Madrid - Art

Maravillas con variaciones acrósticas en el jardín de Miró XI Date of creation: 1975 Medium: Lithograph on Gvarro paper Edition: 1500 Size: 49,5 x 71 cm Observations: Lithograph on G...

Recently commissioned for an acrylic painting by Louis Vuitton France, Viet Ha´s acrylic paintings enchant the audience with vibrant colors and a harmonious spiritual feel. Acrylic painting made on canvas, 90 x 90 cm. Acrylic pouring techniques were used to create this abstract piece. The painting is signed at the back and a certificate of authenticity is included. Vietnamese artist based in Madrid, Spain in the last 12 years. Viet Ha Tran describes her acrylic abstract paintings as "explosion of gentle emotions". Combining her Asian soul with her artistic upbringing in the Spanish capital, Viet Ha's paintings are passionate and vivid in colors yet there is a strong sense of peace and deep calming of the heart. Strong influence of Japanese arts and culture due to her education and background in Japan. Viet Ha is one of the most popular fine artists amongst auction houses in Spain. She started her artistic career with photography and later with acrylic painting. She is represented by galleries, luxury cruises, auction houses from Madrid, Barcelona, Paris to Tel Aviv, Beijing, New Delhi, Bangkok, Los Angeles. Her photographic works "Like a Painting of Autumn" and "Ecosystem" appeared at a public auction in Spain in 2015 alongside works by Banksy, Salvador Dali, Joan Miró, represented by Duran Auction House, Spain's No.1 auction...

Impresionist cityscape from Lliria, Valencia, Spain

"Spring". Abstract, minimalist, gestural, contemporary, acrylic, canvas

The photograph was taken in Egypt in 2014 and edited in 2020. The artwork/photo is sold unframed (only the art print) and will be sent in a hard tube. The photo is printed on H...

EMILIO GRAU SALA Spanish, 1911 - 1975 GENS DU CIRQUE signed "Grau Sala" (lower right) signed, titled, located and dated "Grau Sala / Gens du cirque / París 72" (on the reverse) oil o...

ANTONIETTA BRANDEIS Czechoslovakian, 1848 - 1926 FLORENCE´S BRIDGE signed "ABrandeis" lower right oil on canvas 10-3/5 x 14-4/5 inches (27 x 37.5 cm.) unframed PROVENANCE Private Collection, Barcelona Antonietta Brandeis (also known as Antonie Brandeisová) (1848–1926), was a Czech-born Italian landscape, genre and portrait painter, as well as a painter of religious subjects for altarpieces. She was born on January 13, 1848, in Miskovice (near Kutná Hora) in Bohemia, Austria-Hungary.[2] The first bibliographical indication of Antonietta Brandeis dates from her teens, when she is mentioned as a pupil of the Czech artist Karel Javůrek of Prague.[3] After the death of Brandeis' father, her mother, Giuseppina Dravhozvall, married the Venetian Giovanni Nobile Scaramella; shortly afterward the family apparently moved to Venice. In the 1867 registry of the Venetian Academy of Fine Arts, Brandeis is listed as being enrolled as an art student. At this time, Brandeis would have been nineteen, and one of the first females to receive academic instruction in the fine arts in Italy. In fact, the Ministry granted women the legal right to instruction in the fine arts only in 1875, by which time Brandeis had finished her education at the Academy. Brandeis’s professors at the Venetian Academy of Fine Arts include Michelangelo Grigoletti and Napoleone Nani for life drawing, Domenico Bresolin for landscape, Pompeo Marino Molmenti for painting and Federico Moja for perspective. Already during her first years of study there is evidence of Brandeis' skill-in her first year she is awarded prizes and honors in Perspective and Life Drawing. Brandeis’ continuing excellence and diligence in her artistic studies during the five years she spends at the Academy is attested to in the lists of prize-winning students of the Academy “Elenco alunni premiati Accademia Venezia in Atti della Reale Accademia di Belle Arti in Venezia degli anni 1866-1872”.[4] It includes numerous mentions of prizes and high honours won by Brandeis in Art History, Perspective, Life Drawing, Landscape and Anatomical Drawing, Drawing of Sculpture, and “Class of Folds”. It is in Venice at the Academy that Brandeis perfected her skills as a meticulous landscape and cityscape painter, with intricate and luminous details in the tradition of the eighteenth-century “vedutisti”. In 1870, while still a student at the Academy, she participated in her first exhibition; that of the Società Veneta Promotrice di Belle Arti with the oil painting Cascina della Madonna di Monte Varese. She is documented as having exhibited eight paintings during the years 1872 to 1876 with the Società Veneta Promotrice di Belle Arti, both landscapes and genre scenes. In the exhibit of 1875 her landscape Palazzo, Marin Falier is sold to M. Hall of London for 320 lire, a first indication of the success Brandeis will achieve with foreign collectors of her work (particularly the English and German visitors to Italy on the Grand Tour circuit). During these same years, she showed two paintings in the Florentine exhibit Promotrice Fiorentina. The first painting, entitled “Gondola” is a subject which she repeats in new variations throughout her career with great success. The second, perhaps a genre painting, is entitled “Buon dì !” The two paintings remained unsold and were presented at the same exhibition the following year, together with two more genre scene paintings. In 1876 and 1877 she exhibited three landscapes of Venice at the Promotrice Veneta, which sold to foreign collectors. In November 1877 Brandeis showed the large painting Palazzo Cavalli a Venezia at the exhibition of the Hungarian Fine Arts Society in Budapest. In both Florence and Budapest, Brandeis showed her work under the name “Antonio Brandeis”. The biographer De Gubernatis offers the following explanation for the change of name: “her first pictures received praise and criticism; she took the criticism, but when she was praised as a woman she was annoyed, and therefore exhibited under the name Antonio Brandeis.” During the years 1878 to 1893 Brandeis painted and exhibited numerous works, primarily scenes of Venice, and although she resided chiefly in that city she also traveled and painted in Verona, Bologna, Florence, and Rome. As well as in Venice and Florence, she exhibited in Turin, Milan, and Rome. In 1880 she was present at the International Exposition of Melbourne with three paintings: Palazzo Cavalli, A Balcony in Venice and The Buranella- native of Burano Island near Venice. Brandeis was a prolific painter, and often replicated her most popular subjects with only slight variations. She was represented in Venice at the photographer Naya’s studios in Piazza San Marco and in Campo San Maurizio and in Florence she collaborated with the picture dealer Giovanni Masini. During this period of intense activity painting landscapes en plein air and genre scenes, Brandeis also is documented in De Gubernatis as a painter of religious altarpieces. Several of these altarpieces can be found on the Island of Korcula in Croatia. Two are visible in the parish church of Smokvici and of in the church of St. Vitus in Blato. In the sacristy of the Cathedral of Korcula is a Madonna with Christ Child painted by Brandeis. For the same church she also painted a copy of the central panel of Giovanni Bellini’s triptych from the Venetian Church of Santa Maria dei Frari Gloriosa (1488). In 1899, for the main altar of the chapel of St. Luke in the Korcula town cemetery, Brandeis painted a St. Luke, which shows the sparkling colors and free impasto typical of her plein air oil paintings. On October 27th 1897 at the age of 49, Brandeis married the Venetian Antonio Zamboni, a knight and officer of the Italian Crown and knight of the Order of SS. Maurizio and Lazzaro. The couple continued to reside in Venice and Brandeis continued to show at Italian exhibitions in Venice, Florence, and Rome although more sporadically and with fewer works than before. Although she participated in the International Exposition of Watercolourists in Rome in 1906 with a “Study” and in the Società Promotrice delle Belle Arti in Florence in 1907 and 1908 with two oil paintings, De Gubernatis quotes Brandeis as saying in 1906, that even though she resides in Venice “I am a foreigner, and for some time I have not taken part in Italian Exhibitions, sending all my paintings to London.[3] Antonio Zamboni died 11...

Street Art, graffiti, contemporary, esoteric, mystical, Patterns, Gestural Abstraction

Figurative, minimalist, human figure, portrait , neo cubist

Contemporary, Pop, Surrealistic, Figurative, Nude

Hungary - Manipulated photography. As the country where Wei Xiang has lived for more than 30 years, Hungary has become a continuous source of inspiration for the artist. Evocative la...

The photograph is sold unframed, only the art print. Limited edition of 20 art prints only. The print is a Giclée on Hahnemuhle Fine art baryta 325 gsm paper, a museum quality fi...

Takashi Murakami HOMAGE TO FRANCIS BACON: STUDY FOR HEAD OF GEORGE DYER Date of creation: 2016 Medium: Offset lithograph with cold foil stamp on paper Edition: 300 Size: 50 x 50 cm ...

Joan Miró - Maravillas con variaciones acrósticas en el jardín de Miró VI Date of creation: 1975 Medium: Lithograph on Gvarro paper Edition: 1500 Size: 49,5 x 35,5 cm Observations: L...

CARLOS CRUZ-DÍEZ - COULEUR À L’ESPACE NOVA Date of creation: 2012 Medium: Chromography on PVC and steel Edition: 75 Size: 52 x 12 x 12 cm Condition: In perfect conditions, brand new ...

Made in Sweden. Fine art photography 2018. Printed on Giclée on Canson Rag Photographique paper, the most premium quality fine art paper which delivers the most accurate and vibr...

Acrylic and Enamel on Canvas The idea is to create a painting that symbolizes a dream of flying to the moon. To do this, I wanted to generate three tables in the form of a tríptico....

Joan Miró - Maravillas con variaciones acrósticas en el jardín de Miró III Date of creation: 1975 Medium: Lithograph Media: Gvarro paper Edition: 1500 Size: 49,5 x 35,5 cm Condition:...

FAILE - THE RIGHT ONE, HAPPENS EVERYDAY Date of creation: 2014 Medium: Screen print on Coventry Rag paper Edition number: 418/450 Size: 71 x 61 cm Condition: In mint conditions, bran...

Chris Levine EQUANIMITY_2022 20 Date of creation: 2022 Medium: Screenprint on Somerset Satin paper Edition number: 3/5 Size: 47 x 38 cm Condition: New in mint conditions, never frame...

NICK SMITH - AMERICAN GOTHIC Date of creation: 2020 Medium: Giclée and screen printed varnish on paper Edition: 150 Size: 84 x 70 cm Condition: Brand new, in mint conditions and nev...

FRANCISCO BORES Spanish, 1898 - 1972 JOURNÉE CLAIRE signed and dated "Borès 34" (lower left) oil on canvas 18 x 15 inches (46 x 38 cm.) framed: 26 x 23 inches (66 x 58 cm.) BIBLIOGRAPHY: Francisco Bores, Reasoned Catalogue, Volume I - Painting 1917-1944, Museo Nacional Centro de Arte Reina Sofía, Madrid, 2003, nº 1934 / 15, reproduced in p. 231 PROVENANCE Private Collection, Madrid Francisco Bores López (Madrid, May 5, 1898 - Paris, May 10, 1972) was a Spanish painter of the so-called New School of Paris. His artistic training originated both in the Cecilio Pla painting academy, where he met Pancho Cossío, Manuel Ángeles Ortiz or Joaquín Peinado, and in the literary gatherings in Madrid related to ultraism. At this time he made engravings and woodcuts for a large number of magazines such as Horizonte, Cruz y Raya, Index, Revista de Occidente. In 1922 he participated in the National Exhibition of Fine Arts. In 1925 he participated in the first exhibition of the Iberian Artists Society. The limited success of this exhibition pushes him to go to Paris. In this city he shared a studio with the Spanish painter Pancho Cossío and also met Picasso and Juan Gris. In 1927 he held his first solo exhibition in Paris. From this moment on, Bores integrates himself into the Parisian artistic environment where he will live practically his entire life. In 1928, his first exhibition in a gallery in the United States, in 1930 he exhibited again, within a group exhibition at the Museum of Modern Art in New York. In the following years, he continued exhibiting in different galleries in Paris, such as the Georges Petit Gallery, the Bernheim Gallery and the Vavin Raspail Gallery. He also participates in several group exhibitions, highlighting the Exhibition of Contemporary Spanish Art...

Street Art, graffiti, contemporary, esoteric, mystical, Patterns, Gestural Abstraction

EMILIO GRAU SALA Spanish, 1911 - 1975 JARDIN FAMILIAL signed "Grau Sala" (lower right) signed again, dated & titled "Grau Sala / 1974 / Jardin Familial" (on the reverse) oil on canvas 18-1/8 x 21-3/4 inches (46 x 55 cm.) framed: 25 x 28-1/2 inches (63.5 x 72.5 cm.) PROVENANCE Private Collection, Barcelona, Spain Emilio Grau Sala came from a family of artists. He was born in Barcelona in 1911 and his father, a good cartoonist, had been one of the promoters of the "Salon des Humanistes" and made his exhibitions normally in "Sala Parés", Barcelona. His first works were exhibited at the Salon des Independents. In the years 1930-33 he had painted under the influence of Cubism, especially that of Torres García. It is from that time a painting of the port of Barcelona, ​​geometric and structural, which completely anticipated what would later be his work. His personality began fully painting watercolors and oils with a certain fantasy character, with a point of decorative instinct and themes full of naivety and grace. Romantic interiors, paddocks, port scenes, sailors, etc. Grau Sala was essentially a Mediterranean painter, son of post-impressionism and enriched with French painting of the last fifty years. Mediterranean because his work has the color and light of that land. He understood and assimilated impressionist painting very well, and for that reason he was never subject to the modules of a formulist realism, nor the sexigencias of the forms. In Paris he found the best environment to give us a fruitful and intense work, because he could use the expressive potential of French art to enrich it. All this made him a very esteemed artist everywhere where his work was known. He was also very often required to illustrate books and publications in Paris. Also his posters were very successful. He painted a large number of subjects, but perhaps the theme of horse racing is where you can see in a very clear way the joyful and optimistic life that was lived at that time. In this fabric there is an explosion of juicy and vivid colors full of ingenuity and simplicity in its composition. Only a teacher could turn the complicated into something simple and beautiful. Before this work we feel a deep emotion, the emotion of before starting a horse race. Joy and nervousness at the same time. Especially since it is a direct emotion. There are no intermediaries between our eyes and what the work intends to tell us. This is precisely what seduces and catches us of this painting. His works can be found in the Museums of the Villa de Paris, L'Ile de France Museum, at the Château de Sceaux, Honfleur Museum, La Rochelle Museum, Barcelona Museum...

Albert Rafols Casamada - ESTRUCTURES 2 Date of creation: 2006 Medium: Lithograph on paper Edition: 75 Size: 41 x 31 cm Observations: Condition: In very good conditions and never fram...

Jorge Castillo - MARIENZA EN DOMINGO Date of creation: 1972 Medium: Etching on paper Edition: 150 + H.C. Size: 56 x 70 cm Condition: In perfect conditions and never framed Observatio...

RAFAEL RUS ACOSTA Spanish, Early 20th Century ALHAMBRA FACADE MODEL PLAQUE signed "Rafael Rus Acosta" (lower left), and inscribed "Granada" (lower righ...

PURE EVIL - ARTHUR MILLER'S NIGHTMARE (SKY BLUE) Date of creation: 2022 Medium: Screen print on Fedrigoni paper Edition: 100 Size: 85 x 70 cm Condition: In mint conditions, brand new...

CESC FARRÉ I SENDRÓS Spanish, 1972 - CONCENTRACIÓN signed “Farré i Sendrós” (lower left) signed again, titled & dated “CESC FARRÉ I SENDRÓS / Cesc Farré / CONCENTRACIÓN / 2005” (on t...

M377 (Abstract new media) Digital creation, printed on Hahnemühle Photo Rag de 308 gr - Unframed. Fluctuating between illustration and expressionism, connecting the geometric and ...

Street Art, graffiti, contemporary, esoteric, mystical, Patterns, Gestural Abstraction

JOAQUÍN DOMÍNGUEZ BÉCQUER Spanish, 1817 - 1879 DANCERS IN A COURTYARD signed, located & dated "Joaq. D. Becquer. Sevilla 1849." (lower right)...

In this sketch entitled “Camel Beach”, the artist transports us to the shores of Santander through carefully placed brushstrokes. With a palette of cold tones, the painting captures ...

ANTONIO REYNA MANESCAU Spanish, 1859 - 1937 CA' D' ORO, VENICE signed & located "A. Reyna, Venezia" (lower right) oil on canvas 11-1/2 x 19-3/4 ...

A large oil painting presents a classical sculpture, focusing only on the head and shoulders. In the center of the composition, the face of the sculpture appears pixelated, concealed...

Conrad Marca Relli - Composition XIII Date of creation: 1977 Medium: Etching and aquatint on Gvarro paper Edition: 75 + AP + HC Size: 56 x 76 cm Condition: In very good conditions an...

World - Manipulated photography The artist Wei Xiang is an artist who usually travels to obtain sources of inspiration for his art pieces. In this series of photographs manipulated w...

"January". Abstract, minimalist, gestural, contemporary, Mixed media, canvas

The Motorcycle, an oil painting that captures the soul of an era, where history intertwines with nostalgia and the passage of time becomes palpable. At the center of the composition,...

Street Art, graffiti, contemporary, esoteric, mystical, Patterns, Gestural Abstraction

JEAN GABRIEL DOMERGUE French, 1889 – 1962 "JEUNE FEMME AUX FLEURS" Signed & dated "Jean-Gabriel Domergue ´28 " (lower right) With the Atelier stamp on the stretcher and canvas on the reverse Oil on canvas 32 X 25-3/4 inches (81 x 65 cm.) framed: 39-1/2 X 33-1/4 inches (100 X 84 cm.) PROVENANCE Private Collection, Madrid Note: We are grateful to Mr. Noé Willer for confirming the authenticity of this work which is recorded in the archives of the Artist. Painter born in Bordeaux, in 1889 and died in Paris in 1962. He began painting his mother's portraits very soon. He studied at the National Superior School of Fine Arts. The artist considered his teacher and inspiring Degas. Between 1904 and 1907 he joined Fauvism. In 1905 he participated in the "Autumn Hall" and in the "Hall of Independents". In 1907 he presented his 1st individual exhibition at the Vollard Gallery. He specialized in female portraits of Parisian ladies, creating a unique, sophisticated and elegant female portrait prototype that characterized him forever. He played an essential role in the evolution of women's fashion of his time. He designed numerous dresses, hats and accessories for famous designers such as Paul Poiret and Henry Marque It goes down in history as the architect of a new type of woman, thin, with an elegant air, always with style, with unusual elongated necks, with impressive slanted eyes, that seem to look at the world in amazement, perhaps because they express a feeling of freedom towards Society and its norms. With these paintings of women, he showed the world the true French, elegant, beautiful and with a gooseneck. In 1914 he won the Rome Prize. Many celebrities of the time posed for the artist, Josephine Baker, Brigitte Bardot, etc. But although he painted numerous nude actresses...

ADRIANA OLIVER - SOMEONE TO LOVE Date of creation: 2021 Medium: 6 layer screen print on Somerset velvet paper Edition: 75 Size: 86 x 72 cm Condition: In mint conditions Description:...

JOSÉ CAÑAVERAL Spanish, 1833 - 1894 FERIA DE SEVILLA signed "JCañaveral / Sevilla 1881." (lower right) oil on canvas 29-1/3 x 19-1/2 inches (74.5 x 49.5 cm.) framed: 38-1/2 x 29-1/2 inches (98 x 75 cm.) PROVENANCE Privated Collection, Lille, France José Cañaveral y Pérez (Seville, 1833-Madrid, 1894) was a Spanish painter, brother of the artist Alfonso Cañaveral y Pérez. Born in Seville, he trained artistically at the School of Fine Arts in his city, later he moved to Madrid where he was a disciple of Federico...

“Dish with strawberries” is an oil painting that stands out for its sober elegance and detailed execution. In a square format, the central composition is dominated by a glass plate s...

World - Manipulated photography The artist Wei Xiang is an artist who usually travels to obtain sources of inspiration for his art pieces. In this series of photographs manipulated w...

Surrealistic human figure. Feminist Art and Contemporary Feminist

THE LAST SITTING - THE LAST SITTING - MARILYN PURPLE WINK ROSES, 1962 Date of creation: 2011 Medium: Iris pigment print Edition: 72 Size: 48 x 33 cm Condition: In perfect condition,...

Conrad Marca Relli - Composition VIII Date of creation: 1977 Medium: Etching and aquatint on Gvarro paper Edition: 75 + AP + HC Size: 56 x 76 cm Condition: In very good conditions an...

CARLOS CRUZ-DÍEZ - CROMOVELA 11 Date of creation: 2018 Medium: Polychrome ceramic Edition: 20 Size: 80 x 21 x 16 cm Condition: In mint condition This sculpture belongs to one of the...

PABLO PICASSO (1881-1973) Hibou rouge sur fond noir (A.R. 399) stamped, marked and numbered 'Madoura Plein Feu / Edition Picasso / N 103 / Edition Picasso / 1/150 / Madoura' (underne...

James Rosenquist - F-111 TRIPTYCH A (ATOM) Date of creation: 2021 Medium: Digital print on Canadian maple wood Edition: 100 Size: 80 x 20 cm (each skate) Condition: In mint condition...

The artwork presents an intimate scene that invites a slow, thoughtful contemplation. Two bowls filled with water and red grapes are arranged in an unusual manner from a top-down vie...

Jorge Castillo - COMPOSICIÓN ERÓTICA (Erotic Composition) Date of creation: 1977 Medium: Etching on paper Edition: 75 + 20 E.A. Size: 50 x 65,5 cm Condition: In perfect conditions an...

EDUARDO LEÓN GARRIDO Spanish, 1856- 1949 AN ELEGANT DANCE signed "E. L Garrido" (lower right) oil on mahogany wood panel 25-1/8 x 32 inches (63.5 x 81 cm.) framed: 31 x 38 inches (78.5 x 96 cm.) PROVENANCE Private Spanish Collector Eduardo León Garrido (Madrid, 1856 - Caen, 1949) was a Spanish painter. He began his training at the Higher School of Painting in Madrid and as a disciple in Vicente...

FERNANDO LIGER HIDALGO Spanish , 1880 – 1945 "INTERIOR REALES ALCAZARES, SEVILLA" Signed & located "F. Liger Hidalgo, Sevilla " (lower right) ...

At the mouth of the Duero River stands the Farolim da Barra do Douro in Portugal. In this perspective, the painter presents the lighthouse on the Portuguese coast under the warm ligh...

CARLOS CRUZ-DÍEZ - CROMOVELA 19 Date of creation: 2018 Medium: Polychrome ceramic Edition: 20 Size: 62 x 21 x 16 cm Condition: In mint condition This beautiful sculpture of 62 cm he...

Hungary - Manipulated photography. As the country where Wei Xiang has lived for more than 30 years, Hungary has become a continuous source of inspiration for the artist. Evocative la...

GASPAR MIRÓ I LLEÓ Spanish, 1849 - 1914 JARDIN DES TUILERIES signed "gmiró" (lower right) oil on canvas 23 x 45-1/2 inches (58.5 x 115.6 cm.) framed: 26 x 49 inches (66 x 124 cm.) P...

CARLOS CRUZ-DÍEZ - CROMOVELA 12 Date of creation: 2018 Medium: Polychrome ceramic Edition: 20 Size: 62 x 21 x 16 cm Condition: In mint condition This beautiful sculpture of 62 cm he...