Madrid - Art

Takashi Murakami - PANDA FAMILY AND ME Date of creation: 2013 Medium: Offset lithograph with silver on paper Edition: 300 Size: 50 x 50 cm Observations: Offset lithograph with silver...

ANTONI CLAVÉ Spanish, 1913 - 2005 STILL LIFE signed "Clavé" (lower right) inscribed and signed "Ce tableau a ete peint par moi vers 1946. / Clavé" (on the reve...

Diseminación is a mixed media work by Spanish contemporary artist Daniel Verbis (b. 1968, León, Spain), created in 2008. The piece combines paint, wood, plastic, and PVC, reflecting...

FRANCISCO BORES Spanish, 1898 - 1972 LA TABLE GRISE signed and dated "Borès 48" (lower right) oil on canvas, laid on wood panel 23-5/8 x 32 inches (60 x 81 cm.) framed: 32-1/3 x 40 i...

ESTEBAN VICENTE (1903-2001) "Composition" signed, described, titled and dated "Esteban Vicente / oil on canvas / 42" x 52" / Composition / 1997" (on the reverse) oil on canvas 42 x 5...

CARLOS CRUZ-DÍEZ - CROMOVELA TRIPTYCH 13 Date of creation: 2018 Medium: Polychrome ceramic Edition: 8 Size: 60 x 50 x 13 cm Condition: In mint condition This beautiful sculpture con...

JAVIER CALLEJA - NIGHTLIGHT MUSHROOM Date of creation: 2023 Medium: Rotomolded vinyl Edition: 1500 Size: 26 x 20 x 20 cm Condition: In perfect conditions, brand new The Nightlight M...

CARLOS CRUZ-DÍEZ - COULEUR À L’ESPACE ARIEL Date of creation: 2011 Medium: Chromography on PVC and steel Edition: 75 Size: 52 x 12 x 12 cm Condition: In perfect conditions, brand new...

AI WEIWEI - CEDAR (I) Date of creation: 2023 Medium: Cast aluminium Edition: 50 + 2 A/P Size: 20 x 15.8 x 14.4 cm Condition: In mint conditions, brand new and never displayed ABOUT...

CARLOS CRUZ-DÍEZ - CROMOVELA 22 Date of creation: 2018 Medium: Polychrome ceramic Edition: 20 Size: 80 x 21 x 16 cm Condition: In mint condition This sculpture belongs to one of the...

PABLO PICASSO (1881-1973) "Trois poissons sur fond gris" (A.R. 396) stamped, marked and numbered "Edition Picasso / Madoura Plein Feu / N 106 / Edition Picasso / 80/175" (on the reve...

VICNTE PALMAROLI y GONZÁLEZ Spanish, 1834 - 1896 PLAYING HIDE AND SEEK signed "V. Palmaroli" (lower right) oil on mahogany panel 17-3/4 x 13-1/2 inches (45 X 34 cm.) framed: 25-1/4 X 21-1/4 inches (64 X 53.7 cm.) PROVENANCE Leslie Hindman Inc., Auctionners Private Collector, Madrid Oil on table by Vicente Palmaroli...

M272 (Abstract new media) Digital creation, printed on Hahnemühle Photo Rag de 308 gr - Unframed. Fluctuating between illustration and expressionism, connecting the geometric and b...

I painted this view of the Venice canal on a foggy gray morning, playing with the chromaticism of the scene to alter the colors and create a special luminosity. I used soft tones to ...

EMILIO GRAU SALA Spanish, 1911 - 1975 GENS DU CIRQUE signed "Grau Sala" (lower right) signed, titled, located and dated "Grau Sala / Gens du cirque / París 72" (on the reverse) oil o...

I painted this view of the Venice canal on a foggy gray morning, playing with the chromaticism of the scene to alter the colors and create a special luminosity. I used soft tones to ...

EMILIO GRAU SALA Spanish, 1911 - 1975 PADDOCK signed "Grau Sala" (lower right) oil on canvas 21-1/3 x 25-1/2 inches (54 x 65 cm.) framed: 27-1/2 x 32 inches (70 x 81 cm.) PROVENANCE...

RAFAEL ZABALETA Spanish, 1907 - 1960 PERDICES Y RECLAMO signed "RZabaleta" (lower left) oil on canvas 32 x 39-1/2 inches (81 x 100 cm.) framed: 33-1/4 x 41-1/8 inches (84.5 x 104.5 c...

ISMAEL GONZÁLEZ DE LA SERNA Spanish, 1898 - 1968 "PORTAL VIEW - SAILBOATS IN HARBOUR" unsigned oil on masonite 25-1/4 x 22-1/2 inches (64 x...

MANUEL BARRÓN Spanish, 1814 - 1844 VISTA DE SEVILLA signed, located and dated "Manuel Barrón / Sevilla. 1854" (lower right) oil on canvas 30-1/8 x 49 inches (76.5 x 124.5 cm.) framed...

"Theories II" is a surrealist work that explores human theories through time. In the center, two heads of classical sculptures emerge against a divided background. The head of Dionysus, in earthy tones, projects a vision that distorts reality, symbolizing man's illusory perspective. From this vision emerge colorful forms that converge towards a floating book...

With these objects I have worked for two years in a short series of still lifes. Treating the perspective inside the painting as a trompe l'oeil seemed to me an interesting idea. in...

CARLOS MERCADO ABSTRACT Inspired in the work of Franz and Ives Klein This body of work was produced during the initial months of the lock down due to the pandemic. This tragedy crea...

EDUARDO LEÓN GARRIDO Spanish, 1856- 1949 AN ELEGANT DANCE signed "E. L Garrido" (lower right) oil on mahogany wood panel 25-1/8 x 32 inches (63.5 x 81 cm.) framed: 31 x 38 inches (78.5 x 96 cm.) PROVENANCE Private Spanish Collector Eduardo León Garrido (Madrid, 1856 - Caen, 1949) was a Spanish painter. He began his training at the Higher School of Painting in Madrid and as a disciple in Vicente...

GASPAR MIRÓ I LLEÓ Spanish, 1849 - 1914 ANIMATED BOULEVARD, PARIS signed "gmiró" (lower right) oil on canvas 15-1/8 x 22-3/8 inches (38.2 x 56.5 cm.) framed: 21-1/2 x 28 inches (54.2...

ANTONIETTA BRANDEIS Czechoslovakian, 1848 - 1926 FLORENCE´S BRIDGE signed "ABrandeis" lower right oil on canvas 10-3/5 x 14-4/5 inches (27 x 37.5 cm.) unframed PROVENANCE Private Collection, Barcelona Antonietta Brandeis (also known as Antonie Brandeisová) (1848–1926), was a Czech-born Italian landscape, genre and portrait painter, as well as a painter of religious subjects for altarpieces. She was born on January 13, 1848, in Miskovice (near Kutná Hora) in Bohemia, Austria-Hungary.[2] The first bibliographical indication of Antonietta Brandeis dates from her teens, when she is mentioned as a pupil of the Czech artist Karel Javůrek of Prague.[3] After the death of Brandeis' father, her mother, Giuseppina Dravhozvall, married the Venetian Giovanni Nobile Scaramella; shortly afterward the family apparently moved to Venice. In the 1867 registry of the Venetian Academy of Fine Arts, Brandeis is listed as being enrolled as an art student. At this time, Brandeis would have been nineteen, and one of the first females to receive academic instruction in the fine arts in Italy. In fact, the Ministry granted women the legal right to instruction in the fine arts only in 1875, by which time Brandeis had finished her education at the Academy. Brandeis’s professors at the Venetian Academy of Fine Arts include Michelangelo Grigoletti and Napoleone Nani for life drawing, Domenico Bresolin for landscape, Pompeo Marino Molmenti for painting and Federico Moja for perspective. Already during her first years of study there is evidence of Brandeis' skill-in her first year she is awarded prizes and honors in Perspective and Life Drawing. Brandeis’ continuing excellence and diligence in her artistic studies during the five years she spends at the Academy is attested to in the lists of prize-winning students of the Academy “Elenco alunni premiati Accademia Venezia in Atti della Reale Accademia di Belle Arti in Venezia degli anni 1866-1872”.[4] It includes numerous mentions of prizes and high honours won by Brandeis in Art History, Perspective, Life Drawing, Landscape and Anatomical Drawing, Drawing of Sculpture, and “Class of Folds”. It is in Venice at the Academy that Brandeis perfected her skills as a meticulous landscape and cityscape painter, with intricate and luminous details in the tradition of the eighteenth-century “vedutisti”. In 1870, while still a student at the Academy, she participated in her first exhibition; that of the Società Veneta Promotrice di Belle Arti with the oil painting Cascina della Madonna di Monte Varese. She is documented as having exhibited eight paintings during the years 1872 to 1876 with the Società Veneta Promotrice di Belle Arti, both landscapes and genre scenes. In the exhibit of 1875 her landscape Palazzo, Marin Falier is sold to M. Hall of London for 320 lire, a first indication of the success Brandeis will achieve with foreign collectors of her work (particularly the English and German visitors to Italy on the Grand Tour circuit). During these same years, she showed two paintings in the Florentine exhibit Promotrice Fiorentina. The first painting, entitled “Gondola” is a subject which she repeats in new variations throughout her career with great success. The second, perhaps a genre painting, is entitled “Buon dì !” The two paintings remained unsold and were presented at the same exhibition the following year, together with two more genre scene paintings. In 1876 and 1877 she exhibited three landscapes of Venice at the Promotrice Veneta, which sold to foreign collectors. In November 1877 Brandeis showed the large painting Palazzo Cavalli a Venezia at the exhibition of the Hungarian Fine Arts Society in Budapest. In both Florence and Budapest, Brandeis showed her work under the name “Antonio Brandeis”. The biographer De Gubernatis offers the following explanation for the change of name: “her first pictures received praise and criticism; she took the criticism, but when she was praised as a woman she was annoyed, and therefore exhibited under the name Antonio Brandeis.” During the years 1878 to 1893 Brandeis painted and exhibited numerous works, primarily scenes of Venice, and although she resided chiefly in that city she also traveled and painted in Verona, Bologna, Florence, and Rome. As well as in Venice and Florence, she exhibited in Turin, Milan, and Rome. In 1880 she was present at the International Exposition of Melbourne with three paintings: Palazzo Cavalli, A Balcony in Venice and The Buranella- native of Burano Island near Venice. Brandeis was a prolific painter, and often replicated her most popular subjects with only slight variations. She was represented in Venice at the photographer Naya’s studios in Piazza San Marco and in Campo San Maurizio and in Florence she collaborated with the picture dealer Giovanni Masini. During this period of intense activity painting landscapes en plein air and genre scenes, Brandeis also is documented in De Gubernatis as a painter of religious altarpieces. Several of these altarpieces can be found on the Island of Korcula in Croatia. Two are visible in the parish church of Smokvici and of in the church of St. Vitus in Blato. In the sacristy of the Cathedral of Korcula is a Madonna with Christ Child painted by Brandeis. For the same church she also painted a copy of the central panel of Giovanni Bellini’s triptych from the Venetian Church of Santa Maria dei Frari Gloriosa (1488). In 1899, for the main altar of the chapel of St. Luke in the Korcula town cemetery, Brandeis painted a St. Luke, which shows the sparkling colors and free impasto typical of her plein air oil paintings. On October 27th 1897 at the age of 49, Brandeis married the Venetian Antonio Zamboni, a knight and officer of the Italian Crown and knight of the Order of SS. Maurizio and Lazzaro. The couple continued to reside in Venice and Brandeis continued to show at Italian exhibitions in Venice, Florence, and Rome although more sporadically and with fewer works than before. Although she participated in the International Exposition of Watercolourists in Rome in 1906 with a “Study” and in the Società Promotrice delle Belle Arti in Florence in 1907 and 1908 with two oil paintings, De Gubernatis quotes Brandeis as saying in 1906, that even though she resides in Venice “I am a foreigner, and for some time I have not taken part in Italian Exhibitions, sending all my paintings to London.[3] Antonio Zamboni died 11...

This surrealist work is distinguished by the economy of elements in its scene. Specifically, it presents two main components: a levitating figure against a background divided into th...

CARLOS MERCADO ABSTRACT Inspired in the work of Franz and Ives Klein This body of work was produced during the initial months of the lock down due to the pandemic. This tragedy crea...

Felipe Pantone CHROMADYNA MICAP #5 Date of creation: 2020 Medium: Lithograph on paper Edition : 30 Size: 75.5 x 55.5 cm Condition: New, in mint condition and never framed Lithograph ...

With these objects I have worked for two years in a short series of still lifes. Treating the perspective inside the painting as a trompe l'oeil seemed to me an interesting idea. in...

José Manuel Broto - IRIS 4 Date of creation: 2006 Medium: Etching on Paper Edition: 50 Size: 100 x 70 cm Condition: In perfect conditions and never framed Observations: Etching on pa...

NICK SMITH - FAME Date of creation: 2022 Medium: Giclée and screen printed varnish on paper Edition: 66 Size: 62 x 60 cm Condition: Brand new, in mint conditions and never framed De...

Surreal toy soldier painting with jellyfish and marine imagery, combining pop surrealism, underwater fantasy and environmental symbolism. Jellychutes...

Original modern abstract painting. * The artwork is signed on the back and includes a Certificate of Authenticity. * The painting is done on stretched canvas using top quality ac...

Thomas Ruff - TRIPE 09 - Amerapoora. My-au-dyk Kyoung. Date of creation: 2018 Medium: Inkjet on Rag Photographique Paper Edition: 50 Size: 40 x 50 cm Condition: In mint conditions, b...

SANDRA CHEVRIER - La Cage, Benediction Ou Malediction (Gold & Silver Leaf Edition) Date of creation: 2023 Medium: Screen print on Somerset paper with gold and silver leaf Editio...

EMILIO GRAU SALA Spanish, 1911 - 1975 BOULEVARD OF PARIS signed “Grau Sala” (lower right) oil on canvas 25-1/2 x 32 inches (65 x 81 cm.) framed: 36-1/4 x 42-1/2 inches (92 x 108 cm.) Emilio Grau Sala came from a family of artists. He was born in Barcelona in 1911 and his father, a good cartoonist, had been one of the promoters of the "Salon des Humanistes" and made his exhibitions normally in the Parés Hall. His first works were exhibited at the Salon des Independents, in the years 1930-33. Grau Sala was essentially a Mediterranean painter, son of post-impressionism and enriched with French painting of the last fifty years. In this work Grau Sala has a loose, subtle brushstroke, in which the color shapes the entire work. The bright and transparent whites that give life to young schoolgirls contrast with the brushstrokes of blacks from the nun who accompanies them. The explosion of greens is refreshing, it surrounds us and transports us to an idyllic place, even if it is a citizen boulevard, which becomes friendly and beautiful. His works can be found in the Museums of the Villa de Paris, L'Ile de France Museum, at the Château de Sceaux, Honfleur Museum, La Rochelle Museum, Barcelona Museum, Tossa de Mar...

GASPAR MIRÓ I LLEÓ Spanish, 1849 - 1914 JARDIN DES TUILERIES signed "gmiró" (lower right) oil on canvas 23 x 45-1/2 inches (58.5 x 115.6 cm.) framed: 26 x 49 inches (66 x 124 cm.) P...

The national flower of Japan, the cherry blossom – or Sakura, represents a time of renewal and optimism. Due to their quick blooming season, cherry blossoms also symbolize the tran...

MARIANO ALONSO PÉREZ Spanish, 1857 - 1930 THE SEARCH signed "Alonso Pérez" (lower right) oil on canvas 23 x 12-1/8 inches (58 x 30.7 cm.) framed: ...

Recently commissioned for an acrylic painting by Louis Vuitton France, Viet Ha´s acrylic paintings enchant the audience with vibrant colors and a harmonious spiritual feel. Acrylic painting made on canvas, 90 x 90 cm. Acrylic pouring techniques were used to create this abstract piece. The painting is signed at the back and a certificate of authenticity is included. Vietnamese artist based in Madrid, Spain in the last 12 years. Viet Ha Tran describes her acrylic abstract paintings as "explosion of gentle emotions". Combining her Asian soul with her artistic upbringing in the Spanish capital, Viet Ha's paintings are passionate and vivid in colors yet there is a strong sense of peace and deep calming of the heart. Strong influence of Japanese arts and culture due to her education and background in Japan. Viet Ha is one of the most popular fine artists amongst auction houses in Spain. She started her artistic career with photography and later with acrylic painting. She is represented by galleries, luxury cruises, auction houses from Madrid, Barcelona, Paris to Tel Aviv, Beijing, New Delhi, Bangkok, Los Angeles. Her photographic works "Like a Painting of Autumn" and "Ecosystem" appeared at a public auction in Spain in 2015 alongside works by Banksy, Salvador Dali, Joan Miró, represented by Duran Auction House, Spain's No.1 auction...

JOAQUÍN DOMÍNGUEZ BÉCQUER Spanish, 1817 - 1879 DANCERS IN A COURTYARD signed, located & dated "Joaq. D. Becquer. Sevilla 1849." (lower right)...

LUIS GRANER Y ARRUFI Spanish, 1863 - 1929 MOONLIT RIVER SCENE signed and dated "L Graner 1925" (lower right) oil on canvas 20-1/8 x 30 inches (51 x 76 cm.) framed: 25-3/4 x 35-3/4 inches (65 x 90.5 cm.) PROVENANCE Private Collection, Barcelona, Spain Graner paints this work, Moonlit on the river, during his stay in the United States in the last stage of his artistic life, from 1910 to 1928, in full stage of maturity. This artwork reflects the constant search of the artist for the effects of light in his work. This persistent concern for light remains throughout his artistic life, which he learned in his Parisian stage under the influence of the painter Frances Platour. The silver light of the moon and the small lights at distance, which are tiny foci of artificial light, reflecting the river water, forming a chromatic range of greens, ocher and pearly that give a certain mystery to the composition, creating a modern approach to the landscape, by placing the two large trees at the edge of the river in the foreground Luís Graner y Arrufí, Spanish (1863–1929) was a Catalan painter in the Realistic style. He was born in Barcelona, and studied at the Escola de la Llotja from 1883, with Antoni Caba (color/composition) and Benet Mercadé (drawing). During his final year at school, he received a grant to study in Madrid, where he copied and learned from the Old Masters at the Museo del Prado. After that, supported by a fellowship, he moved to Paris and became a member of the Academie des Beaux-Arts. Later, he returned to Barcelona, but continued to travel to cities throughout Europe, including Berlin, Munich and Düsseldorf. Influenced by Richard Wagner's concept of "Gesamtkunstwerk" (Total Work of Art), he was motivated to create his own total art experience and organized the "Sala Mercè" (Mercy Hall) in Barcelona's Rambla District. The project involved contributors from every artistic discipline, including the new field of cinematography. The room was decorated by Antoni Gaudí. Other participants included Adrià Gual, Santiago Rusiñol, Ramon Casas...

The Skateroom x JR 28 Millimètres: Women Are Heroes. Action in Kibera Slum, "Into the Wild", Kenya (2009) Date of creation: 2019 Medium: Digital print on Canadian maple wood Edition...

The original photograph was taken in Hanoi, Vietnam. The Lotus flower is regarded in many different (buddhist) cultures such as the Vietnamese culture, as a symbol of purity, enl...

Fine art photography 2020. I took this photograph in Pokhara, Nepal. The artwork/photo is sold unframed (only the art print), limited edition of 20 copies. Please contact the gallery...

Fine art photography, 2018. Photo of the lake in Valley of Jerte, Spain The artwork/photo is sold unframed I work with top printing houses in Madrid & Barcelona, Spain that have e...

MOÏSE KISLING French-Polish, 1891 - 1953 BOUQUET OF FLOWERS WITH MIMOSAS signed and dedicated "à Edith Mara, Kisling" (lower left) oil on canvas 13 x 88-1/2 inches (33 x 22.5 cm.) fr...

Kettle II is a lithograph (6 colors, chine collé and gold leaf on Fabriano 50% cotton 300 g paper) by contemporary artist Marcelo Martin Burgos, dimensions are 80 × 60 cm (31.5 × 23....

Felipe Pantone CHROMADYNA MICAP #3 Date of creation: 2020 Medium: Lithograph on paper Edition: 30 Size: 75.5 x 55.5 cm Condition: New, in mint condition and never framed Lithograph o...

FLEMISH SCHOOL 17th Century STILL LIFE WITH FRUITS unsigned oil on canvas 17-3/4 x 21-3/4 inches (45 x 55 cm.) framed: 22 x 27 inches (56 x 68 cm.) PRO...

Zō is a bronze sculpture by contemporary Argentinian artist Marcelo Martin Burgos, portraying an abstracted elephant, a reference subtly embedded in its title, which translates to el...

CELSO LAGAR Spanish, 1891 - 1966 LES ROULOTTES signed "Lagar" (lower left) oil on wood panel 9-1/2 x 13 inches (24 x 33 cm.) framed: 17-1/8 x 21-1/2 inches (43.5 x 54.5 cm.) PROVEN...

Luzar is a polished bronze sculpture by contemporary artist Marcelo Martin Burgos, dimensions are 100 × 86 × 20 cm (39.4 × 33.9 × 7.9 in). The sculpture is signed and numbered, it i...

MARIANO ALONSO PÉREZ Spanish, 1857 - 1930 ELEGANT FIGURES SEATED IN A PARK signed, located and dated "Alonso Pérez, Paris ´91" (lower right) oil o...

JOSÉ MONGRELL Spanish, 1870 - 1937 VALENCIAN FLOWER PICKERS signed “J. Mongrell” lower left oil on canvas 29-1/4 x 45 inches (74 x 114 cm.) framed: 42-3/...

PURE EVIL - $300 FINE - PURE ELVIS Date of creation: 2016 Medium: Stencil and spray paint on old metal sign Edition: Unique artwork Size: 56 x 35,5 cm Condition: In mint conditions a...

JAVIER CALLEJA - I DIDN'T EXIST Date of creation: 2022 Medium: Habotai silk 8mm Edition: 150 Size: 120 x 120 cm Condition: In mint conditions, brand new Scarf made on Habotai silk 8m...

ALBERTO PLA Y RUBIO Spanish, 1867 - 1937 AT THE ANNUAL FAIR signed & dated "Pla Rubio, 909" (lower right) oil on canvas 14 X 25-5/8 inches (35.5 X 65 cm.) ...

CELSO LAGAR Spanish, 1891 - 1966 FAIRGOERS IN FRONT OF ROULOTTES signed "Lagar" (lower right) oil on canvas 18-1/4 x 15 inches (46 x 38 cm.) framed: 29-1/4 x 26 inches (74 x 66 cm.) PROVENANCE Private French Collector Celso Lagar Arroyo (Ciudad Rodrigo, 1891 - Seville, 1966) was an expressionist Spanish painter of the first generation of the School of Paris, where he lived most of his life. He was influenced by avant-gardes of all kinds, such as cubism and fovism. He painted mainly landscapes and still lifes...