Maine

Jaeckel, Willy (German, 1888-1944). CHRISTMAS (SELF-PORTRAIT). Drypoint, not dated, but circa 1940. Edition size, if any, not stated. Signed in pencil. 9 1/4 x 7 7/8 inches (plate),...

Hart, George Overbury (Pop). AWAITING THE BOATS' RETURN. Etching, not dated. Edition size not known. Signed in pencil, lower right. 5 x 7 inches, 126 x 177 mm. (plate), 7 1/4 x 9 1/...

Kupferman, Lawrence. FANTASIA AMERICANA. Etching, 1943. 2d edition of 100(c. 1980) with the embossed stmp of the printer. 12 x 14 3/8 inches (Plate); 17 x 19 7/8 inches (sheet). Sig...

Arms, John Taylor. PUERTA DEL OBISPO, ZAMORA (THE BISHOP'S DOOR, ZAMORA). Fletcher 266. Etching, 1933. Edition 160, of which this is likely one of the 25 p...

Shorey, Charles Urban. WARREN G. HARDING SIGNED, INSCRIBED AND DATED PHOTOGRAPH. Original gelatin silver photograph, 1921. Inscribed and signed on the p...

Bishop, Isabel. UNTITLED (WOMAN LOOKING IN PURSE). Ink on cardstock, not dated. Unsigned. 5 x 5 inches. A fast, likely unposed sketch of a passerby. In excellent condition. Isabel Bishop, 1902-1988. Isabel Bishop was born and raised in the Midwest. She came to New York in 1918 where she studied at the New York School of Applied Design for Women and the Art Students League, where her teachers included Kenneth Hayes Miller and Guy Pene du Bois. In 1934 she rented a studio in Union Square where she worked for the remainder of her career, often taking as her subjects the men and women who worked in the shops and offices on the square, or who walked or sat in Union Square Park. She was a great draughtsman, and much of her graphic work is devoted to studies of the human figure in motion or at rest within the context of their activities in Union Square or similar settings. Bishop made etchings throughout her career, producing more than 80 prints between 1925 and 1982. Prior to 1978 Bishop had editoned only a few of her prints; most of them were printed on an “as needed” basis only, by her, on her own press as gifts, or for sale. From 1978 on, Bishop collaborated with Sylvan Cole of Associated American Artists and the master printer Stephen Sholinsky...

Brinton, D. UNTITLED [GENTLEMAN OBSERVING BILLIARDS GAME]. Drypoint, n.d. (c. early to mid-20th Century). 8 x 6 inches (image), 11 1/2 x 8 inches (sheet). In excellent condition, wit...

Birmelin, Robert. FLYING DOG. Etching, not dated. Edition of 12. Signed in pencil and numbered and titled. 8 7/8 x 8 7/8 inches (image), 12 5/8 x 18 1/8 inches (sheet). In excellent ...

Abramovitz, Albert (American, born Latvia, 1879-1963). UNTITLED (TWO CONSTRUCTION WORKERS WITH BRICKS). Linoleum cut on wove paper, c. 1930s. Si...

Mack, Harry F. POCKETS FOR POWDER IN THE MINE. Etching with aquatint, not dated, but circa 1930s. Titled and signed "H. F. Mack" in pencil. 7 7/8 x 6 inches (plate), 10 3/4 x 9 1/4 i...

Barnet, Will. MARY SEWING. Szoke 32, Cole 31, JOhnson 37. Lithograph, 1936. Edition of 10. Titled and signed in ink. Printed by the artist on Rives paper. 17 1/4 x 13 1/2 inches (ima...

Greenhaus, Ben (American, 1908-1951). WENDELL WILLKIE STEPPING OUT OF A CAR. Mounted gelatin silver photograph of Willkie, presumably during the campaign of 1940. c. 12 x 10 inches. ...

Ocampo, Isidoro. EN LA NEVERA. Drypoint, 1929. Edition of 50, numbered 3/50 and signed in pencil. 9 1/2 x 6 3/4 inches. Printed on paper watermaked "F.J. Head & Co." In excellent con...

Barrett, Thomas. LOTUS. Screenprint in colors, not dated. Edition of 100. Numbered 89/100, titled and signed and dated in pencil. 22 1/2 x 28 1/2 inches. In excellent condition.

Sloan, John. SHINE, WASHINGTON SQUARE. Morse 206. Etching, 1923. Signed, titled and inscribed "100 proofs," and further inscribed "Peter Platt imp." Morse says that 80 were print...

Sloan, John. MAN MONKEY. M.130. Etching, 1905. Edition of 100, Signed by Sloan. Dated in the lower margin "June 13 - 1905," and further inscribed "J. S. imp. dated by Sloan - final s...

Crawford, Ralston. LAFAYETTE STREET. Freeman 54.11 Lithograph printed in gray and black on white paper, 1954. Edition of 30, signed in pencil and numbered 23/30. 16 x 22 inches, 407 ...

Blampied, Edmund. STUDY OF A BEGGAR. Drawing, charcoal on paper, circa 1930s. Signed within the image. 11 1/8 x 8 3/4 inches, 282 x 218 mm. The gray paper has faded to tan, else in v...

Wallersteiner, Jehuda Isaraeli 1915-2004). UNTITLED (WOMAN WEAVING). Woodcut in colors, not dated. Edition of 85. 38 x 26 inches.Signed in pencil and numbered. Framed, .

Barnet, Will. CHILD REACHING. Szoke 83, Cole 82, Johnson 65. Woodcut, 1940. Edition of 25. Titled and signed in pencil. 7 1/4 x 11 1/4 inches (image), 8 1/8 x 11 1/2 inches (sheet). ...

This pineapple vibrates with tropical colors. It was done with quality oils and cold wax on linen. It may be hung without a frame. :: Painting :: Contemporary :: This piece comes ...

Everyone loves fresh corn, especially the first of the season. I love the look of corn: all those pearly teeth and wisps of corn silk. This was done with quality oil paints on line...

These young green pumpkins can't help but be green with envy at their bright, glowing neighbor. This painting was done with quality oil paints on linen. The edges are painted dark ...

The vibrant display at farmers' markets is eye candy to me. I love the little eggplants stacked in mini-baskets and the wide variety of colors. This was done with quality oil paint...

Red plants grow in a dark environment that is hot and damp. This 40x30 painting has lots of interest over the surface. The edges are painted and it is ready to hang. :: Painting ::...

Born in Homestead, across the river from Pittsburgh, Pennsylvania in 1939, artist George Nama specializes in abstracted figures rendered in a variety of media that respond to and illuminate the works of writers such as Charles Simic, Yves Bonnefoy and Alfred Brendel. In the 1960's Nama worked in William Stanley Hayter...

New work. From a new series of original drawings and studies. :: Drawing :: Contemporary :: This piece comes with an official certificate of authenticity signed by the artist :: Read...

Lately when I draw I put my mind in neutral and just... draw. Fill the paper. I think of it as American Expressionism. Angst... :: Drawing :: Contemporary :: This piece comes with an...

Lately when I draw I put my mind in neutral and just... draw. Fill the paper. I think of it as American Expressionism. Angst... :: Drawing :: Contemporary :: This piece comes with an...

I've been using beet juice as a medium. It's an awesome color. It will fade in sunlight so I keep it in a not bright place. I love the fact that it changes over time... :: Painting :...

This pineapple vibrates with tropical colors. It was done with quality oils and cold wax on linen. It may be hung without a frame. :: Painting :: Contemporary :: This piece comes ...

abstract, semi-figurative, colorful oil and charcoal on canvas :: Painting :: Abstract :: This piece comes with an official certificate of authenticity signed by the artist :: Ready ...

It's hard to draw or painting anything now that isn't tinged with what is currently happening... if you don't know what I am referring to then great- maybe we've moved on to healthie...

Part of a series done in 2020. Is there a Pandemic influence? On everything... Making this art is my challenge but framing it could be yours. I've provided a sample image showing th...

This drawing was made with beet juice derived from Maine beets. Like everything else in this mad year it is about concern and caution. Mostly it's about color! :: Drawing :: Contemp...

This original drawing is boldly reproduced on an aluminum canvas. It is light, sturdy and ready to hang. It's new and part of my covid 2020 series: "we're ready to kill one another."...

I love music and musicians and art is my only way to make music out of lines and colors. :: Painting :: Contemporary :: This piece comes with an official certificate of authenticity ...

If I knew what the picture was going to be like- I wouldn't make it. Cindy Sherman said that. It's so true. I stay away from politics but now it's impossible. :: Mixed Media :: Conte...

The Coast of Maine, where I live is always at its most extravagant the day following a storm : crashing waves, bright sunlight, rich colors and sea spray. I always go to see this spe...

This is one of an ongoing series about things in the room that is my mind... :: Painting :: Contemporary :: This piece comes with an official certificate of authenticity signed by th...

People worry about getting into a rut. I love a good rut! My pen works pretty automatically in that bumpy boring place on the road. It's where the bald man is...

First I want to thank Steve King for the word "langoliers". It's at the end of one of his books. The langoliers create the bones of the future immediately as the past fades. I channe...

I fell in love with pedestals in Italy! So many unknown luminaries- many astride great steeds! So I like to put my imaginings on a pedestal! Everyone: Salute! Or at least take a look...

In New England we don't have much of a warm spring but we do have what we call mud season. The snow melting combined with spring rains leave the earth so...

I just draw them... the things that go through my mind these days... The medium was derived from reduced beet juice. Something original in this busy world? I think so... :: Drawin...

The painting developed from my walks at The Wells Reserve at Laudholm Farm in Wells, Maine. The yellow of the historic buildings and the stark Maine winter...

Only accessible at low tide, Little Beach has a quiet enduring presence. I worked to create this by the solidity of the cliffs, the open space of the beach, and the tones in the imag...

This is from a place overlooking a steep long waterfall; the kind that gives one vertigo. This was done with quality oil paints and cold wax on stretched linen. The edges are light...

A weathered old Maine one-room schoolhouse painted on stretched linen ready to hang. :: Painting :: Impressionist :: This piece comes with an official certificate of authenticity sig...

This picture started out on paper and ended on glass through a unique printing process... :: Digital :: Contemporary :: This piece comes with an official certificate of authenticity ...

Don't most gardeners wear floppy hats? I always do and also wear some gloves. Gardening is a joy, exercise and therapy rolled into one. What could be better? This was done with q...

This was a random moment outside the Olson house where Wyeth painted so many of his haunting paintings. A neighbor's horse got loose and came trotting past all of us tourists to get to the apple trees...

This colorful home-grown bouquet painting was done with quality oil paints and cold wax on stretched linen. The edges are a pale orange and it may be hung without a frame. :: Pain...

Out in the middle of the Maine woods is an old abandoned house sitting next to train tracks. I don't think a train comes through here anymore. :: Painting...

In late summer the coneflowers start to fade and the butterfly plants form milkweed-like seed pods. All of it producing a lot of seeds to propagate more plants for next year. This ...

These apple trees are stripped of their leaves and fruit. Their sucker branches reach high and the drops on the ground will be food for wild critters. This was done with quality oi...

This is an upward view of a clump of birches. This is painted with quality oil paints on linen and may be hung without a frame. :: Painting :: Impressionist :: This piece comes with...

This garden had a variety of plants but no weeds. Really. This was done with quality oil paints and cold wax on linen. The edges are painted a dark color and it may be hung withou...

Even after the flowers are gone, poppy seed heads add so much interest to the garden. They're like salt shakers and seed so a new batch of poppies will gro...

Silver Thread Falls is a small falls in the Delaware Water Gap. Raymondskill Falls is nearby and is more impressive but the height and vertical nat...