Madrid

Inspired by the rhythmic façade of Gio Ponti's Albergo di Roma in the 1960s, Ponti Earrings translate architectural lightness into geometry. The design echoes the modular pattern of...

PAIR OF ENGLISH STAFFORDSHIRE DOGS 19th Century Earthenware English in molded, relief and gilded ceramics. Wear on the gold. Height: 38 cm. good conditions for the time

Decorative cups in onyx and gold bronze from the Art Deco period of the 1920s in excellent condition measurement: 25 x 8 x 9 cm Very good condition.

ROMANTIC SEAT 19th-century Portuguese rosewood sofa. Cane seat and back. Dimensions: 102 x 182 x 56 cm Good condition

Table lamp mod Shogun designed by Mario Botta for Artemide. Made of steel and aluminun. Adjustable lamp top made of perforated metal sheet. Italy 1980s. The lamp features a distinct...

Elegant 19th-century portable sundial, signed “Dollond London”, finely crafted in wood and brass. The renowned Dollond family of London were among the most distinguished makers of sc...

20th Century French School "Cupid" Oil on canvas Signed lower left 90 x 60 cm unframed 100 x 70 cm framed Very good condition

CUZCO SCHOOL 18th Century CORONACIÓN DE LA VIRGEN unsigned oil on canvas 65-1/2 x 42-1/8 inches (166 x 107 cm.) framed: 66-1/2 x 43-1/2 inches (169 x 110.5 cm.) PROVENANCE Private C...

A pair of Spanish wall sconces, from the 1950s, are made with gilt metal imitating plant leaves, each sconces have six arms with a false c...

Impressive set of four cast iron figures symbolizing The Four Seasons, made in Italy during the 1950s. Each statue is finely detailed, showcasing expressive drapery and classical fea...

Five-armed metal and glass floor lamp on circular stone base by Arlus, circa 1960. The lamp has been partially restored and has new glass shades. As seen on photos, the light can be ...

"THE FOUR SEASONS" Art Deco French School beginning 1900 watercolor on paper. Framed. Dim.: 114 x 47 cm. good conditions

Cameo or intaglio, possibly Venus and Cupid. Glass. Possibly Italy, 19th century. A female figure is shown lying down, half-naked, holding a jug or amphora in her hand, while a win...

Venus and Mercury, relief. Molded alabaster. 20th century, Inspired by the model of SPRANGER, Bartholomäus (1546-1611). Panel with figurative relief and a fine frame around it made ...

This Italian sideboard, designed by L.A. Studio, features a sophisticated composition with two central sliding doors and two folding doors. Crafted from solid oakwood, its structure ...

Largest collection of Portuguese tiles in the world 18th century Portuguese "Vase" Measures: 131cm x 131cm 110 tiles Important note: This panel is with the tiles restored 18th cen...

Wall Mirror Portuguese, early 20th century, with carved, openwork, and gilded wooden frame. Signs of use. Dimensions: 124 x 74 cm Good condition

EMILIO GRAU SALA Spanish, 1911 - 1975 INTERIEUR AUX FLEURS JAUNES signed "Grau Sala" (lower left) signed again, located, dated and titled "Grau Sala, Paris 61, Interieur aux fleurs jaunes" (on the reverse) oil on canvas 15 x 18-1/4 inches (38 x 46 cm.) framed: 23-1/2 x 26-1/2 (59.5 x 67 cm.) PROVENANCE Private Parisian Collection Interieur aux fleurs jaunes This interior with two female figures where also the plans made in different colors are drawing the composition. The abundant pictorial material distributed in geometric portions, gives life to the tablecloth and mother and daughter figures, in black and white colors of the jacket, while the black line takes care of the environments so as not to separate them. The fruit bowl and flowers give a cheerful touch with their pastel tones. Emilio Grau Sala came from a family of artists. He was born in Barcelona in 1911 and his father, a good cartoonist, had been one of the promoters of the "Salon des Humanistes" and made his exhibitions normally in "Sala Parés", Barcelona. His first works were exhibited at the Salon des Independents. In the years 1930-33 he had painted under the influence of Cubism, especially that of Torres García. It is from that time a painting of the port of Barcelona, ​​geometric and structural, which completely anticipated what would later be his work. His personality began fully painting watercolors and oils with a certain fantasy character, with a point of decorative instinct and themes full of naivety and grace. Romantic interiors, paddocks, port scenes, sailors, etc. Grau Sala was essentially a Mediterranean painter, son of post-impressionism and enriched with French painting of the last fifty years. Mediterranean because his work has the color and light of that land. He understood and assimilated impressionist painting very well, and for that reason he was never subject to the modules of a formulist realism, nor the sexigencias of the forms. In Paris he found the best environment to give us a fruitful and intense work, because he could use the expressive potential of French art to enrich it. All this made him a very esteemed artist everywhere where his work was known. He was also very often required to illustrate books and publications in Paris. Also his posters were very successful. He painted a large number of subjects, but perhaps the theme of horse racing is where you can see in a very clear way the joyful and optimistic life that was lived at that time. In this fabric there is an explosion of juicy and vivid colors full of ingenuity and simplicity in its composition. Only a teacher could turn the complicated into something simple and beautiful. Before this work we feel a deep emotion, the emotion of before starting a horse race. Joy and nervousness at the same time. Especially since it is a direct emotion. There are no intermediaries between our eyes and what the work intends to tell us. This is precisely what seduces and catches us of this painting. His works can be found in the Museums of the Villa de Paris, L'Ile de France Museum, at the Château de Sceaux, Honfleur Museum, La Rochelle Museum, Barcelona Museum...

Beautiful Pair of Terracotta Impruneta Dogs - H 70 cm began 20th Century Italy-Florence Provenance: private collection. The anatomical quality is magnificent. Of appropriate size, ...

Our Lady of Valvanera, oil on copper. Spain, 17th century. Height: 20 cm - Width: 14.4 cm. Certificate of Govaert, 1986. Our Lady of Valvanera The Virgin of Valvanera is a Marian devotion from the Sierra de la Demanda, in La Rioja (Spain), a community of which she is the patron saint and one of the patron saints of the autonomous communities of Spain. The current image is a carving considered to be early Romanesque, from the end of the 11th century AD or beginning of the 12th century AD. The Catholic Church commemorates the feast of the devotion on September 8. The appearance of the image is recounted in the Historia Latina, written in 1419 by Rodrigo de...

Indulge in the timeless elegance of Giuseppe Andreoni's masterful alabaster sculpture, a faithful replica of the iconic Baptistry in Pisa. Crafted in the mid-19th-century, this exqui...

Large-format artisan wall-hanging, meticulously handmade from 100% raw cotton thread derived from the agave plant, featuring natural dyed details. This textile piece offers a contemp...

Pair of "Soriana" armchairs designed by Tobia Scarpa and edited by Cassina. Structure in chromed steel and upholstered in bouclé fabric, Italy, 1960s. Afra (1937-2011) and Tobia (193...

Pot with Lid Japanese, 19th century in bronze, Meiji period (1868-1912), profusely decorated with dragons. Dimensions: (height) 29.5 cm good condition

A finely carved and polychromed wooden figure depicting Saint Francis Xavier, attributed to the Mexican Colonial School and dating from the 18th century. The saint is represented st...

JEAN-ANTOINE HOUDON'S "SCORTICATO" IN PLASTER early 20th Century 1: 1 reproduction in plaster of the head of the Flayed by the French sculptor Jean-Antoine Houdon (Paris, 1741-1828). He studied in Rome, at the French Academy...

Set of two sconces designed by the iconic Charlotte Perriand for Steph Simon, circa 1960. These mid-century modern wall lights feature an adjustable main structure, allowing for flex...

Pair of candlesticks. Bronze (blued and gilt). France, circa 1800. A pair of six-light bronze candelabras, a type often called "tripod" due to their shape. A base with three projections, placed on inverted truncated pyramidal architectural elements and with reliefs and medallions on the exterior faces, serves as the base for three seated sphinxes made of burnished bronze with gilded tails. From their backs, three upward-facing rods emerge, each ending in children's heads with butterfly wings. These sphinxes are decorated with raised candelabras secured by an openwork band (note the spiraling bouquet inside). From the heads, a circular shape with projections emerges, on which the actual shaft of the candelabra rests, topped with a pomegranate on a floral arrangement. The arms of the candelabras, ending in lighters, feature delicate scrolls and rooster heads. Note the varying textures of the material and the great amount of detail present in the architectural, vegetal, and figurative elements. The design of these vase shaped candlesticks was enormously successful, and numerous variants with slight modifications were subsequently created, including sphinxes and goat heads. On April 16, 1787, François Rémond (c. 1747–1812) supplied Daguerre with eight “girandoles en trepied” (as they were often known in literature), identified by some experts as the eight candlesticks of this model purchased from Daguerre by George, Prince of Wales, later King George IV, for Carlton House. The largest, ten-light model with a vase and rooster heads, was created around 1786. A pair of this model is recorded in the 1836 Inventory of the Legendre de Lucay collection, and another pair is known to have been commissioned for Marie Antoinette's Salon des Nobles at Versailles. Compare this example with the griffin chandelier...

Designed by Paolo Piva in the early 1980s, the Alanda coffee table is one of the most celebrated icons of Italian postmodern design. Distinguished by its sculptural geometric base an...

Modern sculptural beautiful concave French mirror. Wall hanging artwork handmade in pink molded glass and colored lenses. Finished with bronze finial d...

Roman school of the 17th century Jesus among the Doctors 103X71 cm good conditions Jesus among the doctors is a fresco (200x185 cm) by Giotto, dating back to around 1303-1305 and pa...

Vase. Glass. Following models by Émile Gallé (Nancy, 1846-1904). Vase made of glass, with white, brown and goldstones, following both in technique and decoration the well-known Art ...

Elegant Art Deco style ring crafted in platinum, featuring a central diamond and a round-cut emerald. A timeless design with intricate setting work, ideal for collectors and fine jew...

Important Portuguese Commode 18th Century in carved Brazilian rosewood, with 2 drawers Wavy body, protruding carved pilasters, decorated with vegetal rolls. Sits on curved feet endin...

Brillo Box YP x Andy Warhol Date of creation: 2024 Medium: PVC or Silicon piping with LED lights mounted on recycled acrylic board Edition: 500 Size: 62 x 60 cm Condition: Brand new...

ITALIAN COUNTER/CABINET WITH TREMPE 19th Century Italian, 19th century. with ebony marquetry, ebonized wood with engraved ivory applications, decorated with "Compositions with mythol...

PAIR OF HUGE SANDSTONE PYRAMIDS WITH SPHERE AND BASE early 1900 A beautiful pair of gray sandstone pyramids, crafted to perfection. These artifacts date back to the early 1900s, and...

Extendable table designed by Luigi Scremin (1897-1983). Board made of birch wood with a blue laminated central detail. The base structure consists of black lacquered iron with adjust...

This contemporary ring from the 20th Century is crafted in platinum and features a Colombian emerald and tear-shaped Diamonds. The central emerald is cut in an emerald shape and weig...

Important Circle of Jusepe de Ribera (1588/91-1652), "Portrait of a Bearded Man," 17th century, oil on canvas 64 x 49 cm (25.2 x 19.2 in), Frame: 85 x 70 cm (33.4 x 27.5 in) Good con...

An exceptional and highly decorative Art Nouveau–style floor lamp, meticulously handcrafted in crystal through the assembly of multiple individually shaped elements. Each piece has b...

Elevate any interior with this stunning pair of contemporary armchairs, handcrafted in solid walnut wood and upholstered in an elegant ivory bouclé fabric. These chairs offer a harmo...

Felipe Pantone CHROMADYNA MICAP #5 Date of creation: 2020 Medium: Lithograph on paper Edition : 30 Size: 75.5 x 55.5 cm Condition: New, in mint condition and never framed Lithograph ...

Important set of four monumental garden urns, crafted in France in the 19th century, combining cast iron vases with their original terracotta pe...

Rectangular Coffee Table by Milanese Studio Superego Introducing the elegant rectangular coffee table designed by the renowned Milanese Studio Superego. This stunning table is craft...

These stunning Art Deco earrings from the 1930s feature a beautiful combination of diamonds and pearls, set in 18k gold and platinum. A true vintage treasure with intricate details. ...

Eastern box office. Carved wood, metal. XIX century. Wooden block on legs (the front ones are carved) that has two doors at the front with metal handles and a decoration based on pa...

table with hairpin clips. Walnut wood, wrought iron. Spain, 17th century. table made of carved and turned walnut wood with four A-legs, two wrought iron hairpin clips and drawers on...

"Terracotta Apple Sculpture – Tuscany, 1950s" Materials: Terracotta and bronze Origin: Tuscany, Italy Period: 1950s Dimensions: 44 x 35 x 18 cm Unique decorative sculpture in the sh...

An intriguing 18th-century drawing, dated May 6, 1780 (or possibly 1770). This delicate artwork depicts the portrait of a young woman, executed with exceptional skill and attention t...

Oriental wedding basket. Vegetable fiber, wood and metal. China, early 20th century. Wedding basket with two articulated compartments, constructed using basket...

This impressive early 20th-century Italian table, originating from Naples, is a striking combination of craftsmanship and whimsical design. The solid wood structure is complemented b...

English School 17th Century "Portrait of George Villiers Duke of Buckingham" Oil on canvas 66X53 cm size without frame George Villiers, 1st Duke of Buckingham (Brooksby, 28 August 1...

The Lotus flower is regarded in many different (buddhist) cultures as a symbol of purity, enlightenment, self-regeneration and rebirth. Its characteristics are a perfect analogy for the human condition: even when its roots are...

PABLO PICASSO (1881-1973) Joueur de flûte et chèvre (A.R. 382) stamped 'Madoura Plein Feu / Empreinte Originale de Picasso' (on the reverse) ...

Table clock, Apollo. Bronze, marble. Model of Lenoir-Ravrio, Louis-Stanislas(1783-1846). Paris, around 1820. Table clock composed of a staggered rectangular base made of red veined...

Italian Table in Ebonized Wood and Engraved Inlays 19th Century Milan-Italy rectangular in shape, opening to a drawer, with arabesque decoration of stylized foliage, chimera and vase...

Oil on canvas. Signed in the lower right corner. Émile Bemindt was a French artist active between 1859 and 1872 and is best known for his work in the Ro...

Elegant silver plated metal and ivory samovar of high quality. It stands on three claws holding ivory balls. The spout is shaped like a bird of prey. Beautiful carving working ivory ...

Framework. Carved wood, late 17th-early 18th century. Rectangular frame that presents a "base structure" of straight lines, combining moldings of different widths and finishes (inside, a golden band with Fine plant details towards the corners; then a thin red one, and a wider green one, these two the latter imitating marble; outside, another fine gilt molding), enhanced with a series of carvings of vegetal elements in the corners (symmetrical composition), two ovoid elements on the long sides and a highly elaborate cresting with vegetal elements, rockeries, scrolls, flowers and imitation of fabrics (which are joined with those ovoid elements mentioned). The combination of red, green and gold is common in certain types of frames (compare, for example, with the terracotta of Salamanca made around the middle of the 16th century by Juan de Juni, which is kept in the Victoria and Albert Museum). On it, a series of carvings with a lot of movement and depth have been added, showing Baroque influence (reminiscent in certain details of works such as the frame of the Immaculate Conception by Alonso Cano...