Maine

Kitaj, R. B. FIRST SERIES - SOME POETS. Marlborough AG, Schellenburg, FL, 1970. Number 69 of the edition of 70 (there were about 15 additional proofs for the Artist, the Printer, and...

Woman as seen from the foot of the bed :: Painting :: Impressionist :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Hang: No :: Sign...

Braque, Georges. DERNIERES MESSAGES - GALERIE MAEGHT POSTER. Color Lithograph, 1960. 27 3/4 x 16 3/4 inches. In excellent condition.

This refined early color photograph presents an intimate backstage moment between two ballerinas preparing for performance, captured with exceptional tonal control and compositional ...

Whistler, James A. M. DRURY LANE RAGS. Way 21. lithograph, 1888. Edition of only 15. Signed with the butterfly in pencil, and also in the image. Printed on Japan paper. With Rosalind Birnie Philip's square-sha[ed collector's stamp, denoting a lifetime impression, lower left, verso. 6 x 6 1/2 inches (image), sheet: 12 x 8 inches (sheet) Framed to 24 1/2 x 20 1/2 inches. A brownish spot or stain near the center of the sheet, which may have been on the sheet at the time of printing, given Whistler's inclination to utilize old papers...

Ryan, Anne. NEW BIRD. Linocut in colors, not dated. Edition of 50. Titled, numbered 20/50, and signed in white chalk or ink. Printed on black paper. 4 1/4 x 3 1/8 in., 109 x 79 cm, (...

Bacon, Peggy (American, 1895-1987). ICE CREAM. Flint 6. Drypoint, 1918. Edition size not known, but likely very small. Titled "Ice Cream," dated "Nov. 19...

Calapai, Letterio (American, 1902-1993). 8:30 EXPRESS. Wood-engraving, 1943. Edition of 27, numbered "1/27" and titled and signed in pencil. 5 5/8 x 8 3/8 inches (image), 9 1/8 x 12 ...

Bosman, Richard (Australian, born 1944). ATTACKER. Woodcut in seven colors, 1982. Artist's proof aside from the edition of 48 plus 9 Artist's Proofs. Signed in pencil an annotated "A...

Barnet, Will. THE FINE FRIENDS. Szoke 116, Cole 113, Johnson 96. Lithograph in colors, 1952. Edition of 25. Titled and signed in pencil. Printed on Arches paper by Will Barnet and Robert Blackburn...

Indian corn is a favorite seasonal decoration. I love the variety of colors. This was done with quality oil paints and cold wax on linen and may be hung without a frame. :: Paintin...

Barnet, Will. ENFANT WITH YELLOW BACKGROUND (BETSY). Szoke 108, Cole 106, not in Johnson. Color lithograph, 1951. Edition of 10, titled and signed in pencil. Printed by Barnet and Ro...

Ross, Johnnie Winona (American 1949 - ). IT ALWAYS TURNS OUT FOR THE BEST. Acrylics on paper, 1981. 29 3/4" x 29 3/8 inches, framed to 31 9/ 16" x 31 9/16 inches. Signed and titled. Provenance: Private collection, Sherborne, MA. In excellent condition: the browned edges and the foxing mark are qualities of the old papers...

Bernhardt, John (American 1921-1963. QUEENSBRIDGE. Color Woodcut, 1965. Ttiled, signed, dated and annotated "To Smitty" in pencil. 17 3/4 x 28 inches. In very good condition. Framed ...

This powerful mid-century mosaic panel presents a Navajo-style Thunderbird figure rendered in richly textured mixed media, combining ceramic tile, colored glass, and sand. The compos...

Whistler, James A. M. THE MEDICI COLLAR. Spink 170, Way 153, Levy 186. Transfer lithograph, 1897. Number of impressions unknown. Printed in Paris by Le...

Indulge in the striking architectural elegance of this masterfully crafted wide statement band. Meticulously forged in substantial, high-polish 18K white gold, the ring features a bo...

Walker, James Perry (American, born 1945). MISSISSIPPI RIVER BRIDGE, HELENA, AR 1991. Gelatin Silver print, 1991. A beautiful and haunting portrait o...

Unknown Photographer. ROBERT PEARY, THE LORD MAYOR OF MANCHESTER, ENGLAND AND OTHERS. Gelatin silver print, 1910. The image shows Commander Peary with Cha...

Dufresne, Charles. LE MARIN. Etching, colored with pochoir, 1923. 12 15/16 x 15 5/8 inches (315 x 400 mm.). Edition of 40. Signed, titled and numbered in pe...

Bonnard, Pierre. LA TOILETTE ASSISE (Woman Dressing, Seated). Bouvet, 96. Lithograph printed in black, 1925. First State, before the addition of the Monogr...

For the Time Being, we are here. This title owes more than a nod to the writer Annie Dillard, and her book of this title. Dillard's writings caused me to ...

Reed, Robert (American, 1938-2014). PLUM NELLIE, BEAR HUG. Mixed media on paper, 1979. Titled, signed, dated, and further inscribed in the margin below the image. 22 1/2 x 34 1/2 inc...

Each with a foliate-cast tapering fluted and backplate decorated with swags and surmounted by a swagged flaming classical urn, issuing foliate scrolled branches with gadrooned nozzle...

Dodd, Francis. CHARLES CUNDALL, R. A.. Drypoint, 1926. Schwabe, 171. Signed in pencil. 18 x 11 3/4 inches, on a sheet of cream colored wove paper 20 1/2 x 14 5/8 inches. In excellent...

Drawing, Ink and colored pencil or Watercolor and color pencil, 2013-2020. 6 x 7 5/8 or 7 5/8 x 6 inches. Signed and inscribed, verso. One of a series of untitled drawings on various...

Ryan, Anne. FRUIT ON A WHITE PLATE. Color woodcut, not dated. Edition of 30, signed, titled and numbered 7/30 in pencil. 16 3/8 x 17 1/2 inches, 415 x 445...

Marsh, Reginald. THE BOWERY - UPRIGHT. S.26. Lithograph, 1932. Edition of 21, signed and numbered 3/21 in pencil. 9 1/2 x 7 1/4 inches, 241 x 184 mm (image), Chine colle to a sheet 1...

Fenn, Harry. A VENEZUELAN STATION and THE FALLS OF "EL NEGRO" CUYUNI RIVER. Ink and wash, 1896. Two drawings, the original artwork for illustrations accompanying "Glimpses of Venzuela," an article by W. Nephew King published in Century Magazine, July, 1896, pp. 358-368. Each about 9 x 11 inches, in very good condition, and framed. King is best known for his writings about the Spanish-American War of 1898. Harry Fenn, 1845-1911, was born in England, but worked in the United States. He was a painter, and printmaker, but is known primarily as a book and magazine illustrator. He illustrated books of poetry for John Greenleaf Whittier, and in 1870 was hired to do illustrations for Picturesque America, which was edited by William Cullen Bryant...

Barnet, Will. CHILD REACHING. Szoke 83, Cole 82, Johnson 65. Woodcut, 1940. Edition of 25. Titled and signed in pencil. 7 1/4 x 11 1/4 inches (image), 8 1/8 x 11 1/2 inches (sheet). ...

Moore, Henry. WOMAN'S HEAD. Cramer 630. Color lithograph, 1981. Edition of 50, numbered 9/50 and signed in pencil. 8 3/4 x 9 7/8 inches, 222 x 250 mm. plus full maargins. In excellen...

Three young girls wade in the chilly waters of Portland's East End Beach. This was done with quality oils on linen and is ready to hang. :: Painting :: Contemporary :: This piece co...

The rectangular base mounted with a round lidded ink pot with a porcelain container and a sand pot, each raised on winged lion feet, centered by a ...

Drawing, Ink and colored pencil or Watercolor and color pencil, 2013-2020. 6 x 7 5/8 or 7 5/8 x 6 inches. Signed and inscribed, verso. One of a series of untitled drawings on various...

Drawing, Ink and colored pencil or Watercolor and color pencil, 2013-2020. 6 x 7 5/8 or 7 5/8 x 6 inches. Signed and inscribed, verso. One of a series of untitled drawings on various...

Drawing, Ink and colored pencil or Watercolor and color pencil, 2013-2020. 6 x 7 5/8 or 7 5/8 x 6 inches. Signed and inscribed, verso. One of a series of untitled drawings on various...

Greenhaus, Ben (American, 1908-1951). WENDELL WILLKIE STEPPING OUT OF A CAR. Mounted gelatin silver photograph of Willkie, presumably during the campaign of 1940. c. 12 x 10 inches. ...

Drawing, Ink and colored pencil or Watercolor and color pencil, 2013-2020. 6 x 7 5/8 or 7 5/8 x 6 inches. Signed and inscribed, verso. One of a series of untitled drawings on various...

Each with a different flying dragon raised on a scrolling base ending in a flaming urn.

Prior, Scott (American born 1949). TENTS. Etching with hand-coloring, 1986. Artist's Proof aside from the edition of 30 (the regular edition is not colored; there were three hand-col...

Carriere, Eugene. LE FONDEUR. Lithograph, 1900. Printed by Chaix and Malherbe, Paris. Poster for the metallurgy pavilion of the Paris Exposition of 1900. 51 x 34 3/4 inches, 1307 x 8...

Dunham, Gregory (American, born 1946). HAYMARKET III. Drawing, pencil on paper, 1983. Signed and dated, lower left. 29 3/4 x 22 1/4 inches, the full sheet, with deckle on all sides....

Peterdi, Gabor (American, born Hungary, 1915-2001). THE STORM. Johnson 154) Etching and engraving, 1958. Edition of 15, signed, dated, titled and numbered 3-15 in pencil. 22 x 32 inc...

Bishop, Isabel. TAKING OFF HER COAT (REACHING FOR THE COAT SLEEVE). Etching, 1943. Teller 32. An early proof, printed by Bishop before the 1981 edition of 50 printed by Stephen Sholinsky...

Crite, Alan Rohan. THE REVELATION OF SAINT JOHN THE DIVINE. Limited Editions Club, NY, 1995. Number 88 of the edition of 300 copies. Large folio (22 x 16 inches) clamshell box in black cloth with morocco label, book in Black Cloth, with morocco label, 58 pages with the text of Revelations in the King James Version, and fifteen "relief engravings" (wood-engravings?) by Alan Crite...

In the style of Andre Arbus, hung with gilt and patinated bronze links, the central urn cast with two gilt masks and handles, with four candle arms.

Hankey, William Lee (Britain, 1869-1952). L'ENFANT S'AMUSE. Etching, not dated. Signed in pencil and impressed with the artist's monogram chop, and also monogrammed and marked with a...

Stella, Joseph. STUDY OF A MAN WITH A HAT AND OVERCOAT. Blue, red and black crayon on tan wove paper, c. 1920. 6 7/8 x 4 3/4 inches; 173 x 120 mm. Signe...

Sloan, John. HEAD WITH NECKLACE. Morse 163. Etching, 1913. Edition of 100, of which only 75 were printed. Titled, signed and inscribed "100 proofs" all in pencil, and further signed ...

An extraordinary 18k yellow gold eternity band featuring a total weight of 9.60 carats of 100% natural, oval-cut rubies. Handcrafted to perfection, this striking piece is comprised o...

Much of Keith Hamilton's work is a comment on human perception: how our mind tries to recognize patterns and make sense of a complex world. Because context greatly influences how we ...

In the neoclassical taste, the open reeded spouts above ovoid bodies with leaf-clasped socles on square bases, the handles terminating in a female mask. This pair of ewers...

Ocampo, Isidoro. EN LA NEVERA. Drypoint, 1929. Edition of 50, numbered 3/50 and signed in pencil. 9 1/2 x 6 3/4 inches. Printed on paper watermaked "F.J. Head & Co." In excellent con...

Henry Rox (1899–1967) Banana Canoe on Watermelon Whale c. 1940–1945 Vintage silver gelatin print 8 x 10 inches Verso copyright stamp: “Copyright Henry Rox, 102 College Street, South ...

Born in Paris in 1849, French painter, printmaker, etcher and illustrator Auguste Lepère apprenticed under British wood engraver Joseph Burn Smeeton in Paris at the age of thirteen. ...

This bird's eye view of a small portion of the Texas countryside reveals the patchwork of different fields and crops. Roads and waterways go straight or wander where they want. The...

Hague, Michael. HAPPY BIRTHDAY ANNE. Ink and Watercolor, not dated, but likely 1970s. Initialed "M.H." in ink within the image, and inscribed, within ...

Arentz, Joseph M. (American, born Germany, 1903-69). SHEET METAL WORKER. Pencil Drawing, not dated 9 1/2 x 8 1/2 inches. Pencil signed. Framed. Modernist drawing of an industrial...

A listed 19th century British artist and Barbizon School painter, Thomas W. Morley's Figure by the Sea captures the color, technique, softness of form and tonal qualities indicative ...

Born in St. John’s Wood, London in 1874, landscape and animal painter William Brock studied at the Royal Academy and Ecole des Beaux Arts in Paris. Brock exhibited at the Royal Acade...