Delphi Chair in Marmo di Rima

Ruins by Roberto Sironi is a series of works that re-signify architectural fragments belonging to different historical periods and great archaeological sites, modelling the forms acc...

Ruins by Roberto Sironi is a series of works that re-signify architectural fragments belonging to different historical periods and great archaeological sites, modelling the forms acc...

Ruins by Roberto Sironi is a series of works that re-signify architectural fragments belonging to different historical periods and great archaeological sites, modelling the forms according to new aesthetic representations. The project relates constructive elements of the classical era, such as bases of columns, capitals, sections of an amphitheatre, with rudiments of the industrial era, such as the double-T beams and the reticular structural elements. Roberto Sironi elaborates on the concept of ruins according to a new perspective. Conceived as contemporary ruins, imaginary simulacra and/or programmed artifices – the materials and techniques of execution do not correspond to the original. The work shows how different fragments of architectural remains can be overlaid and re-signified, resetting the temporal distances and suspending the notion time. The composition of the colors of the Marmo di Rima in the Hubert Mirror, takes inspiration from the romantic painters of the eighteenth century, namely Robert Hubert...

Ruins by Roberto Sironi is a series of works that re-signify architectural fragments belonging to different historical periods and great archaeological sites, modelling the forms acc...

Ruins by Roberto Sironi is a series of works that re-signify architectural fragments belonging to different historical periods and great archaeological sites, modelling the forms acc...

Ruins by Roberto Sironi is a series of works that re-signify architectural fragments belonging to different historical periods and great archaeological sites, modelling the forms according to new aesthetic representations. The project relates constructive elements of the classical era, such as bases of columns, capitals, sections of an amphitheatre, with rudiments of the industrial era, such as the double-T beams and the reticular structural elements. Roberto Sironi elaborates on the concept of ruins according to a new perspective. Conceived as contemporary ruins, imaginary simulacra and/or programmed artifices – the materials and techniques of execution do not correspond to the original. The work shows how different fragments of architectural remains can be overlaid and re-signified, resetting the temporal distances and suspending the notion time. The Volubilis side table refers to the archaeological ruins of the Roman era of Volubilis, Morocco. The archetypal shape of the classical capital...

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Marmo chair in wood by Nathalie Du Pasquier by Post Design collection/Memphis Additional Information: Mahogany structure, seat in wood veneer, back in ...

Single chair produced by Rima from the 1950s, model DU 22, designed by Gastone Rinaldi.

SOLD AS A SET OF FOUR Gastone Rinaldi (1920-2006) was a brilliant designer who also played football for AC Padua and AC Udinese in the 1940s. He took over RIMA, the metal furniture ...

Pair of eco-leather and iron armchairs, Italian production of the 1960s attributable to the designer Gastone Rinaldi for Rima, the beautiful armchairs are in excellent condition, but...

Original and particular children's chairs Mid-Century Modern Italian design iron plastic multi-color. Measures: Green H.52, W.49, D.42, sitting cm.27 Blue H.52, W.50, D.42, sitting...