Greece - Seating

A quietly powerful work, the Cathedra Seat reflects Alentes’ devotion to form, craftsmanship, and the timeless architectural language that informs the studio’s practice. Entirely han...

This stunning and amazingly comfortable sofa in the manner of the iconic Erasmo sofa from Afra & Tobia Scarpa for B&B Italia , is a beautiful example of 1970s Italian design. Curren...

Joe Colombo’s ‘Universale’ chair, Kartell late 1960s. Solid, stackable, and colorful, this red Universale chair reflects a late-1960s enth...

‘Dangari’ armchairs by Pierre Paulin for Allibert, 1978. Injection-molded “Ultra Resin” The ‘Dangari’ was one of Allibert’s best-selling chairs for many years. Even today, Allibert i...

Baisity sofa designed by Antonio Citterio for B&B Italia, 1980s. Original fabric with extraordinary paisley pattern and leather. Excellent condition

This is a stunning and extremely rare pair of armchairs by Gerard Guermonprez on their original 1970s velvet fabric. They have a sort of box shape with low armrests and comfortable ...

Togo toffee leather 3-seater sofa by Michel Ducaroy for Ligne Roset, 1973. A Ligne Roset classic of all-foam cushion seating with no hard points. Michel Ducaroy’s Togo has been the u...

Penelope chair designed in 1982 by Charles Pollock for Anonima Castelli. Steel-wire sled base supports a seat permeable to air which consists in a steel...

Vicario armchair designed by Vico Magistretti for Artemide, Italy 1970s. In production from 1970 until the mid-70s. Made of fiber glass, this armchair is characterized by fluid shape...

White lacquered sofa 3 seats model Bastiano by Tobia Scarpa for Gavina italy 1960s The lot is in good overall condition with no cracks or mis...

The ‘Willow’ armchair designed by Charles Rennie Mackintosh for the ‘Willow Tea Room’, Glasgow 1904. This masterful modern armchair is an expert re-edition by Cassina. In its origi...

'Mix' swivel desk chair byAfra and Tobia Scarpa for Molteni, 1970s. Beautiful, graphic design, rare find in very good condition!

Objects of common interest is formed by Eleni Petaloti and Leonidas Trampoukis with the focus in creating still life installations and experiential environments and objects, demonstr...

Black leather lounge chair Baisity designed by Antonio Citterio for B&B Italia, 1980s The Baisity armchair has some unique design features. The front is raised on castors, the back ...

Minimalistic and sleek design by Piero Lissoni for Kartell. 3 modular leather pieces that can be combined according to one's needs.

A quietly commanding work, the Medusa Bench expresses Alentes’ devotion to form, craftsmanship, and the sculptural language that defines the studio’s practice. Shaped with Alentes’ signature undulating base and softened, tactile edges, its solid mass lends exceptional stability. Suitable for both indoor and outdoor environments (with care to avoid prolonged exposure to standing water...

Edvin Helseth armchair for Tribo Sweden 1960s. Good condition. Price for 1 armchair Norwegian interior designer born in 1925, Edvin Helseth opened his own practice in 1949. His Module 5-15, System BBB and other designs became popular in Europe. In 1966 he designed the Trybo armchair for Stange Bruk...

Vintage Very Red Rey chair designed by Bruno Rey, produced by Dietiker 1971. (Not Hay) Rey chair became one of the most iconic pieces of Swiss industrial design. Made of local beech ...

A pair of purple Postmodern Memphis style bar stools, Italy 1980s. Periwinkle purple lacquered steel with black moulded rubber seats and backs. Ver...

A set of 4 vintage plia straw chairs designed by Giancarlo Piretti for Castelli, 1970s. Excellent condition with the seats being reweaved, like new.

The DAX chair combines the shell of the 'Eames armchairs' with a classic four-legged base and is thus a realisation of the chair concept created by Charles and Ray Eames in the 1950s. Thanks to its relatively simple appearance, the dax chair is undoubtedly the most versatile of Eames plastic chairs...

B&B Italia’s Le Bambola has received a radical redesign for its 50th anniversary by its original designer, Italian architect Mario Bellini. Le bambola was designed in 1972 and awarde...

Quinta chairs by Mario Botta for Alias, 1985.

A set of 4 Iconic "Flamingo" chairs by Eero Arnio for Asko Finland White painted wood , some paint chips see photos. Vintage yellow fabric. Bo...

A Mid-Century Modern set for the living room. The set gives a touch of nostalgia and warmth The set consists of : Two armchairs, one 3seater sofa and one 2seater sofa. Dimensions: Ar...

Strip chair by Dutch designer Gijs Bakker for Castelijn, 1974. A rare version with armrests, only a limited amount had been produced. Made of 8 bended ...

White circo chair by Jutta and Herbert Ohl for Lübke , Germany 1980s.

A cool pair of Japanese "La Cuza" low chairs by Yasushiro Shimuzu for Tendo Mokko, 1980s Bentwood, adjustable headrest and seat pad in gray-green fabric.

Black glossy stacking chair SM400 by Gerd Lange for West German manufacturer Drabert, 1980s. Gerd Lange's chairs have been extremely successful.He had a decisive influence on the des...

Alekos Fassianos Estate and Carwan Gallery present the first retrospective of the late artist’s design works. Carwan Gallery will replicate new, small editions of most of Fassianos’s...

System 1-2-3 chaise longue designed by Verner Panton, manufacturer Fritz Hansen 1973-1974. This Serial production model seat in S-shape, was designed in cantilever form and consists ...

Teak bench and chest by Tingstrom Sweden, 1960 Good vintage condition, upholstered with original fabric.

5 black lacquered wood chairs with Vienna straw designed by Pierluigi Molinari for Pozzi. Beautiful design with metal details and backrest in a single piece of curved wood.

Jorge Zalszupin (né en 1922) Pair or armchair Modèle "Ouro Preto" in solid Rio palissander and original beige leather Made in Brazil around 1960 Good condi...

The fully upholstered DAX chair is part of the Eames plastic armchairs collection, first presented as part of a New York Moma competition. An iconic piece o...

A pair « Clam » chair in the style of Philip Arctander or Arnold Madsen. Made in natural Oak and covered with white lamb skin probably around 2000's . ...

Rediscovered in 1748, after being buried for almost two millennia under a blanket of lava and ash following the eruption of Vesuvius, Pompeii redefines our relationship with the past through its generative potential between reality and imagination. Defined by Goethe “An incredible place, worthy of peaceful thoughts”, Pompeii has the power to transform inanimate archaeological material into narrative matter, merging past and present in a relationship of reciprocity and interaction. Exploring the site, today as then, it is possible to admire the interiors decorated with frescoes that reproduce architectural partitions or that tell stories of myths and divinities, in rooms set up with marble elements that the owner used to display his most precious objects. The Pompeian frescoes were made according to different techniques with colors obtained from earth and minerals such as cinnabar (Pompeian red), ochres (Pompeian yellow), by oxidation processes of metals as in the case of cerulean or by the pulverization of roots and animal bones as in case of greens and blacks. DOMUS POMPEII is a capsule collection of five side...

Set of 2 Bar stools, black lacquer, black metal.Italy 1980s. Beautiful design in excellent condition. The seats rotate 360* Price is for the set of 2.

Set of 4 Tan leather stacking chairs made of curved chromed steel and leather. Manufactured by Arrben, 1980. Excellent condition.

High back chair with curved lines in black lacquered wood and cognac leather seat.Designed by Antonio Sibau, Italy 1980s

These stackable stools or side tables are made out of compressed or pine plywood and are manually coated and coloured. Arranged individually, their el...

Sofa by Folke Ohlsson " Colorado" made by Bodafors teak wood Sweden 1960 signed underneath the frame. Good vintage condition. Teak wood frame in good condition. With a timeless, teak-laden style—so emblematic of Scandinavian modernism—Swedish furniture designer Folke Ohlsson is perhaps best remembered for his outsized role in progressing the popularity of Scandinavian furniture...

Aage Christiansen swivel chair. Erhardsen & Andersen Denmark 1960s Teak wood Frame in good condition. Upholstered in its original green fabric Good...

Chair by Alf Svensson model " Teve " for Ljungs sweden 1960s, in its original turquoise green leather. good condition . Leather with some sign of wear. Swedish furniture designer Alf Svensson (1929-1992) was particularly active from the 1950s through the 1970s, creating storage furniture, tables and seating for several influential brands. Information about Svensson is scarce, and while it is clear that his work encompasses many different areas of furniture design, his seating furniture is the most common in the vintage market...

Rediscovered in 1748, after being buried for almost two millennia under a blanket of lava and ash following the eruption of Vesuvius, Pompeii redefines our relationship with the past through its generative potential between reality and imagination. Defined by Goethe “An incredible place, worthy of peaceful thoughts”, Pompeii has the power to transform inanimate archaeological material into narrative matter, merging past and present in a relationship of reciprocity and interaction. Exploring the site, today as then, it is possible to admire the interiors decorated with frescoes that reproduce architectural partitions or that tell stories of myths and divinities, in rooms set up with marble elements that the owner used to display his most precious objects. The Pompeian frescoes were made according to different techniques with colors obtained from earth and minerals such as cinnabar (Pompeian red), ochres (Pompeian yellow), by oxidation processes of metals as in the case of cerulean or by the pulverization of roots and animal bones as in case of greens and blacks. DOMUS POMPEII is a capsule collection of five side...

Il Poltrone lounge chair designed by Titiana Ammannati and G.P Vitelli, as part of the Il Poltoni 175 series, for Comfort Italy 1973.

The Mandarin chair by Ettore Sottsass for Knoll, 1986. The Mandarin Chair was a particular favorite for corporate interiors, restaurants and libraries. Its flowing, sculptural arm in...

Objects of common interest is formed by Eleni Petaloti and Leonidas Trampoukis with the focus in creating still life installations and experiential environments and objects, demonstr...

A gorgeous 1970s Italian and super comfortable lounge chair. This lounge chair sold as a single in this listing but we have them listed as a set of three and two as well. The armch...

Objects of common interest is formed by Eleni Petaloti and Leonidas Trampoukis with the focus in creating still life installations and experiential environments and objects, demonstr...

This bench is structured and lined with beechwood in a traditional craftsman's workshop on the island of Tinos, in Cyclades, Greece. Measures: 45 cm x 140 cm x 45 cm. The furni...

Table with metal base made of MDF lined beechwood. The base is bent, galvanised metal, oven-painted with acrylic grey color. Measures: 86 cm x 140 cm x 76 cm The adjacent stool (...

Objects of common interest is formed by Eleni Petaloti and Leonidas Trampoukis with the focus in creating still life installations and experiential environments and objects, demonstr...

Rediscovered in 1748, after being buried for almost two millennia under a blanket of lava and ash following the eruption of Vesuvius, Pompeii redefines our relationship with the past through its generative potential between reality and imagination. Defined by Goethe “An incredible place, worthy of peaceful thoughts”, Pompeii has the power to transform inanimate archaeological material into narrative matter, merging past and present in a relationship of reciprocity and interaction. Exploring the site, today as then, it is possible to admire the interiors decorated with frescoes that reproduce architectural partitions or that tell stories of myths and divinities, in rooms set up with marble elements that the owner used to display his most precious objects. The Pompeian frescoes were made according to different techniques with colors obtained from earth and minerals such as cinnabar (Pompeian red), ochres (Pompeian yellow), by oxidation processes of metals as in the case of cerulean or by the pulverization of roots and animal bones as in case of greens and blacks. DOMUS POMPEII is a capsule collection of five side...

Exclusive colour for Carwan Gallery.

Brutalist building SESC Pompeia, by Lina bo Bardi (Sao Paulo) is a guidance within the process for ‘windows of bo bardi’. The interventions Lina bo Bardi, Italian-Brazilian architect...

The new commission by Carwan Gallery is a reflection on the link between India Mahdavi’s work and the erasure of colour. from classical art and architec...

Ruins by Roberto Sironi is a series of works that re-signify architectural fragments belonging to different historical periods and great archaeological sites, modelling the forms acc...

Ghaith Abi Ghanem & Jad Melki trained at Raëd Abillama Architects (Lebanon) and at Herzog and de Meuron (Switzerland), before setting up their col...

Jeonghwa Seo is a Korean designer whose practice is mostly based in furniture manufacture. Having studied at Hongik University in Korea before obtaining a master degree from the Desi...