative stillness to this chaotic planet. He did so in a gentle and powerful way, always as an expression of his deep gratitude for the love and beauty, friendship, and concerns he held dearest. His first solo exhibition was in 1971 at New York's legendary Willard Gallery on the recommendation of Agnes Martin. Baynard went on to have exhibitions at galleries including Betty Parsons Gallery, New York (1973); Marian Goodman Gallery, New York (1977); John Berggruen Gallery, San Francisco (1980); and Barbara Gladstone Gallery, New York (1980/81).. Baynard manages to retain a simplicity of form inspired by a love of Japanese Woodblock prints. His new works reflect the same poetry of his earlier paintings, retaining his stylized compositions with their Zen like minimalism and Oriental calm, along with a new sense of rhythm and movement. Baynard uses familiar themes such as flowers, plants, pots, and vases, incorporating them into his delicate watercolor still lifes, thus creating stunning visual feasts. He was included in the 1972 Landscape exhibition at MoMA NY alone with other luminaries James Boynton, Christo, Jan Dibbets, Minnie Evans...

Agamograph (3D lenticular). From Symphony Suite. Hand signed lower right by Yaacov Agam. Hand numbered 5/25 HC lower left. Artwork size 14.25 x 14 inches. Custom framed as pictu...

Soñar Que Tiene Las Manos Muy Grandes, 2014 Found images transferred to acetate film, collage, acrylics, and graphite. Mixed Media on %100 Cotton Paper Imag...

Coast- original impressionist acrylic painting. ships with the frame included SOLÁ paints in a natural way, which reflects the Old Masters, soaking up the colour, air, smell and the...

Zupan combines images from old masters, alchemical prints, contemporary artists, and bits from magazines and newspapers to create overlapping, intersecting worlds of transparencies a...

Oil on artist board painting by the American artist, Marion Gray Traver. Signed lower left. Composition is done completely with a palette knife. Good condition. In original gold le...

The 'Miami Skin Series' it’s not a traditional collection of photos about the architecture of Miami and Miami Beach. It’s rather a quick journey between its own skin from the Art Dec...

Charles Ford's work is in the permanent collection of the Museum of the City of New York. Another wonderful painting by Charles Ford that shows the great lighting and shadows of New ...

Copper repousse hand hammered iconic image, Judaica, Israeli art.Shlomo Goren (Hebrew: שלמה גורן; February 3, 1917 – October 29, 1994), was a Polish-born Israeli Orthodox Religious Z...

Beautiful WPA era NYC street scene by American artist, Albert Sway (b.1913). Jiggers on Broadway, ca. 1935. Lithograph on paper, image measures 9 x 13 inches. Full sheet measuring 11...

In this new series of wall plaques, titled "Behind Closed Doors," the artist reimagines original images from a book titled In Praise of the Backside. The book's collection features w...

Arbit Blatas (1908 – 1999) Hand signed and numbered to lower edge Ecole de Paris Portrait Printed on Arches French deckle edged art paper 1962 Arbit Blatas (1908 – 1999), born Nicol...

Inflatable Love Doll #9 (2015-2017) Dimensions: 22 in. H x 13 in. W x 12 in. D (70 cm H x 30 cm W x 38 cm D) Concrete sculpture made with plastic and iron. A series of feminine cement chests comprised of plastic sex dolls...

Circa 1900 Signed lower right Sight size 12 x 18 in Overall size matted with period gold leaf frame 22 x 27.5 in

Artist: Ellsworth Kelly (American, 1923-2015) Title: "Susan Sheehan Gallery (Ellsworth Kelly Posters 1951-2001)" *Signed by Kelly in pencil lowe...

As an astute observer of female beauty, Mario Zamparelli showcases his portrait painting skills in this mid-century montage of four stunning young women. The closer the viewer gets...

Enrique Cattaneo (Mexico, 1946) 'Emulando a Allen Jones', 2010 silkscreen on paper Velin Arches 300 g. 15 x 15 in. (38 x 38 cm.) Edition of 40 ID: CAT-311 Unfr...

Walter Schnackenberg’s style changed several times during his long and successful career. Having studied in Munich, the artist traveled often to Paris where he fell under the spell of the Henri de Toulouse-Lautrec’s colorful and sensuous posters depicting theatrical and decadent subjects. Schnackenberg became a regular contributor of similar compositions to the German magazines Jugend and Simplicissimus before devoting himself to the design of stage scenery and costumes. In the artist’s theatrical work, his mastery of form, ornamentation, and Orientalism became increasingly evident. He excelled at combining fluid Art Nouveau outlines, with spiky Expressionist passages, and the postures and patterns of the mysterious East. In his later years, Schnackenberg explored the unconscious, using surreal subject matter and paler colors that plainly portrayed dreams and visions, some imbued with political connotations. His drawings, illustrations, folio prints, and posters are highly sought today for their exceedingly imaginative qualities, enchanting subject matter, and arresting use of color. SCHNACKENBERG BALLET UND PANTOMIME...

Lithograph in colors on wove paper Edition 35 of 75 Signed and numbered in pencil lower right and left: Calder, edition of 75 Published by Maeght, Paris Titled in p...

"Josep Maria Riera I Arago (Spain, 1954) 'Untitled', aquatint, etching on paper 29.4 x 44.1 in. (74.5 x 112 cm.) Edition of 50 ID: RIE-300"

after Egon Schiele (1890 – 1918), AUSTRIA “ART CANNOT BE MODERN, ART IS PRIMORDIALLY ETERNAL.” -SCHIELE Defiantly iconoclastic in life and art, Egon Schiele is esteemed for his mas...

Large magnificent colorful Ruth Schloss oil painting of a child with a wagon with a doll or a baby in a carriage stroller.. Signed in Hebrew size measures 31x43 with frame , 23x35.25 without the frame. (this is being sold unframed). Ruth Schloss (22 November 1922 – 2013) was an Israeli painter and illustrator who mainly depicted neglected scenes such as Arabs, transition camps, children and women at eye-level as egalitarian, socialist view via social realism style painting and drawing. Schloss became Israeli painting’s sensitive, conscious, remembering eye. Ruth Schloss was born on 22 November 1922, in Nuremberg, Germany, to Ludwig and Dian Schloss, as the second of three daughters of bourgeois assimilationist Jewish family well-integrated into German culture. As the Nazis came into power in 1933, her family immigrated to Israel in 1937, and settled in Kfar Shmaryahu, then an agricultural settlement. Schloss studied at the Department of Schloss graphic design at "Bezalel" from 1938 to 1942 alongside Friedel Stern and Joseph Hirsch. She was a realistic painter who focused on disadvantaged people in the society and social matters as an egalitarian. Her realism was thus an “inevitable realism,” motivated by an inner necessity: the need to observe reality as it is. Her painting repeatedly addressed the door pulled from its frame, employing drawing’s unique ability to stop time and prolong the image’s persistence in the retina, she repeatedly committed to paper - in a matter-of-fact, non-evasive manner devoid of mystery – man’s tendency to generate chaos, suffering and pain. Throughout her life, Schloss remained minimalist. Painting about human fate was the main subject of her artworks. Her natural inclination was to describe the darker aspect of human existence. 1930s The Schloss household was characterized by open, liberal spirit, in keeping with the parents’ progressive views. It deeply influenced Ruth’s mental development, as she learned to tie culture and art with sensitivity towards the weak and underprivileged. In Jerusalem, she joined a commune of Hashomer Hatzair in which she shaped her socialist views, which she maintained throughout her long career. 1940s In this period she mainly depicted landscapes of kibbutz and wretched women living hard life, children in huger, older people, refugees. After completing her art studies, Schloss joined a training group at Kibbutz Merhavia in 1942, and after two years moved to Karkur region, the nucleus established Kibutz Lehavot Habashan in the Upper Galilee. Through this time, she fell in love with the surroundings and drew landscapes. They are simple and direct with fresh, lucid lines. These paintings were selected as the main works of her first exhibition in 1949. In early 1945, Schloss started to draw illustrations in the children’s magazine Mishmar Leyeladim, and designed the logo of Al Hamishmar, the paper’s new name in 1948. In 1948, upon the founding of Mapam (United Workers’ Party), she designed her party’s emblem, which became a well-known icon. She kept working as an illustrator for Mishmar Layeladim until 1949. "Mor the Monkey" project yielded financial profits and this income was used for a study trip to Paris for two years. She was succesfull as illustrator however, she had inner conflicts of her identity as witnessed painter toward neglected class in Israeli society. First Exhibition at Mikra-Studio Gallery, 1949 She presented forty drawings on paper in her first solo exhibition, representing a selection of the themes of kibbutz landscape, its lifestyle. Schloss confidently proposed her direction through simplicity without using colors in her drawings. 1950s Between 1949 and 1951, she studied at the Académie de la Grande Chaumière in Paris. She began working in oils, with which she continued throughout the 1960s. The exhibition “Back from Paris” opened in November 1951 at Mikra-Studio Gallery . In 1951 she married Benjamin Cohen, who served as chairman of the national leadership of Hashomer Hatzair Workers Party in Tel Aviv. He was a theoretician and a man of principle, highly esteemed by its leaders who became a professor of history at Tel Aviv University. In 1953, following the Mordechai Oren affair and the publication of Moshe Sneh 's followers from Kibbutz Artzi, she and her husband left the kibbutz and moved to the agricultural farm, Kfar Shmaryahu, where she lived until her death. At a certain point in Israeli history, segments of the socialist movement felt that Israel should become part of the Communist bloc, rather than seek the support of the western world. Because the Schloss couple support of Moshe Sneh’s left-wing party, they had to leave the kibbutz. She loved to depict ordinary women as figurative on her painting without hiding or making up anything. The poet Natan Zach wrote about her works in 1955: “Her motto remains that which has been all these years: life as it is, without bluffing." Schloss’s “Pietà” (1953) became a universal cry expressing the pain of mothers on either side of the divide. In the late 1950s, she was the mother of two daughters. When she drew her daughters, unlike the universal babies she depicted, naked and with clenched fists, the painting of her children employed babyish sweetness to the full in a quiet, peaceful and heart-stirring filling rather than urgency. She also painted children in the transition camp and Jaffa in the 1950s and 1960s. 1960s-1980s – The period of Studio in Jaffa Schloss painted at a studio in Jaffa from 1962 till 1983. In this time, she turned her interest to people around her more than kibbutz – the children, mothers, and poor workers, the alleys and houses. She opened the space to the street and its dwellings, built interactions around it, and was nurtured by the presence of the outside in her work. 1960s Schloss familiarized to an Arab woman, Nabava, lived in poor. Schloss returned to painting images of old people later, and she called her painting figurative elderly people in the old age homes “waiting”. In the late 1960s, Ruth discovered acrylic paint and never turn back to oil painting. In 1965 Schloss devoted a series “Area 9 (1965)”, dedicated to the demolition of Israeli-Arab houses and the expropriation of the land, and carried a definite socio-political messages. The series was exhibited at Beit Zvi, Ramat Gan, in 1966. She was the only artist who addressed the result of the Six-Day War immediately afterward. In 1968, Schloss and Gansser-Markus presented “Drawing of War” in Zurich gallery. She expressed the war as an ultimate expression of destruction and ruin, regardless of victors and vanquished. 1970s In late 1970s Schloss began printing the selected photograph directly on the canvas, posterior reworking it in acrylic. She decided to print her work at Har-El Printers in Jaffa, and these became the surface of her painting. This technique was mainly adopted in two large series: Anne Frank (1979-1980) and Borders (1982). Through this technique she placed the figure of elder Frank next to that of the famous young Frank, and released it at the exhibition at Bet Ariela Cultural Center, Tel Aviv, in 1981. The series touched upon the Nazi Holocaust. 1980s The Lebanon War raised the question of “The Good Fence” and the effect of the war. She dedicated a large series Boarders, one of the most powerful image linked to the series is the figure of Yemenite woman raising her hand. She was the first to raise the Black Panthers demonstration to the level of a social icon. In the 1980s and again in 2000, the Intifada uprisings also led Schloss to the easel to render a good number of representational and symbolic works that in their way denounced Israel's political and military actions. 1990s – 2000s Ruth Schloss never had an exhibition in a major Israeli museum. Her works were presented in private galleries and small museums. The main museums, the Tel Aviv Museum of Art and the Israel Museum, included her works only in group exhibitions, and only in 1991 was her retrospective exhibited at the Herzliya Museum. In the 2000s, Schloss’s metaphors turned into animal kingdom and Bedouins in the south. A huge rhinoceros, birds of prey, and other "bad animals," as Cohen Evron, daughter of Ruth, calls them and "I connected this to the Nazis," said Schloss. Schloss' work after she didn't find human expression able to transmit the endless cruelty she saw in Israel's political mentality. Schloss also continued to follow and collect documentary photographs of destructions of houses from the war, the Intifada, the sequence of her work about ruin from 1949 to 2005, was a cumulative testimony about the painful history of Israel and Palestine. In 2006, a large retrospective exhibition of her work was presented at the Museum of Art in Ein Harod, curated by Tali Tamir. Education 1938-41 Bezalel Art Academy, Jerusalem, with Mordecai Ardon 1946 painting course for Kibbutz Artzi artists with Yohanan Simon and Marcel Janco 1949-51 Académie de la Grande Chaumière, Paris Awards and recognition 1965 Silver Medal, International exhibition in Leipzig, Germany 1977 Artist-in-Residence, The Cité Internationale Universitaire de Paris Selected solo exhibitions 2004 “Micha...

Artist: Walasse Ting (Chinese-American, 1929-2010) Title: "Untitled (Fresh Air School)" Portfolio: Fresh Air School *Unsigned edition Year: 1972 Medium: Original Lithograph on white ...

The artist's photographs capture the transformation of everyday life into another reality. Images that explore what the future will be like. Industrial, eccentric and progressive, Ca...

27 x 44 in Edition of 9 EUR 3.500 35 x 57 in Edition of 9 EUR 5.500 48 x 71 in Edition of 9 EUR 7.100 Dye Sublimation on Aluminum 48 x 77 in Edition of 9 EUR 9.100 Dye Sublimation...

The bodegones are a pictorial interpretation based on a research project of the famous chef Juan Carlos Franco, on old food recipes of different periods in history. The photographer ...

"Boris Viskin (Mexico, 1960) 'Untitled 1', 2015 woodcut on paper Velin Arches 300 g. 13.2 x 52.8 in. (33.5 x 134 cm.) Edition of 30 ID: VIS-101"

Donn DeVita: 1913-2010. Listed American artist who lived most of his career in East Dennis,Massachusetts on Cape Cod.This charming beach scene with a seal measures 30” x 20”. The fra...

‘Speedy on Adderall’ Pink Foil Edition (2020) Seven-Layer Screen Print with hand-finished pink foil 61cm x 61cm / 24 x 24” Edition of 5 / 5 A.P.’s (Artist Proofs) Stamped, signed and...

Lithograph in colors on Arches paper. Hand signed and numbered by Marc Chagall. Mourlot 713. Edition 41/50. Image size 27.25 x 21 inches. Sheet size 32 x 24.25 inches. Frame ...

Judaic oil painting by Krakow, Poland born artist Mark Siegband. Signature on top left. Framed w title plaque on frame. He is one of many great Jewish Polish artists that included Le...

Louis C. Tiffany Twelve-light Lily table lamp, ca. 1910 Patinated and acid-etched bronze and hand-blown favrile glass 20 x 16 x 16 in Provenance: Private Collection, California. Li...

A vibrant vintage oil painting on canvas depicting a majestic sailing ship cutting through rolling ocean waves under a luminous sky. The composition centers on a fully rigged vessel ...